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Martine Rose Spring 2026: Honey, I Shrunk the Clothes

Martine Rose Spring 2026: Honey, I Shrunk the Clothes

Yahoo15-06-2025

Martine Rose moved to more elegant surroundings this season, with a set design resembling a haute couture salon decorated with wooden chairs and white curtains with ruffles that covered the walls and columns inside the St. Marylebone Jobcentre in London.
'I really wanted the models to enjoy posing and to have fun and for it to be charming because people are charming, aren't they?' said Rose, who worked with street-cast models for her show on Saturday.
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She swapped her signature oversized silhouettes for shrunken, cinched pieces that had an undertone of awkwardness. Somehow it was still sexy, in the vein of Mills & Boon bodice-ripper romance novels.
Her characters, some of whom sported long Brian May-esque wigs, wore cropped leather jackets with biker pants; denim shorts with the pockets hanging out, and dresses with a faded tartan pattern.
There were two-in-one trousers with the top half resembling jodhpurs and the bottom nodding to soccer socks, and apron skirts with ruffles that matched the set design.
Rose said the collection was about inexplicable beauty. 'You don't know why you find something beautiful or sexy, but you just do,' said the designer. 'I wanted people to be sort of swept up in a bit of a dream, but [the designs] are still real. It's a sort of push and pull,' she said.
As always, Rose swung the spotlight on the local community. One floor down from the show space, the designer set up a street market and invited a handful of locals to take a corner and sell their T-shirts, magazines, antiques and accessories.
'The show space was an opportunity to celebrate all of the creative people in London and everyone that contributes to the cultural life and dynamism of London — and that needs celebrating,' said Rose.
After the show, guests including Romy from band The xx and Simone Rocha roamed around the market, which also had a bar and an area serving pizza.
Launch Gallery: Martine Rose Spring 2026 Ready-to-Wear Collection
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Partners And Politics Fuel Willy Chavarria's Growing Brand At PFW
Partners And Politics Fuel Willy Chavarria's Growing Brand At PFW

Forbes

time41 minutes ago

  • Forbes

Partners And Politics Fuel Willy Chavarria's Growing Brand At PFW

The finale of the Willy Chavarria Spring Summer 2026 fashion show. Since debuting his namesake line in 2015, Willy Chavarria has stayed the course of its founding principles to find beauty that is often unseen and to promote political messages, deemed positive assuming your views are liberal, as most of fashion is. His core beliefs have led to an affiliation with the ACLU, for which he has designed merchandise for fundraising purposes. For his second show in Paris, entitled "Huron" for the California agriculture town Chavarria was raised in, the designer took the political concept even further and rolled out more in the way of partners that fuel the brand's fast ascent.A model at the Willy Chavarria fashion show. The show opened with a particularly poignant, if not painful scene to watch, A group of 35 Chavarria staple models, whose everyday look is typically a shaved head and plenty of tattoos, dressed in white shorts and T-shirts made in partnership with the American Civil Liberties Union (ACLU) walked on to the runway, got down on their knees and bowed their heads with hands behind backs, assuming the position that detainees who were exported to El Salvadoran prisons under the new Trump administration in US were seen in in media coverage. The T-shirt had print that read: "The ACLU dares to create a more perfect union - beyond one person, party, or side." Backstage, Chavarria was clear the expression of his feelings on the matter were not to be stifled, repercussion threats be damned. "With regard to activism and politics, regardless of what we do, we're being political. When we're not saying something, it's much louder than saying something. I have no choice; we have no choice in this moment, but to try to defend ourselves," Willy Chavarria walks the runway of his Spring Summer 2026 show. He also felt it was a necessary statement, but also ironic. "I named the show after my hometown, Huron, and my family is here in Paris, and for the first time, seeing one of my shows. It's an amazing, beautiful experience. Simultaneously, as of yesterday, ICE is attacking the town of Huron, with armed militia surrounding homes. It's a state of horror." Chavarria said, adding that he wanted to contrast the chaos of the kidnappings against the beauty of the people being chipped away and the families they leave behind. It was a heavy place to start a fashion show, but all of Chavarria's shows have addressed social issues. As the real clothes descended while Mexican activist singer Vivir Quintana serenaded the crowd to trimmed-down versions of Chavarria's outsize tailored silhouettes and came in bright colors that he said we derived from factory uniforms across the globe, and often in oppressive nation states. Oddly, when combined, Chavarria thought of the preppy look, recently reinforced through his TV watching habits of "Sirens" and "Palm Royale" "It made me think about this preppy narrative, this luxury about who is supposed to claim luxury because of its social status. I thought it would be fun to play with because that's an old idea of luxury, hence the dying luxury market today. I wanted to show luxury in a new way, worn by people who feel no one needs to tell us who can wear luxury," he said. A look from the Willy Chavarria Spring Sumer 2026 collection. However, preppy and uniform-like, this section of the show recalled 1970s Parisian glamour, complete with a revival of the Charles Jourdan shoe brand co-branded with Willy Chavarria. In other accessories news, Spanish Andalusian-inspired hats decked out in signature brand roses and keys as charms prevailed. It was evident from the start that rather than peppering in some women's looks, at least half of the collection was typical women's cuts and shapes. "From a creative and business sense, it's been an intentional growth into women's. I hired Rebeca Mendoza, an exquisite women's wear designer, starting with my last collection. I wanted to wait until I had the right women's wear designer with a female perspective to design it," he continued, noting his production is in Italy now. Along with tailored feminine styles and 'snatched' belted tight leather trend looks, the designer offered a series of brightly colored off-shoulder gowns with a modern Renaissance mood. Tequila brand Don Julio has been a long-time brand partner, and other partners include World Net, APICCAPS, the Portuguese Footwear Association, Mariano Shoes, and Return to Vendor (RTV) on eyewear and swim trunks. Adding in the biggest partner, Adidas, which showed its third Willy Chavarria season, it was a lot to take in, and was often disorienting to grasp the collection's direction. But including the various elements tracks, Chavarria's mantra is inclusivity. An Adidas X Willy Chavarria look from Spring Sumer 2026 Adidas's styles took cues from Los Angeles Street culture, including branding with an LA logo. "That look has had such an impact on fashion. I did the LA logos with a friend, Sal Prego, who owns a tattoo parlor there, who did the graphics by hand. As this project was finishing the final product, Los Angeles became another city under attack, so this parallel makes me feel like someone is driving this trip much bigger than me." When asked about the rumors that Fendi is looking at Chavarria to join the Italian heritage house. "That is hearsay. I'm not the right person to ask because I know nothing about it. I can't even speculate what people are thinking."

30 Songs That Defined Ozzy Osbourne's Legendary Career
30 Songs That Defined Ozzy Osbourne's Legendary Career

Forbes

timean hour ago

  • Forbes

30 Songs That Defined Ozzy Osbourne's Legendary Career

A 1991 portrait of Ozzy Osbourne in London. The Prince of Darkness, Ozzy Osbourne, has long stood as the godfather of heavy metal in the eyes of metal fans and through the lens of pop-culture. There's never been a rock personality that's been so multifaceted in both their music career and in their public life quite like Ozzy Osbourne has. From fronting the world-renowned pioneering heavy metal band Black Sabbath to forging one of most successful solo careers in the genre, the Birmingham, England singer's musical legacy remains one of the most respected in contemporary music. His joyously crazed out personality and thrilling live performances have established him as rightful poster-child for the rock and heavy metal counter-culture he helped to pioneer. Osbourne truly is the first and most iconic heavy metal frontman there ever was. Top Ozzy Songs By consistently reinventing himself throughout his career, Ozzy Osbourne has managed to produce and contribute to some of the most cherished hard-rock and metal records of all time. Between Black Sabbath and his solo career, Ozzy Osbourne has 22 studio albums under his belt – 13 from his solo career and nine with Black Sabbath. While this list does include a number of Black Sabbath songs, particularly songs that highlight Osbourne's personality and songwriting, the songs from Osbourne's solo career were prioritized in the ranking of this list, as Black Sabbath's work tends to be appreciated for the collective contributions of its members. Of course, the many hits from Osbourne's solo career would also be nothing without the virtuosic guitarists and instrumentalists he had by his side. That being said, this list aims to highlight the best songs from Ozzy Osbourne's vast career, and more specifically songs that have contributed to his revered status amongst rock and metal connoisseurs. Ozzy Osbourne's career saw quite the change prior to the recording of his 11th studio album, Scream. Longtime guitarist Zakk Wylde had exited the band, and Osbourne had brought in shredder Gus G. Despite the album not reaching the same highs of Osbourne's previous work, the lead single 'Let Me Hear You Scream' was a solid track that showcased Gus G's incredible guitar talents, as well as Osbourne's knack for writing a hooky chorus – even if the lyrics are a bit below average. Apart from a select few tracks, Ozzy Osbourne's seventh studio album Ozzmosis doesn't offer much compared to the albums before it. However, 'I Just Want You' is one of the few tracks that shine, and a lot of that is due to guitarist Zakk Wylde's performance. It's not as strong as some of Osbourne's other ballads but it's a solid song nonetheless. After not releasing an album for nearly a decade, Osbourne's twelfth studio album Ordinary Man was the sonic switch up he needed. The title track to Osbourne's comeback album features the legendary Elton John, and it's an emotive ballad that walks listeners through Osbourne's chaotically beautiful life as a rockstar. Guitarist Slash adds the cherry on top with a guitar solo worthy of being on any golden-era Guns N' Roses LP. If there's one thing 2020's Ordinary Man did better than any of Ozzy Osbourne's previous LPs, it was taking a risk. 'Take What You Want,' the 2019 single which first appeared on Post Malone's Hollywood's Bleeding, showcases Osbourne alongside modern music titans Malone and Travis Scott. While the song is less centered around Osbourne, the fact Osbourne is able to hold his own and fit amongst these other big names truly is an achievement in its own right. With over 700 million streams on Spotify, the song is the most successful track Osbourne has appeared on in well over a decade. Although it's a less favored album of the Zakk Wylde-era Osbourne LPs, tracks like 'Fire in the Sky' exemplify why No Rest For The Wicked is full of under appreciated gems. From the heavy chords laid out in the chorus, to verses and bridge section that sounds reminiscent to the seminal Randy Rhoads-Osbourne albums, 'Fire in the Sky' is a track that often goes unnoticed when discussing great Ozzy Osbourne tracks. Lyrically and thematically 'Desire' is a definitive Ozzy Osbourne anthem. The 1991 uptempo groover off the multiplatinum LP No More Tears, has Osbourne candidly expressing his love for the rockstar lifestyle, and how it's been an innate desire since the beginning of his career. Sure, the abrupt and randomly placed 'Crazy Train' chants at the end are a bit goofy, but that's part of the wild, unpredictable persona of the Prince of Darkness, which 'Desire' ultimately showcases. The fifth studio album No Rest for the Wicked, was the first album to feature now fan-favorite guitarist Zakk Wylde. Wylde had a far more blues inspired approach to the guitar than any of the previous guitarists in Osbourne's crew, and the main riff and tornado shredding solo on 'Miracle Man' showcases this. As the opening track on the album, 'Miracle Man' made it clear this fifth album was the start to an exciting new era, and even more animated Ozzy Osbourne. 'Believer,' the fourth track off Ozzy Osbourne's sophomore opus Diary Of A Madman, has less of the spotlight pointed at Osbourne than it does at his god-like guitar player, Randy Rhoads. The song goes through a spectrum of hypnotic chord progressions overtop some sinister sounding synths. However, the real climax is Rhoads' guitar solo. Apart from Eddie Van Halen, in 1981 Rhoads was doing things beyond comprehension with guitar and 'Believer' offers a glimpse into his ingenious mind. Many Black Sabbath songs' lyrics weren't actually penned by frontman Ozzy Osbourne, but the track "Fairies Wear Boots" off Black Sabbath's sophomore LP Paranoid was actually written by Osbourne. Supposedly the song describes Black Sabbath's encounter with a group of skinheads, which resulted in guitarist Tony Iommi getting injured and having to postpone a show. The track's swinging blues groove complements Osbourne's frantic vocal range, and it's one of the first Sabbath songs to showcase Osbourne's more untamed vocal approach. Guitarist Jake E. Lee's career with Ozzy Osbourne is often overlooked, despite him contributing to some of Osbourne's biggest hits. One of the lesser known Lee jams that's an absolute must listen is the self-titled track off 1986's The Ultimate Sin. Lee's ability to amalgamate rhythm and lead playing rivals that of Rhoads, and it also complements Osbourne's powerful and straightforward vocal inflections throughout this track. "Close My Eyes Forever," the duet with fellow revered rock icon Lita Ford is still Osbourne's highest charting single to date and it's the biggest hit of Ford's career. The slow ballad gives plenty of room for both Osbourne and Ford to shine, and it's one of the few instances in the '80s of two massive rock icons joining forces and producing something substantial. The opening track off Osbourne's 1991 opus No More Tears is a joyride of heavy groovy riffs and explosive choruses. Up until this point, no record in Ozzy Osbourne's career sounded so pristine. All the elements of the heightened production from this record are in full swing with 'Mr. Tinkertrain,' and to date it's still one of his most underrated tracks even if the lyrics and subject matter may feel dated. Jake E. Lee's masterful guitar work, coupled with Osbourne's gripping themes of nuclear annihilation, make for a surprisingly poignant composition. There aren't many tracks in Osbourne's solo career that deal with such an intense and relevant subject matter, and that also wields such emotively intricate instrumentals like 'Killer of Giants." The heavy swinging riffs and vocal hooks on the album opener 'Perry Mason,' don't attempt to knock on the door; rather, they immediately kick it down right from the get-go. Featured on Osbourne's less favored seventh studio album Ozzmosis, 'Perry Mason" is the most popular and the best track on this LP, on top of being a essential Zakk Wylde tune. 'Flying High Again' is a joyous track on so many different levels. After his firing from Black Sabbath, and then experiencing the massive success of his first solo LP, Ozzy Osbourne's second album with guitarist Randy Rhoads had the singer finally living the rockstar dream once again. From the iconic guitar work of Rhoads to the endless good vibes throughout this song, 'Flying High Again' showcases why much of Ozzy Osbourne's solo work has become so timeless. Marijuana has been a part of Ozzy Osbourne's brand since the early days of him fronting Black Sabbath. Along with being a quintessential Sabbath track, 'Sweet Leaf' helped pave the way for Osbourne's outlandish and alternative brand of music that's inspired so many millions of listeners and musicians. Down To Earth, Ozzy Osbourne's eighth studio album, isn't the most praised record in his discography, which may have something to do with the fact that guitarist Zakk Wylde wasn't involved in the writing process. However, other songwriters were recruited for this record, and one of which was the founding member of Foreigner, Mick Jones, who would help pen the album's biggest hit 'Dreamer.' It's still one of Ozzy Osbourne's most beloved ballads and it's easily the best track off this LP. Featuring one of the most iconic drum intros in heavy metal, courtesy of Lee Kerslake, 'Over The Mountain' kicks off Ozzy Osbourne's sophomore LP with a more technical and hard-hitting instrumentation than heard from his debut. Nearly every track guitarist Randy Rhoads contributed to is required listening; however, due to the riffs and solo work on this track, 'Over the Mountain' is amongst the top 10 Rhoads-era songs. Drugs have played a major influence in Ozzy Osbourne's career, just as they have for all the original members of Black Sabbath. Cocaine was especially used during the recording of Black Sabbath's seminal fourth LP, Vol. 4, which is exactly what the band's haunting and monolithic track 'Snowblind" is about. The track is a startling reminder and even a foreshadowing of the pain and mental anguish drug addiction will cause, and is a facet of Osbourne's career which he he has openly discussed. Make no mistake, 'Mama, I'm Coming Home' is the best ballad of Ozzy Osbourne's solo career. Beautiful in its presentation and empowering with its lyrical themes, 'Mama, I'm Coming Home' showcases the best elements of Ozzy Osbourne and his band in a timeless fashion. Unknown to many, the lyrics for the song were actually penned by fellow heavy metal pioneer and Motörhead frontman, Lemmy Kilmister. Standing as the saddest song in Black Sabbath and Ozzy Osbourne's discography, 'Changes' reflects on the growing pains caused by a relationship gone sour. This song was particularly significant in that it showcased Ozzy Osbourne's tremendous range as a vocalist, and it was unlike any song he had performed on at the time. Retrospectively, 'Changes' is an interesting metaphor to the rollercoaster lifestyle Osbourne has endured, which has come with many unexpected turns, both high and low. Written by Ozzy Osbourne, Zakk Wylde, and Motörhead frontman Lemmy Kilmister, 'Hellraiser' drips with the iconic swagger of Wylde's pinch-harmonic riffs, and lyrically it embodies the rebellious attitudes of both Osbourne and Kilmister. While it's also an homage to the 1987 horror film of the same name, its interconnected metaphors for the rockstar persona, which Osbourne exemplified, make 'Hellraiser' one of his defining tracks. "Paranoid" is the most popularized song in Black Sabbath's entire catalogue, and outside of one of his solo career hits, it's the biggest song of Ozzy Osbourne's career. There's a strange phenomenon with 'Paranoid' in that it's so addictive from its vocal hooks that by the time it's over you'd think the entire song was one long catchy chorus, despite there only being one chorus. It's an early demonstration for how unique Osbourne's voice was at the time, and showcases his natural ability to make simple vocal lines sound catchy. Another one of Black Sabbath's early monolithic hits, 'War Pigs' is coated with Ozzy Osbourne's vocal vibrancy that makes its rebellious anti-war themes hit like a haymaker. Just like 'Paranoid,' 'War Pigs' is a defining Black Sabbath anthem, but without Osbourne's touch this Sabbath classic wouldn't have the personality that's helped leverage into to becoming the band's magnum opus. Although Jake E. Lee only appeared on two of Ozzy Osbourne's solo albums, he helped produce some of Osbourne's greatest hits and most under-appreciated gems. While 'Shot in the Dark' was a massive hit, Osbourne's pristine vocals and Lee's amalgamative lead-rhyhtm playing never get enough praise on this track. From the chorus to the bridge solo, to the hard hitting main riff, 'Shot in the Dark' exemplifies the best sonic qualities of Ozzy Osbourne's solo career. Randy Rhoads is often cited as one of the greatest metal guitarists of all time, and the title track to Ozzy Osbourne's sophomore album is a testimony to why. 'Diary of a Madman' showcased the range of sonic emotions that Rhoads and Osbourne were capable of painting together when they were at their best. There's a pain heard in Osbourne's voice throughout this track, and it's almost as if he's taking the character of the madman portrayed in the song. It's a brilliant showcase of the lengths Osbourne and his band would go to create rich sonic worlds. There are a number of phenomenal and underrated Jake E. Lee-era Ozzy tracks, however, 'Bark at the Moon' will forever be viewed as the pinnacle Jake E. Lee song and one of Ozzy Osbourne's finest songs in his discography. At the time there was animosity towards Ozzy Osbourne and his camp for crediting Osbourne as the sole songwriter for the entire album (which is the only album in his discography to do so). However, the fans see through this, and 'Bark at the Moon' is routinely hailed for Lee's masterful guitar work as well as Osbourne's frantic performance. In a way, 'No More Tears' is like Ozzy Osbourne's upside down version of Queen's 'Bohemian Rhapsody' – epic in length, often progressive in structure, and addictive for its anthemic qualities. The song showcases the best of Zakk Wylde – from the thunderous main riff to the climactic solo – and easily cements itself as the greatest Wylde-era track. Ozzy Osbourne's electrifying vocal layers further elevate 'No More Tears' into the ranks of the all-time greatest rock anthems. Arguably the hit that jumpstarted Ozzy Osbourne's solo career, 'Crazy Train' will forever be the Prince of Darkness' most popular song. While its immense popularity keeps it from being the greatest Ozzy Osbourne track, it's certainly the song that has defined his solo career since the '80s. Between Osbourne's infectious cry-outs in the chorus and guitarist Randy Rhoads' iconic riffs and solos, there are countless reasons why 'Crazy Train' has remained among the greatest rock anthems ever created. Few songs from Ozzy Osbourne's solo career single-handedly changed the playing field for rock guitar music like his epic opus, 'Mr. Crowley.' Of course, a lot of the success of Osbourne's solo career is due to guitar virtuoso Randy Rhoads, however, the chemistry that the two had together was pure lightning in a bottle, and it's ultimately what has made Osbourne's early albums so timeless. Bottom Line There aren't many musicians in heavy metal who have a career as illustrious as Ozzy Osbourne's. His early albums with guitarist Randy Rhoads are often cited as his career-defining work, and the many masterfully crafted tracks on these records showcase why. While his tenure with Black Sabbath already established him as a rock icon, the sheer number of hit records Osbourne produced in the '80s and '90s further cemented his place in the Mount Rushmore of heavy metal. Frequently Asked Questions (FAQs) How Many Albums Has Ozzy Osbourne Released? Over the course of his solo career which began in 1980, Ozzy Osbourne has released 13 studio albums. Blizzard of Oz (1980) Diary of a Madman (1981) Bark at the Moon (1984) The Ultimate Sin (1986) No Rest for the Wicked (1988) No More Tears (1991) Ozzmosis (1995) Down to Earth (2001) Under Cover (2005) Black Rain (2007) Scream (2010) Ordinary Man (2020) Patient Number 9 (2022) What Are Ozzy Osbourne's Best Albums? The discourse around which Ozzy Osbourne solo albums are best usually starts and ends with the Randy Rhoads albums, which were Osbourne's first two records. However, more recently fans have come around more to appreciate the Zakk Wylde era as well as the Jake E. Lee albums more. Here are the rankings Ozzy Osbourne's 10 best studio albums, from least to most favored: 10. Scream (2010) 9. Patient Number 9 (2022) 8. Ordinary Man (2020) 7. Ozzmosis (1995) 6. Bark at the Moon (1984) 5. No Rest for the Wicked (1988) 4. The Ultimate Sin (1986) 3. No More Tears (1991) 2. Blizzard of Oz (1980) 1. Diary of a Madman (1981) Why Did Ozzy Osbourne Leave Black Sabbath? Ozzy Osbourne was fired from Black Sabbath in 1979 for many reasons. The band's previous records, Technical Ecstasy (1976) and Never Say Die! (1978), were commercial flops and to this day they're not favored amongst Black Sabbath fans, especially compared to the band's near flawless albums between 1970 to 1975. At the time, all members of Black Sabbath were heavily under the influence of drugs, though it's said that Ozzy Osbourne began to quickly spiral with alcohol around this time, possibly due to lack of self-worth and self-confidence which came as a result of the band's poorly received albums. Guitarist Tony Iommi was also pushing for a new sonic direction for the band. Around 1978 the band was gearing up to rehearse and record the follow up to Never Say Die!, but Osbourne was nowhere to be found. 'Ozzy was going to clubs and getting really out of it and not coming home,' Iommi states in the book Louder Than Hell: The Definitive Oral History of Metal. 'It got to a stage where nothing was happening with him. He came apart on us.' As result of Ozzy Osbourne's unpredictable behavior and drug abuse, Black Sabbath decided it was time to move on without Osbourne. Over the coure of the next few decades Black Sabbath's original lineup would reunite on numerous occasions, one in 1985 for a special Live Aid performance, and then again in 1997 for a full scale reunion tour. Black Sabbath and Ozzy Osbourne are set to close the book with their final farewell reunion performance taking place July 5th, 2025, in the band's hometown of Birmingham, England.

Rosie Huntington-Whiteley's Rare Photo of Son Jack Shows He's a Daredevil Like Papa Jason Statham
Rosie Huntington-Whiteley's Rare Photo of Son Jack Shows He's a Daredevil Like Papa Jason Statham

Yahoo

timean hour ago

  • Yahoo

Rosie Huntington-Whiteley's Rare Photo of Son Jack Shows He's a Daredevil Like Papa Jason Statham

Rosie Huntington-Whiteley and Jason Statham's son Jack is already turning into his dad's mini-me, and it's so cute to see the transformation. In case you missed it, on June 8, Huntington-Whiteley shared a series of photos celebrating her new collection, and how her kids truly inspired her. More from SheKnows Jason Statham & Rosie Huntington-Whiteley's Rare, Glamorous Photos Together Give It-Couple Vibes She said, 'This collection with @kongessloejd is so close to my heart—an ode to childhood and the bittersweet passing of time. Every bruised knee, every drawing, every flower picked and forgotten in the depths of already-full pockets. These are the days. And these are the itty-bitty things you'll want to remember.' 'Thank you, Jack and Bella—for being the heart of this collection. Your little ideas, your spirit, and your endless wonder are woven into every detail. But most of all, thank you for making me a mum,' she added. 'It's my greatest role, and my greatest joy.' In the post, we get a bunch of snapshots of pieces from the collection, as well as seeing Jack and Bella run around a field in the clothes Huntington-Whiteley designed. We see them hug (cuteness overload!), twirl in the same clothes, and cuddle their mama. However, slide 19, also known as the one where we see Jack swing from the roof of a black cabin, reminded us instantly of Jack's papa Statham. Statham is known for his daredevil-like movies, and it's clear it's rubbing off on his son! For those who don't know, Huntington-Whiteley and her fiancé Statham have been together since 2010, soon after meeting at a party in London. They later got engaged back in early 2016, and now have two children together: a son named Jack Oscar, born on June 24, 2017, and a daughter named Isabella James, born on Feb 2, 2022. In a previous interview with SheKnows, Huntington-Whiteley revealed how she loves learning from fellow moms, especially from those in her #MomSquad. 'I'm always fascinated to learn how working moms juggle it all. How all moms juggle it all. Because it's a juggling act whether you're working or not,' she said. 'I personally always leave conversations with other mothers feeling that I learned something or feeling inspired or comforted by their advice or opinions on things, and I certainly hope other mothers leave conversations with me feeling the same.' Before you go, check out who are fashion icons in the making. Best of SheKnows 27 Times Katherine Schwarzenegger Proved She's the Sweetest Mom 32 Celebrities Who Froze Their Eggs or Embryos From Free-Range to Fully Offbeat, These Celebs Embrace Unconventional Parenting Styles

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