logo
How dehatism is ruining tourism

How dehatism is ruining tourism

India Today2 days ago
A man dances shirtless in Switzerland to blaring Haryanvi music. On the Burj Khalifa's skydeck, Indians spin to the popular Gujarati soundtrack "Chogada", arms flailing, as other visitors, shocked, quietly move away. Then there are the selfie-seeking tourists raiding Goa's quaint Fontainhas, stripping residents of peace and privacy. This is dehatism for you. The dehatism that some are flaunting and killing the joy of tourism for others. And because of the dehatis, even well-behaved tourists are facing a backlash now.advertisementThe shirtless man dancing in the Swiss snow to 'Mere Balka ki Ma Tanne I Love You' is popular influencer Raja Gujjar. We know about it because the dance video was uploaded on YouTube with pride.In Phuket, an Indian man slips past barriers into a tiger's cage for a selfie, screaming moments later as the tiger charges. These moments go viral. Not because they are rare, but because they are increasingly becoming routine.
Be it a popular influencer, a wannabe vlogger or just a group of friends, dehatism — the "We Are Like This Only" attitude — is bringing shame and disrepute to India. In India, these dehatis are a nightmare for locals and tourists.This too is the economy, stupid.Entire generations slogged to gain wealth and respect. Going on holidays with family was a privilege. People soaked in the locales, respected the locals. That was a time when money came after education.After the liberalisation of the 90s, things turned by the turn of the century. Now you have millions of nouveau riche for whom money came regardless of education.Dehatism has nothing to do with people from the mofussil, but with uncouth behaviour that comes with big money and little education. For one, it isn't the people from the rural areas who are the rowdy ones, but the SUV-driving city-dwellers, who create a nuisance at tourist hotspots.The dehatis scare women, tourists and residents alike. They believe they own the place because they are spending and have zero regard for locals and their norms. The only things they leave behind are beer bottles, trash and disturbed locals.If this dehatism isn't curbed, tourists will be greeted with only cold stares and abuses. The signs of which are already available in Goa, Himachal Pradesh and Uttarakhand.DEHATIS A NIGHTMARE FOR WOMEN TOURISTS, LOCALSFrom Goa to Vietnam, reports of harassment by Indian male tourists are piling up, painting a disturbing picture of what is a "dehati menace".In Goa's Arambol, harassment has become routine: women being followed, filmed, catcalled.A Herald Goa report from May 2025 detailed how foreign women were stalked, filmed while sunbathing, and even followed to their shacks by Indian tourists. Police say complaints surge every peak season.advertisementVarkala in Kerala has seen worse.On New Year's Eve, a German resort owner described multiple women being harassed by gangs of men. That same week, tourists at a women's hostel were groped while asleep.Outside India, the dehatis are no better.A February 2025 Reddit post from Pattaya, Thailand, described two Indian men molesting a Thai woman. One of them groped her, while the other filmed, and both turned aggressive when confronted.Others recount being stared at and surrounded in swimming pools and public areas.In Vietnam, a video went viral showing Indian men queuing for selfies with a visibly uncomfortable woman in traditional dress.Tourists also reported men dragging children, waitresses, even strangers into photos. In Hanoi nightclubs, loud, intrusive behaviour by large Indian groups has become a red flag.Dehatism isn't about geography, it's about attitude. It's about being loud, lawless, and oblivious to context. It's the entitlement, flaunted with money, cameras, and zero awareness.TOTAL DISREGARD FOR LOCAL CULTURAL NORMSIn early June 2025, a video of over 40 Indian tourists in Europe blasting Garba music and dancing in the middle of a public street, hijacking a local performance, went viral.advertisementWhat they called cultural pride was seen by many as disruptive entitlement, overshadowing local art and violating public space.In Thailand's Pattaya Beach, authorities recently flagged Indian tourists for urinating in public and leaving behind piles of trash, all within sight of families and other beachgoers. The disregard for hygiene and basic civic behaviour sparked a wave of complaints from both locals and fellow tourists.Back in India, the problem is just as stark.In Himachal Pradesh, videos showed tourists drinking and littering by scenic waterfalls.Visitors dancing on the road at Rohtang Pass to loud Haryanvi and Punjabi songs from car audio systems is a common sight. Drinking on the road, turning the car's boot into a bar, is again a regular sight in the hills.Beer bottles, food wrappers, and plastic waste now litter forested paths and streambanks in Himachal.Environmental authorities have been forced to increase patrols, not for wildlife safety, but to manage wild tourists.Tourist hotspots in Uttarakhand like Nainital, Mussorie and Dehradun are facing a trash deluge.On December 14, 2024, tourists in Nainital were filmed tossing cake wrappers into the valley. When locals politely asked them to use the bin, they snapped back: "Mind your own business". The video went viral, not because it was shocking, but because this behaviour has become so common.advertisementIn Mussoorie and Dehradun, social-media tourists now crowd around riverbanks and springs, flattening vegetation, trampling sacred spaces, and leaving behind everything from plastic cups to camera gear.Local guides say it's harder to control influencers than monkeys — at least monkeys don't vlog.advertisementINVASION OF PRIVACY: LOCALS ARE PROPS FOR SELFIESIn Goa's Fontainhas, famous for its 18th-century Portuguese villas and buildings, residents say they live under siege.Tourists lean on gates, climb porches, and shoot reels against private homes, often without asking. "We're not decorations," a media report quoted a local, tired of ring lights flashing outside their window, as saying.At the Taj Mahal, guides now warn foreigners about unsolicited selfies. Indian tourists often hover too close, snap photos without consent, and ignore refusals.In Mangalore, a Lithuanian woman filmed a group of men recording her as she relaxed on the beach. They fled only when confronted. This was shared by people on social media.Similar cases are common in Kovalam and Gokarna, where solo women now avoid quieter beaches.Locals, who depend on tourism, won't engage in such behaviour. These are mostly the dehati tourists and visitors from somewhere else in India.Trains and planes offer no escape. A Dutch influencer on a Delhi, Agra train said a man kept taking selfies despite her refusals.In the incident from Vietnam, Indian men were caught queuing to take selfies with a local woman in traditional dress. She stood stiffly, visibly uncomfortable. They laughed, posed, and left. The clip sparked outrage online.There are dozens of reports of similar behaviour, local women, kids, and even the elderly people pulled into photos without their consent.DEHATISM AND THE LITERRING PROBLEMIn Goa, littering has become a crisis.In just the first four months of 2025, over 1,000 tourist-related violations were recorded, more than half due to littering public spaces, according to Gomantak Times, a Goa-based daily.Beer cans, food wrappers, and plastic bags now dot beaches, markets, and heritage sites. In Fontainhas, locals start their day sweeping up after strangers' Instagram shoots.A video from Barot Valley's Lapas Waterfall sparked national outrage.It showed tourists turning the scenic spot into a loud, trash-filled picnic zone. Shot by creator Saumya Pathak, the clip exposed a pattern seen across Himachal: serene sites turned into open-air bars, then left behind like garbage dumps.Manali and Kullu face similar decay.Off-season garbage is around 10 tonnes a day, but peak season brings up to 50 tonnes, far more than waste systems can handle, according to a report by The New Indian Express. The rest ends up in rivers, gets burned illegally, or rots on hillsides.The once-clear waters are now choked with plastic, styrofoam, and chemicals.Not just the streams and waterfalls, beaches in India record plastic levels three times higher than the global average.Even pilgrimage towns are suffering.In Rishikesh, a 2024 image of liquor bottles scattered along the Ganga went viral. Locals say it's become common.TOURISTS ARE FACING BACKLASH FROM LOCALSTourism is a lifeline for many, and tourists are welcomed with folded hands. It promises livelihoods and development. And it isn't just about commerce in India, a country that goes by the motto -- atithi devo bhava (The guest is God).But thanks to dehatism, towns and valleys across India, which warmly opened their doors, are shutting them now.From Goa to Rishikesh, the frustration is growing. Locals are posting, protesting, and pleading, asking to be seen not as backdrops, but as people with homes and lives.In Goa's Fontainhas, Instagrammers crowd into lanes, posing outside homes. "It's trespassing," said one resident.Entrepreneur Alysha Maria Lobo put it bluntly in a post that went viral."Goan in the house here! We don't want tourists–period."She cited drunken fights, noise, and a growing sense of being unsafe."We want people who value our heritage, not cheap thrills and alcohol," she said.In Himachal Pradesh, the outrage is similar.A video of tourists trashing Barot Valley triggered a flood of anger online. Users called for regulation and heavy fines. One wrote, "Tourism is vital, yes–but at what cost? There will be nothing left."With rash driving and risky overtaking, they have turned roads in sleepy towns dangerous.In Himachal Pradesh and Uttarakhand, locals have started refusing to guide or help occupants of cars with DL, HR, UP numberplates. Their short sentences and poker faces convey -- you are not welcome.That's because the dehatis from Delhi NCR had been there earlier and revealed their sorry side.Even in Rishikesh — known for Ganga and yoga — disillusionment runs deep."Throwing liquor bottles in Maa Ganga after camps is now common," said a Reddit user."Rafting opened the floodgates, loud music now disturbs even the animals," added another.In Kerala, satire says what many feel. One viral comment read, "Locals leave for work while tourists pay for banana leaves and fan rooms in the name of rustic charm."Behind the joke is the reality of being priced out, overrun, and turned into props.Everywhere, the sentiment is the same: we didn't sign up for this. The joy of hosting has turned into fatigue. The backlash is now a chorus, demanding civil behaviour, regulation, and relief.If tourism is to flourish, some will have to learn to listen and follow the norms. Because dehatism, with its 'we are like this only' attitude, is killing tourism.- Ends
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Mukesh Khanna debut in Gujarati film 'Vishwaguru': I would definitely love to do more Gujarati films- EXCLUSIVE
Mukesh Khanna debut in Gujarati film 'Vishwaguru': I would definitely love to do more Gujarati films- EXCLUSIVE

Time of India

time43 minutes ago

  • Time of India

Mukesh Khanna debut in Gujarati film 'Vishwaguru': I would definitely love to do more Gujarati films- EXCLUSIVE

The upcoming Gujarati film 'Vishwaguru' is all set to release on 1st August 2025. Directed by Shailesh Boghani and Atul Soni and written by Kirti Bhai and Atul Soni. The music is composed by Mehul Surti. The film features a talented ensemble cast including Gaurav Paswala, Krishna Bhardwaj, Mukesh Khanna , Prashant Barot, Makarand Shukla, Sonu Chandrapal, Shraddha Dangar , Hina Jaikishan, Rajeev Mehta, Dharmesh Vyas, Jani Bhavini, Chetan Daiya, Sonali Lele, and Kurush Debu in key roles. The cast and crew of the film are currently promoting it across various cities in Gujarat. Interestingly, veteran Hindi film actor Mukesh Khanna has made his debut in Gujarati cinema with this project. To learn more about his role and experience working in a Gujarati film for the first time, ETimes caught up with the actor for an exclusive interview. How did you say yes to a Gujarati film? Was there something special in the script? To be honest, I don't usually do regional films, especially if I'm not comfortable with the language. Since I'm known for my dialogues, language plays a very important role in my performances. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Đây có thể là thời điểm tốt nhất để giao dịch vàng trong 5 năm qua IC Markets Tìm hiểu thêm Undo Initially, I had said no for very reason for this film. But the makers were very keen and assured me that I could deliver all my dialogues in Hindi. In fact, I'm the only character in the film who speaks in Hindi throughout. I play the role of a Bureau Chief who is part of a very important mission. When I finally heard the full story, I found it to be quite unique, it had something different, something special. The film beautifully combines elements of spirituality and suspense, and that blend really connected with me. That's what convinced me to say yes to 'Vishwaguru'. How comfortable were you speaking in Gujarati? I didn't have to speak in Gujarati at all in this film, all my dialogues are in Hindi. The makers were clear from the beginning that I would speak only in Hindi, which made me comfortable taking up the role. My character, along with his team, is focused on solving a important mission in the story. Your take about Gujarati cinema? "I've known about Gujarati cinema for a long time. My dear friend Kiran Kumar bhai ji has done many Gujarati films, and I've always admired his work. Today, I feel Gujarati cinema is finally getting the recognition it deserves on a national level. A new era has begun, the stories, the scale, and the presentation have all evolved. Even with Vishwaguru, the film is made in both Gujarati and Hindi. In the Hindi version, all the characters speak in Hindi, not just me, which makes the film more accessible and understandable to a wider audience. It's not just a regional film anymore; it's a pan-India film with universal appeal. It may have roots in Gujarat, but its message goes far beyond. You are a nationally loved figure for your iconic TV roles — how different was it to be part of a regional language film? I've been working in this industry for over 40 years, from 'Mahabharat' and 'Shaktimaan', my journey has always been driven by meaningful content and powerful performances. I've done only around 60 films in four decades because I'm extremely choosy about my work. I never say yes unless I know exactly what my role is and what value I'm adding to the story. For me, performance is everything and a major part of that is voice and dialogue delivery. I take my dialogues very seriously. In fact, I believe your voice is 60% of your performance. If your voice doesn't land well, the audience won't connect. We often overlook their importance. Voice training is essential for every actor, it can elevate an ordinary scene into something memorable. Even though Vishwaguru is a regional language film, I was very conscious about how my performance would translate. Thankfully, I was given the freedom to speak in Hindi, which allowed me to maintain the depth and impact of my character. That's why I agreed to be a part of this film. How different was your experience working in a Gujarati film compared to other regional or Hindi films? Do you plan to do more work in Gujarati cinema in the future if opportunities align? I've worked in two Telugu films and one Malayalam film. People often think I'm very strict, but I believe before being an actor, you are a human being first. For me, every role and every dialogue matters, whether big or small. I once even refused an international film because I wasn't convinced by the script. I don't get swayed by big names, a big director or producer doesn't influence my decision. What matters to me is what I am doing in the film, what I'm contributing to the story. If I come across a strong script, I would definitely love to do more Gujarati films. But I will choose them the same way I've always chosen my work. What would you like to say to your Gujarati fans who are waiting to see you on screen? Gujarat has always held a special place in my heart. The love and respect I received here for Mahabharat and Shaktimaan has been overwhelming. I've had the honour of being present at the Rajyabhishek ceremony of Shri Narendra Modi for 3 times. Though I studied Marathi in school, I must say I speak Gujarati better than Marathi! That's the kind of connection I have with this land and its people. To all my Gujarati fans, this is a good film, and I'm sure you'll enjoy watching it as much as I enjoyed being a part of it. Mukesh Khanna clarifies after getting criticised for his #MeToo remark

Nawazuddin Siddiqui's daughter Shora wins hearts with an acting video; netizens applaud and say, 'Mashallah, Shora..."
Nawazuddin Siddiqui's daughter Shora wins hearts with an acting video; netizens applaud and say, 'Mashallah, Shora..."

Time of India

time44 minutes ago

  • Time of India

Nawazuddin Siddiqui's daughter Shora wins hearts with an acting video; netizens applaud and say, 'Mashallah, Shora..."

Nawazuddin Siddiqui , known for his versatility in Bollywood, seems to have a talented successor in his daughter, Shora. The actor recently shared a video on Instagram featuring 15-year-old Shora performing a short scene with another actor. Her confident performance has impressed many online, with fans already saying she's set to carry forward her father's legacy and could one day 'dominate Bollywood.' Taking the video to his Instagram handle, the actor wrote, "Can I come in… Scene one." After the video was shared, several fans commented, saying, 'She is going to dominate Bollywood." Another user mentioned, 'Mashallah Shora, good to see your adakaari. Betiyan baap ki aankhon mein chhupe khwaab ko pehchaanti hain." Director Ron Kahlon, who reportedly coached Shora in a workshop recently, also commented, 'God bless her @nawazuddin._siddiqui. It was my pleasure working with her. Never seen such raw talent!!" Nawazuddin shared with Film Companion while talking about her acting aspirations, 'My daughter is taking training right now. She herself went and got admitted to the performing arts faculty. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like This Homemade Recipe is Relieving Tinnitus - See It Before It Goes Away Discovery America Undo Haath jod ke teacher ke saamne (with folded hands in front of her teacher), she said, 'I want to learn acting.'" On the work front, Nawazuddin Siddiqui has an exciting lineup of upcoming projects. He will soon be seen in 'Raat Akeli Hai 2,' the sequel to the 2020 crime thriller, marking his second collaboration with director Honey Trehan . He's also part of the Indian remake of The House. In Aditya Kripalani 's upcoming film Main Actor Nahi Hoon (I'm Not An Actor), Nawaz plays a heartfelt role as a banker who dreams of becoming an actor. The film explores the emotional journey of a struggling artist. Apart from these, he also has 'Noorani Chehra' and 'Sangeen' in the pipeline, both expected to release soon in theaters. Nawazuddin Siddiqui is willing to settle legal dispute with his estranged wife Aaliya Siddiqui with THESE conditions

Urvashi & Joju George unite for 'Aasha'; Aishwarya Lekshmi joins cast; Shoot begins
Urvashi & Joju George unite for 'Aasha'; Aishwarya Lekshmi joins cast; Shoot begins

Time of India

time44 minutes ago

  • Time of India

Urvashi & Joju George unite for 'Aasha'; Aishwarya Lekshmi joins cast; Shoot begins

(Picture Courtesy: Facebook) The upcoming film 'Aasha', featuring the talented actors Urvashi and Joju George, has officially gone on floors. The project kickstarted with a traditional pooja ceremony which was held at the historic Thrikkakkara Vamana Moorthy Temple. The project promises to be a compelling multilingual project. Joju George, cinematographer Madhu Neelakandan, and director Safar Sanal lit the ceremonial lamp. Joju George gave the film's first clap, while Madhu Neelakandan handled the switch-on duties. Aishwarya Lekshmi joins an impressive ensemble cast Adding to the film's anticipation is the inclusion of Aishwarya Lekshmi who recently impressed the audiences with her stunning performance in Kamal Haasan's 'Thug Life'. Joju George has a fanboy moment with Dhanush Veteran actor Vijayaraghavan and 'Pani' fame Ramesh Girija also play key roles. With dialogues and screenplay crafted by Joju George, Ramesh Girija, and Safar Sanal, the film promises a layered and gripping storyline. 'Aasha' aims for pan-Indian reach with five-language release; first look unveiled 'Aasha' is set for release in five major Indian languages and the title-look poster was also unveiled during the pooja. Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Is it legal? How to get Internet without paying a subscription? Techno Mag Learn More Undo by Taboola by Taboola Joju George took to his Instagram handle to share the first look poster with a note that read, "Unveiling the Title Poster of 'AASHA'." The first look poster exudes a vintage, artistic tone where we see an empty bird cage which is slightly open, symbolizing freedom or lost hope. Around the cage, we see lush flowers and thick greenery. 'Aasha's first look poster hints at a theme of emotional depth and beauty, amid conflicts. Check out Joju George's post here. With 'Aasha', debutant director Safar Sanal brings his vision to life, backed by a talented technical crew: Madhu Neelakandan handles cinematography, Shan Mohammed is on board as editor, and Midhun Mukundan composes the music. Ajayan Adat (sound design), Vivek Kalathil (production design), and Dinesh Subbarayan (stunts) round out the crew. Overall the expectations are quite high for the Joju George starrer.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store