logo
Kalady Sanskrit University staff's journey from fitness to arangettam

Kalady Sanskrit University staff's journey from fitness to arangettam

A desire to keep their bodies fit and flexible as old age beckoned saw Betty Varghese, Sunitha Rani, Manju, and Sheeja George — four non-teaching staff of Sree Sankaracharya University of Sanskrit (SSUS) at Kalady — practice Bharatanatyam.
An arangettam (debut) performance soon followed on the university campus, further cementing their journey as classical dancers.
'None of us has a classical dance background,' Betty, a 53-year-old engineer with the university, reflects.
However, she wanted to take up an exercise regime to ensure she remained agile and flexible, in addition to, of course, losing weight.
'When I shared my thoughts with Sushma, a final year Mohiniyattam student, she suggested dancing as a remedy. Well, that was the start,' Betty says.
As for Sheeja George, an assistant with the painting department of the university, never in her wildest dreams had she thought she'd learn classical dance or perform on stage. 'For me, the buck stopped with Zumba,' Sheeja says.
But what got her learning Bharatanatyam?
'Everything for me and the other three began when we started practising the steps for Thiruvathira, which was to be performed for the university's Onam celebrations. Since we didn't have a dance background, we found it difficult to pick up the steps,' Sheeja adds.
So, when they discussed it with their colleagues, one of them suggested seeking help from the students of the Dance Department.
'That's how we got in contact with the Mohiniyattom student Sushama,' says Sheeja.
The three began taking dance tuitions from Sushama after working hours from 5pm to 6pm. Betty also joined in and the quorum was complete.
'The initial days were tough for us,' says Betty. With no exercise, their bodies were rigid and Bharatanatyam not only requires flexibility but also stamina by the truck-load.
'It was tough doing the 'Araimandi'. So you can imagine how tough it would have been for us to do the muzhumandi. But after a year and a half of practice and performances, I can do Araimandi easily,' Betty adds. She was also able to reduce her weight.
'Besides the weight loss and flexibility that we have achieved, the most important gift that dance has given is mental happiness. Dance is a true stress-buster,' agree Betty and Sheeja.
But why Bharatanatayam? 'The dance, unlike Mohiniyattam, has vigorous movements and steps. Since our main agenda was exercise we opted to go with this dance form. Now, we will be continuing our dance classes and would love to perform on stage if chances present themselves,' says Sreeja, who is 52.
Betty and others point out that they have gained the confidence to perform on stage.
The Bharatanatyam Arangettam, something that has never happened in a university until now, has got other staff in the university keen to join the dance classes as well.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

‘Pookie Lal': Malavika Mohanan's Reaction On Hridayapoorvam's Teaser Is Too Cute
‘Pookie Lal': Malavika Mohanan's Reaction On Hridayapoorvam's Teaser Is Too Cute

News18

timean hour ago

  • News18

‘Pookie Lal': Malavika Mohanan's Reaction On Hridayapoorvam's Teaser Is Too Cute

Last Updated: Hridayapoorvam's teaser shows a humorous interaction between Mohanlal's character and a non-Malayali fan of Fahadh Faasil (lovingly called 'Fafa'). Social media lit up this weekend after actress Malavika Mohanan affectionately called superstar Mohanlal 'Pookie Lal.' The charming nickname was given after the release of the teaser of their upcoming Onam release, Hridayapoorvam. The teaser, dropped on Saturday, has already racked up millions of views across platforms. It has been praised for a blend of humour, heartwarming scenes, and the quintessential Sathyan Anthikad touch. Now, co-star Malavika Mohanan also took to her social media to praise the veteran actor's character, adding to the buzz surrounding the highly anticipated film. Pookie Lal The teaser opens with a humorous interaction between Mohanlal's character and a non-Malayali fan of Fahadh Faasil (lovingly called 'Fafa"). When the fan gushes over Faasil's acting, Mohanlal responds with subtle wit. He even handed back the prasadam the fan had offered, earning laughs and applause for his impeccable comic timing. In the teaser, we can also see different facets of Mohanlal's innocent and sweet character in the film. Viewers were quick to point out Mohanlal's return to his classic form, with many describing the teaser as a 'return to vintage Lal," highlighting his effortless humour and childlike innocence. Directed by filmmaker Sathyan Anthikad, Hridayapoorvam marks a nostalgic reunion between the veteran filmmaker and Mohanlal—one of Malayalam cinema's most beloved actor-director duos. Their past collaborations include timeless hits such as Rasathanthram, Vinodayathra and Ennum Eppozhum, with the latter released nearly a decade ago in 2015. Hridayapoorvam features a stellar ensemble cast, including Malavika Mohanan, Sangeeth Prathap, Sangita, Siddique, Nishan, Baburaj, Lalu Alex and Janardhanan. The family entertainer is written by Akhil Sathyan, with the screenplay and dialogues by Sonu TP. Anu Moothedath handles cinematography, while music is composed by acclaimed Tamil composer Justin Prabhakaran. Backed by Antony Perumbavoor under the Aashirvad Cinemas banner, Hridayapoorvam is slated for a grand theatrical release this Onam, on August 28. First Published: Disclaimer: Comments reflect users' views, not News18's. Please keep discussions respectful and constructive. Abusive, defamatory, or illegal comments will be removed. News18 may disable any comment at its discretion. By posting, you agree to our Terms of Use and Privacy Policy.

Chennai's Mixtura Vizha brings art to you
Chennai's Mixtura Vizha brings art to you

New Indian Express

time5 hours ago

  • New Indian Express

Chennai's Mixtura Vizha brings art to you

Unlike most art festivals or street performances, Mixtura Vizha doesn't offer a tightly packed agenda. It throws open various global art forms, placing them squarely in public spaces for people to experience them with an open mind. Curated by Shreya Nagarajan Singh under her banner SNS Arts Development Consultancy, along with KM Music Conservatory, in partnership with the Greater Chennai Corporation (GCC), Chennai Metro Rail Limited (CMRL) and Uptown Kathipara Urban Square. 'This year, we chose three prime locations — Central metro station, Thiru Vi Ka Park, and Urban Square at Kathipara. The idea is to bring the arts into public spaces, and take it outside the traditional space of a sabha or an auditorium,' said Shreya. 'We want to make the arts accessible for everyone — be it someone taking the metro home or someone walking through a park.' With a total of eight performances ranging from classical music and dance to drama and koothu to techno and jazz, the city's spaces transformed into a platform for artistes. What makes Mixtura Vizha unique is its inclusion of art forms that general audience rarely witnesses live. At Central metro, the performances kicked off with KS Thejal's voice shifting between soft French compositions and soulful Indian classicals. The blend of beats — of modern and traditional instruments — attracted the passersby. People leaned on barricades, stood in clusters with their backpacks and luggage, some filming and others simply pausing to listen. It was during the setup for the next act that I spotted Adam Greig, artistic director of KM Music Conservatory. Reflecting on his collaboration and performance, Adam shared, 'I'm one of the co-founders and co-inspirators of Mixtura Vizha. Shreya and I were discussing back in 2021 about this idea of doing a festival in Chennai and Shreya came up with this concept of incorporating all the different types of art forms.' As he gearing for his first piano solo at the festival, he gestured toward the crowd and said, 'It's quite an exciting concept because the audience never know what they're going to get. They know who's playing, they know where it is happening, but they wouldn't know who's playing in which of the listed locations. It's fun for them too,' he exclaimed. Charumathi Chandrasekar also took the stage by storm with expressive Bharatanatyam movements.

Onam fete: registration for artistes from July 21 to 31
Onam fete: registration for artistes from July 21 to 31

The Hindu

time17 hours ago

  • The Hindu

Onam fete: registration for artistes from July 21 to 31

Artistes representing different genres, who would like to perform at the State-level and at different venues in districts across the State during the Onam celebrations, can register from July 21 till 31. Artists can register for State-level programmes with the Tourism department and with the respective DTPCs for performing at various district venues till 5 pm on July 31. The State-level inauguration of the Onam celebrations will be held in the capital city and will conclude with a grand colourful pageantry and procession on September 9. Over the years, the week-long event organised by the Tourism department has emerged as Kerala's popular cultural festival, attracting both tourists and the local crowd to multiple venues in the State capital and scores of other centres across the State, said a statement from the Tourism department.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store