Want MomTok Waves? Drybar offering 'Secret Lives of Mormon Wives' hairstyle
Just in time for Season 2 of "The Secret Lives of Mormon Wives," Hulu and Drybar have partnered to give fans a highly sought-after look: the MomTok Waves.
The second season of Hulu's hit series, "The Secret Lives of Mormon Wives," was released on May 15, and through June 8, salon chain Drybar is offering a limited number of MomTok Waves appointments. Yes, if you've ever wanted to look like the Mormon moms on screen, now is your chance.
The MomTok Waves, also known as the "Utah Curl," is a hairstyle featuring a loose curl, like beach waves, with straight ends. The hairstyle has made waves − no pun intended − before "The Secret Lives of Mormon Wives," but it has experienced a resurgence over the past year.
Where to watch: When does 'Secret Lives of Mormon Wives' Season 2 come out?
To book a MomTok Waves appointment, create a Drybar account online and book an appointment virtually. Contact a Drybar location ahead of time to ensure they are offering the limited-edition hairstyle.
The reality TV series features a group of eight Utah-based Mormon mom TikTok influencers, known as "MomTok." The first season of the series was released in 2024 and follows the fallout of a "soft-swinging" sex scandal among a Mormon couple.
The first two seasons of "The Secret Lives of Mormon Wives" are available to stream on Hulu. A paid Hulu subscription is required to stream the seasons. Hulu's basic plan with ads is $9.99 per month. Hulu's no-ad plan is $18.99 per month.
To find a Drybar location near you, visit the Drybar website at drybarshops.com/service/locator/#.
Greta Cross is a national trending reporter at USA TODAY. Story idea? Email her at gcross@usatoday.com.
This article originally appeared on USA TODAY: Drybar offering 'Secret Lives of Mormon Wives' signature hairstyle
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Geek Tyrant
2 hours ago
- Geek Tyrant
Hulu's Animated Series SOLAR OPPOSITES Gets a Teaser Trailer and Release Date For Its Sixth & Final Season — GeekTyrant
Hulu has released a teaser trailer and release date for the sixth and final season of the hit animated series, Solar Opposites . In the animated comedy's final chapter, once their alien diamond making machine gets destroyed, the Solar Opposites must face their greatest challenge yet: living their expensive lives on a budget! When their consumerist habits and expensive hobbies are gone, only their true selves will remain… but will they like who they find? The series' main cast, including Dan Stevens, Thomas Middleditch, Mary Mack and Sean Giambrone, are joined in Season 6 by guest stars Tiffany Haddish, Kieran Culkin, Christina Hendricks, Ken Marino, Alfred Molina, Natalie Morales, Jerry O'Connell, and Beck Bennett. All 10 episodes of the final season of Solar Opposites will drop on October 13th on Hulu and Hulu on Disney+. Check out the first-look photo above and watch the teaser below.


USA Today
6 hours ago
- USA Today
Just how did 'Wizard of Oz' at Sphere Las Vegas take Dorothy from 2D to 4D?
LAS VEGAS – In a month, the Las Vegas Sphere will be turned into the verdant splendor of Emerald City. And the vibrant mosaic of Munchkinland. And the dusty amber plains of Kansas. It's 'The Wizard of Oz' not just as a film, but an experience. A place where the 160,000 square feet of Sphere screen transports you into Dorothy Gale's world and, through the use of 4D and haptics, immerses you in the feeling of being inside a tornado and makes you cower at the sight of those dastardly flying monkeys heading from the Wicked Witch's lair to your seat. The film, which opens Aug. 28 at the technologically sophisticated venue just off the Las Vegas Strip, was chosen for Sphere-i-fication because of its generation-spanning appeal. 'It's a movie that your mother watched, that you watched with your grandmother or your kids,' says Jane Rosenthal, the Oscar-nominated producer helping helm the production. 'The movie became so beloved because you felt you could go into Munchkinland or the Emerald City even in a traditional TV format. It's a natural for the Sphere because of the elements that can be made immersive.' The Sphere's film has been in development for two years with a team of more than 2,000 filmmakers, technicians, audio experts and AI creatives working to transform Oz from a 2D world into an extraordinary envelopment of sight and sound. Las Vegas Sphere concerts: All the bands that are playing and how to get tickets Why the Sphere's 'Wizard of Oz' is an unparalleled experience Those involved with 'Oz' wouldn't confirm the $80 million price tag alluded to when the project was announced in August 2024. But, from the near-final pieces of the film USA TODAY observed in July, it's evident this has been an exhaustive, finely detailed endeavor. From the clarity of Judy Garland's doe eyes with eyelashes that can be counted to the 16-foot-long helium-filled monkeys steered by drone operators, it's sheer wonderment. And the tornado? You'll find yourself ducking in your seat at what feels like farm equipment and animals flying toward you as 750-horsepower fans built specifically for "Oz" hurl wind and (paper) leaves around the venue. To assume the film is merely glorified IMAX is akin to saying earbuds provide the same sound quality as $16,000 studio headphones. The $104 admission likely seems steep, but not as much after you factor in the cutting-edge experience and the Vegas location. How 'ethical AI' transformed 'The Wizard of Oz' at the Sphere The Sphere team worked closely with Warner Bros. and the Academy of Motion Picture Arts and Sciences to mine the 'Oz' archives from its original 1939 form. Transforming what was filmed for a 4:3 aspect ratio on a standard-sized movie screen to the 16K x 16K LED screen resolution of the Sphere required the use of what Rosenthal calls 'ethical AI.' The time required to convert the film also necessitated editing from its original run time of 102 minutes to 75. The artificial intelligence in 'Oz' was primarily used to extend frames to fill the Sphere screen. Rosenthal gives the example of an early scene when irritable neighbor Miss Gulch wants to take Toto – himself given a furry glow-up – from the Gale home. 'That was originally a three-shot, but as you widen the frame, you now see Uncle Henry standing by the door. You train the AI on Uncle Henry to create him making a move like putting his hand on the door,' she says. 'That stuff was difficult to do.' The Sphere team, with the aid of Warner Bros., found props and set designs from the original movie so objects such as photos on the wall in Professor Marvel's caravan could be generated onto the screen. Every frame of the film takes 300 hours (12.5 days) to render. An edit of a few seconds might take days to fix. And then there is the equilibrium between respecting a classic and elevating it to immersive heights. Award-winning technician Glenn Derry, the executive vice president of MSG Ventures, spent thousands of hours refining minutiae such as the breathtaking moment when Dorothy awakens in her sepia-toned heartland and steps into Technicolor Munchkinland, the yellow brick road seemingly stretching into space. 'We're trying to be tasteful with these things,' Derry says. 'I don't want to distract from the film because it's one of the great masterpieces. You want people to be part of it, but balance that with not being distracting.' Emotion and revelations and nostalgia, oh my So while the cranky apple tree will hurl featherweight red orbs at Sphere "Oz" viewers, and seats will vibrate with ominous warnings of the Wicked Witch or hopeful spasms when Glinda the Good Witch soars inside her pink bubble, the heart of 'Oz' – as the Tin Man would appreciate – is intact. Derry says his favorite effect is the hulking Wizard head, which almost sneaks in from the side of the screen while pyro is dispatched in front of it. 'It's a nostalgic thing for me,' Derry, whose father worked in the industry as a machinist and physical effects expert, says. 'I love the elements that you don't notice and then you turn and are surprised.' The revelations will begin as soon as moviegoers step into the atrium of the venue, which will be converted to an Oz-like atmosphere with interactive elements (that Wizard head might have another role along with booming on screen). It's an experience that simply cannot be duplicated. 'With the emotion of 'there's no place like home' and 'Over the Rainbow,' I feel fortunate to bring this movie to life,' Rosenthal says. 'A venue like Sphere makes you want to keep going to the movies.'


USA Today
8 hours ago
- USA Today
Julia Garner spills on Silver Surfer secrets: 'I never looked so cool'
Julia Garner is enjoying her chrome era. There was instant fan love when Garner's Silver Surfer first appeared in a trailer for Marvel's 'The Fantastic Four: First Steps' (in theaters now). Since then, the character has inspired Instagram cosplayers as well as TikTokers meme-ing her in-movie message, heralding the coming of planet-devouring Galactus. 'I don't have a TikTok,' Garner says. 'People have been talking about TikTok. They're like, 'Did you know that this was going to be a thing on TikTok?' I'm like, no. I'm in disbelief that people even know me.' Playing the silver alien Shalla-Bal, though, 'I never looked so cool in my life,' Garner adds with a laugh. 'This looks almost like a Met Gala look or some high fashion thing.' Join our Watch Party! Sign up to receive USA TODAY's movie and TV recommendations right in your inbox Being in a Marvel movie is a departure for Garner, who won three Emmys for her role in the Netflix drama 'Ozark.' But she gets one heck of an entrance: In the retrofuturistic 1960s setting of 'Fantastic Four,' Shalla-Bal arrives in Times Square on a spiffy surfboard to warn that Earth is 'marked for death' and Galactus (Ralph Ineson) is on the way. Since she's the one who identifies the planets that will be her boss' next meal, Shalla-Bal has a 'toxic relationship' with Galactus. 'There's no HR,' Garner quips. However, her connection with Johnny Storm (Joseph Quinn), the Human Torch and youngest Fantastic Four member, is one that's actually meaningful to her. 'She finds him amusing, but she doesn't really want to show him. Secretly, I think she likes the attention.' Garner, 31, who says she puts 'love, rage and secrets' in every role she plays, did a deep dive into Shalla-Bal's comic-book history. In Marvel lore, she was the lover of Norrin Radd, and when he agreed to be Galactus' herald (and the original Silver Surfer) to spare their planet Zenn-La, they were separated. The actress was most surprised by 'actually how tragic her story is. If this was a human, you would be like, it's devastating. So that really resonated with me and helped ground it.' One thing she didn't find going down that geeky rabbit hole: Her character inspiring the 1989 Joe Satriani guitar track 'Back to Shalla-Bal.' In 2007's 'Fantastic Four: Rise of the Silver Surfer,' Doug Jones played the Radd version of the Surfer. But director Matt Shakman wanted to use Shalla-Bal instead because 'First Steps' was a different universe than fans have seen – it takes place on Earth-828, as opposed to the MCU's Earth-616 – and that choice made for a 'really interesting story line' with Johnny. A lot of attention was paid to how the computer-generated Shalla-Bal would appear. Garner portrayed the Surfer via a motion-capture suit and a helmet with a GoPro-type camera attached, and it was important to Shakman that Shalla-Bal was shiny and 'completely reflective' but still 'emotionally powerful,' he says. Another fun fact: Copper veining was added to the Surfer's facade. 'There's a sense of old weathered metal in places, just this idea that she's been doing this a long time and she's gone through some pretty inhospitable environments. So there's a touch of history to her.' Shakman also hooked Garner up with surfing adviser Tehillah McGuinness to guide her with Shalla-Bal's movement. 'She surfs a neutron star. She surfs a wormhole, she surfs real water, she surfs lava. There's a lot of great ways to make use of her Surfer-ness in the movie,' the director says. With McGuinness' help, Garner learned how to feel comfortable and balanced on the board, 'and not look clumsy, like you're in control,' she adds. Garner, who next stars in the horror film "Weapons" (in theaters Aug 8), found ways to add her own secret sauce to the Silver Surfer. For the opening message to humanity, she studied how T.S. Eliot would read his own poetry. 'It was very eerie in a way but also comforting at the same time,' she says. To get in Shalla-Bal's mindset before takes, she'd listen to spacey '70s krautrock music ('I just imagined that that's what she would be surfing to') and also learned to speak her character's fictional native tongue, Zenn-Lavian. 'It's not as hard as you would think. It's not like learning Japanese or something,' Garner laughs. 'Would I want a monologue in Zenn-Lavian? No. But I can say a few lines.' And while Garner became the Silver Surfer, she hasn't tried out her newfound board skills in real life. Nor will she. 'The water that I enjoy is that kiddie water that doesn't have any sort of wave,' she says with a smile. 'I'm quite scared of waves.'