Gen-Z Things That No Millennial Can Hope To Recognize
No One Over 27 Years Old Can Recognize These 15 Things
If you're young and cool, you'll know exactly what these are...or if you're kids or siblings are young and cool. Otherwise, prepare to realize you are completely out of touch. Take the quiz here.
If Life Peaked For You In 2016 (Same), You'll Easily Pass This Old Gen Z'er Brain Rot Quiz
This quiz will be a truly humbling experience for some of you. Take the quiz here.
Gen Z Is Going To Recognize All Of These Singers, But I'll Be Shocked If Millennials Can Recognize 8/13 Of Them
Unless you're a hip, cool millennial. Or a Gen X'er with children. Or a boomer who still listens to pop radio. Take the quiz here.
Listen Up, Millennials And Gen Z'ers: If You Can Identify These 17 Famous People, Your Parents Raised You Right
These celebrities are incredibly famous, but they're also not exactly young. If you recognize them, thank your parents. Take the quiz here.
Let's Play A Gen Z Version Of "The Price Is Right" To See How ~Trendy~ You Are
Finally, we won't ask you to prove you're cool by identifying things and celebrities, but rather by knowing the price of trendy things. Take the quiz here.
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Los Angeles Times
17 minutes ago
- Los Angeles Times
‘Lords of Dogtown' hits 20, plus the week's best movies
Hello! I'm Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies. Sometimes you go to a film screening and you come to realize that it is happening under optimal conditions, that the particular combination of movie, audience, circumstances and environment make for an ideal, likely never-to-be-repeated event. Such is what happened last Saturday when I went to the Academy Museum to see Walter Hill's 1984 'Streets of Fire' projected from a beautiful archival 70mm release print. Taking place in the museum's downstairs Ted Mann Theater (some folks prefer its sight lines to those of the larger David Geffen), the screening was sold out, and there was a buzzing and expectant energy in the room before the show started. Told in neon-drenched tones with a graphic visual style, the film, which bills itself as 'a rock & roll fable,' opens with a spectacular musical number that grabbed the audience and never let go from there. The story concerns a singer (Diane Lane) kidnapped by a local gang leader (Willem Dafoe) and her adventurer ex-boyfriend (Michael Paré), who reluctantly agrees to bring her back. In a conversation after the movie with K.J. Relth-Miller, the museum's director of film programs, Hill admitted that the last time he had watched it was 'about a week before it came out.' 'It's a curious movie,' said Hill, 83. 'I wanted to make a music movie and I got interested in the idea of, could I mix the action genre and the music? My previous film ['48 Hrs.'] had been a very big hit and I knew that you got to do one that they probably would never have made otherwise. And so I didn't want to blow the chance.' Hill also admitted, 'I can see mistakes that we made in it,' specifically a moment when Paré hits Lane to knock her out. 'I promise you, I wouldn't do it today,' he said. An idea that came up through the conversation was how to subvert tried-and-true story conventions and genre tropes. Hill recalled something that director Sam Peckinpah once told him. 'I remember I had a conversation once on the other side of the fence with Peckinpah when I was writing 'The Getaway,' ' Hill said. 'And I said, 'Yeah, we could approach it that way, but it's probably a cliché.' And he looked at me and he said, 'You know what a cliché is?' — I knew I was in trouble — and he said, 'Cliché is something that works.' ' On Thursday Vidiots will have a 20th anniversary screening of 'Lords of Dogtown' with director Catherine Hardwicke in person. Set in the 1970s, the film tells the story of how a group of Venice kids — the so-called Z-Boys — reinvented the sport of skateboarding, injecting it with daredevil tricks and a rebellious attitude. The cast includes Emile Hirsch, Michael Angarano, John Robinson, Victor Rasuk and Heath Ledger. Rachel Abramowitz wrote about the film's production, including how some of the real-life figures portrayed in the movie participated in the shoot, sometimes even acting as the skating doubles for the actors playing them. At one moment, Hardwicke was standing on the edge of a drained-out pool for the skaters to use and took a wrong step and fell in, knocking herself out and fracturing an orbital bone in her face. Yet even that never dimmed her enthusiasm. As Abramowitz noted, 'With her laid-back assurance and distinct vision, Hardwicke has been able to corral a lot of difficult personalities — some who have not always gotten along, as the movie well documents. Almost all the original Z-Boys and scenesters have worked on the film in various capacities, and the actors seem to look up to her.' At one point Hardwicke's direction to a group of actors in a scene was simply, 'Just keep hanging and loving life and thinking how bitchin' we are.' In his review of the film, Kevin Thomas called Hardwicke 'an inspired choice, given the insight and compassion for troubled, reckless teens she revealed so memorably in 'Thirteen.' ' He added, 'The film never loses its heart, as the limelight and spiraling competition strain friendships and incite ugly behavior but reveal a youthful vulnerability that makes the three engaging and their sometimes obnoxious, self-defeating behavior understandable under the circumstances. As in 'Thirteen,' Hardwicke has been able to inspire unsparing portrayals from young actors. … 'Lords of Dogtown' is as beautifully structured as one of the Z-Boys' graceful and intricate maneuvers. It is economic yet possesses depth and is visually striking, capturing an idea of what life is like in a very fast lane.' James Baldwin's book-length essay 'The Devil Finds Work,' completed in 1975 and first published in 1976, mixes personal memoir with insightful film criticism to become a singular work. The UCLA Film and Television Archive is launching a series to celebrate the book and Baldwin. The series opens with an evening of excerpts from relevant Baldwin-related projects, including Raoul Peck's 2017 documentary 'I Am Not Your Negro,' along with Karen Thorsen's 1989 doc 'James Baldwin: The Price of a Ticket.' Where this series should get really interesting is the decision to have most of the screenings include a reading from 'The Devil Finds Work' by some pretty noteworthy names, including author Roxane Gay, podcasters Sam Sanders and Zach Safford and actors LisaGay Hamilton, Justice Smith, Nic Ashe, Marc Anthony Howard, Kendale Winbush and filmmaker Raven Jackson. Among the films being screened are Jack Conway's 1935 'A Tale of Two Cities,' John Huston's 1942 'In This Our Life,' Julien Duvivier's 1942 'Tales of Manhattan,' William Friedkin's 1973 'The Exorcist,' and Norman Jewison's 1967 'In the Heat of the Night.' 'Powwow Highway' The Philosophical Research Society will host a screening on Friday of Jonathan Wacks' 1989 road comedy 'Powwow Highway,' which won a prize at that year's Sundance Film Festival and has since been entered into the National Film Registry. Produced by George Harrison's production company Handmade Films and the directing debut of Wacks, best known at the time as a co-producer on 'Repo Man,' the film was noteworthy for its depiction of Native American life. With a cast that also includes Wes Studi and Graham Greene, 'Highway' stars Gary Farmer, later seen in 'Dead Man' and the recent series 'Reservation Dogs,' as Philbert Bono, who sets out on a journey to help his estranged sister and renew his sense of self. In a review at the time, Sheila Benson called the film 'a little zinger of a comedy with a rare backbone of intelligence.' Austin Powers triple-bill As part of its 'Summer of Camp' series, the Academy Museum will present on Sunday a triple feature of all three Austin Powers spy spoofs, 1997's 'Austin Powers: International Man of Mystery,' 1999's 'Austin Powers: The Spy Who Shagged Me' and 2002's 'Austin Powers in Goldmember.' Jay Roach, director of all three pictures, will be there in person. I don't why, but the idea of watching all three of these movies together just makes me laugh all on its own. An unlikely cultural phenomenon that spawned catchphrases and Halloween costumes, the films are about a British secret agent (Mike Myers) in the Swinging 1960s who is reawakened from cryogenic sleep in the modern day to face off against against his archenemy, Dr. Evil (also Myers). The films feature a cavalcade of guest stars, including Elizabeth Hurley, Michael York, Robert Wagner, Heather Graham, Michael Caine and Beyoncé in her film debut. In his review of 'The Spy Who Shagged Me,' Kenneth Turan wrote, 'As these films and his earlier 'Wayne's World' demonstrate, Myers has a singular talent for skit humor. Seeing him play both the sniggering snaggletoothed Austin, 'the man who put the grr in swinger,' and the fussy, pinky-waving Dr. Evil is to see a gifted performer who knows his strengths and is not afraid of playing to them. You can get away with an awful lot of gross, juvenile humor if you've got that to fall back on.' 'Oh, Hi!' Writer-director Sophie Brooks' 'Oh, Hi!' premiered earlier this year at Sundance and hits theaters this week. Described by its co-star Molly Gordon as a 'rom-com gone wrong,' the film is about a young couple (Gordon and Logan Lerman) who spend a romantic weekend together until he admits he doesn't consider what they have going to be a committed relationship. He says this while handcuffed to a bed, and she decides to leave him there until he changes his mind. In her review, Amy Nicholson wrote, 'Pointedly and inevitably, our leads regress into Mars-Venus caricatures — he's the jerk, she's the psycho — as Brooks vents her frustration that gender tropes haven't evolved. And not for lack of trying. For months, Isaac has whipped up homemade scallop dinners, while Iris patiently played it cool. The film's core question is: How have men and women worked so hard to overcome toxic archetypes and still wound up stuck here?' I wrote a profile of Gordon, who shares a story credit on the film and is also a producer. Now perhaps best known for her supporting role on the series 'The Bear,' Gordon has also appeared in films such as 'Shiva Baby,' 'Booksmart' and 'Theater Camp,' the latter which she co-directed and co-wrote. 'Oh, Hi!' is her first leading role in a film and it was an opportunity she had to create for herself. 'I don't think I've gotten to really show this emotion or this darkness or gotten to be this crazy,' Gordon said. 'It would've been cool if it came with someone else giving me that opportunity, but it just didn't really feel like that was going to happen. So hopefully this shows people that I can do other things. But if not, I will keep trying to make my own things.' TIFF on the horizon The Toronto International Film Festival, which runs Sept. 4-14, made a few program announcements this week which brought the fall festival picture into clearer view. (Festivals in both Venice and New York made clarifying announcements this week as well.) Among the notable premieres at TIFF will be Aziz Ansari's feature directing debut 'Good Fortune,' along with films such as Jonatan Etzler's 'Bad Apples,' starring Saoirse Ronan; David Michôd's 'Christy,' starring Sydney Sweeney; James Vanderbilt's 'Nuremberg,' starring Russell Crowe; Nic Pizzolatto's 'Easy's Waltz,' starring Vince Vaughn; and Alice Winocour's 'Couture,' starring Angelina Jolie. Other Toronto titles that will also be popping up at other festivals include Gus Van Sant's 'Dead Man's Wire,' Guillermo del Toro's 'Frankenstein,' Mona Fastvold's 'The Testament of Ann Lee,' Benny Safdie's 'The Smashing Machine' and Edward Berger's 'Ballad of a Small Player.' Free screening of 'Kerouac's Road: The Beat of a Nation' On Tuesday we will have another free screening event with the documentary 'Kerouac's Road: The Beat of a Nation.' A look at the enduring influence of Jack Kerouac's 1957 novel 'On the Road,' which became a foundational work of late 20th-century counterculture, the film includes Josh Brolin, Natalie Merchant, W. Kamau Bell and Michael Imperioli all reflecting on its personal and cultural impact. Director Ebs Burnough will be there for a Q&A after the screening.
Yahoo
38 minutes ago
- Yahoo
13 'OK Boomer' Moments That Are Too Funny (And Weirdly Relatable)
Navigating the generational divide can sometimes feel like an Olympic sport. You know, those moments when you find yourself explaining memes to your parents or why email chains are basically extinct. This list is a collection of "OK Boomer" moments that will leave you chuckling, nodding, or maybe even facepalming. We've all been there, whether you're a millennial, Gen Z'er, or even a Boomer trying to adapt. Here are the times when generational quirks clash in the funniest and most relatable ways. 1. "Why Is Everything Subscription-Based?" You're probably tired of explaining why you pay monthly for a music service when "you could just buy CDs." It's one of those conversations where you try to highlight the convenience of having every song at your fingertips. But the response is usually something about "back in my day, we owned things." According to marketing expert Jeff Fromm, the subscription model appeals to younger generations due to its flexibility and cost-effectiveness. It's not about ownership; it's about access and ease. The confusion only deepens when you bring up streaming services for TV shows and movies. You can almost see the gears turning in their heads as they try to grasp why you wouldn't just have cable. Then there's the inevitable suggestion that you could save money by canceling all these services. You might try to explain the joy of binging a series whenever you want, without commercials. Sometimes, it's just easier to nod and let them continue their marathon of classic cable programming. 2. "I Can't Believe You Don't Write Checks!" Remember that time you went out to dinner with your parents and they insisted on writing a check to pay? While you're there with your phone ready to split the bill via an app, they're asking the server if they accept checks. It's a classic moment that emphasizes the difference in how we handle money now. You try to explain how you can easily track your spending with apps, but your explanation is met with skepticism. Then, you show them the app that splits the bill and pays instantly, and the look of bewilderment is almost comical. They argue that checks are secure, and you counter with the argument that digital payments are instantaneous and trackable. There's a nostalgia for the tangible, the weight of a checkbook, but it feels like explaining a rotary phone to someone who's grown up with smartphones. Eventually, you all settle the bill, one way or another, and move on to dessert. 3. "Social Media Is Ruining Society." There's a good chance you've had this debate more than once, where social media is blamed for everything under the sun. You might find yourself defending your online world, explaining the positives like staying connected with friends across the globe. A Pew Research Center study found that 81% of teens say social media makes them feel more connected to their friends. But try explaining that to someone who sees it as the downfall of human interaction. The conversation usually steers toward how things were 'simpler' without constant connectivity. You want to say that it's just different, not worse, but sometimes it's hard to get past the nostalgia filter. While they may see kids glued to screens, you see a world where information is more accessible than ever. It's a push-and-pull between digital natives and those who grew up in analog times. Eventually, you both agree to disagree and move on to a less contentious topic. 4. "You Spend Too Much Time On Your Phone." It's a tale as old as time—your screen time is under scrutiny by those who still prefer landlines. You sit there listening to a lecture about how staring at screens all day is bad for you. There's a part of you that wants to counter with how much productivity and connection your phone provides. But before you can say anything, the conversation shifts to "back in my day, we went outside." Even though you know the importance of unplugging, you also know that your phone is more than just a distraction. It's a map, a library, and a communication device all in one. There's value in that, but sometimes the message gets lost in translation. Eventually, you reassure them that you do get out, and they move on to the next topic on their list of concerns. 5. "You Call That Music?" Ah, the age-old clash of musical tastes between generations. You know it's coming as soon as you play your favorite playlist in the car and the complaints start rolling in. You try to explain the appeal, the beat, the lyrics, but it's usually met with a disapproving shake of the head. Musicologist Dr. Joe Bennett points out that every generation tends to glorify their own musical era. So, while you're bumping to your tunes, they're reminiscing about the classics. It's a conversation that often ends with them putting on a song from their youth. You listen respectfully, maybe even finding a new appreciation for it. But you both know that when it comes to music, you'll probably never see eye to eye. It's a cultural thing, a generational thing, and sometimes it's just fun to see how the other half jams out. At the end of the day, music remains a personal experience, no matter what decade it's from. 6. "What's Wrong With Using A Phone Book?" You've probably been on the receiving end of this question when someone is looking for a phone number. The mere thought of flipping through hundreds of pages seems archaic when everything you need is just a search away. You try to explain the wonders of Google and contact-saving features on smartphones. But they insist there's something reliable about having it all in a book. When they finally relent and ask you to look up a number on your phone, you can't help but smile. It's a "see, I told you so" moment, even though you don't say it out loud. Still, there's a twinge of respect for a time when everything was handwritten and stored on a shelf. You both nod at each other's methods, respecting the past while embracing the present. And then, naturally, you save the number in your phone for next time. 7. "Back In My Day, We Walked Everywhere." It usually starts with a story about how they walked miles to school, uphill both ways, in the snow. You're there, nodding, while thinking about how convenient public transportation and ride-sharing apps are today. Urban planner Jeff Speck emphasizes how modern cities are designed for accessibility, making it easier for everyone to get around. But as you listen, you realize they're romanticizing a time when life was slower, more grounded. While you appreciate the nostalgia, you also recognize the benefits of modern conveniences. You can get almost anywhere with a few taps on your phone, which frees up time for other things. It's not that you're lazy; it's just that the world has evolved. You acknowledge their tales of endurance with admiration but are grateful for your easy commute. Eventually, the conversation shifts, but the stories remain an endearing reminder of days gone by. 8. "You Don't Need That Fancy Coffee." You've heard it before, the critique of your daily latte or nitro cold brew. It's framed as a waste of money, but for you, it's more than just coffee; it's a morning ritual. You try to explain that it's not just about caffeine but the experience, the ambiance of your local café. But the response is often about how instant coffee was "good enough" back then. You acknowledge their point but emphasize the joy of supporting local businesses or simply savoring a well-crafted cup. While they reminisce about percolators and simpler tastes, you sip your artisanal brew with satisfaction. It's a generational disconnect that's as much about lifestyle choices as it is about coffee. They may never see the appeal, but you both enjoy your respective drinks with a smile. Sometimes, it's just about understanding different priorities. 9. "Everything Is So Expensive Now." This is one comment that might strike a chord because, let's face it, everything is expensive. You're probably well aware of how costs have soared, and you sympathize with their sentiment. But when they start comparing prices from decades ago, it's hard not to wince. You try to explain inflation, the cost of living, and how wages haven't kept pace. Yet, they reminisce about how far a dollar could stretch back in the day. While their perspective is valid, you also realize times have changed. The value of money, the cost of living—all have evolved with the economy. You both nod in agreement that things are pricey, but from different viewpoints. Eventually, you move on, with an unspoken understanding of each other's financial realities. 10. "Why Do You Need A GPS?" You've probably been quizzed about your reliance on GPS at least once. It's the modern equivalent of asking for directions at a gas station, but a lot more efficient. You try to explain the convenience, the ability to avoid traffic, and discover new routes. But they argue that maps were just as good, and you internally groan. While you admire their navigational skills, you know that GPS is simply more adaptable. It's not just about getting from point A to B; it's about doing so with ease and speed. You both agree that knowing how to read a map is useful, but technology has its perks. It's just another point of generational difference that you respect, if not entirely agree with. 11. "Why Do You Need To Work Remotely?" If you've ever worked from home, you've probably encountered skepticism about its legitimacy. Maybe they see it as an excuse for lounging in pajamas all day. You try to explain the productivity benefits, the work-life balance, and the technology that makes it possible. But they might see it as less professional than being in an office. It's a discussion that reflects the changing nature of work, one that some embrace while others struggle to understand. You respect their viewpoint but maintain that remote work is the future for many industries. It's not about avoiding work; it's about doing it smarter. Eventually, you agree to disagree, with an understanding of each other's work experiences. 12. "Why Is Everything Going Digital?" You're no stranger to the bewilderment concerning the digital transformation of everything from books to bills. You try to explain how going digital means accessibility and convenience, not to mention being eco-friendly. Yet, they lament the loss of the tangible, the physicality of holding a book or a bill. You understand their nostalgia but argue the benefits of having everything at your fingertips. While they reminisce about libraries and stacks of paper, you appreciate the ease of digital files and e-books. It's a shift from tactile to intangible that marks a generational difference in preference. You both acknowledge the merits of each, despite differing opinions on what's better. And then, you move on, respecting the past while embracing the digital age. 13. "Why Do You Need So Many Pictures?" There's always someone questioning the need to document everything with photos. They might wonder why you can't just remember moments without snapping a picture. You try to explain that photos capture memories, allowing you to relive experiences. But they fondly recall the days of film cameras, when every photo had to count. You acknowledge the value in quality over quantity, yet you appreciate the ability to capture life's many moments. It's a blend of nostalgia for the old and admiration for the new. You both respect each other's perspectives, knowing that memories hold different meanings across generations. Eventually, you agree that cherishing moments is what truly matters, regardless of how you do it. Solve the daily Crossword
New York Post
4 hours ago
- New York Post
Why Gen Z isn't fun anymore
The generations are always fighting about something. But, right now it feels like almost everyone is in agreement — Gen Z is boooooring. Advertisement In the eyes of millennials and Gen X-ers, Gen Z is the generation that single-handedly killed live music, drinking culture and socializing in general. And, while all of that might be true to a degree — speaking as a Gen Z-er myself — there's a reason for it that you might not be considering, and one which might hopefully have you feeling a little more sympathetic. 4 In the eyes of millennials and Gen X-ers, Gen Z is single-handedly ruining live music, drinking culture and socializing. Jacob Lund – One video can change everything Picture this: you're hanging out with your best friends at a nightclub. Advertisement Chances are, you've downed a fair few drinks at that point — there's no shame in that — and you're dancing in a way that's not necessarily trophy worthy. But who cares? You're having fun! And, prior to about a decade ago, that's all it would have been. A night of fun with your friends, with some questionable dancing that wouldn't live on beyond your memories. But, that's not the case anymore. Advertisement Today, if you or your friends didn't post it yourselves, chances are you could end up caught in the background of someone else's video. They post it on TikTok, it goes viral, and the rest is history. Congratulations, you're now that girl from TikTok with the embarrassing dance moves. Caught red handed While that may not sound too scary to you, and you might have the urge to encourage Gen Z to roll with it and be 'less dramatic', the reality is that for a lot of people, this is scary. 4 Fear of being captured on video is keeping people from dancing and having fun outside. Jose Calsina – Advertisement No one wants to go to work or school knowing that they've been made a fool of online without their consent. And, usually, there's nothing you can do about it once it's out there. I've felt that fear myself too many times, especially at concerts where it's become a trend to film yourself rather than the artist. I'm certain I'm not doing anything worthy of being bullied by millions of people online — though of course there's never a reasonable excuse. 4 Clubs and concert venues are prohibiting the use of phones or providing methods to prevent attendees from using their cameras. Solarisys – But, anything is enough for the internet to start picking you apart, whether it be a hair out of place or a dull face which has people accusing you of not enjoying yourself, whether you are or not. Let Gen Z live! As we grow increasingly connected to our phones, to the point where it feels strange to put them down, many clubs and concert venues have begun prohibiting the use of phones, or providing bags or stickers to prevent attendees from using their cameras. 4 Artists are using Yondr bags for devices at their shows to encourage audience engagement. silverkblack – Bruno Mars, The Lumineers and Alicia Keys have all recently used Yondr bags at their shows to encourage audience engagement. Advertisement And, I have to say, aside from not being able to film your favorite songs, it's not a bad idea. The internet is a powerful thing, and especially on TikTok, literally anyone can be an influencer or go viral based on one good video — even at the expense of someone else. So, can you really blame people for being a little nervous to be themselves? We all want things to go back to the way they were before phones sometimes, but when that's not possible, I think we need to cut Gen Z some slack.
