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Yahoo
an hour ago
- Yahoo
How Does the Cast of "American Love Story" Compare to Their Real-Life Counterparts?
Famed couple John F. Kennedy Jr. and Carolyn Bessette Kennedy are the latest cultural icons to have their lives reimagined by Hollywood writer, director, and producer Ryan Murphy. Announced by FX in 2021, American Love Story is a scripted series that will chronicle the courtship, marriage, and tragic deaths of John F. Kennedy Jr. and Carolyn, who were widely regarded as American royalty during the 1990s. The series will explore the pressures of their high-profile careers, family tensions, and the relentless tabloid scrutiny that ultimately overshadowed their private lives. Filming began in June 2025, with the show set to premiere in February 2026, timed to coincide with Valentine's Day. Here's a closer look at the cast, who bring an uncanny resemblance to the real life figures who played a part in the Kennedy couple's Pidgeon as Carolyn Bessette Kennedy Sarah Pidgeon is a 29-year-old actress best known for her breakout role in The Wilds and her acclaimed performance in Hulu's Tiny Beautiful Things. A graduate of Carnegie Mellon University, she made her Broadway debut in Stereophonic, earning a Tony nomination for her role. Her Instagram is @sarah__pidgeon. She will play Carolyn Bessette-Kennedy, a Calvin Klein publicist and wife of John F. Kennedy Jr. Born in 1966, Carolyn married Kennedy in a secret ceremony in 1996. Tragically, she died alongside her husband and sister, Lauren Bessette, in a plane crash off the coast of Martha's Vineyard in 1999, at the age of Kelly as John F. Kennedy Jr. Paul Kelly is a rising actor and model set to make his major screen debut as John F. Kennedy Jr. in American Love Story. Though new to TV, he has appeared in theater and modeled for brands like Bonobos and John Varvatos. His Instagram is @ofishalpak. Kelly will play John F. Kennedy Jr., the son of President JFK and Jacqueline Kennedy Onassis. Besides being a lawyer and journalist, he co-founded George magazine. He dated everyone from Christie Brinkley to Sarah Jessica Parker before marrying Carolyn Bessette. Tragically, he died in a plane crash in 1999 at age Gummer as Caroline Kennedy Grace Gummer is a 39-year-old actress and the daughter of Meryl Streep. She's known for roles in TV shows like The Newsroom, Mr. Robot, and American Horror Story. Gummer will play Caroline Kennedy, the only surviving child of President John F. Kennedy and First Lady Jacqueline Kennedy Onassis. She graduated from Radcliffe College and earned a law degree from Columbia University. She married artist Edwin Schlossberg in 1986, and they have three children: Rose, Tatiana, and Jack. She has served as U.S. Ambassador to Japan and to Watts as Jacqueline Kennedy Onassis Naomi Watts is a 56-year-old British-Australian actress known for her roles in films like Mulholland Drive, The Ring, and 21 Grams. Watts has earned multiple award nominations, including two Academy Awards. Her Instagram is @naomiwatts. Jackie Kennedy was the First Lady of the United States from 1961 to 1963 as the wife of President John F. Kennedy. She led the restoration of the White House, promoted American arts and culture, and helped preserve historic landmarks. After JFK's assassination, she maintained a low public profile and later worked as a book editor. She died from cancer at the age of 64, and never met Carolyn Hemingway as Daryl Hannah Dree Hemingway is an American model and actress known for her work with major fashion brands and appearances in films like Starlet and While We're Young. She is the great-granddaughter of writer Ernest Hemingway. Her Instagram is @dreelouisehemingway. She will play Daryl Hannah, a 64-year-old actress and filmmaker who was dating JFK Jr. when he met Carolyn Bessette. Hannah gained fame for her roles in Blade Runner (1982) and Splash (1984), and later portrayed Elle Driver in Quentin Tarantino's Kill Bill series. She married musician Neil Young in Lemmon as Lauren Bessette Sydney Lemmon is a 35-year-old actress known for her role as Ana Helstrom in the Hulu series Helstrom and appearances in Fear the Walking Dead and Succession. She holds degrees from Boston University and Yale, and has performed on Broadway, including in the play Job. She is also the granddaughter of actor Jack Lemmon. Her Instagram is @Sydney_lemmon. Lemmon will play Lauren Bessette, a Morgan Stanley executive and the sister of Carolyn Bessette Kennedy. She died in a 1999 plane crash with Carolyn and John F. Kennedy Jr. near Martha's Nivola as Calvin Klein Alessandro Nivola is an American actor known for roles in American Hustle, Jurassic Park III, and The Many Saints of Newark. A Yale graduate, he has also appeared on Broadway and co-founded King Bee Productions with his wife, Emily Mortimer. His son Sam Nivola recently starred in The White Lotus season three. His Instagram is @ He will play Calvin Klein, an influential American fashion designer who founded his brand in 1968. Known for popularizing designer jeans and underwear, Klein's work helped define modern American style. Carolyn Bessette worked as a publicist for his K. Chancellor as Gordon Henderson Omari K. Chancellor is a New York–based actor and graduate of NYU's Tisch MFA program. He has appeared in The Greatest Beer Run Ever and Why Women Kill. His Instagram is @omari_k. He will play Gordon Henderson, a close friend of Carolyn Bessette-Kennedy and a designer who helped plan her wedding to John F. Kennedy Jr. He designed JFK Jr.'s suit and assisted Carolyn into her gown on the wedding day. You Might Also Like 4 Investment-Worthy Skincare Finds From Sephora The 17 Best Retinol Creams Worth Adding to Your Skin Care Routine Solve the daily Crossword


New York Post
an hour ago
- New York Post
Anti-Trump DA Alvin Bragg sure acts like he has something to hide — we're suing to find out
Manhattan District Attorney Alvin Bragg holds potentially hundreds of communications appearing to link his office to senior Biden administration officials and other political actors in connection with his unprecedented criminal prosecution of then-former President Donald Trump. We've asked for those records, and he's not turning them loose. So we're taking him to court. Last September, America First Policy Institute launched a formal investigation into the people and motivations behind Bragg's decision to prosecute Trump. Advertisement Our effort had a simple goal: figuring out whether Bragg's case was a routine legal probe — or lawfare, a politically engineered hit job orchestrated to influence the 2024 election. The charges brought against Trump were extraordinary. Never before has a question of federal campaign-finance law — which the FEC declined to pursue, no less — been morphed into a state-level misdemeanor, already time-barred under New York law, then Frankensteined into a felony by alleging it was committed to conceal some other crime never defined by the prosecution, nor unanimously agreed upon by jury. Advertisement Confusing? That's the point. Bragg's office thrives on obfuscation. Public records should be accessible. Criminal prosecutions should be transparent. This case was neither — and still isn't. We were drawn to investigate because we saw just too many coincidences to ignore. Michael Colangelo, a top DOJ official with a focus on white-collar crime, left his Biden administration post to join Bragg's office just months before Trump was indicted on 34 counts of falsifying business records. Advertisement Judge Juan Merchan, who presided over Bragg's prosecution, had a history of political donations to Biden and to political groups opposed to Trump, the defendant before him. He was officially 'cautioned' on that by the state ethics board. Merchan's daughter Loren worked on Kamala Harris' 2020 campaign and during Trump's trial served as president of Authentic Campaigns, a progressive political consulting firm hired by the Biden-Harris ticket. It all paints a curious picture: A DA who campaigned on a promise to take down Trump, aided by a Biden DOJ veteran, bringing legally contorted charges before a judge with clear partisan connections. Advertisement If this wasn't coordinated, it's one lucky political pile-up. The American people deserve answers. In pursuit of those answers, and in defense of the public's right to know, AFPI submitted a request to Bragg's office under New York's Freedom of Information Law in September 2024. We sought any records that could shed light on whether political influence or coordination played a role in Bragg's decision-making. Our request was specific, lawfully submitted and directly tied to one of the most consequential legal proceedings in modern American history. Ten months later, no records have been produced. None. Though they apparently exist. Instead of providing transparency, the DA's office has engaged in delay, double-talk and silence. We've asked for a list of responsive documents. They won't give one. Advertisement We've asked which of our specific requests the withheld documents pertain to. They won't say. We know, based on our investigation and his office's limited correspondence with us, that the DA possesses hundreds of records of communications with or about political agents who should have had no influence in a 'routine' prosecution, like Lauren Merchan's Authentic Campaigns. Bragg refuses to explain why the public isn't entitled to see them. There is no legal justification for this blackout. No privilege excuses total stonewalling. Advertisement There is only evasion. It's been nearly a year. The records exist, and the DA cannot explain why they remain secret. That alone should raise alarms. AFPI has now turned to the courts to compel compliance. The law does not permit selective transparency by the Manhattan DA. It does not allow politically sensitive cases to be shielded from scrutiny. Advertisement As the New York Legislature declared when it passed the state's open-records law in 1977, 'The people's right to know the process of governmental decision-making and to review the documents leading to determinations is basic to our society.' We agree. Advertisement That's why on July 17, AFPI filed its petition in New York County Superior Court requesting that Bragg's records, whatever they may reveal, be released to the public. The law demands openness, and we intend to see it enforced. Jessica Steinmann is executive general counsel and Jack Casali is an attorney at the Center for Litigation at the America First Policy Institute


Fox Sports
an hour ago
- Fox Sports
Hulk Hogan descended upon American culture at exactly the time it was ready for him: the 1980s
Associated Press The opening chords of Rick Derringer's hard-rock guitar would play over the arena sound system. Instantly, 20,000 Hulkamaniacs — and many more as wrestling's popularity and stadium size exploded — rose to their feet in a frenzy to catch a glimpse of Hulk Hogan storming toward the ring. His T-shirt half-ripped, his bandanna gripped in his teeth, Hogan faced 'em all in the 1980s — the bad guys from Russia and Iran and any other wrestler from a country that seemed to pose a threat to both his WWF championship and, of course, could bring harm to the red, white and blue. His 24-inch pythons slicked in oil, glistening under the house lights, Hogan would point to his next foe — say 'Rowdy' Roddy Piper or Jake 'The Snake' Roberts (rule of thumb: In the 80s, the more quote marks in a name, the meaner the wrestler) — all to the strain of Derringer's patriotic 'Real American.' In Ronald Reagan's 1980s slice of wishful-thinking Americana, no one embodied the vision of a 'real American' like Hulk Hogan. 'We had Gorgeous George and we had Buddy Rogers and we had Bruno Sammartino,' WWE Hall of Famer Sgt. Slaughter said Friday. 'But nobody compared at that time compared to Hulk Hogan. His whole desire was to be a star and be somebody that nobody every forgot. He pretty much did that.' He saw himself as an all-American hero Hogan, who died Thursday in Florida at age 71, portrayed himself as an all-American hero, a term that itself implies a stereotype. He was Sylvester Stallone meets John Wayne in tights — only fans could actually touch him and smell the sweat if the WWF came to town. Hogan presented as virtuous. He waved the American flag, never cheated to win, made sure 'good' always triumphed over 'evil.' He implored kids around the world: 'Train, say your prayers, eat your vitamins." Hogan did it all, hosting 'Saturday Night Live,' making movies, granting Make-A-Wish visits, even as he often strayed far from the advice that made him a 6-foot-8, 300-plus pound cash cow and one of the world's most recognizable entertainers. His muscles looked like basketballs, his promos electrified audiences — why was he yelling!?! — and he fabricated and embellished stories from his personal life all as he morphed into the personification of the 80s and 80s culture and excess. In the not-so-real world of professional wrestling, Hulk Hogan banked on fans believing in his authenticity. That belief made him the biggest star the genre has ever known. Outside the ring, the man born Terry Gene Bollea wrestled with his own good guy/bad guy dynamic, a messy life that eventually bled beyond the curtain, spilled into tabloid fodder and polluted the final years of his life. Hogan — who teamed with actor Mr. T in the first WrestleMania — was branded a racist. He was embroiled in a sex-tape scandal. He claimed he once contemplated suicide. All this came well after he admitted he burst into wrestling stardom not on a strict diet of workouts and vitamins, but of performance-enhancing drugs, notably steroids. The punches, the training, the grueling around-the-world travel were all real (the outcomes, of course, were not). So was the pain that followed Hogan as he was temporarily banished from WWE in his later years. He was the flawed hero of a flawed sport, and eventually not even wrestling fans, like a bad referee, could turn a blind eye to Hogan's discretions. His last appearance fizzled Hogan's final WWE appearance came this past January at the company's debut episode on Netflix. Hogan arrived months after he appeared at the Republican National Convention and gave a rousing speech -- not unlike his best 1980s promos -- in support of Donald Trump. Just a pair of the 1980s icons, who used tough talk and the perceived notion they could both 'tell it like it is,' to rise to the top. Only wrestling fans, especially one in the home of the Los Angeles event, had enough of Hogan. 'He was full-throated, it wasn't subtle, his support for Donald Trump,' said ESPN writer Marc Raimondi, who wrote the wrestling book 'Say Hello to the Bad Guys." 'I think that absolutely hurt him.' He didn't appear for an exercise in nostalgia or a vow that if he could just lace up the boots one more time, he could take down today's heels. No, Hogan came to promote his beer. Beer loosely coded as right-wing beer. No song was going to save him this time. Fed up with his perceived MAGA ties and divisive views, his racist past and a string of bad decisions that made some of today's stars also publicly turn on him, Hogan was about booed out of the building. This wasn't the good kind of wrestling booing, like what he wanted to hear when he got a second act in the 1990s as 'Hollywood' Hulk Hogan when controversy equaled cash. This was go-away heat. 'I think the politics had a whole lot to do with it,' Hogan said on 'The Pat McAfee Show' in February. Hogan always envisioned himself as the Babe Ruth of wrestling. On the back of Vince McMahon, now entangled in his own sordid sex scandal, Hogan turned a staid one-hour Saturday morning show into the land of NFL arenas, cable TV, pay-per-view blockbusters, and eventually, billon-dollar streaming deals. Once raised to the loftiest perch in sports and entertainment by fans who ate up everything the Hulkster had to say, his final, dismal appearance showed that even Hulk Hogan could take a loss. 'The guy who had been the master at getting what he wanted from the crowd for decades, he lost his touch,' Raimondi said. 'Very likely because of the things he did in his personal and professional life.' But there was a time when Hogan had it all. The fame. The championships. Riches and endorsements. All of it not from being himself, but by being Hulk Hogan. 'There's people in this business that become legends," Sgt. Slaughter said. 'But Hulk became legendary.'