‘Rs 1000 to clean the bathroom': Shweta Tiwari says Palak Tiwari had to do household chores for pocket money, was given make-up when she was 16
In a chat shared on Bharti TV's YouTube channel, 'I wasn't strict but there were some rules in our house.' Shweta said that Palak always had a strict curfew. 'If you have said that you will be back by 1 am, you should be at the door at 1. You can't say I am leaving at 1. 1 o'clock is to come back home, not leave the party,' she said and added that she would have the contact number of every friend who was accompanying her, and their mothers. 'I would say I won't call their mothers but if your phone is off, I will call the people who are with you. If I can't get through to them, then I will start calling their mothers because they would have the driver's contact details. Palak knew that if my mother was saying so, she would do it,' she said and added that she would track her daughter's phone.
'I was a little scared that she is a girl and the society is weird,' she added and said that even though Palak does not drink alcohol, people around her do. She also declared that she did not allow her daughter to use any make up till she was 16, and did not give her a phone till she was done with schooling.
ALSO READ | 'Akshay Kumar's wife came to know of a relationship with Priyanka Chopra, it was unethical of him to quit film': Suneel Darshan
Talking about household chores, Shweta said that she expected Palak to do them for a certain cost, if she went over budget with her expenses. 'She was given a budget. For instance, I allowed her to spend Rs 25,000 and if she went from 25,000 to 30,000, she knew that she would be asked to do household chores to compensate for it. There was a full list of chores. For cleaning her bathroom, she would get Rs 1000, she would get Rs 500 to clean the bed, for dishes, she would get Rs 1000. So she would do all of these things, and when she knew she was going to go over budget, she would do extra chores beforehand,' she recalled.
Shweta shared that she has been investing Palak's money ever since she started earning and till date, she only allows a certain amount of money in her account, as she invests the rest of the money. 'I don't let it stay in her account. And she keeps saying 'Mujhe kangaal kar dia, mere paise nikal liye (You have made me poor, taken my money)'. I keep telling her that the savings you have now, no one else has that. I ask her to sign the cheques, all the banking papers so I can save and invest her money,' she said.
Palak was last seen in The Bhootnii.
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
The Print
2 hours ago
- The Print
Mohanlal embraces his feminine side—in a jewellery ad that redefines masculinity
Instead, the ad focuses on strong visual storytelling, showing Mohanlal gracefully embracing his feminine energy by adorning himself with jewellery. The powerful visuals need no voiceover, no tagline, and no melodrama to make its point. The latest campaign for Vinsmera Jewels breaks away from all the familiar tropes of traditional jewellery ads. There isn't any ideal daughter, blushing bride, proud father or monologues on feminism. Malayalam superstar Mohanlal is earning applause on social media for his standout performance in a new jewellery commercial. It's a refreshing shift from the usual gendered storytelling in jewellery advertising. Directed by filmmaker Prakash Varma, the commercial opens on a film set. Amid the hustle and bustle of introductions, Mohanlal slips away with an intricate jewellery set and heads to his vanity van. As the crew begins a search for the missing jewellery, the camera cuts to Mohanlal, who is seen wearing the necklace, rings, and bracelet, paired with a black shirt and trousers. He admires his features in the mirror as traditional music plays in the background. When the director enters Mohanlal's van, shocked, the actor simply bursts into laughter. An unconventional approach The commercial struck a chord with the audiences, who praised Mohanlal for putting up a quiet act of rebellion. The video has clocked over 2.3 million views and over five thousand comments on YouTube. Rather than seeking approval, the plot of the advertisement focuses more on self-acceptance. After all, the biggest battle is not the one we fight against the world, but the one that we fight with ourselves. And that is where the commercial succeeds over traditional jewellery marketing. It stirs emotions instead of delivering monologues, because visuals have a long and lasting impact. It didn't go for the tried and tested backdrops of weddings. Basically, it was totally unconventional and that is what took the audience by surprise. Also, the brand isn't promoting a product in your face. It's simply putting out the thought that beauty isn't about conformity, but about embracing what speaks to your soul, and jewellery is just a medium for it. Also read: CEAT to Bajaj Insurance—Shubman Gill is new poster boy of ads. Why it can also hit his brand Double standards At first glance, the flood of praise under Mohanlal's recent video might make you believe that society is finally embracing the LGBTQ+ community. But scratch the surface, and the reality is anything but progressive. One influencer rightly pointed out the hypocrisy: when a regular creator wears jewellery or dresses femininely, trolls are quick to tear them apart. But when superstar Mohanlal, who is known to be a macho Malayalam actor, does the same, it becomes 'iconic.' To this, internet users were quick to issue clarification stating that they don't celebrate the ad's message, instead they just applaud Mohanlal's acting spectrum. One user wrote, 'He's an actor. He's done mighty masculine roles like Mangalassery Neelakandan. People are praising his range of acting.' While another said, 'I don't know about others, but trust me homie, I hate that f*****g ad and you equally from the bottom of my heart.' These reactions are testament to the fact that we still have a long way to go in embracing fluidity, when it isn't wrapped in stardom. That said, one cannot unsee that the ad has sparked a larger conversation — about beauty, gender, performance, and the weight of public perception. Whether seen for its message, the rebellion, or simply Mohanlal's acting, the commercial dares to ask a quiet question in a noisy world: Who defines beauty and why? And, maybe that is what makes it unforgettable. Not because it shouts, but because it doesn't have to. Brand: Vinsmera Jewels Creatives: In-house Director: Prakash Varma Views are personal. (Edited by Aamaan Alam Khan)
Time of India
3 hours ago
- Time of India
Aamir Khan's film goes pay-per-view on YouTube, gives OTT giants a miss
Mumbai: Aamir Khan Productions has partnered with YouTube to release Sitaare Zameen Par on a pay-per-view basis in a potentially significant move, said people familiar with the development. This marks the first time in recent memory a Hindi film featuring a major star has not been licensed to a dominant subscription video-on-demand ( SVOD ) platform such as Netflix, Prime Video or JioHotstar, opting instead for a pay-per-view strategy via the world's largest video platform. Explore courses from Top Institutes in Please select course: Select a Course Category Technology Artificial Intelligence CXO Project Management Degree healthcare MCA Digital Marketing Public Policy Leadership Design Thinking Operations Management Data Analytics Data Science MBA Finance others Cybersecurity Management PGDM Product Management Healthcare Data Science Others Skills you'll gain: Duration: 12 Weeks MIT xPRO CERT-MIT XPRO Building AI Prod India Starts on undefined Get Details Industry sources say Aamir Khan is tapping into the pay-per-view window, which has been a phenomenon globally but remains underutilised in India. However, they noted that it's still unclear how long he will delay the SVOD release following the pay-per-view window. Aamir Khan Productions and YouTube declined to comment. The film is likely to move to YouTube early next month. While the industry typically follows an eight-week window for streaming on SVOD platforms, Khan recently said that all his films will follow a six-month theatrical run to protect box office revenues. The film was released on June 20 in theatres. "It's a bold move by an A-list star, and all eyes will be on how much the film can earn from pay-per-view, as well as how long Aamir Khan plans to keep it there before releasing it on an SVOD platform," said Shariq Patel, former CEO of Zee Studios. Film is expected to be priced at ₹99. Netflix and Prime Video continue to dominate India's post-theatrical streaming market. According to Media Partners Asia, producers' streaming revenues have grown to 1.5 times their net theatrical share, making it a critical monetisation channel. However, the FICCI-EY 2025 report shows that streaming rights revenue in India fell to ₹3,100 crore, down from ₹3,500 crore in 2023 and ₹3,300 crore in 2022, as platforms cut back on content spending in pursuit of profitability. Still, not everyone sees this as a replicable model. Abundantia Entertainment CEO Vikram Malhotra noted that such an approach may work better for mid-budget films than big-budget ones, which often depend on upfront OTT deals for financial recovery. "Therefore, it's unlikely to serve as a viable financial model across the board, especially for films with higher break-even points. That said, it's an interesting and important experiment whose impact and sustainability will become clearer over time," he said. Suniel Wadhwa, a veteran distributor, cofounder and director of Karmic Films, said: " Film distribution through YouTube may not be remunerative for all actors or producers. It is a long-gestation affair. It will work only for well-established or A-list actors who have a huge or unique following. Besides this, it will be a practical alternative only for producers who have capacity to wait and earn revenues in the long-term." Sitaare Zameen Par is said to have been made on a budget of under ₹100 crore. As an in-house production, Khan has reportedly waived his fee, potentially making the model more viable. The film has collected ₹166.2 crore in India and ₹263.7 crore worldwide, according to box office tracker Sacnilk. Malhotra added that while the pay-per-view model has been tried before, it hasn't gained traction, largely because audiences favour subscription platforms offering a wider content library. Ajay Phutane, a veteran of film distribution and marketing, said digital distribution is becoming increasingly important as theatre footfalls decline post-pandemic. "The fall in theatrical viewership is directly tied to the rise in digital subscribers," he said. "A ₹99 pay-per-view release on YouTube is a significant step, especially given its vast reach. With many single screens shut and limited theatres in tier 2 and tier 3 cities, YouTube offers a more economical and convenient alternative as viewers can watch at their own time, place, and pace."
Hindustan Times
4 hours ago
- Hindustan Times
Peacemaker season 2: Which DC villains are hunting John Cena's antihero?
John Cena's Christopher Smith is gearing up for a brutal fight in Peacemaker season 2. The HBO Max series, directed by James Gunn, returns August 21 after more than three years, bringing with it a mix of new heroes and a roster of villains drawn straight from DC's archives. Gunn has confirmed that six heavy-hitting antagonists will appear this season, setting the stage for chaos, reports The Direct. Peacemaker Season 2: John Cena's Christopher Smith is set to face new and old villains this time.(Screengrab/YouTube) This second outing is not just about action. Cena's antihero is still dealing with the fallout of The Suicide Squad and his messy past, even as he is being hunted from all directions. Also read: James Gunn shares first Supergirl Poster following Superman's box office success Peacemaker Season 2: White Dragon and the return of nightmares One of the biggest surprises is the return of White Dragon. In season 1, Robert Patrick's Auggie Smith - Peacemaker's abusive father - met his end. But footage from season 2 shows a new White Dragon costume, this time with a blue color scheme. The video hints it could be Auggie reappearing in visions, as he did during the season 1 finale, or someone entirely new carrying the mantle. Frank Grillo's Rick Flag Sr. also joins the season, gunning for revenge after Peacemaker killed his son, Rick Flag Jr., in The Suicide Squad. That showdown promises some of the most emotionally charged moments this season, according to The Direct. Also read: Fantastic Four First Steps opens at $56 million in US, nearly matches Superman's Day 1 New faces and familiar rivals in Peacemaker Season 2 While in conversation with the media outlet, James Gunn has also introduced an original character, Red St. Wild, played by Michael Rooker. Gunn called him 'the world's foremost eagle hunter,' which instantly makes Eagly, Peacemaker's loyal sidekick, a target. Nhut Le's Judomaster is back as well, though his allegiance is unclear. He spent most of season 1 fighting Peacemaker, but this time his role could swing either way. Sean Gunn steps in as Maxwell Lord, a character with a shady reputation in DC lore. He appears to be connected to Justice League recruitment efforts, but fans know Lord is rarely trustworthy. Rounding out the villain squad is White Rabbit, played by Brey Noelle. Known in comics as a socialite with super speed and cloning abilities, she is making her live-action debut. FAQs Who is the main villain in Peacemaker season 2? Six villains, including White Dragon and Maxwell Lord, are set to appear. When does Peacemaker season 2 premiere? The first episode debuts on August 21. Which actors are joining season 2? Michael Rooker, Sean Gunn, Brey Noelle, and Frank Grillo are confirmed for new roles. Will Judomaster be a villain again? His role has not been confirmed, but he is expected to have major fight scenes.
