logo
Bobby Sherman, teen idol in the 1960s and '70s, dies at 81

Bobby Sherman, teen idol in the 1960s and '70s, dies at 81

Arab Times3 days ago

LOS ANGELES, June 25, (AP): Bobby Sherman, whose winsome smile and fashionable shaggy mop top helped make him into a teen idol in the 1960s and '70s with bubblegum pop hits like "Little Woman' and "Julie, Do Ya Love Me,' has died. He was 81.
His wife, Brigitte Poublon, announced the death Tuesday and family friend John Stamos posted her message on Instagram: "Bobby left this world holding my hand - just as he held up our life with love, courage, and unwavering grace.' Sherman revealed he had Stage 4 cancer earlier this year.
Sherman was a squeaky-clean regular on the covers of Tiger Beat and Sixteen magazines, often with hair over his eyes and a choker on his neck. His face was printed on lunchboxes, cereal boxes and posters that hung on the bedroom walls of his adoring fans. He landed at No. 8 in TV Guide's list of "TV's 25 Greatest Teen Idols.'
He was part of a lineage of teen heartthrobs who emerged as mass-market, youth-oriented magazines and TV took off, connecting fresh-scrubbed Ricky Nelson in the 1950s to David Cassidy in the '70s, all the way to Justin Bieber in the 2000s.
Sherman had four Top 10 hits on the Billboard Hot 100 chart - "Little Woman,' "Julie, Do Ya Love Me,' "Easy Come, Easy Go,' and "La La La (If I Had You).' He had six albums on the Billboard 200 chart, including "Here Comes Bobby,' which spent 48 weeks on the album chart, peaking at No. 10. His career got its jump start when he was cast in the ABC rock 'n' roll show "Shindig!' in the mid-'60s. Later, he starred in two television series - "Here Come the Brides' (1968-70) and "Getting Together' (1971).
Admirers from Hollywood took to social media to honor Sherman, with actor Patricia Heaton posting on X: "Hey all my 70s peeps, let's take a minute to remember our heartthrob Bobby Sherman' and Lorenzo Lamas recalling listening to Sherman's "Easy Come, Easy Go' on the school bus as a kid.
After the limelight moved on, Sherman became a certified medical emergency technician and instructor for the Los Angeles Police Department, teaching police recruits first aid and CPR. He donated his salary.
"A lot of times, people say, 'Well, if you could go back and change things, what would you do?'' he told The Tulsa World in 1997. "And I don't think I'd change a thing - except to maybe be a little bit more aware of it, because I probably could've relished the fun of it a little more. It was a lot of work. It was a lot of blood, sweat and tears. But it was the best of times.'
Sherman, with sky blue eyes and dimples, grew up in the San Fernando Valley, singing Ricky Nelson songs and performing with a high-school rock band.
"I was brought up in a fairly strict family,' he told the Sunday News newspaper in Lancaster, Pennsylvania, in 1998. "Law and order were important. Respect your fellow neighbor, remember other people's feelings. I was the kind of boy who didn't do things just to be mischievous.'
He was studying child psychology at a community college in 1964 when his girlfriend took him to a Hollywood party, which would change his life. He stepped onstage and sang with the band. Afterward, guests Jane Fonda, Natalie Wood, and Sal Mineo asked him who his agent was. They took his number and, a few days later, an agent called him and set him up with "Shindig!'
Sherman hit true teen idol status in 1968, when he appeared in "Here Come the Brides,' a comedy-adventure set in boom town Seattle in the 1870s. He sang the show's theme song, "Seattle,' and starred as young logger Jeremy Bolt, often at loggerheads with brother, played by David Soul. It lasted two seasons.
Following the series, Sherman starred in "Getting Together,' a spinoff of "The Partridge Family,' about a songwriter struggling to make it in the music business. He became the first performer to star in three TV series before the age of 30. That television exposure soon translated into a fruitful recording career: His first single, "Little Woman,' earned a gold record in 1969.
"While the rest of the world seemed jumbled up and threatening, Sherman's smiling visage beamed from the bedroom walls of hundreds of thousands of teenage girls, a reassuring totem against the riots, drugs, war protests and free love that raged outside,' The Tulsa World said in 1997.
His movies included "Wild In Streets,' "He is My Brother' and "Get Crazy.'
Sherman pulled back from his celebrity career after several years of a frantic schedule, telling The Washington Post: "I'd film five days a week, get on a plane on a Friday night and go someplace for matinee and evening shows Saturday and Sunday, then get on a plane and go back to the studio to start filming again. It was so hectic for three years that I didn't know what home was.'
Sherman's pivot to becoming an emergency medical technician in 1988 was born out of a longtime fascination with medicine. Sherman said that affinity blossomed when he raised his sons with his first wife, Patti Carnel. They would get scrapes and bloody noses and he became the family's first-aid provider. So he started learning basic first aid and cardiopulmonary resuscitation from the Red Cross.
"If I see an accident, I feel compelled to stop and give aid even if I'm in my own car,' he told the St. Petersburg Times. "I carry equipment with me. And there's not a better feeling than the one you get from helping somebody out. I would recommend it to everybody.'
In addition to his work with the Los Angeles Police Department, he was a reserve deputy with the San Bernardino County Sheriff's Department, working security at the courthouse. Sherman estimated that, as a paramedic, he helped five women deliver babies in the backseats of cars or other impromptu locations.
In one case, he helped deliver a baby on the sidewalk and, after the birth, the new mother asked Sherman's partner what his name was. "When he told her Bobby, she named the baby Roberta. I was glad he didn't tell her my name was Sherman,' he told the St. Petersburg Times in 1997.
He was named LAPD's Reserve Officer of the Year for 1999 and received the FBI's Exceptional Service Award and the "Twice a Citizen' Award by the Los Angeles County Reserve Foundation.
In a speech on the floor of the U.S. House of Representatives in 2004, then-Rep. Howard McKeon wrote: "Bobby is a stellar example of the statement 'to protect and serve.' We can only say a simple and heartfelt thank you to Bobby Sherman and to all the men and women who courageously protect and serve the citizens of America.'
Later, Sherman would join the 1990s-era "Teen Idols Tour' with former 1960s heartthrobs Micky Dolenz and Davy Jones of the Monkees and Peter Noone of Herman's Hermits.
The Chicago Sun-Times in 1998 described one of Sherman's performances: "Dressed to kill in black leather pants and white shirt, he was showered with roses and teddy bears as he started things off with 'Easy Come, Easy Go.' As he signed scores of autographs at the foot of the stage, it was quickly draped by female fans of every conceivable age group.'
Sherman also co-founded the Brigitte and Bobby Sherman Children's Foundation in Ghana, which provides education, health, and welfare programs to children in need.
He is survived by two sons, Christopher and Tyler, and his wife.
"Even in his final days, he stayed strong for me. That's who Bobby was - brave, gentle, and full of light,' Poublon wrote.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Fans slam Beyoncé for shirt calling Native Americans 'the enemies of peace'
Fans slam Beyoncé for shirt calling Native Americans 'the enemies of peace'

Arab Times

time3 hours ago

  • Arab Times

Fans slam Beyoncé for shirt calling Native Americans 'the enemies of peace'

LOS ANGELES, June 28, (AP): A T-shirt worn by Beyoncé during a Juneteenth performance on her "Cowboy Carter' tour has sparked a discussion over how Americans frame their history and caused a wave of criticism for the Houston-born superstar. The T-shirt worn during a concert in Paris featured images of the Buffalo Soldiers, who belonged to Black U.S. Army units active during the late 1800s and early 1900s. On the back was a lengthy description of the soldiers that included "Their antagonists were the enemies of peace, order and settlement: warring Indians, bandits, cattle thieves, murderous gunmen, bootleggers, trespassers, and Mexican revolutionaries.' Images of the shirt and videos of the performance are also featured on Beyoncé's website. As she prepares to return to the U.S. for performances in her hometown this weekend, fans and Indigenous influencers took to social media to criticize Beyoncé for framing Native Americans and Mexican revolutionaries as anything but the victims of American imperialism and promoting anti-Indigenous language. A publicist for Beyoncé did not respond to requests for comment. The Buffalo Soldiers served in six military units created after the Civil War in 1866. They were comprised formerly enslaved men, freemen, and Black Civil War soldiers and fought in hundreds of conflicts - including in the Spanish-American War, World War I, and World War II - until they were disbanded in 1951. As the quote on Beyoncé's shirt notes, they also fought numerous battles against Indigenous peoples as part of the U.S. Army's campaign of violence and land theft during the country's westward expansion. Some historians say the moniker "Buffalo Soldiers' was bestowed by the tribes who admired the bravery and tenacity of the fighters, but that might be more legend than fact. "At the end of the day, we really don't have that kind of information,' said Cale Carter, director of exhibitions at the Buffalo Soldiers National Museum in Houston. Carter and other museum staff said that, only in the past few years, the museum made broader efforts to include more of the complexities of the battles the Buffalo Soldiers fought against Native Americans and Mexican revolutionaries and the role they played in the subjugation of Indigenous peoples. They, much like many other museums across the country, are hoping to add more nuance to the framing of American history and be more respectful of the ways they have caused harm to Indigenous communities. "We romanticize the Western frontier,' he said. "The early stories that talked about the Buffalo Soldiers were impacted by a lot of those factors. So you really didn't see a changing in that narrative until recently.' There has often been a lack of diverse voices discussing the way Buffalo Soldiers history is framed, said Michelle Tovar, the museum's director of education. The current political climate has put enormous pressure on schools, including those in Texas, to avoid honest discussions about American history, she said. "Right now, in this area, we are getting push back from a lot of school districts in which we can't go and teach this history," Tovar said. "We are a museum where we can at least be a hub, where we can invite the community regardless of what districts say, invite them to learn it and do what we can do the outreach to continue to teach honest history.' Beyoncé's recent album "Act II: Cowboy Carter' has played on a kind of American iconography, which many see as her way of subverting the country music genre's adjacency to whiteness and reclaiming the cowboy aesthetic for Black Americans. Last year, she became the first Black woman ever to top Billboard's country music chart, and "Cowboy Carter' won her the top prize at the 2025 Grammy Awards, album of the year. "The Buffalo Soldiers play this major role in the Black ownership of the American West,' said Tad Stoermer, a historian and professor at Johns Hopkins University. "In my view, (Beyoncé is) well aware of the role that these images play. This is the 'Cowboy Carter' tour for crying out loud. The entire tour, the entire album, the entire piece is situated in this layered narrative.' But Stoermer also points out that the Buffalo Soldier have been framed in the American story in a way that also plays into the myths of American nationalism. As Beyoncé's use of Buffalo Soldiers imagery implies, Black Americans also use their story to claim agency over their role in the creation of the country, said Alaina E. Roberts, a historian, author and professor at Pittsburgh University who studies the intersection of Black and Native American life from the Civil War to present day. "That's the category in which she thought maybe she was coming into this conversation, but the Buffalo Soldiers are even a step above that because they were literally involved in not just the settlement of the West but of genocide in a sense,' she said. Several Native influencers, performers, and academics took to social media this week to criticize Beyoncé or call the language on her shirt anti-Indigenous. "Do you think Beyoncé will apologize (or acknowledge) the shirt,' an Indigenous news and culture Instagram account with more than 130,000, asked in a post Thursday. Many of her critics, as well as fans, agree. A flood of social media posts called out the pop star for the historic framing on the shirt. "The Buffalo Soldiers are an interesting historical moment to look at. But we have to be honest about what they did, especially in their operations against Indigenous Americans and Mexicans,' said Chisom Okorafor, who posts on TikTok under the handle @confirmedsomaya. Okorafor said there is no "progressive' way to reclaim America's history of empire building in the West, and that Beyoncé's use of Western symbolism sends a problematic message. "Which is that Black people too can engage in American nationalism," she said. "Black people too can profit from the atrocities of American empire. It is a message that tells you to abandon immigrants, Indigenous people, and people who live outside of the United States. It is a message that tells you not only is it a virtue to have been born in this country but the longer your line extends in this country the more virtuous you are.'

Bespoke bash for a billionaire: Jeff Bezos weds Lauren Sánchez in lavish Venice ceremony
Bespoke bash for a billionaire: Jeff Bezos weds Lauren Sánchez in lavish Venice ceremony

Arab Times

time3 hours ago

  • Arab Times

Bespoke bash for a billionaire: Jeff Bezos weds Lauren Sánchez in lavish Venice ceremony

VENICE, Italy, June 28, (AP): The sky itself is no limit for billionaire Jeff Bezos and fiancée Lauren Sánchez, who have traveled into space - and expectations were about as high ahead of their wedding in Venice on Friday. One of the world's most enchanting cities as backdrop? Check. Star-studded guestlist and tabloid buzz? Of course. Local flavor? You bet. And then, time to tie the knot. The couple held their wedding ceremony Friday night, and Sánchez posted to Instagram a photo of herself beaming in a white gown as she stood alongside a tuxedo-clad Bezos, the world's fourth-richest man. It was the second day of events spread across the Italian lagoon city, which added complexity to what would have been a massive logistical undertaking even on dry land. Dozens of private jets had flocked to Venice's airport, and yachts pulled into the city's famed waterways. Athletes, celebrities, influencers and business leaders converged to revel in extravagance that was as much a testament to the couple's love as to their extraordinary wealth. The heady hoopla recalled the 2014 wedding in Venice of actor George Clooney to human rights lawyer Amal Alamuddin, when adoring crowds lined the canals and hundreds of well-wishers gathered outside City Hall. Not so for these nuptials, which became a lightning rod for small, colorful protests. But any desire to dampen the prevailing fever pitch hadn't materialized as of Friday. Instead, the glitterati were partying, and the paparazzi jostling for glimpses of the gilded gala. And the bride wore a classic mermaid-line gown, featuring Dolce & Gabbana's signature Italian lace. A traditional tulle-and-lace veil completed her look. "Not just a gown, a piece of poetry," she wrote on Instagram, where her name now appears as Lauren Sánchez Bezos. Venice is famed for its network of canals, where gondoliers croon for lovestruck couples and even ambulances are aquatic. But water transport of everything from bouquets to guests makes Venice among the world's most challenging cities for a party, according to Jack Ezon, CEO of Embark Beyond, a luxury travel advisory and destination event service. "It's a very tight-knit community; everyone there knows everyone, and you need to work with the right people,' said Ezon, whose company has put on a dozen high-end events in Venice. "There's very tight control, especially on movement there with boats.' It at least triples the cost versus staging the same soiree in Rome or Florence, he said. Veneto Gov. Luca Zaia was first to give an estimated tally for the Bezos/Sánchez bash: He told reporters this week the most recent total he saw was between 40 million and 48 million euros (up to $56 million). It's an eye-popping, jaw-dropping figure that's over 1,000 times the $36,000 average cost of American couples' weddings in 2025, according to wedding planning website Zola's annual report. Bezos' team has been tight-lipped about where these millions are going. When the youngest son of Asia's richest man married last July, performances by pop stars Rihanna and Justin Bieber pushed up the price tag. "How do you spend $40 million on a three- or four-day event?' Ezon said. 'You could bring headliners, A-list performers, great DJs from anywhere in the world. You could spend $2 million on an incredible glass tent that's only there for 10 hours, but it takes a month to build," or expand the celebration to local landmarks. There's no sign Sánchez and Bezos, the former CEO of Amazon, intend to take over any of Venice's tourist-thronged hotspots. Still, intense hand-wringing about the prospect prompted their wedding coordinator, Lanza & Baucina, to issue a rare statement calling those rumors false. On Friday afternoon, Sánchez emerged from her hotel wearing a silk scarf on her head and blew a kiss to journalists before stepping into her water taxi. It carried her through the canals to San Giorgio island, across the lagoon basin from St. Mark's Square, where the couple held their ceremony Friday night. Bezos followed two hours later. Then, in a string of water taxis, came their illustrious guests - Oprah Winfrey, Kim Kardashian, Ivanka Trump, Tom Brady, Bill Gates, Queen Rania of Jordan, Leonardo DiCaprio, and more. Paparazzi trailed on their own boats, trying to capture them all on camera. Vogue magazine, to which the couple granted exclusive access, reported that the Dolce & Gabbana-designed gown took 900 hours to complete. Inspired by Sophia Loren's wedding dress in the 1958 film Houseboat, it featured high-necked, hand-appliqued lace and 180 silk chiffon-covered priest buttons. There are some who say these two shouldn't have been wed in this city. They characterize the wedding as a decadent display of wealth in a world with growing inequality, and argue it's a shining example of tourism taking precedence over residents' needs, particularly affordable housing and essential services. Venice is also one of the cities most vulnerable to rising sea levels from climate change. "Venice is not just a pretty picture, a pretty postcard to please the needs and wants of the elite or of mass tourists, but it is an alive city, made of people who want to actually live there," Stella Faye, a researcher at a university from Venice, said on Friday. About a dozen Venetian organizations - including housing advocates, anti-cruise ship campaigners and university groups - are protesting under the banner "No Space for Bezos,' a play on words referring to his space exploration company Blue Origin and the bride's recent space flight. Greenpeace unfurled a banner in St. Mark's Square denouncing Bezos for paying insufficient taxes. Activists floated a bald-headed Bezos-inspired mannequin down Venice's Grand Canal atop an Amazon delivery box, its hands clenching fake cash. Authorities - from Venice's mayor to the nation's tourism minister - have dismissed the outcry, saying it ignores the visibility and economic boost the wedding has brought. "There will be photos everywhere, social media will go wild over the bride's dress, over the ceremony,' Italy's tourism minister, Daniela Santanchè, told the AP. "All of this translates into a massive free publicity campaign. In fact, because they will spend a lot of money, they will enrich Venice - our shopkeepers, artisans, restaurateurs, hotels. So it's a great opportunity both for spending and for promoting Italy in the world.' As Amazon's CEO, Bezos usually avoided the limelight, frequently delegating announcements and business updates to his executives. Today he has a net worth of $234 billion, according to Forbes. In 2019, he announced he was divorcing his first wife, MacKenzie Scott, just before the National Enquirer published a story about an affair with Sánchez, a former TV news anchor. Sánchez filed for divorce the day after Bezos' divorce was finalized. He stepped down as CEO in 2021, saying he wished to spend more time on side projects, including Blue Origin, The Washington Post, which he owns, and his philanthropic initiatives. Sitting beside Sánchez during an interview with CNN in 2022, he announced plans to give away the majority of his wealth during his lifetime. Last week, a Venetian environmental research association issued a statement saying Bezos' Earth Fund was supporting its work with an "important donation.' CORILA, which seeks protection of the Venetian lagoon system, said contact began in April, well before any protests.

Arson ignites Lehane's firebug series ‘Smoke'
Arson ignites Lehane's firebug series ‘Smoke'

Arab Times

time2 days ago

  • Arab Times

Arson ignites Lehane's firebug series ‘Smoke'

NEW YORK, June 26, (AP): Author and screenwriter Dennis Lehane has a healthy respect for the power of fire. He learned that the hard way - surviving a house fire in Boston in his 30s. Lehane was living on the top floor of an apartment building when a propane tank on the roof exploded and started a blaze. The landlord was replacing the building's smoke detectors at the time so none were working. Lehane is lucky to be alive and he credits, in part, the flames. 'If you're trapped in fire - if you wake up and the building you're in is on fire - it's up to the fire at that point. It's really up to wthe hims of the fire, whatever's going to happen to you. And I find that lack of control fascinating.' Lehane, whose literary canon includes the novels-turned-movie hits 'Gone, Baby, Gone' and 'Mystic River,' has turned to fire for his latest project - Apple TV+'s new nine-episode crime drama 'Smoke.' It debuts Friday. It's based on the true story of a former arson investigator who was convicted in 1998 of serial arson, captured in part after he wrote a novel about a firefighter who was a serial arsonist. The case - chronicled in the 2021 podcast Firebug - sparked something in Lehane. 'I just thought, that's just the height of craziness. Like, you're not only in denial about who you are, you're so far in denial you're going to write a book about what a great guy you are and then use the fires that you set as the models for the fires in your book?' he says. 'I can get in the zip code of that mindset; I cannot land on the street, though.' The show marks a reunion between Lehane, Greg Kinnear and Taron Egerton, who previously worked together on the 2022 Apple TV+ series 'Black Bird.' It also stars Jurnee Smollett, Anna Chlumsky and John Leguizamo, and boasts an original, eerie song by Radiohead's Thom Yorke called 'Dialing In.' Egerton plays Dave Gudsen, an arson investigator in Umberland, a fictional town in the Pacific Northwest, who is chasing two separate firebugs. He's teamed up with a smart but troubled detective played by Smollett, who begin a game of cat and mouse. If the setup sounds like it leads to a typical TV procedural, viewers who stick around get rewarded by a show that gets weirder and more complex, infused by Lehane's attraction to moral ambiguity. Contradictions 'We walk with contradictions and I think that's the dramatic irony that Dennis is exploring,' says Smollett. 'These people are saying they're fighting to do the right thing and yet they're morally questionable. I think that's very relevant today.' Edgerton's Dave, it's soon clear, is not who he appears to be and has an almost superhuman ability to compartmentalize aspects of his personal and private lives. He is both bombastic and insecure, goofy and frightening. 'Taron has endless reservoirs of talent to draw on. He's an extremely inspired actor,' says Lehane. 'He comes at it from the same place I come at it, which is that Taron won't take a role unless some part of it scares him. I won't tell a story unless some of it scares me.' Egerton said he relished a chance to show a different side of himself, rebelling a little at his safe, good-guy public persona after the success of his heroic turn in 2024's 'Carry-On.' 'You know what? I'm not that affable. I am sometimes, but I'm not some of the time,' he says, laughing. 'I think the thing I love about Dave is that there is a tension between what the perception of him is and who he really is. And how can you ever really know who a person is?' Adding to the series' allure is some of Lehane's street poetry, like the line: 'Whatever you do, whatever you know, however much lifetime wisdom you've accrued, fire puts a lie to it all.' Smollett was onboard after an initial conversation with Lehane in which he said: 'So many of us say we want to be happy and yet we are drawn to the very thing that will destroy us.' That was Smollett's entry point to her gloriously messy character. Smollett's detective, a former Marine, refuses to be vulnerable, is excellent at her job, traumatized by an experience with arson and not afraid to mess with anyone. Early on, she is shown using a sledgehammer to her own home. 'She plays with fire,' says Smollett. 'She's living on the edge and has this mask and this guard up and walks around as if she's invincible because she's really just afraid.' Lehane says with 'Smoke' he's drawn to people who invest in a narrative of who they choose to be rather than be true to who they really are. 'You don't know who they are because they don't know who they are,' he says. 'They're running from themselves, they're running from their true selves. And I felt like that's the interesting story here I'm trying to tell.'

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store