logo
Art as inspiration can make your wedding as pretty as a priceless painting

Art as inspiration can make your wedding as pretty as a priceless painting

Yahoo25-06-2025
To make the moment she says 'I do' as pretty as a picture, Devon McCready is borrowing from the authorities of aesthetics.
This August, she will walk down the aisle at her family's home near Cisco Beach in Nantucket with her fiancé, Boston real estate developer Gaetano Morello, surrounded by elements inspired by paintings by the likes of Gustav Klimt, William Samuel Horton and Pierre-Auguste Renoir.
'I have a long love of art,' said McCready, who owns an eponymous art advising business that keeps her hopping between Boston, Palm Beach and Nantucket. 'I'm always either studying it or selling it. So when I think about the visuals for the event, my mind always goes to different artworks that I've fallen in love with over the years.'
Her wedding is structured like an elegant garden party, and for inspiration she looked to a detail from Georges Rochegrosse's 1894 oil painting 'Le Chevalier aux Fleurs' and to swirling colors of Renoir's 1879 impressionist painting, 'Spring (The Four Seasons).'
Klimt's lustrous golden phase and his later landscape paintings — think 1907's 'Bauerngarten' — influenced the selection of digital wedding invitations, fashion and decor. Meanwhile, a keen-eyed guest might catch a reference to Odilon Redon's 1912 watercolor 'Five Butterflies' on the save the date stationery. Even the reception lighting is intended to reflect the amber glow of 'Nighttime Festivities Held by President Loubet at the Elysée Palace in Honor of Alfonso XIII' by William Samuel Horton (1905).
One person who definitely gets the vision is her planner, Maureen Maher of Nantucket Island Events.
'When I show her an artwork she's like, 'That's going to look great. I love those colors,'' said McCready.
Wedding content creator Emily Cline added that art can do more than just color your wedding — it can become a central figure in it. Cline is on iPhone duty, capturing candid, intimate moments from the big day that the formal photographer might skip, to send your socials swooning.
She recently shot a couple's engagement at the Met in front of some of their favorite abstract artworks, as well as a wedding at the Parrish Art Museum in the Hamptons, where the art acted as a sophisticated backdrop.
Art museums and galleries are always popular — and even competitive — venues to book in the city, despite the tens of thousands you should expect to pay at, say, the Brooklyn Museum. (Note: The Met doesn't allow ceremonies, but it does host receptions, starting at an eye-watering $750,000). But while most use a museum's massive square footage merely as a grand event space, Cline said it's important to get intimate with what they have on display.
She directs couples to simply walk around, enjoy the art, take it in and be present. Of course, she also poses couples in front of stunning sculptures and canvases — prioritizing pieces that are about love — that then become a part of their wedding story.
'It turns out really beautifully, like a perfect date night,' said the NYC founder of Wedding Day Content Creator. 'Art adds a really personal touch and wonderful ambience.'
Still, some hot 'n' heavy connoisseurs crave the avant garde. They find it at Hall des Lumières. Located in the landmark Emigrant Industrial Savings Bank at 49 Chambers Street on the edge of Tribeca, the venue is New York City's first permanent immersive digital art center. It allows couples to custom program 360-degree digital projections, lighting and sounds so that you and your guests can step inside your favorite paintings. (Remember that touring Van Gogh exhibit that let you bask inside 'Starry Night'? It's basically that, on steroids.)
'We have 130 projectors and a look book, but we can also customize for any event,' said Harley Hendrix, the managing director of the space. 'Young brides tend to want to use it at its full capacity, and then we have some that are more traditional, and just want to keep it to a very nice, elegant, ever-changing backdrop.'
This futuristic-meets-beaux arts space has roughly 60 ready-made looks that the system can map out over the walls. They run the gamut from travel themes to Van Gogh's 'Sunflowers' and the golden motifs of Klimt. Match those with build-outs and you have a wedding that feels like you are inside your favorite frame. Better still, it can host up to 1,000 guests.
'Everything is customizable, but best of all, it just photographs so well. You can't tell where you are. Every time the projections change, the room changes,' said Hendrix. 'The only limit is your imagination. Want to be Mona Lisa? Fine, you are Mona Lisa.'
A wedding is one of those rare opportunities to create something new and exciting, said McCready.
'It's so cool to have so much creative control over this one event that's celebrating something so exciting in my life,' she said. 'I feel like I'm creating my own work of art.'
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Blake Lively vs. the ‘Misogyny Slop Ecosystem'
Blake Lively vs. the ‘Misogyny Slop Ecosystem'

New York Times

time37 minutes ago

  • New York Times

Blake Lively vs. the ‘Misogyny Slop Ecosystem'

Last month, a judge threw out the actor Justin Baldoni's $400 million defamation lawsuit against his former co-star Blake Lively. From the way many online spectators have treated her, you'd think she was the one who was losing. The ruling was part of a legal saga that began when, just after the release of Ms. Lively and Mr. Baldoni's film, 'It Ends With Us,' in 2024, something odd happened: The typical junket interviews and online chatter about the film turned against Ms. Lively, casting her as bossy, flippant and difficult. In December, Ms. Lively filed a legal complaint against Mr. Baldoni and his team of hired publicists, claiming that the bad P.R. was, at least in part, coordinated by them after she spoke up about on-set sexual harassment. According to her complaint, they had orchestrated a smear campaign using tabloids and social media. (A lawyer for Wayfarer, the studio of Mr. Baldoni and his producer, has called Ms. Lively's claims 'completely false, outrageous and intentionally salacious.') Mr. Baldoni, in turn, sued her and her husband, the actor Ryan Reynolds, for defamation and lost. (His suit against The New York Times for covering her complaint was also dismissed.) But the damage was already done. She has been caught in a storm of public discussion about her appearance, her personal relationships and whether she was acting mean during press junkets. Her experience is fast becoming a matter of course in high-profile cases involving accusations of sexual violence or harassment. Public figures who speak up now can face retaliation and recrimination not just from their alleged abusers, but from an online public that's thirsty to see them torn apart. We've seen this before. Remember how Amber Heard was treated during Johnny Depp's defamation case against her? Throughout Ms. Heard's trial, YouTube channels uploaded hundreds of videos that were eligible for hundreds of thousands of dollars in advertising revenue; her lawyer argued that 'lopsided' social media coverage played a role in her eventual defeat. Now, what Ms. Lively's legal filings suggest is that at least some of the drama surrounding high-profile celebrity imbroglios can be essentially cooked up and then amped up. Drama is a calculated strategy, designed to cast public doubt on accusers' claims and tarnish their reputations, while also grabbing eyeballs. It seems inevitable that this environment will deter other women from coming forward. Want all of The Times? Subscribe.

Three Easy Dishes to Make for a Crowd This Summer
Three Easy Dishes to Make for a Crowd This Summer

New York Times

time41 minutes ago

  • New York Times

Three Easy Dishes to Make for a Crowd This Summer

When the chef Scott Clark is cooking for a big bunch of friends, his goal is always to deliver a dish that's 'more than delicious,' he says. 'It should also show off.' For Clark, 39 — who owns Dad's Luncheonette, a diner in a historic train car in Half Moon Bay, Calif. — that might mean trying a new technique (making custard with Earl Grey tea, for instance) or plating with a little pageantry, like dolloping yogurt on a slice of cake before finishing it with a sprinkle of citrus zest. - A Danish jewelry designer's long midsummer lunch. - In the Caribbean, a couple's laid-back birthday party with their young son. - A group of trans artists and activists' Filipino feast on Fire Island. - In a Georgian vineyard, a meal inspired by a painting. - A guide to sharing a vacation rental (and remaining friends with your housemates). - Chefs' favorite recipes for large groups. - An easy, crowd-pleasing cocktail to make in big batches. For our Summer Entertaining Issue, we asked Clark and two other Bay Area chefs to share foolproof but impressive recipes that can be scaled up, prepped ahead or pulled together in a flash — ideal dishes, in other words, for feeding a crowd on vacation. For the chef Nite Yun, 42, who runs the Cambodian restaurant Lunette in San Francisco's Ferry Building, no big group meal is complete without a generous portion of quick-cooking greens. They 'pair with almost anything,' she says. When cooking for his friends, Geoff Davis, 37, the chef and owner of the soul food restaurant Burdell in Oakland, serves family-style platters that highlight summer produce, like blackened fish with sweet corn grits and tomato vinaigrette. And Clark prefers his summer spreads capped off by something cold, celebratory and indulgent, like his nostalgic icebox pie flecked with tea leaves. The rest of the menu, he says, 'depends on how much I like the people.' Geoff Davis's Blackened Cod With Sweet Corn Grits This recipe is adapted from a fish and grits dish that appeared on the opening menu at Burdell. The grits can be made up to a day in advance and reheated, and because the fish is blackened, it's nearly impossible to overcook. 'You're burning it on purpose,' says Davis. 'It's pretty easy to pull off and you look like a rock star.' For best results, Davis recommends waiting until Sungold tomatoes and sweet corn are at their peak in your region. Look for apricot-orange tomatoes and ears of corn with bright green husks and plump kernels. Want all of The Times? Subscribe.

On Fire Island, a Dinner Made for and by the Dolls
On Fire Island, a Dinner Made for and by the Dolls

New York Times

time42 minutes ago

  • New York Times

On Fire Island, a Dinner Made for and by the Dolls

When the editor Fran Tirado first began going to Fire Island, the queer beach community off the South Shore of Long Island, she found it to be surprisingly white, cisgender and male. In the summer of 2021, as Tirado, 34, was coming into her trans womanhood, she felt 'like I didn't belong,' she says. By the next year, she'd resolved to host her own gathering celebrating those who'd historically felt unwelcome on the barrier island because of their gender identity. 'I just wanted a reason to galvanize a bunch of trans people to descend,' she says with a smile. The now-annual event is called Doll Invasion, fitting for a weekend each August where trans folks lead the charge. Tirado, who was in March 2025 named the editor in chief of Them, brings together an all-trans lineup of performers and musical acts. The festivities double as a fund-raiser, with donations and proceeds from ticket sales going toward mutual aid efforts and helping to finance trans-led artistic initiatives. (Entry is free for trans people, and everyone else is asked to pay a suggested fee ranging from $50 to $150.) This past summer, for the third annual Doll Invasion, the D.J.s Macy Rodman and Lina Bradford and the drag performer Cherry Jaymes entertained the crowd along the sand, and the money raised went to Queer|Art and Advocates for Trans Equality, among other nonprofit organizations. The Friday night before the performances and pool party began, the event's full cast and crew — including stage managers, culinary staff and performers — gathered for a family-style dinner by the water, outside of the beach house they'd rented. 'It's a moment of gratitude for everything that people give to pull off Doll Invasion,' Tirado says. The model, writer and director Geena Rocero cooked and hosted an outdoor kamayan feast — a Filipino meal in which food is served on banana leaves and eaten communally by friends and family. 'Kamayan means eating with your hands [in Tagalog],' says Rocero, 42, who was born and raised in the Philippines. That tactile approach held a special meaning for the group assembled. 'It's [an act] of reclamation, as our bodily autonomy is being attacked,' she says. The event also commemorated the loss of the Argentine artist, actress and trans rights activist Cecilia Gentili, who died in February of last year. In her honor, the weekend's theme was 'All Dolls Go to Heaven' — throughout the weekend, guests wore grand feathered angel wings and bold, glittery eye makeup. Want all of The Times? Subscribe.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store