The Encampments director Kei Pritsker: ‘The students risked a lot to stand with the people of Gaza. That's tremendous'

Irish Times

07-06-2025

The Palestine solidarity encampments at
Columbia University
, in uptown Manhattan, were not the first such US student protests during the continuing
Gaza
conflict. But they came to be the most impactful. Beginning in April 2024, the occupation saw tents spreading across the Morningside Heights campus of the Ivy League institution. Flags and banners were unfurled. Chants went up.
That first protest, seeking Columbia's financial divestment from Israel, was broken up when Minouche Shafik, the university's president, authorised the New York Police Department to enter the campus and conduct mass arrests. Nothing like this had happened since the 1968 demonstrations against the Vietnam War.
'Columbia wasn't actually the first campus to set up an encampment,' Kei Pritsker, director of a fine new documentary on the protests, confirms. 'Stanford University, Vanderbilt University – they also had encampments going. But the whole world saw how Columbia had called the police on their own students – students who paid tuition to study at that school, only to be arrested by their own faculty, by their own school administration.'
Pritsker's The Encampments stands as a lucid, sober examination of a still-developing story. The director, unapologetically on the side of the protesters, reflects that mood in his own conversation. He lays out the case calmly. The anger is implied, not explicit.
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'People saw this happening in broad daylight,' he says. 'These videos were circulated around the world. There was so much outrage over the treatment of students who weren't bothering anyone, who were protesting peacefully. The hypocrisy of it all. The fact that the students were saying, 'Hey, we're doing this in the spirit of education.''
The protests spread across the United States' universities and then across the world. The students in Manhattan returned and tensions continued to mount. There were disputes about anti-Semitic incidents happening in the vicinity of the encampments. The university ended up cancelling its graduation ceremony in May of 2024. Shafik resigned that August.
Future histories will position all the testimonies in proper context, but The Encampments is an invaluable first draft. There is a lot to unpick here about the general condition of American education and, more specifically, about its relationship with the almighty dollar.
'The schools have this false reputation – it's almost a caricature – that's been built up by conservatives, that they are run by Marxists, by leftists,' Pritsker says of the top US universities. 'The reality is the schools are really run like businesses, especially the private institutions. In the United States the average American pays more for education than any person in the world, but we have very low outcomes for education.
'That's because the schools are run like a business. The money is not just being invested in big sports stadiums and huge monuments but also just in inflating the endowment of the school. Inflating the investment portfolio. Buying real-estate investments.'
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The film puts the case that Columbia's vigorous response to the protests was driven more by financial concerns than by any ideological unease.
'It's clear to us that Columbia's main consideration was how their donors would feel about their reaction to the protests, not whether the school was on the moral side of history or if they were actually invested in genocide,' Pritsker says. 'They were concerned with pleasing their donors – who happened to support Israel.'
The Encampments further argues that members of Columbia's board of trustees may have direct interest in organisations that would suffer if the university divested as demanded by the students.
'They're titans of industry. They are wealthy. They are influential in politics and in culture,' he says, moving on to discuss a former secretary of homeland security. 'We talk about a few like Jeh Johnson, who is someone who sits on the Columbia board of trustees and also sits on the board of Lockheed Martin, which is a weapons manufacturer that builds weapons that are sold to Israel.'
Pritsker, a journalist with
BreakThrough News
, did not initially set out to make a film about the phenomenon. He went to Columbia first to report on the early protests. Some of his footage from that visit made it into the final project.
'I had been in contact with the Columbia students since then,' he says. 'So when they were setting up the encampment they reached out to me and said, 'Hey, do you want to cover this? You know the administration isn't listening to our demands. They're ignoring us completely. They are banning our student groups. They're looking the other way. So we're setting up this encampment.''
Pritsker went back to the university and began filming. He felt it would be just a straightforward news package, but when rumours emerged of imminent arrests he realised that he might have a larger story to tell. He hung around, and the next morning the first police actions took place. Then information came in that other colleges across the nation were setting up their own encampments. Pritsker found himself monitoring the progress of a mighty wave.
'I asked the students, 'Hey, can I live with you guys?'' he says. 'So I lived in the encampment for the next 12 days – all really as a journalist. I had no intention of making a film out of any of this.'
News reports suggest that the encampments temporarily transformed the whole atmosphere in the Upper West Side of Manhattan. Cops were everywhere. The press was hovering. Chants and cheers were audible. Did Pritsker get that sense of the protests bleeding out into the wider community?
'That was a big part of it that we didn't quite get to address in the film,' he says. 'This was a citywide, and a countrywide, and a globalwide encampment at Columbia. Every single night and every single day people were going to the gates of Columbia to chant very loudly – loudly enough that the students in the camp could hear them chanting in support.'
He goes on to argue that the issue of the genocide in Gaza is not something 'that stops at the university gates'. This was a concern that, one way or another, energised the whole community.
'It should come as no surprise that people in New York City wanted to express their support for the students,' he says. 'Without that support the encampment wouldn't have survived, but the students inside were receiving tons and tons of food.'
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All well and good. But student protests have, to put it delicately, never been universally popular with the wider public. There was, in the blue-collar US, at least as much outrage at student militancy of the late 1960s as there was support. And Columbia is not just some community college. These are elite students at the most prestigious of universities.
'To a degree, there is an aspect of that,' he says. 'The movement hasn't quite reached blue-collar America. There is a perception that the movement is solely for people who consider themselves progressive or left-wing. When it's really not. I think that is kind of where the movement needs to go. It needs to broaden and approach people who might consider themselves conservative or right-wing.'
The Encampments does, at least, push aside the notion that there is nothing at stake for the protesters. Mahmoud Khalil, a student activist at Columbia and one of the lead negotiators during the protest, is interviewed at length. In March this year Khalil was arrested by immigration officials in his university accommodation.
'Mahmoud is still in prison in Jena, Louisiana,' Pritsker says. 'He's still facing potential deportation. Some judges have issued orders slowing down the process, and obviously he has tremendous public support.
'So anything the Trump administration tries to do to Mahmoud will be heavily watched and criticised. They're trying to be really careful, and it's not clear that the administration has a solid case to do this.'
Few of the protesters are facing anything like that sort of challenge. But there are risks for even those from more comfortable backgrounds.
'They have all these shiny little objects waved in front of them: lucrative careers, fancy job titles, all this,' Pritsker says, wryly. 'And the fact is they rejected that entirely. They said, 'We don't care about any of these bribes, these little trinkets that you're offering us. We want to stand with the people of Gaza at great detriment to our own safety and our own reputation.' That's tremendous.'
The Encampments is in cinemas from Friday, June 6th