Why Rage Against The Machine guitarist Tom Morello loves Babymetal
Babymetal's upcoming fourth album, Metal Forth, features some seriously high-profile collabs, with stars including Poppy, Slaughter To Prevail's Alex Terrible and Spiritbox's Courtney LaPlante guesting alongside Su-metal, Moametal and Momometal.
Also making an appearance is former Rage Against The Machine man Tom Morello, who adds some incendiary guitar to the song Metali!!., originally dropped as a single in 2023. The title is a portmanteau of 'metal' and 'matsuri' – the word for a traditional Japanese outdoor celebration, hence the cries of 'wasshoi wasshoi' and 'dokkoisho', which are a signature of matsuri-inspired songs.
In the brand new issue of Metal Hammer, we speak to the guests on the album, including Morello who discusses his admiration of Babymetal and how his appearance on Metali!! came about. This is what he has to say.
How far back does your relationship with Babymetal go?
Tom Morello: 'I've been a fan of Babymetal since I first heard them. I reached out to their management when I was making my Atlas Underground album [in 2018], which was a collaborative work with various artists, and at the time they were unavailable, and I was disappointed. Later on, they reached back out to me, asking if I was still interested in collaboration. Of course, I jumped at the chance.'
What was the brief for your contribution to Metali!!?
'I love heavy riffs, and the Babymetal Metali!! song has a collaborative heaviness that I think in many regards fits very well in my riffology catalogue. I also shredded some solos on the track.'
What's your standout memory of working with them?
'One of the most amusing parts about the collaboration was making the video, which I shot remotely. Normally you're asked to do a video on a green screen, and when you do a video on a green screen you can't wear any green. Well, this was a video that they wanted me to do on a black screen, so I just assumed I couldn't wear any black, which of course is the standard colour for all rockers to wear most of the time. So, I ended up in an outfit that looks like I'm on vacation in Cuba or something like that!'
What do you think about Babymetal being on the scene?
'I love what they have brought to the metal scene. It is an absolute breath of fresh air to have a band that has a completely different spin on a genre that often runs on the same cart tracks.'
Have you had much of a chance to hang out with them?
'I had the chance to meet Babymetal backstage at a European festival last year, and they could not have been more lovely and demure, and just a delight to talk with and to hang out with. They were very sort of giggly and excited, and then they went onstage and they did their dances in their somewhat giggly and excited way, and all these massive riffs came crashing down on a crowd that just went absolutely bananas. Babymetal – thumbs up!'
Read our exclusive new interview with Babymetal and a full track-by-track breakdown of Metal Forth in the brand new issue of Metal Hammer, available now. Order it online and have it delivered straight to your door.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Hypebeast
2 hours ago
- Hypebeast
Sasquatchfabrix., tokyovitamin & BEAMS FUTURE ARCHIVE Reveal Triple Collaboration
Japanese labelsSasquatchfabrix.,tokyovitamin, andBEAMS' FUTURE ARCHIVEhave joined forces for an eclectic capsule blending each brand's distinct subcultural ethos into one. The bohemian sensibilities of Sasquatchfabrix. joins with tokyovitamin's Y2k aesthetic, and FUTURE ARCHIVE's youth culture lens in a capsule of seven garments. Ranging from retro activewear, graphic tees, and unconventional accessories, the collection features retro accents of yellow and orange, and is rooted in a dark charcoal gray. Graphics, including orante icons and hand-drawn illustrations, are distressed, while fabrics are tattered and sun-faded The 'Track Jacket' and 'Track Pants' are a versatile knit set reminiscent of the 1990s with elegant striped trim down the side seams and a pinched seam through the middle. A special rugby-style polo, featuring large tokyovitamin and Sasquatchfabrix patches over a colorful striped fabric, stands out alongside a Vitamin City ringer tee and a distressed hoodie, both in two colorways. Finally, the dual-color ear muff hat reimagines a classic baseball cap with a tieable fabric covering the ears. The 'Beams Harajuku Annex' will be holding an exclusive 3-day pop-up shop to launch the Sasquatchfabrix. x tokyovitamin x BEAMS FUTURE ARCHIVE collection on July 18.
Yahoo
3 hours ago
- Yahoo
Roblox launches IP licensing platform, partners with Netflix, Lionsgate
(Reuters) -Roblox launched a licensing feature on its videogame platform on Tuesday, allowing intellectual property holders to integrate their characters and worlds into its games. It has signed licensing partnerships with companies such as Netflix, which would allow developers to use characters and names from the streaming giant's popular shows "Stranger Things" and "Squid Game" in their games. Other licensing partners include Lionsgate, Sega and Japanese publisher Kodansha. Roblox has been aggressively trying to grab a larger share of the videogame market and expand its revenue sources by diversifying beyond gaming and turning the platform into a hub for socializing, commerce and advertising. Introducing a platform for licensing property with popular characters and names from highly recognizable media could draw more people to its games, which appeal to a large cohort of Gen Z users. "We have a goal to have 10% of all gaming content revenue flowing through the Roblox ecosystem and benefiting our community," said Manuel Bronstein, chief product officer at Roblox. "This will require having a wide range of experiences and giving creators the opportunity to partner with rights holders of the most recognizable IP," he said. Roblox had previously worked with media companies such as Warner Bros Discovery, launching special advertising campaigns and games around a specific property to drive consumer engagement. The License Manager would enable rights holders to register and create licenses, offering them quickly to creators in days or hours rather than months, Roblox said. The company also plans to onboard more IP holders throughout the year and aims to open the License Manager to all eligible IP holders in the coming months. It is even exploring additional license types. Error in retrieving data Sign in to access your portfolio Error in retrieving data Error in retrieving data Error in retrieving data Error in retrieving data
![Zhen Long's Editing Magic [1] Returns: Japanese Version of 'Money, Guns, and a Merry Christmas' Set to Premiere](/_next/image?url=https%3A%2F%2Ftimebusinessnews.com%2Fwp-content%2Fuploads%2Fimage-2025-07-15T064123.055.jpg&w=3840&q=100)
![Zhen Long's Editing Magic [1] Returns: Japanese Version of 'Money, Guns, and a Merry Christmas' Set to Premiere](/_next/image?url=https%3A%2F%2Ftimebusinessnews.com%2Fwp-content%2Fuploads%2FWhatsApp-Image-2024-09-09-at-1.55.44-PM-min.jpeg&w=48&q=75)
Time Business News
5 hours ago
- Time Business News
Zhen Long's Editing Magic [1] Returns: Japanese Version of 'Money, Guns, and a Merry Christmas' Set to Premiere
The sensational short drama Money, Guns, and a Merry Christmas is set to debut a new version in the Asian market. The Japanese remake, titled 銃と金とクリスマス (English translation: Gun, Money, and Christmas ), produced by Crazy Maple Studio, Inc., will officially launch on the ReelShort platform on May 17. The series not only retains the original English version's story setting but also meticulously replicates the rhythm system and emotional progression structure established by the original editor, Zhen Long, making it a highly anticipated experiment in cross-cultural editing style migration. Official Poster Released for Japanese Remake 銃と金とクリスマス Zhen Long served as the editor for the English original Money, Guns, and a Merry Christmas . Specializing in reconstructing nonlinear footage into tightly paced, emotionally coherent vertical-screen narratives, she developed a rhythm-driven editing model widely recognized by the platform, now regarded as a key benchmark for ReelShort's hit projects. For this series, she spearheaded the editing strategy, pacing arrangements, and the deconstruction and reconstruction of footage, laying a unified and captivating foundation for the show's audiovisual language. The Japanese remake 銃と金とクリスマス almost entirely adopts the editing system Zhen Long created for the English version. From the pacing of plot twists to the layered design of emotional escalation and the logic of multi-threaded narrative transitions, every aspect strictly follows the original. Key episodes mirror the English version's standards in shot duration, emotional transitions, and audio-visual synchronization, showcasing the maturity and cross-linguistic adaptability of her editing approach. The production team confirmed that no localized pacing adjustments were made; instead, Zhen Long's original editing system served as the template for structural development and post-production. The English original series follows protagonist Damian, who conceals his wealthy identity and is mistaken for a mere salesman by his in-laws, culminating in a cathartic Christmas revelation where he unveils the truth and achieves a dramatic social status reversal. During production, Zhen Long processed over 100 hours of footage and identified pacing issues in the initial cut of Episode 6. She proposed moving a key plot twist originally planned for Episode 8 to Episode 6 and restructured surrounding scenes, significantly improving viewer retention. She also pioneered a rhythm-marking system and a visual template for editing timelines, enabling the post-production team to maintain stylistic consistency under tight deadlines. To optimize audience engagement, she collaborated with the platform's data team, analyzing user heatmaps and completion rates to refine the sequencing and duration of pivotal scenes, ensuring the editing served both narrative and platform performance goals. ReelShort later adopted this editing and delivery workflow as a standard practice for data-driven content production. Editor: Zhen Long Upon release, the English series amassed 233.8 million views and over 479,600 favorites, topping daily and weekly charts and ranking second on the platform's annual leaderboard. According to DateEye's annual popularity data, the show achieved a heat index of 35.267 million, placing third for the year. This global success helped Crazy Maple Studio, Inc. earn a spot on TIME magazine's 2024 list of the '100 Most Influential Companies,' with Money, Guns, and a Merry Christmas widely regarded as its breakthrough hit. As Crazy Maple Studio's flagship platform, ReelShort continues to lead the vertical short-drama trend, leveraging AI-driven content distribution and an industrialized production system to build a highly engaged user base in North American and Latin American markets. The app maintains a rating above 4.1 on both the App Store and Google Play, with its influence steadily rising. The Japanese remake 銃と金とクリスマス not only follows the original's plot but also strictly replicates the English version's editing structure. The story revolves around Shu Nakaido, CEO of the world's top arms manufacturer, who hides his identity and is mistaken for a low-income salesman. After entering a contractual marriage with a female company president, he accompanies her to a Christmas gathering, where he faces disdain from relatives and rivals, gradually countering their prejudice before revealing his true status and winning love. The series employs the three-act pacing Zhen Long established in the English original: introducing the premise through identity misalignment, driving the plot with high-density twists, and resolving the narrative at an emotional climax. This editing logic not only sustains the drama's rhythm but also reaffirms the adaptability and impact of Zhen Long's system across languages and cultures. According to ReelShort data, by early May, the Japanese remake's trailer had garnered 97,000 favorites and steadily rising views, ranking among the platform's top upcoming releases. Even before its premiere, the series attracted significant attention for its intense pacing, plot twists, and the buzz around its 'full replication of the English version's editing,' sparking widespread social media discussion and positioning it as one of the most anticipated remakes in the Asian market. Official Trailer Drops for Japanese Remake 銃と金とクリスマス The Japanese 銃と金とクリスマス is more than a multilingual remake—it's a global content experiment with editing as its core language. Zhen Long's rhythm-driven editing system is increasingly regarded as a key model for industrialized short-drama production. Through precise pacing and structural logic, she bridges narrative sensibilities across cultures, merging technology and artistry in a global context. As short dramas rapidly expand worldwide, Zhen Long is not just a shaper of rhythm but a boundary-pusher for the editor's role, quietly reshaping the international landscape of digital storytelling from behind the scenes. Read More: Erome TIME BUSINESS NEWS