Applications open for Albuquerque's ‘Artists At Work' initiative
The City of Albuquerque's Department of Arts & Culture was selected to participate in the Artists At Work initiative as part of the Borderlands Region in 2022; this is the Duke City's second round taking part in this art and community-boosting initiative.
Story continues below
Crime: Sentencing begins for group involved in fatal drive-by shooting of 5-year-old
Entertainment: When will ski resorts in New Mexico, southern Colorado close for 2025?
Rankings: Where does this New Mexico town rank among the 2025 'Best Places to Live'?
With Artists At Work, the selected artists will receive a yearly salary of $40,000, $60,000 total, from June 1, 2025, through November 30, 2026. The artists will work in a national cohort of 24 total artists to further their work, engage with community needs, and participate in workshops, documenting their journies throughout the process.
'We're committed to supporting the incredible artists and creatives that shape our city's vibrant cultural scene,' said Dr. Shelle Sanchez, director of Arts & Culture. 'Partnerships like this one play a crucial role in sustaining and expanding our efforts, ensuring that arts and culture continue to thrive as a cornerstone of our community's identity and economy.'
Artist applications for the initiative will be accepted until 3 p.m. on Friday, April 18. To find out more about the Artists At Work initiative, click here to see the full information packet. To apply, click here.
Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


New York Times
a day ago
- New York Times
A Podcast for the Questions Rarely Asked
Times Insider explains who we are and what we do and delivers behind-the-scenes insights into how our journalism comes together. When Wesley Morris, a critic at large for the Culture desk at The New York Times, was brainstorming what he wanted to do with his new podcast, he had carte blanche to invite pretty much any guest he wanted. But he didn't just want to talk to celebrities. Mr. Morris, who has won two Pulitzer Prizes for criticism, wanted to talk to the people who write about culture and the artists who make it, whether they were his friends or colleagues, or someone else who might have interesting things to say about why a particular show, character or maker had cut through the noise. 'The thing about having critics and writers come on is that they're used to talking about art and culture,' Mr. Morris said. 'But artists would love to talk about things they're not normally asked about.' In the new weekly conversation show he is hosting, 'Cannonball,' which debuted last month and drops new episodes on Thursdays, Mr. Morris said he seeks to explore culture 'in the broadest possible sense.' So far, that has brought us conversations with the writer Mark Harris about the new Pee-wee Herman documentary and what it means for artists to publicly come out, and with the chef and cookbook author Samin Nosrat about her love-hate relationship with FX's restaurant industry drama 'The Bear.' In an interview, Mr. Morris shared his favorite podcasts and his dream guest for 'Cannonball.' These are edited excerpts from the conversation. Want all of The Times? Subscribe.


Geek Wire
a day ago
- Geek Wire
‘Eat your own dog food': How Microsoft popularized one of the yuckiest terms in tech history
Geek Life: Fun stories, memes, humor and other random items at the intersection of tech, science, business and culture. SEE MORE 'Eat your own dog food' — the practice of companies using their own products internally before releasing them to customers — was once a widely used phrase in the tech industry. But did you know that it emerged from Microsoft in the 1980s? Thanks to former Microsoft executive and veteran tech leader Paul Maritz, speaking on a recent episode of TiE Seattle's Startup to Exit podcast, we now have a clear origin story explaining how this phrase jumped from pet food TV ads to Microsoft mantra to tech industry staple. Paul Maritz. (LinkedIn Photo) Maritz explained that the phrase actually originated with Jim Harris, Microsoft's first head of OEM sales, who would lean back after presentations and ask in his booming voice, 'Yes, but will the dogs eat the dog food?' — using it as the ultimate test of whether a product would succeed. While the source of Harris' inspiration wasn't discussed on the podcast, it's believed to come from a series of Alpo dog food commercials from the 1970s and early '80s, as former Windows and Office executive Stephen Sinofsky recalled in his book, Hardcore Software. Actor Lorne Greene famously said in the ads that he fed the product to his own dogs. At Microsoft, the phrase took on new life during a difficult moment. The company was struggling to compete with Novell in the networking market, and Maritz had been tasked with leading the LAN Manager project — a product with no customers and little traction. 'We were nowhere in the networking business,' Maritz recalled on the podcast. Facing that reality, he sent an email to his team with a simple message: if they didn't have users, they'd need to become their own. In other words, he wrote, they were going to have to eat their own dog food. Engineering leader Brian Valentine embraced the challenge and set up an internal server named \\dogfood — a name that stuck and helped cement the practice within Microsoft culture. Over time, 'dogfooding' became a badge of engineering integrity and accountability: if you weren't using your own software, why should anyone else? Microsoft would eventually gain ground and surpass Novell's dominance in the networking market, thanks in part to internal efforts like dogfooding. And the phrase — once a quirky Microsoft term — spread across the tech industry in the 1990s and 2000s as a shorthand for internal testing and product confidence. Microsoft@50 Read GeekWire's special series on the tech giant's milestone anniversary These days, 'eating your own dog food' has largely fallen out of favor in the tech industry, replaced by gentler alternatives like 'pre-release validation' or the more appetizing 'drink your own champagne.' But the core idea remains: use what you build, and make sure it works — especially before asking others to rely on it. Maritz became executive vice president of Microsoft's Platforms Strategy and Developer Group, essentially Microsoft's third‑ranking executive behind Bill Gates and Steve Ballmer at the time. He left Microsoft in 2000 after a 14‑year tenure, going on to become CEO of VMware, co‑founder and CEO of Pi Corp., and CEO and chairman of Pivotal Software, leading the company through its IPO in 2018. The full episode — exploring Maritz's early experiences, leadership lessons, and pivotal moments at Microsoft — is part of the recent Microsoft@50 series on TiE Seattle's Startup to Exit podcast, with hosts Shirish Nadkarni and Gowri Shankar. I've been catching up on the series over the past few days, and really enjoying it.


New York Times
2 days ago
- New York Times
The Southwest City That Turned Itself Into an Essential Art Outpost
Santa Fe is a place that can literally leave you breathless. Reeling from a long flight and unacclimated to the altitude, I thought about this as I staggered up the 9,125-foot summit of Atalaya Mountain, with skittering lizards, wildflowers and 360-degree views of the city and its majestic environs. I was steeling myself for the marathon of Site Santa Fe's 'Once Within a Time,' a citywide exhibition of work by 71 regional, national and international artists that turned out to be revelatory even for those of us with red chile in our veins, who have visited this city for decades. Site Santa Fe opened in 1995 in a former warehouse turned nonprofit gallery in the city's art-filled Railyard District, but it stretches to museums and unconventional venues nearby, including a much-beloved novelty store and a boutique-y cannabis dispensary. The cast and locales were chosen by the veteran curator Cecilia Alemani, artistic director of the 59th Venice Biennale and director and curator of public art for the High Line in New York. Storytelling is at its core, with an only-in-New-Mexico cast of characters inspiring artists' creations. They included boldface literary names like Willa Cather and D.H. Lawrence, who spent quality time in Taos, to more obscure historical 'figures of interest' like Francis Schlatter, an Alsatian cobbler turned mystical healer, and Doña Tules, the 'Queen of Sin' who ran a notorious gambling den off the city's Plaza. (Fictional narratives are also thrown in for good measure.) On view through Jan. 12, the exhibition takes its title from 'Once Within a Time,' a 2022 film by Godfrey Reggio, an 85-year-old genre-busting filmmaker and longtime Santa Fean whose billowing white beard recalls the glory days of New Mexican hippie communes. In the film, which is screening throughout the exhibition, Reggio's mind-bending imagery includes a chimpanzee in a virtual reality headset, a singing tree, wolves howling at the moon in an iPhone and assorted apocalypses. His cult status influenced Alemani as a teenager in Italy. 'I feel art should be painful,' Reggio told me in his sensory overload of a studio. 'It should not be decorative. It's like lancing a boil.' Want all of The Times? Subscribe.