The Strip's Biggest Food Hall Just Opened — Here's What to Eat
While some Las Vegas casinos have traded buffets for brand-new food halls, Via Via took a different approach — transforming its existing food court by swapping out familiar mall staples like Bonanno's and Fatburger for buzzy, sought-after restaurants from across the country. One standout is Howlin' Ray's, the cult-favorite Los Angeles spot known for its Nashville-style hot chicken. Its fans once lined up for hours to get fried chicken sandwiches, and even nine years after opening its first location in LA's Chinatown, lines are still a common sight on weekends.
James Beard Award nominee and New York Times best-selling author Mason Hereford is bringing a double dose of New Orleans flavor to the Las Vegas Strip. His cult-favorite spots, Turkey and the Wolf and Molly's Rise and Shine, are now slinging sandwiches and breakfast hits at Via Via.
Turkey and the Wolf, the sandwich slinger that Bon Appétit crowned America's Best New Restaurant in 2017, is known for its offbeat menu — think double-decker collard green sandwiches and chicken pot pie-stuffed empanadas with tarragon buttermilk. Right next door, Hereford's Magazine Street breakfast spot, Molly's Rise and Shine, serves up playful takes on the morning classics, like a Grand Slam McMuffin stacked with sausage patties, American cheese, grilled onions, and house-made English muffins.
Also at Via Via, acclaimed New York noodle spot Ivan Ramen serves some of the city's most enjoyable noodles on the Las Vegas Strip — a critic once declared its ramen 'so good it will make your eyes explode.' But the menu goes well beyond ramen, offering a lineup of inventive, izakaya-style small plates like asparagus with miso nuta and stracciatella, spicy pickles, and wagyu pastrami buns.
Some may remember chef Ray Garcia, the talent behind ¡Viva! at Resorts World, and his B.S. Taqueria from its stint at the short-lived Sundry food hall in southwest Las Vegas, where it served tacos, small bites, and a deep tequila list that rivaled full-service bars. Now, the concept returns with a fresh take at Via Via. On the menu are dishes like chile-rubbed al pastor, wood-fire grilled cauliflower, and house-made chorizo, all tucked into freshly pressed heirloom corn tortillas.
The Lower East Side's Scarr's Pizza has been serving pies for nearly a decade, but even its newest location drew lines around the block when it opened in 2023. Owner Scarr Pimentel grinds his own flour in-house to create the ideal foundation for a simple, perfect slice of cheese 'za.
All'Antico Vinaio, the legendary sandwich shop from Florence known for its round-the-block lines, square-cut schiacciata bread, and towering stacks of cured meats and cheeses, opened its second Las Vegas location at the food hall. The first outpost debuted at UnCommons last year.
Lastly, the hospitality group behind Death & Co. — the influential cocktail bar that helped define the modern cocktail renaissance — is bringing its latest concept to Las Vegas. Close Company, which debuted in Nashville just a couple of weeks ago, offers the same high-caliber cocktails as its predecessor but in a more relaxed, neighborhood-style setting. It marks the first Las Vegas venture for Gin & Luck, the team behind Death & Co. locations in New York, Los Angeles, Denver, Washington, D.C., and Seattle.
Via Via is the latest addition to Las Vegas's ongoing food hall boom. At the Miracle Mile Shops inside Planet Hollywood, Tacotarian recently opened inside the new Miracle Eats food court, which is slowly filling out with other vendors like Irv's Burgers and Fat Sal's. Like the Venetian, Caesars Palace also gave its food court a glow-up, replacing its functional but forgettable stalls with celebrity names like Bobby's Burgers by Bobby Flay and Guy Fieri's Chicken Guy. Off-Strip, the short-lived Sundry, which famously closed exactly one year after opening last June, is being replaced by a popular Hawaiian food hall focused on Asian street food. And newcomer H-Mart has brought its own built-in food hall packed with Korean and other Asian favorites.
Via Via follows in the footsteps of Proper Eats at Aria, bringing together talent that already draws crowds in cities across the U.S. With names like Howlin' Ray's, Ivan Ramen, Turkey and the Wolf, and Death & Co. — and menus this stacked — Via Via isn't just a food hall; it's a cheat sheet for what's hot in American dining right now. See More: Vegas Restaurant News
Vegas Restaurant Openings
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
3 hours ago
- Yahoo
Jeff Tweedy Will Fight Our Dark Times With a New Triple Album
If you're a fan of Jeff Tweedy, you know that he writes a lot of songs. Not just in the sense that he's spent more than 30 years leading Wilco through one of the most rewarding and varied catalogs in American music, although that's also true. On the most literal level, Tweedy generally writes at least one song every day. 'I sincerely feel a need to have that in my life,' he told Rolling Stone in 2020, the year that he published a great book about this daily practice. 'I feel better when I do it, and I try not to miss days. It's like working out or something, almost.' All that songwriting has left Tweedy with enough strong material for a new triple album, Twilight Override, out Sept. 26 via Wilco's own dBpm Records. You read that right — three discs, 30 songs total. This is his first solo release since 2020's Love Is the King, which means this album represents something like the top 1.6 percent of all the songs he's written in the last five years. (Please don't check that math.) The crème de la crème, if you will. More from Rolling Stone Wilco's 'A Ghost Is Born' Box Set Is Full of Surprises and Treasures Jeff Tweedy on Garth Hudson: 'He Was Like a Sorcerer' Wilco and Waxahatchee Set U.S. Spring Tour Along with today's announcement, Tweedy has released four excellent new songs to help you get a handle on all this music. 'One Tiny Flower,' the first song on disc one, is a meditative folk song with a nervous energy pushing it forward. 'Out in the Dark,' from disc two, is an easygoing amble in brighter hues, with some fun burbling studio noises as the song goes on. 'Stray Cats in Spain,' from disc three, is a plunge into headier waters, with swirling strings and no audible percussion — just beautiful stuff. And 'Enough,' which is both the final track on the album and its 'radio single,' is an upbeat, catchy burst of folk-rock sunshine, complete with a sweet electric guitar solo. Right away, just from these songs, it's clear that Twilight Override is some top-shelf Tweedy, and they make you want to hear more. You can tell that he is on fire right now, creatively speaking. In a press statement, Tweedy explains that he sees creativity as a way of standing against all the darkness in the world today. 'Sort of an endless buffet these days — a bottomless basket of rock bottom,' he writes. 'Which is, I guess, why I've been making so much stuff lately.' It's hard to argue with that if you look at the news in this country and the rest of the world. He goes on to bring it back to his personal perspective: 'Whatever it is out there (or in there) squeezing this ennui into my day, it's fucking overwhelming. It's difficult to ignore. Twilight Override is my effort to overwhelm it right back.' Tweedy recorded and produced Twilight Override at Wilco's Chicago studio, the Loft, with a band made up of some trusted collaborators: his sons Spencer (on drums) and Sammy (on synth and vocals), plus guitarist James Elkington, bass player Liam Kazar, and singers Sima Cunningham and Macie Stewart (a.k.a. Chicago duo Finom). Some of the titles on the track list are familiar if you've attended any of Tweedy's solo shows in recent years or perused his Substack; others are surprises. One of them is called 'Lou Reed Was My Babysitter.' He's also announced a slew of solo tour dates, most of them taking place in October and November. (Before that, Wilco will spend August playing a few nights on the Outlaw Tour with Willie Nelson and Bob Dylan, followed by a run of 'An Evening With Wilco' shows.) You can find all those solo tour dates, along with the full track list for Twilight Override, below. Buckle up — it's going to be a very Tweedy fall. Track List Disc 1 1. One Tiny Flower2. Caught Up in the Past3. Parking Lot4. Forever Never Ends5. Love Is for Love6. Mirror7. Secret Door8. Betrayed9. Sign of Life10. Throwaway Lines Disc 2 1. KC Rain (No Wonder)2. Out in the Dark3. Better Song4. New Orleans5. Over My Head (Everything Goes)6. Western Clear Skies7. Blank Baby8. No One's Moving On9. Feel Free Disc 3 1. Lou Reed Was My Babysitter2. Amar Bharati3. Wedding Cake4. Stray Cats in Spain5. Ain't It a Shame6. Twilight Override7. Too Real8. This Is How It Ends9. Saddest Eyes10. Cry Baby Cry11. Enough Jeff Tweedy Tour Dates July 24 — Deerfield, MA @ Treehouse BrewingJuly 27 — Newport, RI @ Newport Music FestivalSept. 5 — Iowa City, IA @ Iowa City Songwriters FestivalSept. 6 — Urbana, IL @ Ellnora Guitar Festival – Krannert Center for the Performing Arts of IllinoisOct. 8 — Three Oaks, MI @ Acorn Theater *Oct. 10 — Toronto, ON @ The Concert Hall #Oct. 11 — Montreal, QC @ Théâtre Beanfield !Oct. 13 — Burlington, VT @ Higher Ground *Oct. 14 — Lebanon, NH @ Lebanon Opera House #Oct. 16 — Portland, ME @ State Theatre !Oct. 17 — Norwalk, CT @ District Music Hall *Oct. 18 — Boston, MA @ Royale #Oct. 20 — Philadelphia, PA @ Union Transfer *Oct. 22 — Brooklyn, NY @ Brooklyn Steel !Oct. 24 — Patchogue, NY @ Patchogue Theatre #Oct. 25 — Richmond, VA @ Lewis Ginter Botanical Garden !Oct. 26 — Washington, DC @ Lincoln Theatre *Oct. 27 — Washington, DC @ 9:30 Club #Oct. 29 — Grundy County, TN @ The Caverns !Oct. 30 — Louisville, KY @ Headliners Music Hall *Nov. 1 — Chicago, IL @ Salt Shed (Indoors) #Nov. 5 — Milwaukee WI @ Pabst Theater !Nov. 6 — Minneapolis, MN @ First Avenue *Nov. 8 — Lawrence, KS @ Liberty Hall #Nov. 9 — Tulsa, OK @ Cain's Ballroom !Nov. 11 — Dallas, TX @ Longhorn *Nov. 12 — Austin, TX @ Paramount Theatre #Nov. 14 — Houston, TX @ The Heights !Nov. 15 — New Orleans, LA @ Chickie Wah Wah *Nov. 16 — New Orleans, LA @ Chickie Wah Wah #Nov. 18 — Hattiesburg, MS @ Hattiesburg Saenger TheaterNov. 20 — Peoria, IL @ Temple/Live Scottish Rite Theatre *Nov. 21 — Madison, WI @ Shannon Hall #Feb. 11 — Madrid, ES @ Teatro EslavaFeb. 12 — Barcelona, ES @ Paral·lel 62Feb. 14 — Paris, FR @ AlhambraFeb. 15 — Geneva, CH @ Antigel FestivalFeb. 17 — Antwerp, BE @ De RomaFeb. 18 — Utrecht, NL @ TivoliVredenburgFeb. 20 — London, UK @ Islington Assembly Hall * with Sima Cunningham# with Macie Stewart! with Liam Kazar Best of Rolling Stone Sly and the Family Stone: 20 Essential Songs The 50 Greatest Eminem Songs All 274 of Taylor Swift's Songs, Ranked Solve the daily Crossword
Boston Globe
6 hours ago
- Boston Globe
Newton residents react to ‘Line Gate' during Italian American festival
Tim Strayer, who has lived in Newton for 28 years, said that the move was 'tone deaf.' Advertisement 'There may be legitimate reasons to paint it yellow, but the timing and the engagement with the community was very poor,' Strayer said after a 10 a.m. Mass at Our Lady Help of Christians Church. Around 2:30 a.m. on July 16, on the first day of Festa, police Lieutenant Amanda Henrickson Advertisement Although some residents found the removal of the Italian flag stripes disrespectful, many want to move past it and focus on the festival. Chuck Proia, 57, who has been chairperson of the festival for the last 20 years, said that he thinks of the event as 'Christmas in July.' 'I was afraid for a long time that the line controversy was going to overshadow this event,' Proia said. Around 12:30 p.m., people drank beer, ate pizza, and wore matching white shirts emblazoned with 'The Lake,' a nickname for Nonantum, even though there is no lake here. Some volunteers were preparing for the 2 p.m. procession down Adams Street, where the statue of the Madonna del Carmine from Our Lady Help of Christians was carried through the neighborhood. During the procession, the North End Marching Band, dressed in red shirts, played snare drums. Spectators pinned dollar bills to the statue, which will benefit the St. Mary of Carmen Society. Michael Panella, 72, who grew up in Newton but now lives in Needham, said he was upset when he found out that city officials had painted over the stripes on Adams Street. 'It was disgraceful … those Italian colors have been on the street for decades,' Panella said. Panella's parents immigrated from Avellino, a town near Naples in Italy. He said his father encouraged him to speak English and he regrets that he is not fluent in Italian. Panella said that the festival and the Italian character of Nonantum were an important part of retaining his parents' culture. Advertisement Michael Panza, 56, has lived on Adams Street for 20 years in a house with a driveway that's painted red, white, and green. He was welcoming neighbors to his backyard to share food before the procession. Panza said that he and his neighbors were kept up until 3 a.m. on June 27 when city officials repainted the street. 'They were out here from 10:30 at night to 3:30 in the morning with backpack blowers as loud as can be,' Panza said. He said he was skeptical about the mayor's claim that double yellow lines were needed to make the street safer. Michaela Carrieri, 28, of Brookline, came to Adams Street for the procession with her cousin, a first-time visitor to the United States from Abruzzo, Italy. Carrieri's father grew up in Nonantum, and she would attend the festival every year as a child. 'My cousin's never been a part of this festival, and this is something that I've done my whole life,' Carrieri said. 'I just wanted to show him what we do in America.' She said she found it interesting that Adams Street was repainted, pointing out that multiple streets in Nonantum, not just Adams, have a red, white, and green stripe in the middle. 'It's been here for decades,' Carrieri said. 'I'm not too immersed into what is occurring, but I do find it interesting.' Carmen Pancerella, who has lived in Newton for 28 years, said she was sad when she saw that the lines had been painted over, especially since people generally repaint the red, white, and green stripes right before Festa so the street is 'bright and vibrant.' Advertisement Pancerella, whose grandparents immigrated from Calabria, Italy, said that it was important to maintain the stripes on Adams Street and the annual celebration of the festival. 'I like seeing tradition because it's so easy for it to go away in today's world,' Pancerella said. Angela Mathew can be reached at
San Francisco Chronicle
7 hours ago
- San Francisco Chronicle
Paul Simon's quiet power remains strong in San Francisco concert
Witnessing singer-songwriters mature over decades can often reveal the true substance of their work. For Paul Simon, his light, nuanced tenor — that first emerged as part of the folk duo Simon & Garfunkel to help define the sound of the 1960s — has changed into something lower and softer at age 83. It commands that you lean in at times. His growl is like the grain of the wood barrels that age whiskey. It colors and underlines Simon's abilities as a songwriter, the stunning poetry that's been a part of American culture for seven decades. More Information Davies Symphony Hall Setlist Act 1: 'The Lord' 'Love Is Like A Braid' 'My Professional Opinion' 'Your Forgiveness' 'Trail of Volcanoes' 'The Sacred Harp' 'Wait' Act 2: 'Graceland' 'Slip Slidin' Away' 'Train in the Distance' 'Homeward Bound' (Simon & Garfunkel song) 'The Late Great Johnny Ace' 'St. Judy's Comet' 'Under African Skies' 'Rene and Georgette Magritte With Their Dog After the War' 'Rewrite' 'Spirit Voices' 'Mother and Child Reunion' 'Me and Julio Down by the Schoolyard' Encore One: 'Father and Daughter' '50 Ways to Leave Your Lover' 'The Boxer' (Simon & Garfunkel song) Encore Two: 'The Sound of Silence' (Simon & Garfunkel song) That lived-in voice, shaped by time and experience, met a fitting match in the intimate setting of Davies Symphony Hall where Simon — onstage just a few weeks after his emergency back surgery — performed the first of three shows on Saturday, July 19, as part of his A Quiet Celebration tour in support of his latest album, 'Seven Psalms.' One of the most affecting moments of the two hour-long concert came when he sang 'Homeward Bound.' About a young man who seeks his calling in the world but eventually feels the pull back to where he came from, the song has a different poignancy. You feels the miles he's traveled in his voice, and there's a new wisdom Simon now imbues into the 1966 Simon & Garfunkel classic. Tears welled in the eyes of many in the largely baby boomer audience. It was a moment that made clear that some great storytellers and their material can get better with age. A member of the Rock & Roll and Grammy Halls of Fame, Simon helped form the soundtrack of 1960s counterculture with folk-rock hits written with Art Garfunkel, including 'The Sound of Silence' and 'Mrs. Robinson' — the latter forever tied to the Bay Area thanks to its use in the 1967 film 'The Graduate,' where it plays as Dustin Hoffman drives across the Bay Bridge. Albums 'Graceland' (1986) with its Southern African influences and 'The Rhythm of the Saints' (1990) drawing from Brazilian folk traditions were best sellers and artistic successes. 'This tour is the first opportunity I've had performing with my band since before COVID,' he told the audience referring to his excellent ensemble that included Caleb Burhans (viola), Jamey Haddad (percussion), Gyan Riley (guitar), Mick Rossi (piano, keys), Andy Snitzer (saxophone), Nancy Stagnitta (flute), Mark Stewart (guitar), Eugene Friesen (cello), Steve Gadd (drums) and Bakithi Kumalo (bass) Then he went on to explaining the first act of the evening would be his 'Seven Psalms' showcase; he promised 'the greatest hits' would come later. The 'Seven Psalms' acoustic set was performed on a mostly dark stage, the lighting suggesting a campfire. The material, inspired by the Book of Psalms, is nuanced and reflective, with a quiet intensity. The opening track, 'The Lord,' set the mood with lyrics like 'Tribal voices old and young. Celebrations a history of families sung. The endlеss river flows.' It conjured a sense of looking back, tinged with melancholy but also with a sense of eternity. The night came alive in a new way when singer Edie Brickell, Simon's wife, took to the stage for a transcendent 'The Sacred Harp.' The bends and curves of Brickell's voice gently wounds its way around Simon's lyrics, her sweetness giving lovely contrast to Simon's rougher sounds. The couple finished the first act with 'Wait,' whose lyrics — 'I'm not ready. I'm just packing my gear. Wait. My hand's steady. My mind is still clear' — remind you that 'Seven Psalms' is a powerful late-career album by Simon that contemplates bigger mortal themes. Act two began with a spirited 'Graceland,' the title track from Simon's seventh solo studio album released in 1986. 'Slip Slidin' Away' (1977) and 'Train in the Distance'(1983) are among the songs that feel very different in Simon's mature vocals. The lightness on these and others are gone, but a new character colors them. The ayahuasca-inspired 'Spirit Voices' (Simon joked about the song's source in one of his sparse addresses to the audience) was another smooth, joyful highlight of the second act. So was the concluding 'Me and Julio Down by the Schoolyard' from his 1972 self-titled album, which has become such a shorthand for a certain kind of cool in pop culture (especially after its use by Wes Anderson in his 2001 film 'The Royal Tenenbaums') that it got a roar from the crowd. For his encores, Simon was joined by his band to sing 'Father and Daughter,' from the soundtrack to 2002 animated film 'The Wild Thornberries,' followed by '50 Ways to Leave Your Lover' (1975) and the Simon & Garfunkel hit 'The Boxer'(1970). Then, on stage by himself, he performed 'The Sound of Silence,' a fittingly gentle way to bid us goodnight.
