Justin Baldoni's lawyer takes a shot at Ryan Reynold's 'SNL' joke while fighting to keep his client's phone records out of court
In an "SNL" appearance, Ryan Reynolds nodded to the drama surrounding him and Blake Lively.
Baldoni's attorney, speaking on a podcast, took a shot at Reynolds over the apparent reference.
Lively sued Baldoni, alleging sexual harassment, and he countersued her and Reynolds.
An attorney for "It Ends With Us" director and star Justin Baldoni ridiculed Ryan Reynolds over his veiled reference on "Saturday Night Live" to his and his wife Blake Lively's ongoing legal drama.
Baldoni's lawyer, Bryan Freedman, took the shot at Reynolds during a Monday appearance on Billy Bush's "Hot Mics" show.
"I'm unaware of anybody, frankly, whose wife has been sexually harassed and has made jokes about that type of situation," Freedman told Bush, adding, "I can't think of anyone who's done anything like that, and so it surprised me."
Freedman was reacting to the joke Reynolds made during "SNL's" star-studded 50th anniversary show on Sunday.
During a question-and-answer bit hosted by "SNL" veterans Tina Fey and Amy Poehler, the "Deadpool" star, who was seated in the audience next to Lively, stood up to ask a question as a part of the skit.
"Ryan Reynolds! How's it going?" Fey said from the stage to which Reynolds replied, "Great, why, what have you heard?" prompting laughter from the audience.
Reynolds and Lively — who starred opposite Baldoni in the summer box-office hit — have been embroiled in a contentious legal fight with Baldoni since December.
Lively initially sued Baldoni in Manhattan federal court, accusing him of sexual harassment on the "It Ends With Us" set and of engaging in a retaliatory online smear campaign against her. Defendants in Lively's lawsuit include Baldoni's production company, Wayfarer Studios, his fellow producers, and his publicists.
Baldoni, who has denied the allegations, then countersued Lively and Reynolds in a defamation complaint seeking $400 million in damages. The two cases have since been consolidated into one.
Freedman, while speaking on Bush's podcast, called Reynolds' "SNL" joke "the latest move" in the legal feud. Representatives for Reynolds and Lively did not respond to a request for comment from Business Insider on Freedman's podcast appearance.
Meanwhile, this comes as Baldoni's attorneys are trying to block Lively and Reynolds' lawyers from subpoenas for years worth of phone records from Baldoni and his associates.
In a February 14 letter to the judge overseeing the case, attorneys for Baldoni called the subpoenas issued by Lively and Reynold's lawyers to cellular providers AT&T, Verizon, and T-Mobile "flagrantly overbroad."
The subpoenas seek "all documents concerning ingoing and ongoing calls or text messages" related to certain numbers "over a period of multiple years, in most cases spanning from December 1, 2022 to the present," the letter says.
"It is hard to overstate how broad, invasive, and atypical these Subpoenas truly are. This is civil litigation, not a criminal prosecution, and the Lively Parties are not the FBI," the letter continues. "Yet the Subpoenas seek not only the complete call and text history of each of the targets over a period of several years (no matter the sender, recipient, or subject matter) but also, over the same period, real-time location information and data logs reflecting, among other things, web browsing history."
Attorneys for Lively and Reynolds said in a letter to the judge the next day that Baldoni sued the couple for a "preposterous sum" of $400 million for claiming that a "retaliatory campaign existed, yet now appear to fear having third parties turn over the actual evidence that would document the who, what, when, where, and why of that campaign."
"The Lively-Reynolds parties have not sought (and do not seek here) anything other than non-content records as permitted by law," the letter says.
A spokesperson for Lively told BI on Tuesday, "If they have so many receipts why are they so afraid to produce them."
"Now they want to block the very discovery that would expose them. If they didn't do it, they would have nothing to hide," the spokesperson said of Baldoni's team.
Attorneys for Baldoni did not immediately respond to a request for comment.
Read the original article on Business Insider
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Business Insider
6 hours ago
- Business Insider
I'm a drag queen in NYC whose bookings for Pride Month have plummeted this year. I'm trying to work smarter, not harder.
Brita Filter, 39, is a household name in drag entertainment. Her popularity went mainstream when she appeared on season 12 of "RuPaul's Drag Race," and she's made appearances on "Saturday Night Live," "Broad City," and "The Daily Show with Trevor Noah." I first heard of Brita in 2023 when my then-employer, PayPal, was trying to book her for a Pride happy hour near our NYC office. But Google had already booked her for the same coveted time slot: post-work drinks the Thursday before New York City Pride — what Brita says was usually her busiest time of year. This year, she says her corporate bookings are down by about 60% compared to last year. Another drag entertainer Business Insider spoke to, Holly Box-Springs, said the few June Pride bookings that have come through for her have been last-minute. Corporate interest in Pride is softening elsewhere; around 25% of corporate donors for NYC's Pride parade (taking place Sunday, June 29) have reportedly canceled or scaled back their support, citing economic uncertainty and fear of retribution from the Trump administration. We asked Brita about how this shift in interest is affecting her career. These are her words, edited for length and clarity. 'I've never had this much downtime in June' I started doing drag over a decade ago — around the same time as Holly Box-Springs, actually. And I've seen the highs and lows. This year feels especially slow. I've never had this much downtime in June since I started. All year long, at least twice a month, I fly all over the US to perform — Alabama, Boston, Seattle, Denver, Detroit, Atlanta, Hawaii. Usually I'd fly out on a Thursday, do a show on a Friday or Saturday, and fly back by Sunday for my regular set at a bar in New York City. But during Pride, drag queens are like Santa Claus during Christmas — everyone wants to book them at the same time. A typical week leading up to New York City Pride used to be nonstop for me. In 2019, during World Pride, I worked 43 days in a row — no breaks. I was hired by big companies. Some days, I had multiple gigs, back to back. I kept count because it was the year I filmed "RuPaul's Drag Race." In one month alone, I made enough money to buy a brand new Toyota Prius. This year? I only have eight gigs total for the month. It's a complete 180. I used to have a manager, assistant, and publicist, but I've been doing it on my own for the past two years. I don't have any corporate bookings at all this year. I'm just working a regular bar shift on the 29th — the day of the Pride parade — at Hardware Bar in Hell's Kitchen, where I perform weekly year-round. This week, I hosted a big activation event in Union Square for National HIV Testing Day. The community events — the more politically-focused or pro-LGBTQ charity events — are still happening, but the corporate big-ticket gigs just aren't there. 'We'll do anything for a comma' When I was booked solid during World Pride in previous years, I'd take as many gigs as humanly possible. If that meant waking up at 6 a.m. and being in drag until 4 a.m. the next day, I did it. We all did. Sleep, skincare, physical exhaustion — it didn't matter as long as the check had a comma in it. We used to say, "We'll do anything for a comma." You just pushed through because that kind of money didn't come year-round. July was for recovery. This year, I'm not taking July off. I might have to work straight through the month. I'll pick up more shows and cover for people who are out of town. Moneywise, I'll have to figure things out; I'm not sure how. I'm grateful. Because of my situation [being on TV], my rates are higher. I'm given more opportunities and at times bigger checks. I'm working smarter, not harder. About 50% of my income is from influencer partnerships and content creation for private companies that pay me to spread political messaging. But I'm spending money as soon as it comes in. For every gig, I have to talk to designers, get a new dress, a new wig, take new photos, do new press. Almost everything I make has to go back into the craft because it's all about the look. My entire job is the look. Or I'm spending money on getting 10 dancers, a rehearsal room, a choreographer, costumes — I'm like my own little Broadway show, except I'm the producer, the artistic director, and the star. 'Corporate interest has changed' A few years ago, Pride was global. You could feel it. People flew in from all over the world. This year's World Pride in D.C. earlier this month didn't feel global at all. It was mostly Americans. I barely met anyone from outside the country. I think a lot of folks are hesitant to come to the US right now. Things have shifted. Budgets are different. Corporate interest has changed. But the work that supports the community directly, such as Pride galas — that's still going. That's what's always mattered most to me anyway.

Business Insider
7 hours ago
- Business Insider
Getting tickets for fitness competitions like Hyrox is almost as hard as seeing Taylor Swift
Emily Harding had four screens poised and ready to try to get tickets when they were released. "I almost thought about roping in my housemate too," the 34-year-old yoga teacher from London told Business Insider. This wasn't a Taylor Swift or Burning Man ticket release. It was Hyrox, a fitness race that's taking the world by storm. "It was like Glastonbury," Harding said. In Hyrox, competitors work in pairs or individually to perform functional exercises, such as wall balls, sled pushes, and rowing. These movements are sandwiched between eight one-kilometer runs. You win by finishing first. Entry costs up to $185 and the winner of the pro division gets a prize of up to $7,500. Unlike CrossFit, which was the dominant fitness contest in the 2010s and features highly technical movements like Olympic lifts, Hyrox was designed to be accessible to anyone who works out regularly. However, as Hyrox grows more popular — even drawing away pro athletes from other sports, like CrossFit GOAT Tia-Clair Toomey-Orr — it is becoming harder to snag tickets, which are distributed on a first-come, first-served basis. The first race, in Germany in 2017, featured 650 people. In 2024, over 650,000 participants competed in Hyrox contests globally, making it one of the world's fastest-growing fitness events. The hype is prompting gyms to launch their own alternative fitness contests, to cater to members who can't get Hyrox tickets — mass fitness events that typically cost a little less to enter, and usually have a cash prize. Moritz Fürste, one of the cofounders of Hyrox, told BI the organization is aware of the demand and is pushing to keep expanding and optimizing their service. Still, some of the event's biggest fans are say change is overdue. Tickets like 'gold dust' Harding described a Hyrox ticket as "gold dust." She first entered three years ago and had no trouble getting in. In fact, when she had to pull out for medical reasons, she couldn't find anyone to take her ticket. Her second attempt was in June 2025. "I was really gobsmacked how different it was from now to then," Harding said. Tickets were released in two waves, at 12 p.m. and then 5 p.m. Harding was applying for women's doubles, so she and her friend each joined the queue on their phones and laptops. Harding was around 6,000th in the queue, and her friend was 10,000th, but then the queue glitched, and they jumped up to around 30,000th. Harding's phone kept pushing her to the back of the queue, she said. "If you were only doing this on your phone, I can imagine you'd be absolutely fuming," Harding said. Fürste said that server capacities are hard to control, but they are working hard to make the process fair, and it works very well 95% of the time. In 2024, Hyrox UK trialled a New York City Marathon -style ballot system to allocate race places, but the format was scrapped due to overwhelming demand and push-back from affiliates. Harding and her friend finally got through on a laptop, but the tickets they wanted were sold out. They considered finding two guys to do mixed doubles, but while they thought about it, those tickets sold out too. They finally got tickets when they tried again in the 5 p.m. release. "The queueing system was horrible," Harding said. Jamie Thorpe, a sales director from Leicestershire, has competed in two Hyrox games since 2022. He likes the event's accessibility and energy, "even if many of the competitors seem to forget their shirts." The first time he entered, "we got a place easily — no queues, no ticket drops, no random ballots," he told BI. In the years since, Thorpe, 34, has tried to get tickets more times than he can remember, often recruiting friends to assist, but it's got "significantly" harder, he said. "The organizers can hardly be blamed for the success of their event, and I am fortunate to have attended two already, but that doesn't stop it from being immensely frustrating to miss out so consistently," he said. Danny Rae, the UK men's open Hyrox champion, told BI he's competed in over 25 of the events and advises people struggling to get tickets to join an affiliate gym so they get early access. "They do still get sold out because it's in such high demand, but you get a better shot," he said. "Another thing to consider is: people will naturally sign up for the Open races. People are scared of the prospect of doing Pro because of the word 'Pro'. If you are active and you train most days, then just go for Pro and you'll be more likely to get a ticket." Clifford Saul, a personal trainer of 17 years and the owner of The 200 Strong gym in Leicestershire, UK, thinks the rise of Hyrox is in large part due to the proliferation of fitness culture on social media. "If social media were as prevalent as it is now, 10 years ago, I think that boom would've happened sooner," he said. "If you put on an event now, it's thrown in your face. All you need to do is look at one reel, and then the algorithms send you loads more." Gyms are putting on their own events for people who can't get tickets Saul is one of many coaches launching other fitness competitions to cater to members who can't get Hyrox tickets. He is part of a 30-person strong WhatsApp group of local fitness fans who all try to get tickets for each other. Some people never seem to have any luck, others have never had issues, Saul said. With so many of his members missing out on Hyrox tickets, Saul decided to partner with another local gym to host their own group fitness competition called The District Games. "The idea is that all the gyms in the area can enter teams," he said. "We want to get all the local community together, put food on, have a DJ, drinks, a bouncy castle for kids," he said. "And we're doing this because we can't get tickets for Hyrox. We can do it a bit differently, and it won't cost £100 each." Tickets cost £149 for a team of four. On the other hand, some gym owners are staging large-scale events to rival Hyrox. There's Athx, a functional fitness contest, launched in 2023, that focuses more on strength than Hyrox. Another is Metrix, launched in March 2025 — an immersive fitness competition that combines high-intensity workouts with club-level production and world-class DJs. Each pair does as much as they can in each of the five 10-minute stations, with four minutes of recovery in between each. Metrix founder Will McLaren, a personal trainer and former Royal Marine based in London, launched Metrix in March 2025, told BI the atmosphere is dark, so people don't feel like they're being watched, and the exercises are designed to be even more accessible than those in Hyrox. "50% of people can't do a wall ball because they haven't got the mechanics, the overhead extension of the spine, and the anchor mobility to be able to pull them off, so I didn't want to fall into that trap of being stuck in a set workout," McLaren told BI. Metrix also sells separate "social" tickets for those who just want to have fun and don't care about competing — there's a cash prize for whoever wins, though. "It's really important that everyone starts together and everyone finishes together. There's no winners and there's no losers unless you do want to compete for the money." The community aspect is important for McLaren too. Metrix has food vans, ice baths, saunas, and kids' games for people to enjoy afterward. "You're paying £120 for a ticket for Hyrox. It's a lot. People get the patch, they get half a banana, and they get told to go," McLaren said. "So we wanted to make sure people could stay all day, enjoy the music, enjoy the atmosphere, and meet other people." Metrix is priced the same, but McLaren said he wants to offer more for that price. He said he is also hoping to partner with a dating app, to build on the trend of run clubs and fitness events as a place to find love. Hyrox is rushing to keep up with its own success Saul believes the younger generations' love of fitness means group events won't be going away anytime soon. "17- to 24-year-olds, they're not going out, drinking, and partying as much anymore," he said. "They're meeting up and doing fitness events." In a 2023 survey from McKinsey, more than 50% of Gen Z respondents (generally 13 to 28 years old) said fitness was a very high priority for them, compared to 40% of people across all age groups. In the UK, 25- to 34-year-olds make up 42% of Hyrox's demographics, and while there are older people doing Hyrox, the brand is mostly driven by millennials and Gen Z. Fürste, the Hyrox cofounder mentioned earlier, said Hyrox's next goal is "to deliver the best possible race experience for more than 1 million people in the 2025/26 season." They are planning to keep up with demand by launching more races in more countries and cities, with the aim of "taking the sport to as many people as possible across the world," he said. But for long-term Hyrox fans, the competition's growth, both in the number of applicants and the fitness standard, has seen it evolve from the approachability that was part of its initial appeal. Thorpe has done the pairs event twice with a very fit friend, and although their times have improved in many areas, their rankings have dropped dramatically. "The increase in overall standard was extremely noticeable," Thorpe said. "This is, of course, not a problem, but part of what attracted me to the event in the first place was the accessibility, and I hope they don't lose this as the standard continues to rise."


Elle
17 hours ago
- Elle
Abby Elliott on the ‘Vanderpump Rules' Character that Inspired Her Feud Scene in ‘The Bear'
Spoilers below. If Carmen Berzatto ultimately decides to leave the restaurant from which FX's hit dramedy The Bear draws its name, fans are certain to riot—but Natalie 'Sugar' Berzatto will have done her job well. As the older sister to Jeremy Allen White's emotionally stunted chef Carmy, Natalie has spent her entire life looking out for her mother and brothers, gamely putting up with their 'bullshit,' as actress Abby Elliott puts it. But at the beginning of the newest season of The Bear, she's a new mother and an operations manager at a struggling restaurant—and, frankly, too exhausted not to be forthright. 'I think because she's exhausted, because she's a new mom, she's able to really express a little more to Carmy what she's feeling,' Elliott says. 'So she's telling Carmy, 'If you're not in love with [the restaurant business] anymore, that's okay.' And that may not have been something that she could have said before.' The scene Elliott is referencing takes place in episode 2, and is one of several moments that underscore season 4's focus on emotional release after the pressure-cooker pace of season 3. 'Catharsis: I feel like that is exactly what this season is,' Elliott says. As an actress, she found it increasingly difficult to separate herself from what Natalie was undergoing on-camera. 'I really, really feel all of her feelings, which is a new thing for me on TV shows. I go through the emotions of Natalie now and feel like I am living in it.' But, of course, Natalie's role isn't simply as The Bear's budget-minded brain or its emotional engine. Elliott's comedic background—she was a cast member on Saturday Night Live from 2008 to 2012, and has starred in several sitcoms since—goes a long way toward legitimizing the FX series' status as a bona fide comedy. A standout scene arrives during a much-hyped wedding showdown in episode 7, during which actress Brie Larson makes a guest-star appearance as Natalie's frenemy, Francie Fak. Elliott's inflections around phrases like, 'Francie Fucking Fak!' and 'You were drunk as shit!' make an otherwise overwhelming shouting match a treat to watch. 'Tonally, you really have to ground it and sell it,' Elliott says. 'It really is about playing everything super-grounded and real, trying to feel those feelings, to get to a place of, 'I'm fighting with her because I'm genuinely heartbroken by what she did.' And then trusting that it will be edited and directed in a way that feels [both funny and dramatic].' Below, Elliott discusses working with White on strengthening Carmy and Natalie's bond; how Vanderpump Rules inspired her performance with Larson; and what that crucial finale scene means for Natalie's future in The Bear. When we read [the scripts], it makes so much sense to us. And with Jeremy, our relationship has naturally evolved on-camera, and I feel closer to him now off-camera. I genuinely didn't know how [the scene in episode 2] was going to come out in the moment. I didn't know how emotional it would feel, and that's how [show creator] Chris Storer approaches everything: It's all really fresh and not overly rehearsed. And every time I'm [filming a scene] on the phone, there is an actor also on the [other side of the] phone. Jeremy was really on the phone with me, and Carmy's felt so different this time than the times that he's apologized in the past. Now that Carmy and Natalie are in this emotional place together and she says this thing, it almost feels like a seed she's planting. It brings him to a different place. And then we see her come into the restaurant with the baby, and his face lights up. The way it's shot is so light; the directorial choices were so beautiful in that moment. Everything's coming to light, literally and figuratively. Absolutely. I think, now more than ever, she needs support. She's a new mom, and she still has this very complicated relationship with [her mother] Donna. Them coming together and connecting in the labor episode [last season]? That wasn't really this reconciliation. She's still like, 'Fuck this' when her mom calls her. I think she knows she needs support now. And Pete is a huge part of that. He's the antithesis of how she grew up, and you see her being grateful for him. In the wedding episode, she's reassuring him that she wasn't in love with Francie; it's always been Pete. I love those moments with him, and I love the moments in bed where Nat and him are being affectionate. I think they're so important for Nat's character, to see her not just being walked on and giving too much of herself to Carmy and the restaurant. Chris Storer and I have been having conversations about this since season 2, when the concept of Francie first gets introduced. We were like, 'Who is she?' We talked about Stassi [Schroeder] from Vanderpump Rules. And we were like, 'I think she's kind of like Stassi.' Then, I think it was between seasons 2 and 3, I was at the L.A. Natural History Museum, and I saw Stassi. I was like, 'Oh my God.' I was so embarrassed because my kid was having a tantrum and her kid was so well-behaved, and [Storer] was like, 'This is perfect. This is so Natalie and Francie.' Another thing that Chris and I talked about: I was watching a reality show with all these women at this wedding in those Hill House nap dresses. And I was like, 'It'd be so funny if [Francie and Natalie] are going at each other in these Little-Bo-Peep pastel dresses.' So we tried to do that with the wardrobe in episode 7; she's wearing a headband and I'm wearing a headband. Everything's very cute, and then we're going into this dark drunken backstory. It was my favorite thing to shoot. That episode felt so much like My Best Friend's Wedding and The Wedding Singer and all of those kind of '90s/2000s movies that you watch and you're like, 'Oh, I wish I was at that wedding.' There was a scene in My Best Friend's Wedding, which takes place in Chicago, and [Julia Roberts and Cameron Diaz] are in the bathroom at Wrigley Field. Cameron's wearing a little headband and she's in pastel, and she goes off on Julia's character. I kept watching that scene before [filming episode 7] to really get me into it. So much goes down at weddings. It's such a perfect backdrop for drama and comedy. And then when Brie stepped in, it made it all the more perfect. We really hit it off. I think we're pretty similar, and she's so funny. I love her. We were simpatico from the start, which was so much fun to play. And even though we do, sort of, find out [the source of Natalie and Francie's feud], it's still a little unclear! When I was in the scene and when I performed it, I just felt heartbreak for Carmy. I felt heartbreak that he couldn't bring himself in to Mikey's funeral, that he was there and he couldn't get himself to go in. But then I think Sugar's overcome with pride for how far he's come. In that moment, she wants him to be okay. That hug is a hug of support: I got you. I'm going to lift you up and get you to where you want to be. If we were to have that opportunity, I'd love to see her continue supporting Carmy—to have this relationship with him that is now in a good place, a loving place on both sides. I think that she's so capable. She has this healthy work-life balance where... Yes, she's ambitious, but she's not going to [drive herself to the brink] over this restaurant. This was never really her dream. She's here for her brother, to support him, and then she fell in love with it and loves the Bear family. She has her home life, which is very satisfying to her, but she also knows how to operate the restaurant. She knows what she's doing. I'd like to see her continue down that path. For entertainment purposes, I would love to see her with Donna. I'd love to see Donna coming over to babysit. And then having something happen. [Laughs.] This interview has been edited and condensed for clarity.