
Beauty box containing £130 worth of products includes 'youthful glow' £97 face cream
The bumper July Beauty Box has a contents worth more than £130, with prices from £13. It is brimming with popular brands, such as CeraVe, Philip Kingsley, This Works and Avant - the latter product alone is worth £97. The box can also be purchased as a one-off treat for £15, or users have the option to pay monthly and get a new box every four weeks for £13 (based on a rolling subscription model, lasting 12 months).
The July box contains six stunning products ranging from full-size to deluxe. There are two full-size products and four travel-sized pieces. What sets this box apart, however, is that the products come neatly stored in a cream-coloured drawstring bag branded with LOOKFANTASTIC in black lettering, reports the Mirror.
With the bag included, the LOOKFANTASTIC box competes in cost (and contents) with Boots' Minis Bag Get Holiday Ready, priced at £32, worth £124.50. The summer-edition bag contains seven beauty products. Shoppers can expect goodies from brands such as Bobbi Brown, Laneige, MAC, Sol De Janiero, and more.
Alternatively, those seeking something a bit larger - both in terms of product number and bag dimensions - can opt for Glossybox's Summer Bag Limited Edition, valued at more than £142. It includes brands like Frank Body, ICONIC London, Sol De Janeiro, Medik8 and more. Priced at £45, it comes with a blue and white tote bag.
The LOOKFANTASTIC box, at £15 for one-off buyers, features products that target every inch of the body, from its sculpting Gua Sha to its Frizz Fighting Gloss to the Cleavage and Neck Serum and shower gel. One of the full-sized products, the Avant Skincare Pro-Intense Hyaluronic Acid Illuminating Day Cream, usually retails at a costly £97, but customers can snap it up for £15.
The 'award-winning Age Radiance moisturiser' is formulated to 'intensify the illumination of your skin'. Targeting fine lines, hydrating skin, and reversing the signs of ageing, 97% of users agree their skin 'looks and feels smoother after use'. The day cream also promises to combat uneven skin tone and encourage a 'youthful glow'.
July's Beauty Box has more than 7,000 five-star customer reviews. One person said: "Pro-Intense Hyaluronic Acid Illuminating Day Cream, I got it in my LOOKFANTASTIC box, this cream is absolutely amazing. I can't be without it. My skin feels so much better. I love that I've had it for about three weeks, my skin looks glowing. Everyone keeps asking me what am I using on my skin. Fabulous cream."
Another purchaser commented: "Love, love, love this! The neck serum just what I needed! The Molten Brown smells amazing and the cleanser and moisturizer are amazing wow can't wait for the next box!" A third customer shared: "This has been my favourite box so far. The pouch is a bonus too! Love having little bits to try."
However, some customers expressed disappointment over the repetition of products from previous boxes. One person noted: "Sadly, a lot of these products are repeats from previous months, so I've already got them. The bag was a lovely touch though."
Yet another reviewer wrote: "This has got to be my favourite box yet. Lots of lovely products and the moisturiser is a dream." You can sign up for the LOOKFANTASTIC box here.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Daily Mirror
15 hours ago
- Daily Mirror
'I've never used dry shampoo but I broke that rule for this pocket-sized powder alternative'
Shopping Writer Meghan has never used dry shampoo to avoid aerosol sprays and white casts left behind, but this powder alternative she found has 'been a game-changer between hair wash days' I know a lot of people who have relied on dry shampoo to get through that last stretch before hair wash day, but it's never been something I thought I'd use. I don't like using aerosol products if I can avoid it. I've seen the dreaded white powder left behind from popular drugstore dry shampoos, and my hair is so thin that anything remotely heavy just sits on top of it, making it plainly obvious there's product in my hair without doing the job properly. I thought I'd never use dry shampoo—until I tried this Hair Gain Peptide Puff Dry Shampoo, a powder alternative to aerosol products that is completely weightless and doesn't leave behind that white residue, even on my thin hair. And what's more, it's budget-friendly at £15 from Lookfantastic, Cult Beauty, or All Beauty. My new non-aerosol, volumising dry shampoo effortlessly absorbs grease and oil while caring for your hair and scalp in between washes, without leaving weird textures and smells behind. It comes in a pale pink, pocket-sized compact and is equipped with a padded puff dispenser for precise application at home and on the go, with no need to spray. Just tap, puff, and refresh - it's that simple and effective. I barely even noticed the fine powder coming out of the puff when applying it, it's that weightless and light on the hair. Retailing at £14.99, this powder dry shampoo adds volume, body, and texture to dull locks for a just-washed finish that isn't emphasized by white residue left behind. It instantly absorbs oil, sweat, and odour, boasting an advanced Peptide Complex with Biotin and Caffeine that works to nourish your hair and style it. I've found it's the perfect go-to for reviving a dull style or keeping my hair looking fresh out of the salon in the days between hair washes. Suitable for all hair types and gentle on the scalp, this non-aerosol dry shampoo comes in a small and convenient container, ideal for taking on the go, whether on a trip away or in your handbag for a long day. I've found it's especially useful for nights spent away when you don't have time to do your whole haircare routine the following day, as it's perfect for giving my hair a pick-me-up that makes me ready for whatever plans I have that day, without spending half an hour in the shower. But it isn't just me; plenty of shoppers are singing the praises of this powder alternative from Hair Gain, which was a finalist in the Pure Beauty Awards 2024. One 5-star reviewer remarks: "Amazing dry shampoo. This is the best dry shampoo I have ever used, I've tried tons of different sprays and they never actually worked whereas this little beauty really does!! It absorbs all grease and leaves hair soft and shiny, I can't recommend this enough if u have fine hair that normal dry shampoo doesn't work on." Another buyer beams: "Great product. I was offered the chance to try this before it was released and it was honestly game changing. Ive always wanted a dry shampoo isnt a spray. It smelled lovely, it was easy to apply and easy to throw in your bag as its travel sized. I was able to control where the powder is applied to tackle areas that needed a freshen up. Id use this again for sure." And the same sentiments are shared by this shopper who says: "Absolutely love this. I have always attempted to use aerosol dry shampoo and failed at every try, it just make my hair worse. I was sceptical with this one also but I was so surprised, it was absolutely brilliant. Very easy to apply and honestly lasted all day, I even used two days in a row as I was so busy, it was a lifesaver. The small bottle is deceiving a small amount goes a long way. 100% recommend." You can pick up my new go-to dry shampoo powder from Lookfantastic or Cult Beauty, where it sells for £15, or head to All Beauty, where (at the time of writing this) it's available for the discounted price of £11.45.

The National
20 hours ago
- The National
Scottish filmmakers at ‘breaking point' amid lack of support
The spin is that these Hollywood movies prove the film industry in Scotland is thriving – but this is fiercely disputed by independent filmmakers who work in the sector and are having to crowdfund to support their work. They claim that rather than supporting and encouraging homegrown talent, too much public money is being spent on attracting big-budget films that do nothing to foster skills and creativity in the Scottish sector. READ MORE: Police remove pro-Palestine protesters from John Swinney's Edinburgh Fringe show The Sunday National spoke to Scottish independent filmmakers about the problem. Award-winning writer, director and producer Fraser Coull (below) has a proven track record in film and TV but says he is at 'breaking point'. His new short film, Faithful, is currently showing on STV Player and was screened at the San Diego Comic Con last week but he could not afford to attend to promote it further. He was awarded £777 from Creative Scotland to go to the prestigious Cannes Film Festival this year, but said he had to 'jump through hoops' to get it. Otherwise, he says, he has been 'banging his head against the wall' of Creative Scotland and Screen Scotland, formerly Scottish Screen, for 20 years. 'They did put a little bit of money into a short film I did, but when it comes to proper development funding – which I need to live and which I need to hire people and to develop longer, bigger projects – they just keep saying 'no',' he said. 'They keep saying I'm not experienced enough, but I've been doing this for 20 years, and I've had an award-winning web series, an award-winning short film, a documentary on BBC Alba and my feature film opened at the Glasgow Film Festival in 2012. 'I've done everything, but I'm genuinely at breaking point in terms of my career. I don't know what to do next. 'I've been crowdfunding since 2013 successfully but I can't crowdfund anymore because I can't keep going back to the same people for money so I can pay my cast and crew minimum wage.' Although '99.9%' of the crew live in Scotland and it's Coull's Scottish production company that produced Faithful, he was turned down for Creative Scotland funding because director Lucy Linger is from England. Sandy Henderson and Ian Gordon of SquareGo Films were refused Scottish Screen funding to travel to Cannes to promote their new Scottish/Gaelic film, The Gudeman, about the Highland Clearances, which features stunning Scottish scenery (below). An application was made in March but they were told just 11 days before the festival that they had been unsuccessful. They'd already found cheap accommodation, so decided to go anyway and were rewarded by interest from a major distributor. 'One reason I was given for the refusal of the travel grant was that they give priority to projects that have already received Screen Scotland funding, which is a bit of a chicken and egg situation,' said Gordon. 'Prior to our trip to Cannes, they were quite helpful with tailored advice, and I appreciate that they took the time to help and show interest, but I never felt that there was a pathway for ongoing help.' SquareGo Films relies on crowdfunding to develop its films, but says it is not sustainable. 'We are credible propositions – we have a good foundation and a good level of experience, but we find it almost impossible to get funding,' said Gordon. 'You can't make films with their support unless you've done it before with them. But how do you get the start?' Henderson added: 'It pains me when they constantly harp on about the Scottish film industry. There isn't a Scottish film industry – there's a bunch of people struggling while they work full-time jobs. And then there's Hollywood.' Robbie Davidson, also of SquareGo Films, has had to crowdfund twice to make his movie Dick Dynamite 1944, which was lauded in the UK Parliament because it involved a whole community in its production. He said he had approached Screen Scotland and Creative Scotland at various points but got nowhere, even though it is 'very much a Scottish production'. 'Once the film was completed, I did manage to get my foot in the door and speak to someone, but it became very apparent very quickly that they were in no space to help me with my needs,' he said. 'I was passed from department to department – it almost felt as if it was intentional to put you off. 'It seems like the funding is either for people who already have money or already have awards.' He added: 'It just feels like there's zero help for people on our level. It feels like they're only going to help English and American movies when they come. 'Ian and Sandy have been to Cannes and took it by storm. I've been to Hollywood and have sold out showings all over the world, yet we're all working other jobs to make a living.' Mark Forbes, an independent filmmaker from Aberdeen who has been making award-winning films for 26 years, with five of them shown at 90 film festivals worldwide, was recently turned down for travel grants from both the British Council Film and Creative Scotland. He wanted to attend the Galway Film Fleadh where his latest feature film documentary, Quiet On Set: The Class Division In The Film Industry? was receiving its world premiere, before being screened at West Lothian Film Festival. 'It's always been a battle with Creative Scotland and Screen Scotland,' said Forbes, who is currently based in London and has to take on zero-hours contract jobs outside the industry to support himself. 'I keep winning awards and getting into festivals so the lack of support from my own country is disappointing and frustrating. I do think there's a class ceiling, which is why the film that I made now is starting to get traction. 'I've got three feature films under my belt, but I'm having to film my fourth feature by myself again. I've been rejected a lot. Unless it fits their agenda, you don't get support. It's really sad. They seem to have a hidden agenda or tick box about who they want to support.' Forbes believes the film industry in Scotland is in limbo while the sector in places like the Republic of Ireland and Northern Ireland thrives. 'There's definitely an excitement in Ireland for making films,' he said. 'There's a real buzz about it, so why can't it be like that in Scotland? It was bad enough when it was Scottish Screen but now it is Screen Scotland, it seems even more corporate.' He said there was a lot of talent in Scotland, but with so many barriers to the funding process, it was in danger of dying out. 'It's an unfair, biased, classist system that's in place, and it just needs to change as it could be a thriving sector here with all the talent,' Forbes explained. 'They've got to invest in their own people like they do in Ireland. 'Funding bodies think they need to commit hundreds of thousands of pounds for a film, but even small things would make a difference. I've got two pieces of broken equipment that I'm desperate to replace, and getting funding for those would be amazing.' Maureen Hascoet has set up a Scottish Screenwriters Festival and a Scottish producers' network in order to bring people in the industry together and believes that the strategy of Screen Scotland and Creative Scotland is all wrong. 'It seems they just want to attract big-budget movies here, but that money does not trickle down, whereas if you film in Ireland, you have to have a certain percentage of local crew,' she said. 'The writers' strike in LA almost brought the industry here to its knees, and it still has not recovered completely, so what does that tell you about sustainability? 'Screen Scotland always seems so gated – the starting position seems to be about why they can't help you. There is definitely a cultural element to shift – a mindset of negativity, which is the opposite of creativity.' Creative Scotland said the majority of its production funding remains focused on films and TV programmes from Scotland. 'Recent projects from Scotland developed and produced with Screen Scotland's support include Only Child, Mayflies and Dinosaur for BBC Scotland, An t-Eilean (The Island) for BBC Alba, Summerwater for Channel 4, The Rig for Amazon Prime and the feature films The Outrun, Aftersun, My Old School, Janey, On Falling, California Schemin' and Tornado,' said a spokesperson. 'Screen Scotland recently doubled its investment in new film talent from Scotland to £1.2 million with the creation of Talent Builder – a bold new programme of integrated initiatives designed to develop the next generation of Scottish filmmaking talent and increase creative origination from Scotland. 'Designed to support Scotland-based writers, directors and producers working in film, Talent Builder offers a clear and comprehensive pathway from early-stage through to the completion of a first feature film script. Talent Builder more than doubles the number of funded short film opportunities available across Scotland. 'Talent Builder sits alongside our Film Development and Production Fund, a £4m fund per annum that directly invests in films from Scotland-based producers, directors and writers, and the £2.5m Broadcast Content Fund for television projects from Scottish production companies.'


Daily Mirror
3 days ago
- Daily Mirror
Jimmy Choo's ‘beautiful and feminine' fragrance is better than half price in flash sale
LookFantastic has slashed the price of Jimmy Choo's 'beautiful' fragrance that's perfect for everyday wear by more than 50% in a limited time offer July's payday has finally arrived, and what better way to treat yourself for getting through the month than splurging out on a luxury perfume? Except, you actually don't have to splurge all that much thanks to LookFantastic's amazing better than half price offer on a certain designer fragrance. In a limited-time flash sale, the online beauty retailer has slashed the price of Jimmy Choo's Flash Eau de Parfum by more than 50%. Normally priced at £55, this 'perfect for everyday' fragrance is now under £24.65, over £30 off! Jimmy Choo says this perfume was designed with the modern, self-assured woman in mind, making it perfect for a glamorous night out with your friends. However, it's also a fragrance that suits daytime just as well, thanks to its fresh and citrus notes, making it an ideal versatile choice for daily wear. The main notes feature strawberry and tangy tangerine mixed with white florals to provide a burst of freshness. While the pink pepper and tuberose add a warmth that makes it a perfect day-to-night perfume. Whether you're heading to the office, off for brunch with the girls or a big night out, this scent is sure to reel in all the compliments. Shoppers have been thoroughly impressed by this fragrance calling it 'beautiful', 'feminine', and 'a firm favourite'. One happy shopper said: "Love this perfume, it's fresh, light and perfect for every day use, been using it for years and will continue as its such a great price." A second wrote: "Really love this perfume. Lasting scent that is not too overpowering like some perfumes. Often get compliments and asked which perfume I am wearing. The price was an added bonus from LookFantastic". And a third added: "Smells beautiful and feminine Well rounded floral perfume" However, if you don't like overly sweet scents, this may not be for you. One shopper wrote, 'I bought it as a gift for my daughter. For me, the fragrance is too sweet.' If you're looking for more summer perfumes to treat yourself to, Maison Margiela's REPLICA has recently launched its Never Ending Summer Eau de Toilette, £62, hailed as 'sunshine in scent form'. And if you want to test out a few REPLICA fragrances before purchasing, the Maison Margiela Replica Memory Box is £36 and allows you to sample 10 different mini fragrances. While the Kayali Discovery Sampler Set is currently £19.80 at Beauty Bay.