logo
Full Cast Announced For William Shakespeare's Romeo & Juliet By Auckland Theatre Company

Full Cast Announced For William Shakespeare's Romeo & Juliet By Auckland Theatre Company

Scoop20-05-2025
The greatest love story of all time, William Shakespeare's Romeo & Juliet, presented as a fast-paced thriller, comes to the ASB Waterfront Theatre from 15 July – 9 August.
Reimagined in the 1960s, a decade of love, and a period defined by romance, this timeless masterpiece speaks to the rebellion of youth and female liberation and brims with passion, unravelling at breathtaking speed while Death lurks in every corner.
Making their Auckland Theatre Company debut, Theo Dāvid (Shortland Street) and Phoebe McKellar (One Lane Bridge) will star as the ill-fated lovers, Romeo and Juliet.
'Phoebe has a fragility coupled with a fire and Theo has an enchanting warmth, coupled with a devilish twinkle in the eye,' says Director Benjamin Kilby-Henson (The Effect, King Lear). 'The text describes their relationship as flint and gunpowder, when they come together - KABOOM. They are the perfect combo for Shakespeare's most head-strong, vibrant and zealous young couple.'
Joining Dāvid and McKellar is Ryan Carter as Mercutio, Liam Coleman as Benvolio, Jesme Fa'auuga as Tybalt, Courtney Eggleton as Nurse, Miriama McDowell as Friar Lawrence, Beatriz Romilly as Lady Capulet, Meramanji Odedra as Montague, Jordan Mooney as Paris, Isla Mayo as Sampson and Amanda Tito as Death/Prince/Petra/Apothecary.
'This is Shakespeare's ode to love of all kinds', says Kilby-Henson, 'Romantic love, sexual love, the love between friends and family, love through faith.'
With an original cinematic score by Composer Robin Kelly and a Milan-inspired '60's fashion aesthetic by Daniel Williams and Daniella Salazar, this must-see production ignites one of literature's most enduring stories with intensity and style.
This July, Romeo & Juliet warns 'these violent delights have violent ends'. With a brilliant cast and visionary creative team this star-crossed tragedy celebrates the triumph of love over hate – but at what cost?
For tickets and further information, visit atc.co.nz.
15 July - 9 August 2025
ASB Waterfront Theatre
Direction: Benjamin Kilby-Henson
Production Design, Set & Costume: Daniel Williams
Production Design, Lighting: Filament Eleven 11 Rachel Marlow & Bradley Gledhill
Production Design, Costume: Daniella Salazar
Composition & Sound Design: Robin Kelly
Vocal Direction: Cherie Moore
Movement Direction & Engine Room Assistant Director: Katrina George
Duration: 2 hours, including interval
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Reframing of the Taming
Reframing of the Taming

Otago Daily Times

timea day ago

  • Otago Daily Times

Reframing of the Taming

Taking on a Shakespeare play full of difficult people and with a problematic central relationship, presented some challenges for The Taming of the Shrew director Thomas Makinson. So, to solve the issue, the production is gender-fluid, drenched in neon and 1990s energy, leaning into the play's farcical moments to keep things light and enjoyable for modern audiences. Directed by Makinson, this reimagining draws inspiration from the movie 10 Things I Hate About You and the Commedia dell'arte theatre tradition to create an absurdist, high-energy romp through one of the Bard's most controversial "problem plays". "Fortunately, Shakespeare is endlessly adaptable and, although we have cut it somewhat and made it a gender-fluid production, the fun shines through," Makinson said. With a vibrant 1990s aesthetic, meta-theatrical twists, and the same-sex casting of Kate (Lizzie Thomson) and Petruchia (Belle Mullan), the production embraced the play's chaotic spirit while interrogating its gender politics with wit and playfulness, he said. "Apart from the rivalry between Kate and Petruchia, the other side of the play is silly and fun, and we have really amped that up. "It is a play full of difficult characters, so we are playing it all for comedy. "It's messy. It's playful. It's Shakespeare turned up to eleven — and then flipped inside out." Alongside Thomson and Mullan, The Taming of the Shrew features fellow local actors Jake Ree (Bianco), Crispin Garden-Webster (Baptista), Evie Virens (Gremia), April McMillan Perkins (Lucentia), plus Daniel Cromar, Louisa Stabenow, Harry Almey, and an ensemble. Working alongside Makinson is a local crew of creatives, including production manager Laura Wells, lighting designer Jordan Wichman, sound designer Louisa Stabenow, original music by Evelyn Virens, set by Sofie Welvaert, costumes by Lizzie Thomson, and intimacy co-ordination by Chelsea McRae. Friends of the Globe Theatre chairman Brent Caldwell said "in a time when traditional gender roles are under scrutiny and identity is increasingly fluid, this production offers a wild joyride through power, gender and performance". "Be ready for layered disguises, quick role swaps, direct audience address — and above all, a wildly entertaining night at the theatre," Caldwell said. • The Globe Theatre's reimagining of Shakespeare's The Taming of the Shrew will be staged from July 10 to 19, at 7.30pm, with a Sunday matinee on July 13, at 2pm. Tickets available via humanitix

Macbeth By The Barden Party
Macbeth By The Barden Party

Scoop

time2 days ago

  • Scoop

Macbeth By The Barden Party

Something wicked this way strums…the award-winning New Zealand theatre company of wildly talented actor-musicians, The Barden Party, are bringing their musical flair to the Edinburgh Festival Fringe for the first time with a thrilling, saucy rendition of the Scottish play. This reimagining of Shakespeare's classic tragedy, Macbeth, is steeped in ambition, betrayal, and a sassy bluegrass twist. Against the backdrop of the country where the tragedy was born, this version honours the dark heart of Scotland's most infamous power couple —breathing fresh life into the centuries-old tale. Set in an intimate, immersive environment, this gender-flipped Macbeth unravels the timeless themes of power, guilt, and fate through live music, razor-sharp humour, and raw human connection. The Barden Party's signature blend of humour and heart delivers a visceral and spirited experience, transforming one of Shakespeare's darkest tragedies into something strikingly current, rebellious, and unforgettable. Revered yet reinvented, audiences are invited to join in a twisted tale of power and consequence, . with interwoven Shakespearean verse filled with mischief, music, and magic. By reimagining the characters and injecting the story with fierce energy and heartfelt humanity, The Barden Party creates a production that feels urgently relevant. Rather than placing Shakespeare on a pedestal, the troupe digs into the raw emotional core of the play — ambition, love, guilt, and downfall — pulling it out of the past and placing it firmly in the here and now. The result is a raucous, rebellious, and wildly engaging version of Macbeth that Shakespeare himself might just have raised a drink to. Laura Irish, Director of Macbeth by The Barden Party, comments, The story of Macbeth was my first Shakespearean love— it's fierce, fast, and full of fire. But performing it as a woman, and flipping the power dynamic between the Macbeths, cracked it open in a whole new way. Across more than 90 shows, audiences have told us they feel a surprising empathy for Macbeth — and that's the power of intimacy, immediacy, and looking people in the eye as the tragedy unfolds. With bluegrass music pulsing through it and immersive, direct connection at its heart, this version makes Shakespeare feel raw, urgent, and more relevant than ever. Having toured extensively internationally, The Barden Party was created in 2021 after COVID-19 led to a constant stream of cancellations in the performing arts industry. Within a month the company had created performances to travel safely to people's own gardens, selling out on tours across the globe. Macbeth is a show that will stay with you long after the last note fades, reminding us that 'what's done cannot be undone,' but sometimes, it can be reborn — in this fearless retelling which unfolds like a tragic folk ballad. ZOO Southside (Studio), 117 Nicolson Street, EH8 9ER Friday 1st – Friday 22nd August 2025 (not 4th, 11th, 18th), 10:40

‘So fulfilling': Xavier Horan on making new spiritual comedy Dead Ahead
‘So fulfilling': Xavier Horan on making new spiritual comedy Dead Ahead

The Spinoff

time6 days ago

  • The Spinoff

‘So fulfilling': Xavier Horan on making new spiritual comedy Dead Ahead

The star of new TVNZ comedy Dead Ahead takes us through his life in television. Few New Zealand actors can attribute their career to the early work of Arnold Schwarzenegger, but Xavier Horan certainly does. As a young aspiring actor, Horan's first ever audition – for a BBC documentary series – saw him choose to reenact the dramatic final scene from his favourite movie, Commando. 'Arnold Schwarzenegger has come down to the sewer, and his daughter is in there, played by Alyssa Milano,' Horan remembers. Sadly he didn't get the role, but his love of watching action movies before he goes to sleep at night has never changed. 'Those are the foundations of my career. I've always got to go back and remember them.' Since those early days, Horan's acting career has taken him out of the sewer and into everything from Shortland Street to The Dead Lands, The Bad Seed to Westside. Horan's latest project is new TVNZ series Dead Ahead, a comedy about a family that returns to Aotearoa after living in London for several years. When the Wharehoka whānau arrive at their new home, their presence sparks a shift in the delicate balance between the spiritual and physical realms. Strange things begin to happen, and before long, three tīpuna appear in the household to guide the whānau in the right direction. Horan stars alongside Miriama Smith, Nicola Kawana, Te Kohe Tuhaka, Pana Hema Taylor and Scotty Cotter, and the show is produced by his wife, Nicole Horan. Dead Ahead's dialogue includes both reo Māori and English, and Horan loves that the show focuses on the connection between the spiritual and physical worlds. 'As Māori, we have this belief that there is a spiritual world, and when our time comes, our body may stay here but our spirit still lives.' Filled with interesting and quirky characters, Dead Ahead is a gentle, humorous exploration of how our ancestors can influence our lives in the present. Before Dead Ahead launches on TVNZ+ next week, we sat down with Horan and asked him all about his life in television, including the cartoon he loved as a kid and the hit show he couldn't stop watching. My earliest TV memory is… It's 1986, I'm four and I've just got home from kōhanga reo. My mum was going to teachers training college, so I'd be with my nanny. She was a little old kuia, who was quite a grumpy old lady. She was a teacher at the kōhanga reo, so I had to walk with her and walk back, and then I'd get home in time to watch Rawiri Paratene on Play School. The TV show I used to rush home from school to watch was… Teenage Mutant Ninja Turtles. I think it was 1989 and I was in standard two. TV3 had just come out, and one of the first shows in the afternoon was Teenage Mutant Ninja Turtles. I was like, 'holy crap, this is awesome'. A moment from my own career that haunts me is… At Shakespeare's Globe in London. Rawiri Paratene and Rachel House cast a whole lot of us, and it was my first time acting on stage. The play was Troilus and Cressida and I played Hector. Maaka Pohatu and I had this big fight scene, and there's a lot of old people in their little bright yellow coats, just looking up at you. One night it was quite frosty, and I came flying in the air, thrusting at Maaka's head. My toe landed right on the edge of the stage, I skidded and ended up falling off the stage into these three old ladies. Luckily it wasn't with too much force. The TV ad I can't stop thinking about is… Tina from Turners is pretty funny at the moment. The last TV show I binge watched was… The Day of the Jackal with Eddie Redmayne. I just came back from Jordan with my wife, who was making a documentary series called Earth Oven with Temuera Morrison. On the flight there, I just couldn't stop watching the Day of the Jackal. I had to finish it on the way back. My favourite TV moment from my own career is… I loved doing the boxing fights on Westside. I got to help choreograph the stunts in The Convert with Lee Tamahori, and it's a dance. It has to be well-rehearsed, because we can't get hurt. I've been fortunate enough to do all my stunts and now be a stunt coordinator. I love all of that stuff. My favourite TV project is… Dead Ahead, for so many reasons. It was so fulfilling. It was made out here in South Auckland, so for once I was not traveling to bloody Bethells or Henderson and going to work was only a 15 minute drive. We started and finished every day with a karakia. The key marker for me is that at the wrap party, everyone was so grateful, so happy. That's what I valued, that human experience. No one was bickering, no one had problems, and the mahi was fun. The TV show I loved and wished I was involved with is… The Night Agent. I hear they're doing season three, I've got to give Luciane [Buchanan] a call, man. I really like that show. That drama, that intrigue, the action, the fight scenes are awesome, all the twists and the turns. The show I'll never watch, no matter how many people tell me to is… EastEnders. It just brings up memories. I feel like whenever EastEnders was on, there was always trouble. The last show I watched on TV was… The Studio with Seth Rogen. They got a lot of great cameos. It's a really cool, interesting insight into the Hollywood industry, the decisions they have to make and some of the lies they tell to save their arse.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store