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Miss Juneteenth crowns Minnesota's young Black queens

Miss Juneteenth crowns Minnesota's young Black queens

Yahoo13-06-2025
Six queens were crowned at the 2025 Miss Juneteenth Minnesota State Pageant on June 7.
Miss Juneteenth exists to 'create a platform that will provide its Black contestants with educational, networking, and career opportunities,' according to the nonprofit. The pageant also aims to highlight the younger generation, their gifts and talents.
The theme for the pageant, held at North Central University in Minneapolis, was 'Rediscovering Our Culture and Redefining Our Freedom.' The contestants competed in opening number, essay, evening gown, onstage Q&A and personal interview categories, according to a press release. They competed for scholarships and awards and were judged on poise, confidence, clarity, originality and more.
'The Miss Juneteenth Minnesota State Pageant was more than an event — it created special memories that all the contestants will remember for the rest of their lives,' Angel T. Jones, chief executive officer and founder of the pageant, said in the release. 'They bonded at pre-pageant workshops, learned about the historical significance of Juneteenth and life skills from facilitators. They are well on their way to rediscovering our culture and redefining their freedom.'
This year, a new division, Madam Juneteenth, was created to highlight the talent and intelligence of contestants ages 31 to 39.
The event was also a family affair as two queens from the pageant, Little Miss Juneteenth Brielle Salifu and Junior Miss Juneteenth Nyelle Salifu of Apple Valley, are sisters.
The 2025 Miss Juneteenth queens are:
Little Miss Juneteenth Brielle Salifu of Apple Valley (Division 1, ages six to nine)
Junior Miss Juneteenth Nyelle Salifu of Apple Valley (Division 2, ages 10 to 13)
Teen Miss Juneteenth Khamani Washington of St. Louis Park (Division 3, ages 14 to 18)
Miss Juneteenth Jailynn Brown of Brooklyn Center (Division 4, ages 19 to 24)
Ms. Juneteenth Jailyn Newton of Eden Prairie (Division 5, ages 25 to 30)
Madam Juneteenth Sannia Elzia of Mendota Heights (Division 6, ages 31 to 39)
'These six queens — and all the contestants — are outstanding role models for other young people in the community,' pageant advisor Rev. William Pierce said in the announcement. 'Their intelligence, poise and character were evident to everyone attending the pageant. 'The pageant's board of advisors are honored to have witnessed the transformation over these past months as the contestants learned to embrace their diversity and understand their self-worth.'
For more information, visit missjuneteenthmn.org.
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Fans criticize Beyoncé for shirt calling Native Americans 'the enemies of peace'
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  • Yahoo

Fans criticize Beyoncé for shirt calling Native Americans 'the enemies of peace'

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Fans criticize Beyoncé for shirt calling Native Americans ‘the enemies of peace'
Fans criticize Beyoncé for shirt calling Native Americans ‘the enemies of peace'

Associated Press

time29-06-2025

  • Associated Press

Fans criticize Beyoncé for shirt calling Native Americans ‘the enemies of peace'

A T-shirt worn by Beyoncé during a Juneteenth performance on her 'Cowboy Carter' tour has sparked a discussion over how Americans frame their history and caused a wave of criticism for the Houston-born superstar. The T-shirt worn during a concert in Paris featured images of the Buffalo Soldiers, who belonged to Black U.S. Army units active during the late 1800s and early 1900s. On the back was a lengthy description of the soldiers that included 'their antagonists were the enemies of peace, order and settlement: warring Indians, bandits, cattle thieves, murderous gunmen, bootleggers, trespassers, and Mexican revolutionaries.' Images of the shirt and videos of the performance are also featured on Beyoncé's website. 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Some historians say the moniker 'Buffalo Soldiers' was bestowed by the tribes who admired the bravery and tenacity of the fighters, but that might be more legend than fact. 'At the end of the day, we really don't have that kind of information,' said Cale Carter, director of exhibitions at the Buffalo Soldiers National Museum in Houston. Carter and other museum staff said that, only in the past few years, the museum made broader efforts to include more of the complexities of the battles the Buffalo Soldiers fought against Native Americans and Mexican revolutionaries and the role they played in the subjugation of Indigenous peoples. They, much like many other museums across the country, are hoping to add more nuance to the framing of American history and be more respectful of the ways they have caused harm to Indigenous communities. 'We romanticize the Western frontier,' he said. 'The early stories that talked about the Buffalo Soldiers were impacted by a lot of those factors. 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Historians scrutinize reclamation motive Beyoncé's recent album 'Act II: Cowboy Carter' has played on a kind of American iconography, which many see as her way of subverting the country music genre's adjacency to whiteness and reclaiming the cowboy aesthetic for Black Americans. Last year, she became the first Black woman ever to top Billboard's country music chart, and 'Cowboy Carter' won her the top prize at the 2025 Grammy Awards, album of the year. 'The Buffalo Soldiers play this major role in the Black ownership of the American West,' said Tad Stoermer, a historian and professor at Johns Hopkins University. 'In my view, (Beyoncé is) well aware of the role that these images play. This is the 'Cowboy Carter' tour for crying out loud. The entire tour, the entire album, the entire piece is situated in this layered narrative.' But Stoermer also points out that the Buffalo Soldiers have been framed in the American story in a way that also plays into the myths of American nationalism. As Beyoncé's use of Buffalo Soldiers imagery implies, Black Americans also use their story to claim agency over their role in the creation of the country, said Alaina E. Roberts, a historian, author and professor at the University of Pittsburgh who studies the intersection of Black and Native American life from the Civil War to present day. 'That's the category in which she thought maybe she was coming into this conversation, but the Buffalo Soldiers are even a step above that because they were literally involved in not just the settlement of the West but of genocide in a sense,' she said. Online backlash builds ahead of Houston shows Several Native influencers, performers, and academics took to social media this week to criticize Beyoncé or decry the shirt's language as anti-Indigenous. 'Do you think Beyoncé will apologize (or acknowledge) the shirt?' an Indigenous news and culture Instagram account with more than 130,000 followers, asked in a post Thursday. Many of her critics, as well as fans, agree. A flood of social media posts called out the pop star for the historic framing on the shirt. 'The Buffalo Soldiers are an interesting historical moment to look at. But we have to be honest about what they did, especially in their operations against Indigenous Americans and Mexicans,' said Chisom Okorafor, who posts on TikTok under the handle @confirmedsomaya. Okorafor said there is no 'progressive' way to reclaim America's history of empire building in the West, and that Beyoncé's use of Western symbolism sends a problematic message: 'That Black people, too, can engage in American nationalism.' 'Black people, too, can profit from the atrocities of (the) American empire,' she said. 'It is a message that tells you to abandon immigrants, Indigenous people, and people who live outside of the United States. It is a message that tells you not only is it a virtue to have been born in this country, but the longer your line extends in this country, the more virtuous you are.'

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