
Art Without Limits: Bunbury exhibition showcases talent of artists living with neurological conditions
Art Without Limits — which opened on May 29 — is an exhibition curated by MSWA aiming to highlight the unique perspectives, skills and passions of more than 50 artists from across Western Australia.
Coinciding with World MS Day on May 30, the theme of this year's exhibition is 'expression of self', providing a platform for individuals to share their stories and demonstrate who they are, beyond their condition.
The free exhibition also opened in Perth last week and featured a diverse collection of paintings, photography, sculpture and mixed media.
MSWA client Linda Beach was diagnosed with MS in 1986 after a career working as a nurse.
She said the hardest part of living with the condition was its unpredictable nature.
'I think with MS, it's fear,' she said.
'A fear of not knowing what next way it's going to take you.'
Ms Beach said she hoped the exhibition would 'wake the public up' to the condition and encourage people to be more compassionate.
She recalled a day in the Bunbury town centre, when she fell into the gutter trying to get out of her car.
'Three women walked past me laughing. It was awful,' she said.
'Then a man on a Harley motorbike saw me, turned around, parked his bike, crossed the road and lifted me. He said 'I've got you Nana' and sat me down on the bench'.'
Ms Beach's creative piece Frustration symbolises the anger and heartache of living with MS.
'It takes a lot of you away, your independence,' she said.
According to MS Australia
, two thirds of Australians living with MS face loneliness, often due to stigma, changes in work and the impact on relationships.
MSWA chief executive Melanie Kiely said the exhibition was designed to show that people with neurological conditions can push their limits and use their condition as inspiration to achieve 'incredible things'.
'Living with MS and other neurological conditions often means carrying experiences the world can't see,' she said.
MSWA community engagement officer Emily Ace said their clients had 'amazing stories, talent, hopes and dreams just like everybody else'.
'We're trying to showcase the people, not just the condition that they live with,' she said.
'(We're) just trying to break down that barrier with the general public and show them another side of the amazing people behind those conditions and what they can really do.'
The exhibition will run until Thursday June 5 and is open from 9am-4pm.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


West Australian
3 hours ago
- West Australian
Adrian Barich: the surprising rules that keep the magic bubble at Disney World from bursting
A friend of mine just got back from Disney World. Her family basically stayed on site, at a resort within the Disney World complex. And she came back with some intriguing information. I'll get to it in a moment but first, I want to let the wave of nostalgia flow over me as I recall everything from my childhood associated with Walt and his show The Wonderful World Of Disney. Even just saying that name makes me almost step back in time: I'm suddenly propelled to the 1970s with a feeling that's almost painful. Sometimes I feel like I really want to go back to my childhood but am unable to do so. As we all know, you can go back to the place but not to the time. Yes, I'll admit it: I'm the king of nostalgia in my house. The feeling is often triggered by a familiar smell, sound or memory. It's a good thing to wax nostalgic, right? And of course, you often look back through rose-coloured glasses with this sense of longing. When I was a kid I used to love Sunday nights because at 7pm (right after dinner) on came The Wonderful World Of Disney. Later, I also liked watching The Winners, which really got me interested in playing footy but that's another story. Many Australians of my generation have great memories of The Wonderful World Of Disney: a TV show that created a love for all things Disney. What brilliant marketing. And guess what? Walt Disney died in 1966, when I was three, but he still appeared on the show for as long as I can remember. With his wonderful, warm folksy style, he was irreplaceable. But back to the reason for the column (and thank you for allowing me to take a trip down memory lane). My friend, fresh back from Disney World, told me about the Disney 'hug rule' and I couldn't believe I'd never heard about it. Apparently the actors dressed as Disney characters at any of their theme parks are trained to not pull out of a hug with a kid before the kid does. Because as legend has it, according to Walt, 'you never know how much they may need that hug'. How good's that? My friend also discovered many other Disney rules that help ensure the magical bubble isn't burst while you're at the park. As they say, Disney World, or Disneyland, are places travellers go to experience magic and make memories. Walt even insisted everyone use only their first names, which caused a few problems as you can imagine. Just think of how many Olivias you'd have today. So to combat confusion, no two people working the same job on the same shift can have the same name. It goes without saying tattoos and piercings are banned, or at least can't be visible, even if you are playing a pirate. And cast members must always stay completely true to their character. So Ariel will talk a lot about the ocean, Maleficent will be aloof and a bit mean, and Aladdin knows all about flying carpets. Another rule is that characters should never be seen eating while in costume, which makes sense: imagine seeing Tinkerbell chowing down on a hot dog. Even words are important; 'I don't know' is not a phrase that should be used. And as well as learning their character's mannerisms, there are other skills: if you want to be Mickey Mouse, for example, you must learn his 'official' autograph. So even if a kid collects several autographs from the mighty Mouse, they'll all be roughly the same. It keeps the magic alive. And how's this? For cast members playing characters, they must act as if nothing exists outside of the Disney universe. So if you ask Jasmine where Adventureland is, she won't have a clue. If you question Mr Smee about his favourite fast food, he'll act like you're speaking Swahili. How good?! Every Disney park has underground tunnels that they use to move cast members (referred to as CMs) around so that Minnie Mouse doesn't get held up on her way to a meet-and-greet. The CMs also speak in code, so as not to cause alarm. If there's an emergency, it's a code red. I bet you can guess what a code V is . . . that's right, a guest has vomited. And on your next trip, get a character to point at something, say, Magic Mountain: they'll do it with two fingers, because one is considered rude. I kid you not. All characters must pick up any rubbish, too. Walt was a clean freak. But you can't just bend down and pick it up; that's too obvious and could spoil the moment. I kid you not, CMs are asked to use a 'swoop and scoop' motion to gracefully remove trash from the ground. They are also required to drop it in a bin 'nonchalantly'. It truly is the happiest place on earth.


Perth Now
3 hours ago
- Perth Now
The rules that make Disney World the happiest place on Earth
A friend of mine just got back from Disney World. Her family basically stayed on site, at a resort within the Disney World complex. And she came back with some intriguing information. I'll get to it in a moment but first, I want to let the wave of nostalgia flow over me as I recall everything from my childhood associated with Walt and his show The Wonderful World Of Disney. Even just saying that name makes me almost step back in time: I'm suddenly propelled to the 1970s with a feeling that's almost painful. Sometimes I feel like I really want to go back to my childhood but am unable to do so. As we all know, you can go back to the place but not to the time. Yes, I'll admit it: I'm the king of nostalgia in my house. The feeling is often triggered by a familiar smell, sound or memory. It's a good thing to wax nostalgic, right? And of course, you often look back through rose-coloured glasses with this sense of longing. When I was a kid I used to love Sunday nights because at 7pm (right after dinner) on came The Wonderful World Of Disney. Later, I also liked watching The Winners, which really got me interested in playing footy but that's another story. Many Australians of my generation have great memories of The Wonderful World Of Disney: a TV show that created a love for all things Disney. What brilliant marketing. And guess what? Walt Disney died in 1966, when I was three, but he still appeared on the show for as long as I can remember. With his wonderful, warm folksy style, he was irreplaceable. But back to the reason for the column (and thank you for allowing me to take a trip down memory lane). My friend, fresh back from Disney World, told me about the Disney 'hug rule' and I couldn't believe I'd never heard about it. Apparently the actors dressed as Disney characters at any of their theme parks are trained to not pull out of a hug with a kid before the kid does. Because as legend has it, according to Walt, 'you never know how much they may need that hug'. How good's that? My friend also discovered many other Disney rules that help ensure the magical bubble isn't burst while you're at the park. As they say, Disney World, or Disneyland, are places travellers go to experience magic and make memories. Walt even insisted everyone use only their first names, which caused a few problems as you can imagine. Just think of how many Olivias you'd have today. So to combat confusion, no two people working the same job on the same shift can have the same name. It goes without saying tattoos and piercings are banned, or at least can't be visible, even if you are playing a pirate. And cast members must always stay completely true to their character. So Ariel will talk a lot about the ocean, Maleficent will be aloof and a bit mean, and Aladdin knows all about flying carpets. Another rule is that characters should never be seen eating while in costume, which makes sense: imagine seeing Tinkerbell chowing down on a hot dog. Even words are important; 'I don't know' is not a phrase that should be used. And as well as learning their character's mannerisms, there are other skills: if you want to be Mickey Mouse, for example, you must learn his 'official' autograph. So even if a kid collects several autographs from the mighty Mouse, they'll all be roughly the same. It keeps the magic alive. And how's this? For cast members playing characters, they must act as if nothing exists outside of the Disney universe. So if you ask Jasmine where Adventureland is, she won't have a clue. If you question Mr Smee about his favourite fast food, he'll act like you're speaking Swahili. How good?! Every Disney park has underground tunnels that they use to move cast members (referred to as CMs) around so that Minnie Mouse doesn't get held up on her way to a meet-and-greet. The CMs also speak in code, so as not to cause alarm. If there's an emergency, it's a code red. I bet you can guess what a code V is . . . that's right, a guest has vomited. And on your next trip, get a character to point at something, say, Magic Mountain: they'll do it with two fingers, because one is considered rude. I kid you not. All characters must pick up any rubbish, too. Walt was a clean freak. But you can't just bend down and pick it up; that's too obvious and could spoil the moment. I kid you not, CMs are asked to use a 'swoop and scoop' motion to gracefully remove trash from the ground. They are also required to drop it in a bin 'nonchalantly'. It truly is the happiest place on earth.


7NEWS
12 hours ago
- 7NEWS
Magda Szubanski set to enter the Logies Hall of Fame
Comedy star Magda Szubanski is set to be inducted into the Logies Hall of Fame for her contribution to Australian television. She becomes the fifth woman inducted since the award was established in 1984, joining Ruth Cracknell, Noni Hazlehurst, Kerri-Anne Kennerley and Rebecca Gibney. Szubanski is best known for winning the hearts of Australians as the unconventionally sporty, unlucky-in-love Sharon Strzelecki in sitcom Kath and Kim. That sparked roles in the smash-hit movies Babe and Happy Feet, along with both sequels, among others. She first burst onto Australian screens in the mid-1980s after being picked up by ABC talent scouts watching her perform in a university revue. Her credits include sketch shows Fast Forward and critically acclaimed Big Girl's Blouse, alongside Kath and Kim co-writers Gina Riley and Jane Turner. Off-screen, Szubanski has been a strong advocate for LGBTQIA+ rights. In 2018 she was appointed an Officer of the Order of Australia for her contribution to the marriage equality campaign. In May 2025, Szubanski announced she had stage-four mantle cell lymphoma, describing it as a 'rare and fast-moving blood cancer'. She said she would be lying low to protect her immune system. 'I won't sugar-coat it, it's rough,' the 64-year-old wrote of her diagnosis at the time. 'But I'm hopeful. I'm being lovingly cared for by friends and family, my medical team is brilliant and I've never felt more held by the people around me.' The 65th Logie Awards will take place on Sunday, with women set to dominate television's most glamorous night. All but one of the nominations for the coveted Gold Logie award are women and the night is set to be hosted by comedian Sam Pang.