
Giorgio Armani misses Milan Fashion Week for the first time in 50 years, but his designs shine
The 90-year-old designer skipped the runway preview show closing Milan Fashion Week on Monday to recover from an undisclosed condition, but his fashion house said he kept a hand in the designs and watched the runway show on livestream.
It was the first time in his career that the designer was absent.
Dell'Orco takes a bow
Taking the closing bow in his stead was Armani's longtime head of menswear, Leo Dell'Orco, who has worked alongside Armani for 45 of the Giorgio Armani fashion house's 50 years.
'He liked it,'' Dell'Orco told reporters after the show, adding that Armani was especially happy to see that he had sent male-female couples down the mostly menswear runway in matching looks, underlining their versatility.
Classic Armani silhouettes
The collection was classic Armani: roomy wide pleated trousers paired with a seemingly endless array of softly constructed jackets, from a double-breasted made casual with shawl collars to shirt-weight leather coats. Vests with a deep-V front substituted for shirts, for looks that transition from work to leisure.
The collection found balance in the melding of textures – raw linen, woven leather, soft suede and flowing silk. From a distance, ensembles may have appeared monochromatic, but a closer look revealed a harmonious blending of seemingly mismatched geometrical patterns and textures, adding depth to the looks.
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There was a touch of the exotic in the shapes, like Nehru collar, tunics or a kimono jacket, reflecting Armani's love of travel, without overwhelming the mood.
Relaxed mood
Delicate decorative pins reflected the light, the sole adornment. Beachy touches included rope sandals and belts, which cinched through a loop.
The showroom was awash in Mediterranean blue and featured installations of obsidian black stones, reflecting the sophisticated color palette that included washed-out desert shades, the palest green, deep blues and urban blacks and gray.
Front-row guests included actors Giancarlo Esposito, who most recently appeared in 'Captain America: Brave New World,'' and Jason Isaacs, who was in the third season of 'White Lotus.'
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Published Jul 03, 2025 • 5 minute read Actor-director Eva Victor poses for a portrait to promote "Sorry, Baby" in New York. Photo by Matt Licari / Invision/AP The Oscar-winning producer of 'Moonlight' really wanted to get in touch with Eva Victor. This advertisement has not loaded yet, but your article continues below. THIS CONTENT IS RESERVED FOR SUBSCRIBERS ONLY Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. SUBSCRIBE TO UNLOCK MORE ARTICLES Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. REGISTER / SIGN IN TO UNLOCK MORE ARTICLES Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account. Share your thoughts and join the conversation in the comments. Enjoy additional articles per month. Get email updates from your favourite authors. THIS ARTICLE IS FREE TO READ REGISTER TO UNLOCK. Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account Share your thoughts and join the conversation in the comments Enjoy additional articles per month Get email updates from your favourite authors Don't have an account? Create Account Adele Romanski and her producing partner Mark Ceryak were 'kind of obsessed' with the short, comedic videos Victor was putting out on various social media platforms. Titles of some that still exist online include 'when I definitely did not murder my husband' and a series called 'Eva vs. Anxiety.' Romanski and Ceryak started bugging their Pastel productions partner Barry Jenkins, certainly the most well-known name of the bunch, to make the first move and send Victor a direct message. But they had to ask themselves a big question first: Would that be weird? 'We had to negotiate whether or not that was appropriate for Barry, a married man, to send Eva a DM,' Romanski said. 'We were like 'yessss, do it!'' 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But nothing's ever guaranteed until you put it in front of a public audience, which they did earlier this year at the Sundance Film Festival where it quickly became a breakout sensation, with standing ovations and the screenwriting award, whose past winners include Lisa Cholodenko, Kenneth Lonergan, Christopher Nolan and Debra Granik. 'You just don't know. Then on the other side, you know,' Romanski said. 'We felt it with 'Aftersun.' We felt it with 'Moonlight.' And we definitely felt it with 'Sorry, Baby.'' And like 'Aftersun' and 'Moonlight' before it, 'Sorry, Baby' also found a home with A24, which promised a theatrical release. Among the giants of the summer movie calendar, in which everything is big, bigger, biggest, 'Sorry, Baby' is the delicate discovery. 'I wanted it to exist in this space between reality and escape. I wanted it to be this immersive thing,' Victor said. 'It's a sensitive film. I hope it finds people when they need it. That's my biggest wish.' 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a day ago
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