logo
Ellen DeGeneres been hit with accusations she treated female comic pal coldly for decades

Ellen DeGeneres been hit with accusations she treated female comic pal coldly for decades

Perth Now23-06-2025
Ellen DeGeneres has been hit with accusations from a female comic she treated her coldly for decades despite the two comedians having known each other since the 1980s.
The former chat show host's daytime TV series ended in 2022 amid allegations of a toxic workplace environment, and Margaret, 56, has now blasted her personality.
She said during an interview on The Kelly Mantle Show, where Margaret reflected on her early days in stand-up alongside Ellen, now 67: 'Ellen was like really weird and not nice to me for most of my career.'
At the time Ellen's show was cancelled she said she was 'kicked out of show business' for being 'mean'. Her comments resurfaced during the promotion of her 2023 Netflix stand-up special, For Your Approval, part of her Ellen's Last Stand...Up tour.
Margaret also alleged her relationship with Ellen deteriorated as the latter's fame grew.
'I opened for her in the 1980s when she was a headliner in comedy clubs and not – way, way before her big fame,' she said.
The comic added: 'So then, when I would do her talk show in the 2000s, she acted like we just met. And I'm like: 'B****, what?'… Like, that's weird. We go way back.'
She went on to describe Ellen's behaviour as 'creepy and weird'.
Margaret also accused Ellen of cutting out a segment from her talk show that involved praise from David Bowie, who appeared as a guest and reportedly mentioned Margaret enthusiastically.
'He was so excited that, the night before, that I had come to his show wearing this giant Chinese emperor outfit,' she said.
Margaret added: 'He was really thrilled about it and he talked at length about it, and she cut it out of the show, which made me so mad.'
According to Margaret, a producer and personal friend later contacted her privately: 'I can't believe she did this but she cut it out of the show, but you need to know that he was going on and on about your outfit. He loves you. God said your name.'
Margaret said: 'I don't know if it was personal. Maybe it was for time. But still, I'm gonna take it personally, just 'cause I decided to.'
Ellen has not publicly responded to Margaret's claims.
After her show ended, Ellen withdrew from public life, living in Montecito, California, with her wife Portia de Rossi, 51, before the pair recently relocated to the British countryside.
During her 2023 stand-up tour, Ellen addressed the backlash she faced, telling audiences: 'The hate went on for a long time and I would try to avoid looking at the news.
'The 'be kind' girl wasn't kind. That was the headline.'
Speaking to Rolling Stone, she also joked: 'Do you know how hard it is to dance up steps? Would a mean person dance up steps?'
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Conquering Tinseltown: The next generation of Nicoles, Russells and Cates
Conquering Tinseltown: The next generation of Nicoles, Russells and Cates

Sydney Morning Herald

time3 hours ago

  • Sydney Morning Herald

Conquering Tinseltown: The next generation of Nicoles, Russells and Cates

This story is part of the August 2 edition of Good Weekend. See all 14 stories. The bright young stars at tomorrow night's Logie Awards could only hope to emulate the Hollywood success of Nicole Kidman. Yet it was a 21-year-old Kidman who told 60 Minutes reporter Mike Munro back in 1989 that she was wary of fame and would rather be a 'hermit'. No such luck. For years, the names Nicole, Russell, Cate and Hugh needed no surnames when it came to Australians conquering Tinseltown. Today, while Milly Alcock, Jacob Elordi and Kodi Smith-McPhee have garnered star attention back home, plenty of others haven't – despite making a splash internationally. Like Sydney's Jess Bush (pictured). She has her own doll, thanks to playing nurse Christine Chapel on Star Trek: Strange New Worlds. Western Australian Academy of Performing Arts (WAAPA) graduate Harry Richardson's breakout global role was in Poldark; he now plays wealthy New York heir Larry Russell in the lavish The Gilded Age, showing on Paramount+. Cody Fern, recipient of the 2014 Heath Ledger Scholarship, appears in the mega-budget AppleTV+ sci-fi series, Foundation. Loading 'Thanks to the internet, actors can audition anywhere,' says casting director Dave Newman. 'Many are now skipping the traditional route of 'overnight success' after spending years on a local soapie. They compete in a small pond here, which makes them resilient and creates a strong work ethic that's recognised internationally.' Take 2023 NIDA graduate Jack Patten, who's landed the lead in the upcoming, mega-budget TV series Robin Hood. Similarly, 20-year-old Sydneysider Joseph Zada has been cast in the next Hunger Games movie. Australia's acting exports are also starting to reflect our diverse ethnic make-up. For example, 27-year-old Korean-Australian Yerin Ha is set to play the female lead in the next season of Netflix's hit Bridgerton. Anglo-Sri Lankan actor Josh Heuston, 28, hails from Sydney's Baulkham Hills and got his start on Heartbreak High but is best known as the dashing warrior Constantine Corrino on Dune: Prophecy. Melbourne's Christopher Chung, 37, is of Irish-Chinese Malaysian ancestry. He was nominated for a 2025 BAFTA for his role in the AppleTV+ series Slow Horses and will soon play Harry Beecham in Netflix's remake of My Brilliant Career. Fellow Aussie and Sydney-born WAAPA graduate Hoa Xuande hails from a Vietnamese background. He played the lead in The Sympathizer, a 2024 big-budget HBO series opposite Robert Downey jnr. Aussies are everywhere in Hollywood, it seems – if you know where to look.

Conquering Tinseltown: The next generation of Nicoles, Russells and Cates
Conquering Tinseltown: The next generation of Nicoles, Russells and Cates

The Age

time3 hours ago

  • The Age

Conquering Tinseltown: The next generation of Nicoles, Russells and Cates

This story is part of the August 2 edition of Good Weekend. See all 14 stories. The bright young stars at tomorrow night's Logie Awards could only hope to emulate the Hollywood success of Nicole Kidman. Yet it was a 21-year-old Kidman who told 60 Minutes reporter Mike Munro back in 1989 that she was wary of fame and would rather be a 'hermit'. No such luck. For years, the names Nicole, Russell, Cate and Hugh needed no surnames when it came to Australians conquering Tinseltown. Today, while Milly Alcock, Jacob Elordi and Kodi Smith-McPhee have garnered star attention back home, plenty of others haven't – despite making a splash internationally. Like Sydney's Jess Bush (pictured). She has her own doll, thanks to playing nurse Christine Chapel on Star Trek: Strange New Worlds. Western Australian Academy of Performing Arts (WAAPA) graduate Harry Richardson's breakout global role was in Poldark; he now plays wealthy New York heir Larry Russell in the lavish The Gilded Age, showing on Paramount+. Cody Fern, recipient of the 2014 Heath Ledger Scholarship, appears in the mega-budget AppleTV+ sci-fi series, Foundation. Loading 'Thanks to the internet, actors can audition anywhere,' says casting director Dave Newman. 'Many are now skipping the traditional route of 'overnight success' after spending years on a local soapie. They compete in a small pond here, which makes them resilient and creates a strong work ethic that's recognised internationally.' Take 2023 NIDA graduate Jack Patten, who's landed the lead in the upcoming, mega-budget TV series Robin Hood. Similarly, 20-year-old Sydneysider Joseph Zada has been cast in the next Hunger Games movie. Australia's acting exports are also starting to reflect our diverse ethnic make-up. For example, 27-year-old Korean-Australian Yerin Ha is set to play the female lead in the next season of Netflix's hit Bridgerton. Anglo-Sri Lankan actor Josh Heuston, 28, hails from Sydney's Baulkham Hills and got his start on Heartbreak High but is best known as the dashing warrior Constantine Corrino on Dune: Prophecy. Melbourne's Christopher Chung, 37, is of Irish-Chinese Malaysian ancestry. He was nominated for a 2025 BAFTA for his role in the AppleTV+ series Slow Horses and will soon play Harry Beecham in Netflix's remake of My Brilliant Career. Fellow Aussie and Sydney-born WAAPA graduate Hoa Xuande hails from a Vietnamese background. He played the lead in The Sympathizer, a 2024 big-budget HBO series opposite Robert Downey jnr. Aussies are everywhere in Hollywood, it seems – if you know where to look.

'I witnessed the birth of Oasis firsthand'
'I witnessed the birth of Oasis firsthand'

West Australian

time4 hours ago

  • West Australian

'I witnessed the birth of Oasis firsthand'

It's hard to think about the 90s without Oasis. Not only were they the most successful British group of the decade, the Gallagher brothers came to define the so-called 'lad culture' of those high times. As standard bearers of a genuine working-class revolution, they were caricatured as the drinking, drugging, brawling 'supayobs' — but Oasis were far smarter, and artier, than they were letting on. They combined the majestic power of the Sex Pistols and the melodic nous of the Beatles to create their own 'Sex Beatles', just like Nirvana was doing. Yet, unlike Kurt Cobain, they were more about redemption than nihilistic self-destruction. They were renegade outsiders who believed in the power of rock'n'roll as a means of escape; their life-affirming songs soundtracked a youthful optimism for better times. I got to know a pre-Oasis Noel Gallagher on the Manchester band scene whilst attending gigs in the late 1980s and early 1990s. He seemed to be at every gig, the Hacienda or the all-night raves in squatted flats in the then-bohemian wasteland of Hulme. He already had an in-depth knowledge of bands and music history, and was as passionate about the classics as great lost Manchester bands such as World Of Twist or Yargo. Soon after, when he started roadying for the Inspiral Carpets, I would see him at their gigs or at the band's office at New Mount Street, the hub of the 80s Manchester music scene. When he first formed Oasis in 1991, he gave me demos — which I still have including one of the band's very first, which he handed me on Whitworth Street near his then-flat in Manchester city centre. It was a demo full of hope of a band straining against a national music scene that had decided Manchester was over. Early Oasis rehearsed next door to my band in the Boardwalk rehearsal rooms around the corner from the Haçienda — the heart and soul of the Manchester music scene. Most of these bands would rehearse a couple of times a week, but Oasis seemed to be in there every day, grafting and plotting in the dusty damp of the cellar rooms. They were in there so much that they had even decorated their room, painting the brick walls white, adding a small pop-art Union Jack painting and two Beatles posters. These were the psychedelic April 1967 photoshoot with American photographer Richard Avedon, and the shot of The Fabs on the steps of Brian Epstein's London flat on the day of the launch party for Sgt Pepper's Lonely Hearts Club Band. There was method in the madness. One of the smartest people I've met in bands, Noel always knew what he was doing. The three years on the road around the world with the Inspiral Carpets had been a crash course in how bands worked. He understood the dynamics and the graft as he sound-checked all the Inspiral Carpets' instruments, and had even tried out to be the band's singer when Stephen Holt, their original vocalist, had left. He also spent hours in the office on the phone or looking after the T-shirts. After Inspiral Carpets rejected his audition as frontman, he entered 1993 determined to make it with his own band. It wasn't easy — in the early days the band were overlooked despite his connections and drive. London bands like Suede were all over the music press, and it felt like Manchester bands were out of fashion. A few years later Noel said he felt like 'the last one of my generation to make it'. In that first year, it seemed like Oasis was a hobby built around Noel, with a quiet, 20-year-old Liam in tow. But Liam had rockstar looks and a wild self-belief. And both, growing up sharing a cramped bedroom on a council estate in Burnage, were united by the desire to escape the drudgery of life, the shadow of their errant, difficult father and their then-broken city. In fact it was Liam who had initially found a local band who made a great racket but needed a singer with star power. After coaxing Noel to join, they knew they had something powerful. The brothers' dynamic was fascinating: Noel would write and Liam would deliver his brother's lyrics in one or two perfect takes, just minutes after learning them. It was this innate understanding of his brother's emotions that contrasted so dramatically with the pair's many fall-outs. The brothers' psychodrama was described perfectly in 1997 by an 18-year-old Pete Doherty: 'I subscribe to the Umberto Eco view that Noel Gallagher's a poet and Liam's a town crier.' Still reeling from the effects of the post-industrial meltdown, late-80s Manchester was far removed from what it is today. The city's famous two Sex Pistols gigs in 1976 had sparked a post-punk revolution of the 'Manchester kids with the best record collections', as Tony Wilson once quipped, from the Buzzcocks, Factory Records and the Haçienda to Joy Division, The Smiths, The Stone Roses, and the Happy Mondays. The young Oasis became the final chapter in the city's transformation. Live Forever: The Rise, Fall And Resurrection Of Oasis by John Robb is out now. Oasis play Docklands Stadium, Melbourne, October 31, November 1 and 4 and Accor Stadium, Sydney, November 7 and 8. © John Robb / Telegraph Media Group Holdings Limited 2025

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store