2023 GOTY Nominee Is Discounted on the PS Store for a Limited Time
Developed by Finnish game studio Remedy Entertainment, Alan Wake 2 is currently $29.99 on the PS Store. Typically, this game is priced at $59.99, which means this limited-time sale gives PS5 players a 50% discount on one of 2023's best video games. This is just the Standard Edition of the game, so it only comes with the base game. However, players that know they'll enjoy the game can pick up the Deluxe Upgrade for $10, a 50% discount from the upgrades usual $20 price tag. That means players can grab everything the game has to offer for just $39.99.
Anyone interested in this Alan Wake 2 offer will have to grab it soon. This sale ends on February 27 at 2:59 A.M. ET.
'Fueled by the horror story, supernatural darkness invades Bright Falls, corrupting the locals and threatening the loved ones of both [Saga] Anderson and [Alan] Wake,' reads the game's description. 'Light is their weapon—and their safe haven — against the darkness they face. Trapped in a sinister horror story where there are only victims and monsters, can they break out to be the heroes they need to be?'
When Alan Wake 2 launched in October 2023, it received an average score of 89 on the review aggregate site Metacritic across 71 critic reviews. It won several awards at The Game Awards 2023 including Best Game Direction, Narrative, and Art Direction. It was also nominated for Best Score and Music, Audio Design, Performance, Action/Adventure Game, and Game of the Year.
The post 2023 GOTY Nominee Is Discounted on the PS Store for a Limited Time appeared first on PlayStation LifeStyle.
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USA Today
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'Happy Gilmore 2' is absolutely wonderful
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In one way, you could view Happy Gilmore 2 as a triumph of affable stupidity, a sequel so awash in the hallmark Sandler rage-man physical comedy that it manages to feel fresh... if only because Hollywood has practically abandoned the genre entirely for "comedic" superhero movies that smirk at the screen as if any insinuation of comedy at all is some sort of naughty cooke jar-snatching that big daddy corporation didn't see while reading the newspaper... the kind that would make even Wade Wilson blush. Last summer's Deadpool and Wolverine actually owned its identity of being a straight-up comedy as opposed to something dreadful like Thor: Love and Thunder (shutters in Zeus), but even then, it was still a Deadpool and Wolverine movie. Marvel putting out the biggest comedy of the decade so far just feels wrong, even if the movie was indeed funny. 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Sure, most of the film is flatly ridiculous, the lowest-hanging fruit basket being passed around for everyone to take one and pass it down. Characters punch and choke each other out of sheer glee; another drinks hand sanitizer to get a buzz. One man on a beach thinks he's watching a Happy Gilmore golf match on television, but in reality, it's just a rock in a makeshift box. One character goes to the bathroom in a mailbox. Like all of Sandler's movies, the cheap joke is the best joke, and the school cafeteria belly laughter is real and wonderful. Think about the star for a moment and where he is now. After years and years of pushing it away, Sandler's recent forays into auteurism have fulfilled the tantalizing promise of Punch-Drunk Love and Funny People. Even in his screwiest of comedies, he showed off the volcanic range and crestfallen heart of a truly generational actor. Uncut Gems in particular felt like an answered prayer. Watching the Sandman getting sandbagged down with heartless 2010s Netflix comedies made you question if he had finally just settled. The grand pleasure is that Happy Gilmore 2 shows that even a new Sandler Netflix comedy can make you scream-laugh to the point of waking up your dog and bothering your neighbors. By plowing shamelessly into the original film beat-for-beat but still awakening something oddly profound on the passage of time with how so many of the 1996 film's actors have departed from this golf course for the other, Happy Gilmore 2 plays as both a Happy Madison fan convention smorgasbord and a group hug for the past, present and future. Happy Gilmore 2 also arrives like a godsend in a world where studio comedies have fallen to the wayside. Consider that modern comedy has mainly shifted into other genres and into the indie space, where witty banter and situational ironies tend to rule the day. They're incredibly funny, but the other side of the spectrum, the kind that studios used to pump out in the summer with the Sandlers of the world for mass appeal, have nearly gone extinct. Perhaps that makes a big, doofy Happy Gilmore sequel all the more commendable with its themes of mourning the people we've lost and saving the traditions we care about while we have them. The film's villain is a tech-bro who wants to turn golf into a glitzy rizz-fest with color-run fireworks and brash stunts to appeal to the TikTokers and Twitch streamers who don't have time for the love of the game. As much as you absolutely cannot read any supremely deep text in a movie where a honey-drenched Travis Kelce gets attacked by a bear in Bad Bunny's "happy place" dream, you feel the Sandler-dad wisdom trying to slap around the young'uns a bit to appreciate the old ways and cherish the familial bonds that keep them aflame. 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The latter is bound to sincerity in its most cringey throwbacks because it's downright, well, impossible to wink a bit at the audience at how silly this all is. A Sandler comedy has the freedom to have its nostalgia cake and throw it across the room to instigate a food fight. During a scene at a graveyard, headstones of characters long gone from the original start popping up in spades. A few of those would have induced eye-rolls; a bunch of those, even of the most random side characters, makes for great meta-humor. Comedies give you the ability to check yourself a bit, as the wedgie-giving ombudsman comes in to readily acknowledge a lot of this is looney tunes. A streak of sadness dyes the current, as the reason Happy falls off the golfing map is the kind of shock revelation a Happy Madison production probably doesn't aim for 10 years ago. The world kept spinning while Gilmore was swatting golf balls with a hockey goon's might, and it wasn't always kind to our favorite golfer like we might have hoped. Dad-Sandler has always been the most sentimental version of himself, and his kids aging right in front of his eyes and starting to leave the nest seems to weigh on him and his renewed take on Gilmore. This and Wes Anderson's excellent The Phoenician Scheme both dive into similar subject matter with equal gusto, of a father reckoning with his children and his place in providing for them. There's a world-weariness to Happy this time around in the way Sandler carries him that both compels the film's most jarring narrative choice and grounds some of the film's far, far sillier antics. That approach gives Sandler's performance added gravitas and the entire film around him a paternal watchfulness that would've played as unearned earlier in his filmography. 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