logo
Wind Breaker chapter 183 release date and time: When and where to read the popular manga

Wind Breaker chapter 183 release date and time: When and where to read the popular manga

Time of India11-06-2025

Wind Breaker chapter 183 release date and time: Wind Breaker keeps fans hooked with its gripping plot and strong character arcs. As the story progresses, the tension rises, leaving readers excited for what's next. With Chapter 183 on the horizon, here's everything you need to know about its release date, timing, and where to read it.
Wind Breaker chapter 183 release date and time
Wind Breaker chapter 183 is scheduled to release for Japanese fans at midnight on Wednesday, June 18, 2025, as per Japanese Standard Time.
Wind Breaker is one of the most masculine psychological anime ever...😏(Good coming of age story) pic.twitter.com/qHIdfyyXzv
Wind Breaker chapter 183 release date and time (As per time zones)
Pacific Standard Time (PST): June 17, 2025 – 08:00 AM
Eastern Standard Time (EST): June 17, 2025 – 11:00 AM
British Summer Time (BST): June 17, 2025 – 04:00 PM
Central European Summer Time (CEST): June 17, 2025 – 05:00 PM
Indian Standard Time (IST): June 17, 2025 – 08:30 PM
Philippine Standard Time (PST): June 17, 2025 – 11:00 PM
Japanese Standard Time (JST): June 18, 2025 – 12:00 AM
Australia Central Time (ACT): June 18, 2025 – 12:30 AM
What to expect from Wind Breaker chapter 183
As per Sportskeeda, there's speculation that she might assist Sakura in pursuing her dream. Many fans believe this new girl could play a key role in helping Sakura grow more mature and independent, especially because her personality closely mirrors his.
Where to read Wind Breaker chapter 183?
The upcoming Wind Breaker chapter 183 will be accessible through Kodansha's official mobile app, K MANGA. The app operates on a point-based system, where readers can obtain points via microtransactions and use them to unlock the chapter.
Currently, there is no alternative platform for international fans to read Wind Breaker chapter 183 individually, unless Kodansha releases it later as part of a compiled volume.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Gulshan Kumar, the juice seller who rose to become the music mogul of Bollywood
Gulshan Kumar, the juice seller who rose to become the music mogul of Bollywood

Mint

time3 hours ago

  • Mint

Gulshan Kumar, the juice seller who rose to become the music mogul of Bollywood

On a sweltering August morning in 1997, Mumbai pulsed with its usual chaos of cars and hawkers, along with the hum of Bollywood tunes wafting from roadside stalls. Suddenly, the comforting rhythm of daily life was rudely interrupted by the sharp crack of sixteen bullets at the gates of the Jeeteshwar Mahadev Temple, where Gulshan Kumar Rai had come to offer his daily prayers. The assailants, shadows of the notorious Dawood Ibrahim syndicate, vanished into the city's sprawl, leaving behind the crumpled body of a man who had, over the previous two decades, turned India's music industry into his own audacious symphony. With his killing, a burgeoning business empire built on melody and commerce lay shattered. It was a brutal coda to Kumar's life lived at full, often reckless, volume. Born in 1951 into a family that ran a fruit juice stall in Delhi's Daryaganj, his entrepreneurial education started early. In the 1970s, when a relative's records shop came up for grabs, the Kumars pooled their savings to buy it. The cassettes business For young Gulshan, the shop was a revelation. Behind the counter, amid stacks of vinyl from the Gramophone Company of India (now Saregama), he watched customers bewitched by the strains of Mohammed Rafi or Lata Mangeshkar. Music, he realized, wasn't just art; it was commerce too. Also Read: How CR Bhansali exploited India's NBFC blind spots in the 1990s In 1980, he set up Super Cassettes Industries that would, under its T-Series label, completely redefine the way Bollywood music was distributed. While the incumbent leader Gramophone Company of India stayed satisfied with its dominion over a niche market of record players and vinyl, Kumar saw a future that lay not in the cumbersome, expensive turntables of the elite, but in the torrent of affordable Japanese cassette players that had flooded the market, thanks to a liberal import policy. He began producing cassettes at low cost by leveraging the concessions available to small-scale manufacturers and pricing them aggressively. Sales outlets were not restricted to high-end music stores but fanned out to the capillaries of India's informal economy, the panwallahs and neighbourhood grocers. By 1985, T-Series cassettes were everywhere, their garish covers promising hits from Bollywood's latest blockbusters. His genius, and his most controversial manoeuvre, lay in exploiting a subtle lacuna in the Indian Copyright Act, which permitted the production of cover versions of popular songs as long as the vocalists and instrumentalists were different from the originals. A nominal royalty was all that was required. To this end, Kumar tapped into a wellspring of untapped talent, including singers like Sonu Nigam, Anuradha Paudwal, Mohammed Aziz, Kumar Sanu, and Alka Yagnik, who, despite their immense gifts, struggled for a foothold in an industry still largely beholden to titans like Mohammed Rafi, Lata Mangeshkar, and Kishore Kumar. Kumar paid them a fraction of what the established stars commanded, yet offered them an unprecedented platform. Also Read: Jayanti Dharma Teja: The enigmatic genius whose shipping empire was built on deception He was also an early evangelist for devotional music, seeing a vast, underserved market for spiritual hymns and chants. T-Series churned out tapes of spiritual songs, from Jai Mata Di to Sai Baba Aarti and Hanuman Chalisa, the latter sung by Hariharan and Vaishno Devi devotee Kumar himself. These tapes, sold at stalls outside temples, cemented T-Series as a cultural force, as much a ministry of faith as a music label. An entertainment behemoth By 1997, T-Series was a ₹500 crore behemoth. Yet, with every rupee earned, Kumar was also notching up enemies. His cutthroat pricing strategies sent tremors through the established music industry, pushing rivals to the brink of collapse. Moreover, a significant portion of his empire was built on what some considered a grey area of copyright, and others outright piracy. It wasn't just the music labels that felt the sting; filmmakers, too, saw their potential profits from music sales eroded by these readily available, cheap, and often unauthorized, cassettes. The resentment eventually boiled over into threats. Kumar received extortion calls from Dawood's lieutenant Abu Salem after a dispute with music director Nadeem Saifi over the music of the latter's album Hi! Ajnabi. The simmering tensions eventually exploded when contract killers, allegedly acting on the behest of the Mumbai mafia with reported connections within Bollywood, shot him dead. The investigation that followed cast a wide net, even implicating Nadeem as a co-conspirator, though he was later acquitted. Eventually, Abdul Rauf, one of the assailants, was handed a life sentence in 2001. The case exposed the mafia's grip on the Mumbai film industry, leading to increased government scrutiny and crackdowns. The film industry too underwent corporatization and professionalization, reducing the reliance on informal financing and protection rackets. Also Read: Alagappa Chettiar's legacy of fortune and philanthropy Happily, Kumar's death didn't mute the music of T-Series. His son, Bhushan, then barely twenty-two, inherited a wounded empire but a father's brilliant blueprint. Under his stewardship, T-Series diversified into film production while maintaining its musical dominance. Today, the company holds a 30% share of India's music market and, with over 296 million YouTube subscribers as of May 2025, trails only Mr Beast in global reach. Its channel, a digital cornucopia of Bollywood hits and bhajans, is a testament to Gulshan Kumar's grand vision. His legacy, though, is no simple hymn. While some call him a democratizer who gave voice to the overlooked and brought music to the masses, to others, he was a predator whose empire was built on the margins of ethics.

Dandyism, decadence and a taste of rebellion at Junya Watanabes vision of Paris
Dandyism, decadence and a taste of rebellion at Junya Watanabes vision of Paris

Mint

time17 hours ago

  • Mint

Dandyism, decadence and a taste of rebellion at Junya Watanabes vision of Paris

PARIS (AP) — A new kind of dandy took over Junya Watanabe's runway on Friday — not the traditional gentleman, but a sharp-dressed rebel with a streak of punk at Paris Fashion Week. Watanabe, the pioneering Japanese designer known for mixing classic tailoring with a wild, creative edge, unveiled a lineup of bold, offbeat looks at the Lycée Carnot. The show was sharp but rebellious, rich in history but full of energy. It wasn't about looking back. It was an explosion of new ideas. Watanabe has built his reputation by smashing the line between elegance and rebellion. This season, he didn't just mix old and new, he turned history into a weapon. His spring men's collection borrowed from the past — rich brocades, jacquards and a hint of Rococo flair — but reimagined them with a bold, punk attitude. Jackets worthy of Venetian nobility were paired with rugged workwear and raw denim, creating looks that felt both grand and streetwise. The music followed the same energy, starting with a traditional piano piece breaking down into a thumping city beat. Classic style was pulled apart and rebuilt right on the runway. Some outfits showed off sharp, careful tailoring, but the order quickly fell away — seams went crooked, sashes trailed loose, wild patterns took over. Even the ties broke free, knotted multiple times in ways that broke from tradition. Despite the wild mix of styles, the show was more than just patchwork. Watanabe was making a statement about taste itself — a constant tug-of-war between old ideas and breaking the rules. Familiar touches — a monk's robe, the rooftops of Florence — were turned into clever fashion puzzles. Throughout the collection, Watanabe's eye for detail and contradiction remained. He's known for boldly mixing sharp tailoring with street style, blending Japanese tradition with punk energy. This season, he sharpened that approach into clothes that were both smart and full of electricity, pieces that challenged the idea of what it means to dress well. By the end, the dandy wasn't just a gentleman —he was sharper, braver, both thinker and rebel.

NYT Mini Crossword June 27: Today's hints and answers for all clues
NYT Mini Crossword June 27: Today's hints and answers for all clues

Time of India

time20 hours ago

  • Time of India

NYT Mini Crossword June 27: Today's hints and answers for all clues

NYT Mini Crossword I Credits: New York Times The Mini Crossword from The New York Times is a short daily puzzle, but don't let the size fool you. Even a 5x5 grid can throw you off with smart clues. The June 27 edition had a beach-themed vibe running through most of its across clues. It was fun and fast but had a few brain teasers along the way. If you're someone who tries to beat the clock every morning, getting stuck for even a few seconds can be frustrating. That's where this quick guide can help. NYT Mini Crossword Across clues and answers for June 27 Beach trees – The answer is Palms. A classic sight on tropical shores. Beach view – It's Ocean. What else do you expect to see when you're staring from the sand? Beach keepsake – The answer is Shell. Perfect souvenir from the sea. Removed, as wrapping paper – Think about how you tear gifts open. The word is Tore. What miso paste is made from – That would be Soy, a key ingredient in Japanese cooking. These across answers were all smooth once you caught the beach theme. If you caught "Palms" early, the rest likely came easy. NYT Mini Crossword Down clues and answers for June 27 Feed fillers – It's Posts, like the ones you scroll through on social media. Sound before a blessing – Say Achoo before someone says 'bless you.' Cautious – The answer here is Leery, often used to describe a feeling of suspicion or careful hesitation. Like seahorses that give birth – This one's biology-based. The answer is Male, since male seahorses carry and deliver babies. Show for Sarah Silverman and Sarah Sherman, for short – The answer is SNL, short for Saturday Night Live. The down clues were a mix of pop culture and logic, with a few that might stump even regular solvers.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store