
'Forgotten' global superstar traded fame for very different career
Born Helen Folasade Adu in Nigeria and later known simply as Sade Adu, she relocated to Colchester at the tender age of four to live with her grandparents. Her formative years were spent growing up in Essex.
However, her life took a dramatic turn when she and her band skyrocketed to fame following the release of their debut smooth soul single, "Your Love is King," which climbed to number six on the charts in 1984. Their first album, Diamond Life, received even greater praise, selling a staggering 10 million copies and remaining a classic four decades after its release.
Sade also won over critics, bagging four Grammy's for her hits, including being named Best New Artist in 1986 following the release of their second album. Around this time, the singer dabbled in acting, making her debut in Absolute Beginners, a film set in 1950s London.
Over the next two decades, Sade achieved international success, with singles like "Smooth Operator", "The Sweetest Taboo" and "No Ordinary Love" echoing from radios worldwide. These tracks continue to be popular today, having been streamed over a billion times on Spotify alone, reports the Daily Record.
The artist, known for her elusive nature and infrequent album releases, sometimes with decades between them, has earned a reputation as a bit of a recluse, often vanishing from public view for extended periods.
It seems Sade has embraced a more tranquil lifestyle, having purchased a farm in the West Country where she resided during the pandemic with her partner Ian Watts and her mother, affectionately known as "Granny Annie".
In a 2020 interview with British Vogue, the singer said: "Like everyone, we're on a ship of unknown destination but that's life ... no mutiny yet."
She added: "There's always so much to do: there are songs I so want to write, and I've rediscovered the joy cooking brings."
Despite her retreat from the public eye, the songstress continues to create music, with her latest single "Young Lion" released in 2024, and "Flower of the Universe" for the Disney movie A Wrinkle in Time featuring Reese Witherspoon and Oprah Winfrey.
Sade was recognised as a national icon when she received an OBE in 2002 as part of the Queen's New Years Honours List, and further honoured with a CBE for her contributions to music 15 years later.
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RTÉ News
4 hours ago
- RTÉ News
Controversial Irish film Suit Hung. Tied Tongue debuts online
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Irish Examiner
20 hours ago
- Irish Examiner
'I'm just a conduit. I'm not Rory': Joe Bonamassa on his Rory Gallagher gigs in Cork
The first time guitarist Joe Bonamassa heard the music of Rory Gallagher, it felt like the world had stopped. 'I was from a small town in upstate New York, and it was very blue collar, working class,' begins the blues musician and three-times Grammy nominee, as he unpacks his relationship – musically and spiritually – with the late Cork guitar wizard. Bonamassa speaks of Gallagher with a reverence tinged with wonder. The day he heard Gallagher's music pouring out of a speaker, he knew that this was an artist with whom he would have a life-long fascination. Here was a musician he could relate to – someone from an unprepossessing background. A player whose lightning finger work was matched by his humbleness and lack of pretension. 'The Rory thing always for me was he was that guy: the image and the music went together,' says the 48-year-old from upstate New York. Bonamassa is regarded as one of the great blues guitarists of his generation, so it is fitting that he will be paying tribute to Gallagher with three shows at Aiken Promotions' Live at the Marquee event in Cork. He says he won't be mimicking Gallagher – Bonamassa never sounds like anyone but himself. He will, however, breathe new life into Gallagher's classic repertoire as he plays the entire set from Gallagher's famed Irish Tour '74 live LP, recorded on the road in Cork, Dublin and Belfast. Fans from around the world who are expected to travel to the dates will be able to reconnect with Gallagher's legacy and experience a classic repertoire in a modern context. 'The intent is to celebrate the man's life, and I'm just a conduit for it. I'm not Rory. You could study Irish Tour '74 for the next 25 years and never get close. That's not why I'm here. I'm here for Rory's family. And I'm here for Peter Aiken and to celebrate a musician whom I have a real deep respect for,' says Bonamassa, who has been in Cork rehearsing in the lead-up to the gig. He has always felt a deep kinship with the Corkman – perhaps because of the parallels in their life stories. They both grew up away from the bright lights of the music industry – Gallagher in Cork City and Bonamassa in Utica, New York (population 65,000) – and both started playing at a young age. Gallagher joined his first band in his teens; Bonamassa was gigging by the age of 12 – one of his earliest shows was supporting BB King (he would later jam with Rory's contemporary Eric Clapton). Divided by time and distance, they nonetheless have much in common. 'You try to have substance over style rather than style over substance. The true legends… it's definitely that you put the music first,' says Bonamassa. 'You have to have an image obviously. You can't just meander up there. But it's not about the flash, the look, the style. The music has got to be good. Whatever happens up there, it's got to be good. You're not going to be able to blag your way into something.' If Gallagher is acknowledged as a genius, in some ways, Bonamassa believes he remains under-appreciated. As a songwriter and a vocalist, he was right up there. Gallagher wasn't just about blistering solos – the American feels that as singer composer, he was right up there and deserves higher praise. 'He was a criminally underrated acoustic guitar player, an underrated songwriter and singer,' he says. Gallagher isn't the only blues musician to be pigeonholed in that fashion. 'When BB King died, they said, 'guitarist BB King'. Are you kidding me? He's a singer.' Joe Bonamassa, second from right, in Cork last year with Rory Gallagher's brother Dónal Gallagher, Marquee promoter Peter Aiken, and bass player Gerry McAvoy. Picture: Chani Anderson Gallagher died in June 1995 at the relatively young age of 47, his health damaged by years on the road and a heavy drinking habit. Bonamassa has always taken care of himself while touring. In his mid-40s, he has the privilege of being able to look back at rock and roll history and learn from the experiences of artists who went before him. And the lesson is that you have to look out, especially as you grow a little older. 'It is a hard life. Freddie King [blues guitarist from Texas] died when he was, I think, 42. Rory's health struggles at the end were well documented. He had another two lifetimes. So we could be sitting here if it didn't occur 30 years ago [i.e. if he hadn't died before his time]. He would still be around and playing.' Gallagher was always proud to have grown up in Cork, and it is apt that Bonamassa should come to the city to pay tribute. That Cork was a huge influence on Gallagher as a musician is confirmed by his brother and former manager, Dónal, who says growing up in their parents' pub, The Modern Bar, on MacCurtain Street, had a huge impact on the young musician. In Rory Gallagher's case, a childhood in a pub introduced him to the wonders of the world – and of music. 'The drift of people through, the stories… I remember [classical composer] Seán Ó Riada in the bar. Nancy and the Teetotallers,at the start of the skiffle craze, were playing Cork Opera House and they came into the bar. Rory was learning skiffle. That was Cork for you,' recalls Dónal. Cork got under the skin of Rory's music, says Donal. 'If you listen to Tattoo'd Lady. I see the influence of the old Mardyke with the fair grounds where they used to set up. Going to My Home Town, referencing Henry Ford. People thought that was Rory being Americana. Ford was huge in Cork. Henry Ford, if you look at the centre of Detroit – the centre of it is called Corktown. A lot of that stuff was subliminally going in.' One intriguing chapter in the Rory Gallagher story is his audition in the mid-1970s to join the Rolling Stones, where he would have replaced Mick Taylor. He flew to Amsterdam to meet Mick Jagger, and Keith Richards. It ultimately didn't work out – which was for the best feels Bonamassa. 'There's a lot of theoretical what-ifs,' says the guitarist. 'I think if he joined the Stones, eventually Ron Wood would have gotten that gig. Rory took up a lot of space. He's a front guy. It's hard to go from being a front guy and a lead player who takes up a lot of space, figuratively not literally. To go into, 'I'm just playing this part'. Whereas Ronnie Wood used to be in an ensemble – was used to servicing the song and that's it.' Rory Gallagher is unique in that he unites musicians from across rock'n'roll. His fans include Slash of Guns N' Roses and Johnny Marr of the Smiths—artists spoken of in the same breath. 'We all relate to this authenticity,' says Bonamassa. 'He's very authentic in what he did and he never compromised. Not many artists could say that through their career. He never sold out for the hit. Never sold out any of it. He just did what he did.' Joe Bonamassa plays Rory Gallagher, Live at the Marquee Cork, July 1-3 Read More Rory Gallagher remembered 25 years on in five iconic gigs


Irish Examiner
20 hours ago
- Irish Examiner
Joe Bonamassa does Rory Gallagher at the Marquee, Cork: Tickets, start time, directions, setlist, etc
To mark the thirtieth anniversary of the passing of Cork blues-guitar icon Rory Gallagher, an all-star band of musicians will take to Live at the Marquee, to play from his deep catalogue of self-penned tunes and blues arrangements — led by American six-string virtuoso Joe Bonamassa. The concerts mark a culmination of Cork Rocks for Rory, the programme of gigs and other events celebrating the life and music of the late guitar legend. When is it on? The three-night residency runs from Tuesday July 1 until Thursday July 3; at Live at the Marquee, on the city's Centre Park Road. How much are tickets? Some tickets are still available for each of the three nights. The first two gigs had previously sold out, but the promoters have made some extra tickets available. Resale tickets start at €57.50; and full-price tickets start at €71.19; all available from the Marquee's Ticketmaster page. What time is kickoff? Organisers Aiken Promotions are opening the doors early each night, with admissions beginning at 6.15pm. The promoters have asked attendees to make sure to give themselves plenty of time to arrive, negotiate traffic, enter the venue, get food and drinks before settling into the arena. Organisers say the band is on stage at 8pm. There will be no support act, and no interval. Who's playing? Joe Bonamassa. Joe Bonamassa is a blues guitarist and gear connoisseur from upstate New York. A three-time Grammy nominee, he's best-known for keeping the genre alive with a series of solo and collaborative releases through his own label, Keepin' the Blues Alive Records; as well as being a prolific session and collaborative musician. Opening for the late BB King at the age of eleven in 1989; he's long cited Gallagher as among his predominant influences, and has been active in making press appearance promoting a gig that, by all accounts, is close to his own heart — he's also been spotted on Leeside in recent days, during rehearsals for the gigs. Joining Bonamassa onstage will be UK percussionist Jeremy Stacey (Noel Gallagher's High Flying Birds, King Crimson, The Waterboys, Sheryl Crow); Australian keyboardist Lachy Doley; and Aongus Ralston of The Waterboys on bass. Gerry McAvoy, the stalwart bass player who accompanied Gallagher for many years, is also expected to make a guest appearance. What tunes will they be playing? The sets will be based largely on Gallagher's landmark Irish Tour '74 live album — recorded in part at Cork City Hall, with a few more Gallagher favourites thrown in. What about the Cork connection? Bonamassa is delighted to square the circle by playing one of Gallagher's own guitars at some point during the gigs. Rory had picked up the 1930 National Triolian Resonator for about £100 while on tour in the USA in 1973, and it was bought by a fan last year at auction for £95,650. As an aside, Bonamassa also got to follow in his hero's footsteps during rehearsals — taking a trip to Crowley's Music Centre in its new location just off Cork's Barrack Street, and purchasing a sunburst Strat of his own from Sheena Crowley, daughter of Mick Crowley, who had sold Rory his famous axe in 1963. Read More Rory Gallagher and the town he loved so well: Early days in Cork Where's the Marquee now? Live at the Marquee, Centre Park Road, Cork: home to some of the summer's biggest Leeside gigs. Pic: Larry Cummins Last year the Marquee moved across the road and it will continue from that site again this year. You can find the venue on the former Tedcastle's Yard on Centre Park Road. This is the second of at least three summers at the new location. Construction is underway on the old site, with more than 1,000 apartments being built in the area. How do I get there? Live at the Marquee is about a seven-minute drive from the city centre in low-traffic conditions. Walking, it will take about 30 minutes from the city, or 15 minutes from Ballintemple. If coming from the city, Centre Park Road is the first turn on the left at the Albert Road roundabout and continue along the road until you spot the distinctive yellow and blue tent. What about parking? Parking in the area is limited, but the current location has 300 car park spaces which can be booked on for €12 per car - up from €9 last year – plus €2.20 service fee. Organisers say the attendants will accept payment on the day only if there is space available on the evening of the show, however it is strongly recommended to purchase via Ticketmaster in advance as many of the shows are sold out. Coming from the city, the parking entrance is just beyond the pedestrian entrance on Centre Park Road. Is there a Ticketmaster office at the Marquee? Yes, the Ticketmaster kiosk is situated on the way to the main entrance after you enter the pedestrian gate. What's the food and drink situation? Be sure to bring your bank card as the Marquee has been a cashless venue for a few years now. Drinks are available at the usual bars in the tent, and at a bar in the outside area. A pint of Guinness or Rockshore costs €7 while a pint of Guinness 0.0 is €6.50. Spirits (gin, vodka, etc) with a mixer are €9, and wine is €9. There are some food vans onsite, and the Marina Market and the Black Market are converted warehouses with multiple food stalls within walking distance of the venue. As well as the city itself, Ballintemple and Blackrock village also have several bars. Read More An interactive map of Rory Gallagher's guitar