Cardi B Posts First Photos of Baby Blossom as She Twins With Her Kids in Matching Louis Vuitton
'It is you Miss Blossom Belles,' she captioned the pictures. It was a Louis Vuitton-filled pool day for Cardi and the family at home. Sporting a million-dollar smile, Blossom stars in the first photo while wearing a pink onesie and an LV scarf with pink bow socks.
More from Billboard
Cardi B Welcomes Baby No. 3 With Estranged Husband Offset, Shares Photos From Hospital
Beyoncé Thanks Sir Paul McCartney for 'One of the Best Songs Ever Made'
Good Charlotte Announce First Album in Seven Years, 'Motel Du Cap'
Cardi was twinning with her daughter, Kulture, who posed poolside in a matching LV headband and handbag. She also showed some love to son Wave, as he looked unbothered while messing around on his phone and rocking a pair of Timberland boots.
Motherhood could be in Latto's future, as the Atlanta rapper hopped into the comments section saying she's suffering from 'Baby feverrrrrrrrrrrrrrrr wtffffffff.' Anycia, GloRilla and Stefflon Don also gushed about the family Cardi's built.
Cardi B's new boo, Stefon Diggs, wasn't present for the pool day, but the couple appears to be going strong heading into the summer.
On the legal side, the Grammy-winning rapper and Offset are still sorting out a bitter divorce after Cardi filed for the second time last August.
Last month, Offset filed for spousal support in the divorce proceedings with Cardi. The Migos rapper amended the filing with a request for an unspecified amount of alimony. Days later, Cardi went off on Offset during an explosive X Spaces.
'You such a f—ing p—y a– n—a,' she slammed her ex. 'Word to my mother, I want you to die, but I want you to die f—ing slow. When you die, I want you to die slow in the bed. And when you die, n—a, you gotta think of me.'
Find Cardi's family photos here.
Best of Billboard
Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1
Janet Jackson's Biggest Billboard Hot 100 Hits
H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Wall Street Journal
21 minutes ago
- Wall Street Journal
The Score: Nike, Paramount, Constellation and More Stocks That Defined the Week
The Score is a weekly review of the biggest stock moves and the news that drove them. Paramount has settled its lawsuit with President Trump over a '60 Minutes' interview with former Vice President Kamala Harris.
Geek Tyrant
23 minutes ago
- Geek Tyrant
David Corenswet Says 'No Plan' Might Be the Best Plan for DCU as James Gunn Scraps a 'Darker' Ending for Superman — GeekTyrant
While there's plenty of anticipation surrounding James Gunn's reboot of the DC Universe, don't expect a tightly mapped-out, 10-year MCU-style blueprint. According to Superman star David Corenswet, that might actually be a good thing. Speaking to ScreenRant, the new Man of Steel explained why Gunn and DC Studios co-head Peter Safran are taking a looser, film-first approach. Corenswet said: 'I mean, [I know] essentially nothing. Essentially just that he means it when he says that no plan is better than the quality of the scripts and the directors who he and Peter have to do them. 'I know very little about the comic book fandom, and the idea of getting a timeline announcement. I know very little about that. But I know it's a thing, and I know that, for better or for worse, they will compromise a timeline rather than compromise a film.' Some fans might see that as a refreshing perspective, especially in an era where fans are trained to expect sprawling timelines, multi-year slates, and interlocked stories. Corenswet added: 'If people knew what goes into getting a movie together and making a movie, they'd understand that if you stick too closely to the plan, you're going to end up compromising on the things that are actually important... 'So that's the guiding light for him and Peter moving forward. There are some things coming up, but that's the main principle and that's a good person to be working for.' Still, the lack of a concrete DCU rollout has left other fans puzzled. Projects like Clayface , Wonder Woman , and others are in development, but very little from the original Chapter 1: Gods and Monsters slate has materialized, and no titles are officially dated for 2027. But, Gunn has made it clear that he is prioritizing story over schedule. In a separate interview with Collider, Gunn shared that Project Hail Mary screenwriter Drew Goddard played a key role in shaping the tone of Superman , specifically by steering the filmmaker away from a darker finale. Gunn shared: 'Drew Goddard was really helpful. I think that there were a couple of little things in the movie, three or four things that we really argued about in the film, and all of them had to do with things that were a little bit darker or a little bit lighter. 'In discussing one of them, Drew Goddard was like, 'You know what? It's just not that film. It's not that film with this little dark ending bit.'' Gunn agreed, saying the note stuck with him through the editing process: 'And I thought, 'He's right. It's not that film. It is not that film.' And so that line that he said stuck with me for the rest of editing.' Gunn also mentioned he showed the film to a range of creative voices, including Peter Safran, Chantal Nong, Jason Reitman, Damon Lindelof, and others. 'They were so helpful,' he added. It's clear that Superman is a collaborative effort, less a corporate product and more a film shaped by trusted storytellers, which is nice. I hope that it works! Superman flies into theaters on July 11, 2025, and while the rest of the DCU may not be carved in stone yet, it seems Gunn's priority is simple: make great movies first, worry about the roadmap later.
Geek Tyrant
23 minutes ago
- Geek Tyrant
JURASSIC WORLD: REBIRTH Almost Had a Much Darker Ending — GeekTyrant
Big-budget blockbusters are often built on shifting sand. Scripts are tweaked on the fly, storylines morph during post, and entire endings get rewritten just before the final cut. Jurassic World Rebirth was no exception. According to director Gareth Edwards, this dinosaur-packed chapter almost ended with a gut punch fans weren't expecting. Spoiler warning if you haven't seen the film yet. One of the most crowd-pleasing moments in Jurassic World: Rebirth is the surprise return of Mahershala Ali's Duncan Kincaid, the grizzled mercenary who buys time for a group of trapped kids by luring the terrifying new mutated dinosaur, Distortus Rex, away with a flare. For a few tense minutes, it looks like that's the end of Kincaid, making a noble sacrifice to save others from being eaten. Then, just when you think he's being digested in the stomach of the monsterous dino, he stumbles back onto the scene alive. Cue applause. But that wasn't always the plan. Edwards told /Film: 'I'll tell you, the bit we did shoot two versions of is Kincaid living and dying. Basically, the version where he dies, you just don't have the other bit [where he reappears]. But because that was how it was written to start with and we filmed it and did everything as if he was going to die, everything felt correct. 'As an audience you go, 'Oh my God, he's going to actually die, of course he is,' and then he does. Then when he's brought back, I think it is a surprise. Then I felt like, 'Oh no, what if the audience thinks we copped out?' 'I would remind myself of E.T. , which is the masterpiece version of this, where I never felt that at all in E.T. I felt really sad [laughs] that he had gone, and then euphoric when he was back. It was kind of like a little version of that, where you sort of pray: 'Is the audience going to ...?' 'And then watching it the other night [at the New York premiere], it got the best reaction in that moment and I was really like, 'Oh my God, thank God we shot that version where he lived because it could have been quite a downer [laughs].'' It's a rare case where a reshoot didn't just fix a problem, it elevated the entire ending. But that wasn't the only thing on the chopping block. You know that moment in every Jurassic movie where the T-Rex swoops in like a prehistoric deus ex machina to save the day? Edwards nearly gave in to that tradition. But this time, cooler heads prevailed. 'I thought about — that came up. It didn't come up on the shoot, it came up in post-production where I just suddenly, I guess, I woke up in a cold sweat one night and was like, 'Should we, should we have the T-rex turn up?' [laughs] I went in the next day and brought this up with everybody and I expected everyone to go, 'Yeahhh' [enthusiastically], and it was just a reaction like, 'Really? But all the other ones did that.' It slightly kind of reassured me like, 'Okay, I think that we did the right thing.' 'But there's this storytelling thing called [deus] ex machina and it's like Latin, I think, for God basically coming and saving your characters at the end of a story. I think 'Jurassic' has this thing called 'Rex Machina,' where it's like the T-rex comes and saves everyone. 'I remember David Vickery, the visual effects supervisor, he was like, 'But that's one of the things I loved about this film, is that it didn't do what the other ones did,' and all this sort of stuff. Yeah, you do juggle these — there's like, what's the right thing here? You try and choose the right path.' Instead of yet another dino-vs-dino finale, the Distortus Rex remains a looming threat, Kincaid survives, and we're left with the kind of open-ended finale leaving the door open for a sequel.
