A girl and her father wash up in mysterious shelter by the sea, where they meet a trio of philosophers
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With a setting as fascinating and surreal as The Sea, it's slightly disappointing that the alternating biographies of Arendt, Spinoza, and Du dominate the book. Lina's narration takes a distant backseat to the philosophers' trials, tribulations, and travels. These biographies are supposed to be instructive to Lina's quest to learn why she and her father have come to The Sea without her mother and brother. But this plotline feels largely inert because while readers are reminded of the dangers of totalitarianism and the tragic toll of forced migration and exile, Lina is like us: a passive receiver of familiar messages.
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Arendt and Spinoza, in particular, take center stage. We follow Arendt through the formative traumas of her life, including her imprisonment by the Gestapo for researching antisemitism, and eventually, her perilous escape from Nazi-controlled France into Spain. Once in Spain, she travels to Lisbon and boards a ship to America, where she eventually settled and became renowned as an author and thinker. Spinoza's life story follows a similar arc. His pantheistic opinions lead to his expulsion from the Portuguese Jewish community in Amsterdam. Spinoza's philosophies cross over into Arendt's storyline, because her work was strongly influenced by his.
The backstory of Lina's father's involvement in the creation of The Sea is delivered to the reader whole, via flashback, again without Lina having to do very much. This revelatory section happens in a futuristic China where hundreds have died in a Tiananmen Square-like 'catastrophe.' Lina's father finds himself working for a company named Days and Months Technology Corp Ltd., and with a name like that, it's easy to tell that this firm is up to no good.
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Lina's father's backstory only makes The Sea more fascinating, and this reader wanted to understand the mechanics of its construction. The payoff, however, stops well short of explaining the science fiction, and Lina's father's betrayal will feel expected for anyone familiar with the Cultural Revolution. The Lina storyline, already hampered by a lack of movement, gets bogged down by repetition and a penchant for mysterious philosophical statements from her neighbors that, unfortunately, recall the musings of Yoda. 'You must let go of your fear
,'
Du Fu's father tells himself at one point. Meanwhile, one of the scholars instrumental to the design of the Sea says, 'The deeper you fall into the architecture of the system…the closer you come to reality.' It's a sentiment Bento and Lina will repeat. 'Time never goes missing,' Bento proclaims. 'I think the structure of reality can be no other way.' While the musicality of such sentences is pleasing, their meanings remain elusive.
Fans of books like Mohsin Hamid's '
Though one can't help but admire the breadth of Thien's imagination, it's the child's story by the sea that this reader wanted more of.
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Leland Cheuk is an award-winning author of three books of fiction, most recently '
THE BOOK OF RECORDS
By Madeleine Thien
Norton, 368 pages, $28.99
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