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News.com.au
3 hours ago
- News.com.au
‘F**k my life': Rebel Wilson's extraordinary spray over new lawsuit
Hollywood actress Rebel Wilson has launched an extraordinary spray over the production company suing her for defamation, admitting the first song of her unreleased film, titled 'F**k My Life', sums up her situation. After news broke that the production company was suing her in Australia over comments on Instagram, Ms Wilson has returned to social media to repeat many of the claims that are outlined in the lawsuit. 'So apparently, I'm being sued in Australia?' she said to her 11 million followers on Instagram. 'It makes no sense. As the director, producer and co-star who nurtured a project called The Deb for five years from a three page idea into a gorgeous feature film, I want nothing more than to have this film released, and have been working tirelessly behind the scenes to get this to happen. 'To say otherwise is complete nonsense. I'm so proud of the film!'. Describing the lawsuit as 'baseless' she said that 'many Australians worked so hard on this film, and it's imperative the movie is released!' 'It's been a year since the film has been completed and ready to go in cinemas. Instead, in my opinion, they've continued this spiteful, toxic behaviour. 'The first song of the film is called F**k My Life. I'm going to release it now, because if these f**kwits aren't going to release the movie, I may as well.' Ms Wilson then posted a video from the unreleased film, which legal sources suggested could be a breach of copyright. 'Everyone who worked on the movie and who knows me KNOWS, I put my blood, sweat and tears into this,' she said. 'Everyone knows I'm a 'truth teller' when it comes to vile people in the industry.' Ms Wilson is facing a lawsuit lodged in the NSW Supreme Court by the production company behind her directorial debut The Deb, alleging serious breaches of contract and director's duties, misleading and deceptive conduct, and injurious falsehood. Ms Wilson was sued for defamation in the United States last year by producers Amanda Ghost, Gregory Cameron and Vince Holden who allege she falsely claimed they had embezzled funds from the movie and had behaved with 'absolute viciousness and retaliatory behaviour'. That matter is ongoing. The new lawsuit in NSW has been lodged by Mr Holden's production company A.I. Film and is being handled by an Australian-based legal team – Patrick George, Jeremy Marel and barrister Sue Chrysanthou, SC. It accuses Ms Wilson of blocking the film's release though legal threats and making false claims that the lead actor in the film, Charlotte MacInnes, was the target of 'inappropriate conduct'. In the new legal submissions, A.I.'s legal team insist that Ms MacInnes denies she was ever harassed, and states that Ms Wilson's claims are baseless. The blow up follows a video Rebel Wilson posted on Instagram in July 2024, where she made a number of misconduct claims about the movie producers to her 11 million followers. '[T]o have the business partners that are involved in that movie turn around and say that no, the movie can't premiere, is just beyond devastating,'' she said. 'And so I said, reported, I guess you would say, their bad behaviour when I found out not minor things, big things, you know, inappropriate behaviour towards the lead actress of the film, embezzling funds from the film's budget, which we really needed because we're a small movie, you know? So kind of really important things. Since I reported that behaviour, I have been met with absolute viciousness and retaliatory behaviour. 'And yet every step of the way, these people who I complained about then tried to make my life hell. 'And this behaviour is absolutely vile and disgusting. Now these people you know, Amanda Ghost in particular, has a history of doing this kind of thing, mainly to music artists but also to people in the film business. So, the thing is, these people are forced to sign NDAs or, you know, otherwise threatened or bullied to not speak out. 'I will speak the truth, and, you know, warn people about these people in the industry. Who are just not behaving ethically ... if the movie doesn't play in Toronto, it's because of these absolute f**kwits.' Ms Ghost is now suing Ms Wilson for defamation in the United States. In the NSW lawsuit, the production company's legal team argued these statements conveyed that one of the producers had made 'inappropriate sexual advances to an actress in the film'. 'In fact, none of the producers had made inappropriate sexual advances to an actress,'' the legal documents state. The lawsuit alleged Ms McInnes categorically denied Ms Wilson's claims telling media outlets 'there is no truth to the allegations made involving me.' 'I love this film and I can't wait for it to be released. It would be wonderful if these proceedings can help make that happen,'' she said in a statement to She previously told media outlets: 'Making false accusations undermines real victims and I won't be the subject of a fabricated narrative.' After the actress was subsequently cast as Daisy in Florence Welch's musical Gatsby: An American Myth, Ms Wilson is alleged to have made the following statement on Instagram stories accusing her of 'changing her story.' 'When an actress on her first feature film is asked by a producer to stay in the same apartment as them, and then makes a complaint to me as the director saying said producer 'asked her to have a bath and shower with her and it made her feel uncomfortable' – what am I supposed to do of course I reported it,'' Ms Wilson said. 'There is no world where this is acceptable. The fact that this girl has been employed now by this 'producer' in the lead role of a production called GATSBY (ART Boston) and given a record label – should be all the proof you need as to why she has now changed her story.' During the Cannes Film Festival, Ms Wilson allegedly posted more Instagram stories, suggesting MacInnes had 'lied by denying the allegations of sexual misconduct by the film's UK producers'. 'Charlotte MacInnes in a culturally inappropriate Indian outfit on Len Blavatnik's luxury yacht in Cannes – ironically singing a song from a movie that will never get released because of her lies and support for the people blocking the film's release. So glad you got your record deal Charlotte at the expense of the 300 people who worked on The Deb and really wanna see it released.' In the new lawsuit, it is alleged Ms Wilson 'threatened the Australian distributor of the film that she would obtain an injunction to prevent its release, when the contractual documents plainly prevented her from obtaining an injunction.' No stranger to defamation battles, Ms Wilson won a record payout from Bauer media but was later forced to repay the majority of her record defamation payout from a magazine publisher. Ms Wilson had received A$4.7m in damages and interest from Bauer Media over articles that she said portrayed her as a serial liar. But a court reduced the sum to A$600,000 following an appeal by the publisher. She was then ordered to pay back A$4.1m and A$60,000 in interest. A subsequent bid to have an appeal heard in the High Court of Australia was rejected, bringing her legal battle 'to a definitive end'.
SBS Australia
5 hours ago
- SBS Australia
‘no title' – A story of lost and OCD
LISTEN TO SBS Indonesian 25/07/2025 15:59 Indonesian Victoria Winata is an award-winning emerging theatre maker (La Mama 2022). Her play 'no title' is currently being staged at Butterfly Club in Melbourne, 24 – 26 July 2025. To SBS Indonesian Victoria revealed that 'no title' is based on her experience as an OCD person. She teams up with Bryan Cooper who performs her three characters. Victoria also discussed the development of characters and how Bryan Cooper negotiates the complex inner world of reality of OCD and of differing characters. Listen to SBS Indonesian every Monday, Wednesday, Friday, and Sunday at 3 pm. Follow us on Facebook and Instagram, and listen to our podcasts .
West Australian
17 hours ago
- West Australian
MITCHELL JOHNSON: Ben Stokes' warning to India about sledging should not scare Australia ahead of Ashes
There's noise coming out of England again. Apparently, they've decided that sledging is back in fashion. Harry Brook reckons it's fun not being 'nice guys' anymore. Ben Stokes is warning opponents — especially India — that if they dish it out, England will return fire. Good on them. But here's a bit of advice: be careful what you wish for. Ashes series are about mental edge, sure. There's always been chatter, always will be. But sledging without substance is like bowling bouncers with no pace — the batter just laughs at it. Right now, England sound like they're trying to sound intimidating rather than being intimidating. Let's not pretend Australia are choirboys. I had plenty to say when I played — and copped plenty back. But that came with purpose. Sledging only works when you're dominating. And to be honest, right now England aren't. They haven't won an Ashes series since in Australia since 2010-11. They still don't know what their best top six is. Their Bazball model has some punch, but it's flimsy when conditions swing or spin. So maybe talking tough is a cover. A bit of theatre while they figure out the actual cricket. Here's what England need to remember: the Ashes aren't won at press conferences. They're won in the heat. When the new ball is jagging around at the Gabba. When a Mitchell Starc inswinger nips past your front pad before you've even had a look. When a bloke like Josh Hazlewood bowls 25 overs on the same spot and you can't breathe. That's when the real battle starts, not in the media, not on social clips, but in those moments when the scoreboard pressure builds and the crowd is roaring. I actually love this from an Aussie point of view. Let England yap. Let them tell the world how hard they're going to be. All it does is give the Australians more fire. Trust me — if you try to poke the bear on our home turf, you'd better have the game to back it up. Because when the words dry up — and they will — it's all about execution. That's where Australia are so strong. Bowlers who do the job no matter the surface. Batters who absorb pressure and make you suffer. Fielders who don't give you an inch. That's real toughness. If England think sledging will rattle this Aussie side, they're living in dreamland. This is a team full of veterans who've seen it all — and young players who grew up in these conditions. You don't need to get personal. You just need to perform. In fact, the most painful thing you can do to a team that's chirping is shut them up with cricket. Silence is the loudest response there is. While Australia might be at their most vulnerable in years with this current batting line-up — a few question marks at the top, the middle still rebuilding — they're still incredibly hard to beat at home. Always have been. Conditions, crowds, our bowlers — they all make life hell for touring teams. Especially ones coming in swinging wildly with the bat and the tongue. Let's not forget what happened last time England came down under. All the chat, all the optimism, then bowled out for 147 in the first innings of the first Test and for just 68 in the Boxing Day Test a couple of weeks later. That was the sound of reality setting in. And no amount of sledging helped them then. I'm not saying Australia are immune to pressure. They're not. This Ashes series could be tight — maybe even a real scrap. But if England think mouthing off is the key to getting on top of us, they've already lost focus. So to England, I say: bring your best. Talk your talk. But when that first ball is bowled in Perth in November, you'll find out quickly what's real and what's just noise. Because in the Ashes, only one thing matters — and it's not the volume.
