Nigeria's Laos to host Rath Yatra
"The Rath Yatra celebration in Lagos reflects the Odia community's commitment to preserving its cultural traditions and values.
Tired of too many ads? go ad free now
With over 1,000 devotees expected to attend, the festival promises to be a vibrant and joyous occasion, filled with music, dance, and spiritual fervour," said Prasant Das, President of OSAN.
Following the Rath Yatra on June 27, OSAN will mark Bahuda Yatra on July 5, which symbolises Lord Jagannath's return to the main temple. This festival is an integral part of the Rath Yatra celebration and is eagerly awaited by devotees.
"I invite all devotees to participate in the Rath Yatra celebration in Lagos and receive the blessings of Lord Jagannath.
We look forward to a grand celebration that will bring the community together in a spirit of devotion and joy," added Das.
Rath Yatra is a revered festival that commemorates Lord Jagannath's sacred journey to Gundicha Temple, symbolizing the triumph of good over evil. The festival is a celebration of devotion, community, and cultural heritage, bringing together people from all walks of life.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Time of India
16 hours ago
- Time of India
Odia film Lahari selected for screening at IFFM 2025
Bhubaneswar: Odia film 'Lahari' has been selected for screening at the prestigious Indian Film Festival of Melbourne (IFFM) 2025. The festival, now in its 16th edition, will be held next month in Australia. Tired of too many ads? go ad free now Celebrated for showcasing the diversity and cultural richness of Indian cinema, IFFM provides a global platform for regional films to connect with international audiences. "It's a great feeling to have the film selected for IFFM, more so because not many of my movies have reached viewers in Australia. I have been closely following the festival for years and it has a great reputation worldwide. I hope Lahari will strike the right chord with those attending the festival," Amartya Bhattacharya, the film's director and writer, said. The coming of age film, which follows the lives of the central characters as they navigate the complexities of relationships, personal growth and the challenges of life in a rapidly changing world, was produced by Jhilik Bhattacharjee. The cast includes Choudhury Jayaprakash Das, Choudhury Bikash Das, Dipanwit Dashmohapatra, Smruti Ranjan Mahala (child artist), Susant Misra, Swastik Choudhury and Zeinab Doer, alongside a range of prominent names from the Odia film industry. The film's music has been composed by Kisaloy Roy, while sound design has been helmed by Anindit Roy and Adeep Singh Manki. Actor Dipanwit Dashmohapatra said, "From Odisha's rivers to Melbourne's shores, Lahari now flows with the tides of world cinema. Honoured to be part of this journey where our stories find new skies to echo under."
The Hindu
a day ago
- The Hindu
Dhan celebrates 11 years of ‘Namathu Mannvasam' magazine
Dhan Foundation in Madurai celebrated the 11th anniversary of their monthly Tamil magazine – 'Namathu Mannvasam' – here on Monday. The magazine, retaining its unique identity, has kept up with its promise of promoting mostly new women writers and readers, said M.P. Vasimalai, Executive Director of Dhan Foundation. As reading habit among students has gradually diminished, the magazine should produce engaging contents based on Tamil literature found only in bits and pieces in school syllabuses, he added. When some of the important and essential Tamil literatures were present just as stand-alone poems in subject books, the students would barely think of reaching out to the whole work of literature, Mr. Vasimalai stated. 'By producing content in the form of story reading, the students, who are the target readers, could be largely engaged,' he added. Further, speaking about the magazine's novel effort, he said that the writers who contributed to the magazine were mostly ground-level workers. Through this, the magazine has proved that it could sustain the content that comes organically from working class people, he added. Appreciating the tremendous hard work behind every published magazine, he said that publishing houses should also consider coming up with at least five translated works of writers which have hardly reached the public. Madhan Kumar, of Padiparivu Pathipagam, said the magazine which was being published in Tamil, Kannada and Marathi, is to be expanded to other languages like Odia and Telugu. 'As a uniqueness of the magazine, of the 500 writers, 200 of them were women. Also, every year's March month edition would be a by-women and for-women edition,' he noted. Adhering to the famous philosopher Antonio Gramsci's perspective about organic intellectual, he said, 'The magazine runs solely on the organic intellectuals - women writers also the field workers.' Magazine's editor B. Thirumalai recalling the efforts of the magazine to continue its work during Covid-19 pandemic, said that even the mainstream magazines could not sustain during the critical few months of the pandemic. 'It was possible because of the readers who pushed us to expand our horizons out of our comfort zones,' he added. Now, the aim of the magazine would be reaching 50,000 copies from the current 25,000 copies and their work in the following days would be towards that, he said. During the event, a compilation of the 12 magazines was released.
Time of India
2 days ago
- Time of India
‘Sarzameen' actor Prithviraj Sukumaran predicts a pan-India breakthrough from
Prithviraj Sukumaran the 'Sarzameen' actor and distributor of the 'Kantara' film in Kerala believes the era of pan-India blockbusters is primed for deeper disruption. While the mainstream narrative has largely revolved around films made in Hindi, Tamil, Telugu, Kannada, or Malayalam, cinema across other regions is steadily gaining creative and cultural momentum. Beyond dominant film industries In conversation with Nayandeep Rakshith, Prithviraj was asked whether a future collaboration that truly unifies India's linguistic cinemas is possible. He offered a confident prediction: the next major pan-Indian phenomenon might arise from a lesser-highlighted industry. He posited that Odia cinema might be the darkhorse to create the next big pan-Indian hit, pointing out how surprises often come from the unlikeliest, and oftentimes most overlooked, places. As regional content continues to stretch across borders and formats, Sukumaran's optimism adds to the reality that smaller cinemas and industries could potentially be the front-runners of the next phase in pan-Indian storytelling. Kannada cinema 's sleeper success sets precedent for unexpected breakthroughs Prithviraj Sukumaran reflected on the phenomenon of Kantara's upward trajectory, and he pointed out how no one — not even the filmmakers — considered it as a pan-India film. He said that a decade ago, one could scarcely have pictured a pan-India phenomenon coming from a relatively newer Kannada director and actor. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Citadel by Mahindra – Homes with a Modern Edge Mahindra Citadel Enquire Now Undo Prithviraj said that Hombale Films initially thought of 'Kantara' as a little regional release, and at the time they thought the film wouldn't go much further than that stage, and thought their audience was going to be predominantly regional in nature. Since there was no Malayalam film back then, he took the liberty of distributing the original Kannada version in Kerala and expanded its reach. Further, Prithviraj Sukumaran recalled that he initially released Kantara's Kannada version in just eight theatres across Kerala. Due to the massive reaction from local audiences, he contacted Rishab Shetty, asking for a quick Malayalam dub. In about a week or so the dubbed version was ready, which took the film's reach even further. In reflecting on this surprising journey Prithviraj remarked that the next pan-India success story might come from Odia or Bhojpuri industries. From regional recognition to national stardom—how one film changed the game Before the massive success of 'Kantara,' Rishab Shetty was known primarily for his National Award-winning directorial, 'Sarkari Hiriya Prathamika Shaale Kasaragode.' As an actor, he had only three titles to his name, 'Bell Bottom,' 'Hero,' and 'Harikathe Alla Girikathe' none of which had marked significant box office success. He wasn't yet seen as a dependable name in terms of commercial returns. Everything changed with 'Kantara.' Released with modest expectations, the film was initially positioned by Hombale Films as a grounded narrative, a true 'namma mannina kathe'. But its resonance with audiences across regions quickly transformed it into a cultural phenomenon, propelling Rishab into a new league of pan-India recognition. The creators of 'Kantara: Chapter 1' are preparing for the formal release date of October 2, 2025. A few days ago, they confirmed principal photography is officially complete. Sources at OTTplay state Rishab Shetty is currently in post-production, working to make a determination on whether to deliver the film in theatres on schedule.
