He created the beloved Kobe and Gianna Bryant mural. L.A. taggers keep defacing it. ‘It hurts me'

Los Angeles Times

26-06-2025

Weathered and bumpy, the wall hidden among the surplus clothing stores of the Fashion District was hardly the perfect canvas.
But artist Sloe Motions' vision for the memorial mural in honor of Kobe Bryant and his daughter Gianna following their deaths in 2020 brought the stretch of Main and 14th streets to life with vibrant hues of purple and gold.
One of the most well-known Kobe murals across Southern California, the art piece — outside Jimmy Jam T-Shirts — was the backdrop for a commercial for Super Bowl LVI featuring Vanessa Bryant and has drawn fans from near and far.
For years, the mural remained untouched — an unspoken mark of respect for the artist and the subject but one that abruptly ended this year.
In late March, someone tagged the artwork with large bubble letters outlined in black and filled in with white — a similar style to other street tagging visible across the city.
Sloe Motions went back to work, painstakingly restoring the mural. There was much fanfare in downtown when the new mural made its debut in late May. But within a few days, it was again defaced. The artist is disappointed but vows to restore it once again — this time in a new location.
'This one has a lot of meaning to it, so it hurts me that people would do something like this where they're disrespecting the Bryant family. It just exposes these people's demons,' Sloe Motions said.
Graffiti has long been an element of Los Angeles life, and residents of downtown are used to tags as part of the landscape. This is, after all, the place where taggers coated the unfinished Oceanwide Plaza high-rise complex with graffiti, generating international attention and debate about the line between art and vandalism.
But the treatment of the Kobe tribute surprised Sloe Motions.
'This isn't just another Kobe mural. It's a memorial,' he said.
Street art has long been a part of the culture of Los Angeles, where murals — sanctioned and unsanctioned — and graffiti harmoniously share canvas space. Some abide by the unwritten code that you don't cover someone else's art. Others take a more autonomous approach, creating what they want where they want.
'Great cities have great public art,' said Wyland, a Laguna Beach-based artist who has painted murals across the world. 'This Kobe mural, it's become part of the fabric of Los Angeles. And for someone to come in and destroy it like that doesn't make any sense.'
Los Angeles is known as a city of murals — some of which remain respectfully untouched for years, while others like the Kobe memorial are a seemingly irresistible target for taggers. There was a time when some property owners believed hiring the right muralist to grace your walls — or including a portrait of the Virgen de Guadalupe — could keep taggers away. But not anymore.
In many ways downtown Los Angeles is the perfect gallery for viewing street art, turning nondescript buildings into colorful canvases that tell the story of the region.
Ife Ewing, co-owner of Jimmy Jam T-Shirts, says street art has changed in the 13 years her business has been housed on Main Street.
'Before, it was isolated to designated areas,' she said. 'It's a different breed of artists now. They have no respect for business owners, property owners. It's disrespectful. You have to call it what it is, it's just disrespect.'
Sloe Motions is far from the only muralist to feel burned.
Judy Baca's famed mural of a female Olympic runner is beloved, even though it has been hit by taggers in the past. Then in 2019, the mural — part of the 1984 Olympics art movement — was mysterious whitewashed, sparking outrage. Metro eventually admitted one of its graffiti abatement contractors had covered the mural and vowed to restore it.
'They would rather paint on the mural than see even a mark of graffiti on the mural,' Baca said at the time.
The latest vandalism to Bryant's mural felt like another blow to the area.
A post on June 3 from the DTLA Insider Instagram account summed up the situation simply: 'We really can't have nice things.'
The mural image is a spin on a photograph capturing a sweet moment during the 2008 NBA Finals when the Lakers legend — a proud 'girl dad' — leans down and kisses the side of his smiling toddler's head as he cradles her in his arm during a news conference.
Sloe Motions was drawn to the emotion in the photograph — the purity of a father's love and a daughter's admiration for her hero. It was captured years before Gigi started playing basketball, showing off her own version of her dad's envied fadeaway jumper.
Next to them, the words 'Mambas Forever' with an infinity symbol are painted in purple and gold.
Bryant, 41, and 13-year-old Gigi, along with seven others — John Altobelli, 56; Keri Altobelli, 46; Alyssa Altobelli, 13; Christina Mauser, 38, Sarah Chester, 45; Payton Chester, 13; and pilot Ara Zobayan, 50 — died Jan. 26, 2020, when the helicopter Zobayan was flying crashed in the hills of Calabasas.
After the initial vandalism in late March, Sloe Motions had sought donations to help cover the cost of restoring the mural in the current location, hoping to preserve the spot for the Bryant family.
'There's just a lot of meaning at that wall,' he said.
Lakers star Luka Doncic's foundation quickly jumped into action, donating $5,000, the full amount needed, to a fundraiser to help restore the art piece.
In late May, Sloe Motions posted on Instagram that the mural was finally finished. He'd added a few additional touches, painting the No. 8 on Gigi's jersey, an homage to the number that Kobe wore for the first 10 seasons of his career.
A week later, the new details were still visible but under the scrawl of white paint.
On June 4, television news cameras were positioned near the mural, and passersby stopped to assess the damage. A jumble of bright white paint cut across the image, and heavy white dots covered Kobe's and Gigi's eyes.
'This time, they really went heavy,' Sergio Bautista, 35, said as he stood in front of the mural. 'It's sad to see.'
Sky Hendrix, who was in the area filming a music video with a friend, expressed his disbelief.
'That's disrespecting the dead,' Hendrix said as he took in the scene. 'Who would do that? He's the GOAT and she's just a little girl.'
Despite the vandalism, Sloe Motions showed no real sign of anger as he talked about the future of the art piece somewhere else where more people could view and appreciate it. He said he sent 'prayers' to the people who vandalized his work.
'Nothing's forever, and that's the beauty of this stuff,' Sloe Motions said. 'Some stuff could last a minute, some stuff could last a day, some stuff could last years.'
Times photographer Genaro Molina contributed to this report.