
'This is insane': Nora Fatehi makes Ciara do that ‘impossible' Saki Saki hookstep, fans can't keep calm. Watch
Nora recently posted a video of her and Ciara, who is known for international hits like Goodies, Level Up and Love Sex Magic to name a few. In the caption accompanying the video, Nora wrote, 'So I just got my girl @ciara doing the iconic Saki Saki hook step.. this is Insane. She's such a fun beautiful soul! Can't wait to jam with u again. Guys should we drop a Song together next? #dancewithnora."
Nora can be seen wearing a grey halter neck top with jeans and heels while Ciara wore an all black attire. Watch the video here.
A post shared by Nora Fatehi (@norafatehi)
The fans from all corners of the world were thrilled to see popstar Ciara do a Bollywood song's hook step. One fan wrote, "This is insane omfg! Two literal queens! We definitely need the behind the scenes of this cause omg so good! Can't wait to see you guys work together in future."
Another fan could not keep calm as she wrote, "Iconic (fire emojis). Love everything about this duo." A third comment demanded for a collab, "Omgggg I want a collabbbbb (sic)."
One social media user wrote, "Two queens breaking the internet! Now just drop the song together girls".
Fans couldn't believe Nora dancing in heels and wrote, "In the Louboutins Is Diabolical (sic)". "How do you dance like those in those heels !! It's unbelievable (sic)"
Nora Fatehi is on a international career high. She recently attended the American Music Awards 2025 in Las Vegas. The Canadian actor-singer of Moroccan origin walked the red carpet in a glamorous leopard print midriff-baring dress. The 33-year-old star attended the award ceremoney weeks after the success of her latest single Snake with Jason Derulo. The track topped the BBC Asian Music charts and amassed over 130 million views.

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Indian Express
22 minutes ago
- Indian Express
Love Island effect: The unrealistic beauty and dating standards of reality TV
Love Island USA wrapped up its latest season earlier this month. Like its previous renditions, Season 7 moved just as relentlessly. Within seven days, Huda (Mustafa) and Jeremiah (Brown) had already coupled up, shared a bed, and were even talking about moving in together. At some point, Huda revealed to a fellow contestant, Nic (Vansteenberghe), that she was a mom. Nic called her 'Mamacita,' then asked in all naivety, 'Mom of what — a dog?' It was awkward, a little ridiculous, and instantly everywhere. Even if you have never watched a full episode of Love Island, you would have seen the clips. Whether it's through Instagram reels, reaction clips, or memes in group chats, the show finds a way to reach you. The structure is simple. Gather a group of beautiful people, place them in a luxury villa, and see who couples up. They share beds within days, while producers introduce new contestants to test their loyalty. The public votes on who stays, and by the end of six weeks, they are expected to form serious relationships or at least make it look like they have. The pace stays intense, and the connections are shaped more by the demands of the format than by the people themselves. For teenagers like me, these shows often become unwitting blueprints for how we begin to understand relationships. The stories unfold at triple speed, with perfect lighting and carefully edited reactions, building a version of romance that focuses more on momentum than on connection. Slow or uncertain beginnings start to feel like 'red flags', and not being chosen can feel less like part of a show and more like a sign that you weren't worth picking in the first place. The show is built around the thrill of being desired. Getting chosen becomes the prize. That logic does not stay inside the villa. It follows us home. Over time, it becomes all too easy to associate love exclusively with sculpted abs, flawless skin, and bleached teeth. During the 2021 season of Love Island UK, Google searches for lip fillers rose by 49 per cent, searches for liposuction increased by 33 per cent, and mentions of Botox went up by 82 per cent. This growing trend of body dissatisfaction and desire for cosmetic procedures even earned the name 'the Love Island effect', driven by the show's promotion of narrow beauty standards. According to a 2018 poll by the UK-based YouGov research firm, two in five women aged 18 to 34 who watched the show said they felt more self-conscious about their bodies and appearance after viewing it. Additional research from the feminist group Level Up found that nearly a third of viewers had considered dieting to lose weight. One in five viewers said they would whiten their teeth, and more than one in ten were more likely to consider getting lip fillers. The contestants may change every season, but the body types stay the same. This constant repetition of a single body type shapes how we see ourselves, especially as teenagers still learning to navigate identity and self-worth. When shows continually reward the same physical features, they reinforce the idea that desirability depends on conforming to a narrow and often artificial standard. The more we see that version of beauty celebrated on screen, the more we internalise it as the only way to be wanted. It begins to distort how we relate to our bodies, how we measure ourselves against others, and what we come to expect from romantic attention. Beauty starts to feel less like something personal and more like a checklist, one that is difficult to reach and even harder to maintain. This does not mean Love Island should be cancelled. It's fun, no doubt. But just because something is entertaining doesn't mean it is harmless. Season 7 of Love Island USA became the most-watched original season of television on the streaming platform Peacock. It even had a huge social media presence, racking up 1.7 billion video views and impressions on Peacock-owned social channels. Research into past viewership shows that Love Island, a franchise that has existed since 2015 across countries, attracts a large audience aged between 16 and 24, a highly impressionable group. In 2019, the BBC reported that children as young as eight were also watching the programme, even though it aired after the 9 pm slot in the UK. Arguably, the show's reach makes it a prevailing cultural phenomenon. Then there are spin-offs like Netflix's Too Hot to Handle or Perfect Match that follow similar formats. These shows shape how we think about intimacy, about bodies, about each other. Recognising that influence does not ruin the experience; it simply makes space for reflection. 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At the very least, we should be aware of what we are watching and what it's asking us to believe. The writer is a student in Mumbai


Hindustan Times
2 hours ago
- Hindustan Times
Tom Lehrer, musical satirist and math prodigy, dead at 97
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Pink Villa
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Superman hits USD 500 million at worldwide box office, James Gunn's directorial on track to surpass Zack Snyder's Man of Steel globally
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