
Fujifilm's Instax Mini 41 Is a Stylish and Capable Instant Camera
The latest in Fujifilm's Instax line is the new Instax Mini 41, a budget option like the very popular Mini 12, but with a more retro, camera-like design. It lacks the manual controls that photographers might want, but it's simple and fun in a way that more capable cameras often aren't.
Photograph: Scott Gilbertson A Firm Grip
The Mini 41 is a very plastic camera, though it doesn't look like it. The design makes it look a little like Fujifilm's insanely popular X100VI. Once you pick up the Mini 41, however, the plastic really comes out. It feels like an Instax Mini 12 in a different suit of clothes. This is both good and bad. It's good in that the simplicity and automation remain, but it's not so good in that the plasticky vibes are strong. This is definitely not the Mini 99.
The Mini 12 comes in at $80, the Mini 99 is $200, and the Mini 41 arrives at $129. Why spend more than $80 for nearly the same features? Essentially, you get a camera that looks more like a 'camera.' It still has the same fully automatic features of the Mini 12, (including some not-so-good features, like the automated flash that occasionally washes out photos in bright daylight), but it doesn't have the bubbly cartoonish design of the Mini 12.
Photograph: Fujifilm

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Engadget
6 days ago
- Engadget
Hundreds of Brother printer models have security flaw that can't be patched
A security company has found eight security vulnerabilities that impact hundreds of Brother printer models. The company has released firmware updates to handle seven of these vulnerabilities, but one security flaw cannot be patched. Brother has indicated that it'll fix the remaining issue during the manufacturing process of future printers, which doesn't help current owners. The company recommends that users change the default main password. Otherwise, bad actors could remotely access impacted devices. Though primarily impacting around 700 Brother printers, 59 units manufactured by Fujifilm, Toshiba, Ricoh and Konica Minolta are also at risk. To view this content, you'll need to update your privacy settings. Please click here and view the "Content and social-media partners" setting to do so. — Rapid7 (@rapid7) June 25, 2025 The security flaw is called CVE-2024-51978 in the National Vulnerability Database, and has a 9.8 'Critical' CVSS rating . Simply put, attackers could generate the default admin password so long as they know the serial number of the printer. Once this has been done, bad actors would be able to exploit the other seven vulnerabilities if the user didn't patch them up. These remaining flaws allow hackers to retrieve sensitive information, crash the device, open TCP connections, perform HTTP requests and reveal passwords for connected networks. So what should you do? Check this list of impacted printers to see if you're at risk . Most importantly, change the default password.


The Verge
6 days ago
- The Verge
Hundreds of Brother printer models have an unpatchable security flaw
Serious security flaws have been found in hundreds of Brother printer models that could allow attackers to remotely access devices that are still using default passwords. Eight new vulnerabilities, one of which cannot be fixed by patching the firmware, were discovered in 689 kinds of Brother home and enterprise printers by security company Rapid7. The flaws also impact 59 printer models from Fujifilm, Toshiba, Ricoh, and Konica Minolta, but not every vulnerability is found on every printer model. If you own a Brother printer, you can check to see if your model is affected here. The most serious security flaw, tracked under CVE-2024-51978 in the National Vulnerability Database, has a 9.8 'Critical' CVSS rating and allows attackers to generate the device's default admin password if they know the serial number of the printer they're targeting. This allows attackers to exploit the other seven vulnerabilities discovered by Rapid7, which include retrieving sensitive information, crashing the device, opening TCP connections, performing arbitrary HTTP requests, and exposing passwords for connected network services. While seven of these security flaws can be fixed via firmware updates detailed in Rapid7's report, Brother indicated to the company that CVE-2024-51978 itself 'cannot be fully remediated in firmware,' and will be fixed via a change to the manufacturing process for future versions of affected printer models. For current models, Brother recommends that users change the default admin password for their printer via the device's Web-Based Management menu Changing default manufacturing passwords is something we should all be doing when we take a new device home anyway, and these printer vulnerabilities are a good example as to why.


Tom's Guide
23-06-2025
- Tom's Guide
The Fujifilm X-E5 is coming soon — here are the first 5 lenses I would buy
The new Fujifilm X-E5 has caused quite an uproar. It's the latest addition to Fuji's X-E lineup and it succeeds the X-E4. Featuring a 40MP sensor, X-Trans CMOS 5 processor, a film simulation dial, a flip-up screen and more, it hopes to be the ultimate compact camera for travel and street photography. While I'm not fully convinced by the camera yet and much prefer the Fujifilm X-T50, that could change and who knows, I may want an X-E5 someday. And if that day does come, I ask myself, "Which lenses would I buy for it?" Like I said, it's a street camera so the lenses would need to be not too bulky. I like the look of the new XF 23mm F2.8 R WR pancake lens but I'd like a couple other lenses alongside it. Glass is, of course, very expensive so if I was buying the X-E5, I'd be picky and get these five lenses first. The best way I'd describe the Fujinon XF 16-50mm F2.8-4.8 R LM WR is by saying it's a do-anything lens. It originally launched as the Fujifilm X-T50's kit lens and it pairs extremely well with the camera. Considering the Fujifilm X-E5 has the same 40.2MP sensor as the X-T50, I'm certain it would do wonders when paired with Fuji's latest camera. It's a general purpose zoom lens suitable for landscapes, architecture, street, travel, thanks to its 16-50mm variable focal length. It's weather-sealed so it can be used in nearly any environment, it's built extremely well and it looks premium. Originally launched as the Fujifilm X-T50's kit lens, the XF 16-50mm is a lens that can do everything: landscapes, architecture, street, you name it. Its autofocus is quick and fantastic, and the photos come out sharp too. The f/2.8 aperture also means that the lens performs fairly well in dimly lit environments and can generate a pleasantly out of focus background. The lens is quick to focus and the photos it takes are extremely sharp. The one thing missing from it is Optical Image Stabilization (OIS) but most of Fuji's latest cameras come equipped with in-body image stabilization (IBIS) these days, including the X-E5, so you won't miss it as much. Above is a sample gallery of the photos I took on the X-T50 with the XF 16-50mm lens. These are also some of my favorite photos I've ever taken, and if the lens is paired with the X-E5, I'm sure I'd taken even more that I'd deem my favorites too. The Fujinon XF 16-50mm F2.8-4.8 R LM WR lens is available for $699 / £599 at Amazon. Fujifilm's new XF 23mm pancake lens is designed for street photography, yes, but if I had to pick another, I'd choose the XF 35mm F2 R WR to pair with the Fujifilm X-E5. 35mm is the ideal focal length for street photography on APS-C cameras, equating to a field of view equivalent to 52mm on a full frame camera — this is called a 'standard' field of view, and makes for a great all-purpose prime lens, not just street. Tom's Guide's senior cameras and reviews editor, Pete Wolinski, recommends this as the first prime lens any Fuji shooter should buy: "Sharp, small, lightweight, with a fairly wide f/2 maximum aperture, this 35mm should be top on every new Fuji shooter's buy list. It's a brilliant general purpose lens, which I use for everything, from street to architecture and even product photography. Make sure you get one of those crushed can lens hoods for it, too — for the classic Fuji look." The XF 35mm F2 R WR is a great alternative to Fuji's new 23mm pancake lens when it comes to shooting the streets. It's sharp and quick to focus (0.08s, according to Fujifilm), and its 35mm focal length makes it a great all-purpose prime lens, not just for street. Even at its widest f/2 aperture, the XF 35mm lens makes photos appear super sharp, and autofocus is quiet and fast, so I'll be able to quickly focus on passersby when I'm out and about. Fuji claims that the lens boasts the fastest autofocus of 0.08 sec, and boy would I love to try that out. What's more, the XF 35mm lens' compact size sells it to me. Also, being weather-sealed, this is the one for street photography. The Fujinon XF 35mm F2 R WR is available for $399 / £335 at Amazon. Next, I'd want a wide-angle lens to shoot landscapes. I frequently travel to the Peak District National Park up north in the U.K. and am often going on long walks with stunning vistas at the end. I'd like an ultra-wide-angle lens to photograph them, and I can't think of one better than the Fujifilm Fujinon XF 14mm F2.8 R. The lens, with its 14mm focal length, would enable me to fit a lot into the frame. It can also focus down to as close as 0.18m, so I'd be able to get really close to subjects while retaining a lot of the frame behind them. I asked the Tom's Guide senior editor, Pete Wolinski, about this lens, as he owned it for architecture photography. Here's what he had to say: "This lens is kinda unbelievable. It's a wide angle lens, but absolutely dead straight, with very little barrel distortion. For stills shooters snapping architecture, landscapes or sweeping vistas, this is the best Fuji wide angle prime, in my opinion. It's old now, though, meaning it's slow focusing compared to Fuji's newer lenses, and it's a noisy one, so not great for video. For stills, though, that's no so important. This is a really lovable lens." The XF 14mm F2.8 R is an ultra-wide-angle lens for shooting landscapes and architecture and capturing a lot of the scene in frame. It's compact and lightweight too, perfect for pairing with the new Fujifilm X-E5. Despite its wide angle, this lens is outrageously straight with almost no barrel distortion and high levels of sharpness. I also like that the XF 14mm lens is compact and lightweight, so it wouldn't add too much bulk to the also-compact X-E5. And from what I've seen, it looks super easy to use, thanks to focusing distances and a depth-of-field scale etched on to the lens barrel. The latter should come in handy to pre-focus at a certain distance when capturing, say, street images. The Fujinon XF 14mm F2.8 R is available for $899 / £349 at Amazon. The Fujifilm X-E5 is equipped with vlogging and video capabilities as it can record 6.2K/30p video. I'm not usually a vlogger or videographer but if I can afford it, I may as well get a lens for some video work, right? How about the XF 16-80mm F4 R OIS WR? That's my choice, for now at least. Here's what our camera's editor Pete Wolinski had to say about this lens: "Ah, the Fujinon 16-80mm. Quite a divisive lens, and not one that I've owned personally, although this lens is often sent to us for testing Fuji cameras, so I've used it a lot. Now, the XF16-55mm f/2.8 lens is the better lens for video, given its wider constant f/2.8 maximum aperture and sharper optics. However, that lens costs a lot more. The 16-80mm F4 is still a decent lens for video, especially as a first video lens, with a wide focal range equating to 120mm full frame equivalent at the top end. The lens is relatively sharp and it features OIS, another boon for video, as combined with the X-E5's IBIS, you'll have lots of stabilization to keep handheld video stable." The XF 16-80mm F4 R OIS WR is a great first lens for video work, and it would pair extremely well with the Fujifilm X-E5. Although a little bulkier than the other two lenses on the list, I'd still like to have this lens in my gear bag. It's quite chunky, so may be a bit cumbersome when mounted on the X-E5, and I wouldn't think of going for a bigger lens than this. To me, it sounds like a great lens for video because of the constant f/4 aperture as it would let me maintain a consistent depth of field throughout the zoom range, allowing for more predictable and cinematic results. The lens is also equipped with OIS and autofocus is fast and silent. The Fujinon XF 16-80mm F4 R OIS WR is available for $799 / £539 at Amazon. I'm a sucker for a good portraiture lens. Every time I test a camera, I love taking photos of the people I love, which means I'm always bothering my partner (and she happily complies). This is why I'd get the Fujinon XF 50mm F1.0 R WR for portraits. The reason lies in its f/1.0 aperture, which is the widest available on any Fuji XF lens. With a very wide f/1.0 aperture, the Fujinon XF 50mm F1.0 R WR creates lovely, creamy background bokeh, making the subject stand out. It's also compact and lightweight enough to pair well with the Fujifilm X-E5. The wide aperture would allow me to create an extremely shallow depth of field, which would make the subject pop while creating a beautifully blurred background bokeh. While the edges of the frame may be slightly softer, I'd like my primary subject in the centre to be sharp, and that's what this lens would do. The lens is also weather-resistant, perfect for outdoor portraits. The Fujinon XF 50mm F1.0 R WR is available for $1,499 at Amazon U.S. / £1,499 at Fujifilm U.K.