logo
Kiss cam ‘mistress' Kristin Cabot's ties to ‘US royalty' after she married into dynasty so rich they ‘speak only to God'

Kiss cam ‘mistress' Kristin Cabot's ties to ‘US royalty' after she married into dynasty so rich they ‘speak only to God'

The Irish Sun7 days ago
KRISTIN Cabot, the alleged mistress at the centre of the Coldplay kiss cam scandal, has ties to a family so rich they're considered royalty in the US.
The HR chief,
Advertisement
8
Kristin Cabot pictured with Andrew Cabot
Credit: Facebook
8
The moment Astronomer CEO Andy Byron and Chief People Officer Cabot appeared on Coldplay's 'kiss cam'
8
Kristin Cabot is Astronomer's Chief People Officer
Credit: Linkedin
The Cabots are known in Boston lore as so highborn they "speak only to God", the
Social media posts and property records indicate Cabot is married to Andrew Cabot, sixth-generation heir to the Privateer Rum fortune.
His family lineage stretches back ten generations in New England and includes privateers, industrial titans, and merchant traders who helped shape American aristocracy.
The Cabots are one of Boston's original "Brahmin" families - a blue-blooded elite so powerful that even the Kennedy clan was considered too new-money to join their ranks.
Advertisement
Read more on Coldplay scandal
A poem still recited in New England society circles famously sums it up: 'And this is good old Boston, the home of the bean and the cod, where the Lowells talk only to Cabots, and the Cabots talk only to God.'
The family made its fortune in "carbon black" - soot used in car tires - and held vast holdings in Cabot Corporation.
A
Their empire has included chemicals, paint, gas, and rum — with prestigious institutions like Harvard and MIT among their charitable beneficiaries.
Advertisement
Most read in The US Sun
Exclusive
Kristin Cabot, who once served as an 'advisory board member' for Privateer Rum, and Andrew Cabot recently purchased a $2.2 million home on the New Hampshire coast, according to property filings.
This appears to be the second marriage for both — Kristin's prior divorce was finalised in 2022, the New York Post reports.
New vid shows CEO Andy Byron and HR chief kissing & cuddling BEFORE awkward kiss cam moment at Coldplay gig
Property records obtained by the
from earlier this year list the couple as "husband and wife".
But h
er wedding ring was not visible during the Coldplay concert.
Advertisement
The scandal exploded after Cabot and Byron were caught canoodling on the stadium's giant screen in front of thousands of Coldplay fans at their gig in Boston.
As frontman Chris Martin cheekily joked "They're either having an affair… or they're very shy," Byron ducked behind a barrier and Cabot quickly shielded her face.
As he caught view of himself,
Martin added, laughing nervously:
Advertisement
A night later,
on the kiss cam after accidentally catching the tech boss allegedly cheating with his HR chief.
Byron has since resigned from Astronomer - an AI company valued at over $1.3billion - just days later.
In a statement announcing his departure, the firm said: 'Our leaders are expected to set the standard… and recently, that standard was not met.'
Advertisement
8
A video obtained by TMZ appears to show the pair kissing (centre) during Coldplay's concert
Credit: TMZ
8
The moment Chris Martin spots the alleged affair on the kiss cam
Credit: @calebu2/TMX
8
Mr Byron dived to hide behind the barrier while Cabot turned and covered her face
Credit: tiktok/instaagraace
Cabot, listed as Chief People Officer, was placed on leave.
Advertisement
Before the viral moment,
Cabot previously boasted on her LinkedIn profile that she
According to Axios, both execs were being investigated internally, and
Cofounder and Chief Product Officer Pete DeJoy
Advertisement
Meanwhile, Byron's wife, Megan Kerrigan Byron, has
The chaos has rippled through Astronomer, with
'Group chats were blowing up,' one former colleague told the New York Post.
'People were laughing their a** off.'
Advertisement
The executive was described as a 'sales-obsessed' leader with a reportedly 'toxic' management style.
Social media has also been flooded with memes and
A fake post attributed to Coldplay suggested they would introduce 'camera-free zones' for concertgoers with 'sidepieces.'
The
Advertisement
She said: 'I just thought I caught an interesting reaction to the kiss cam and decided to post it. A part of me feels bad… but, play stupid games, win stupid prizes.'
8
Andy Byron resigned from his CEO post after working at the tech firm for more than two years
Credit: LinkedIn
8
Byron (Green sweater) pictured with Cabot (Right)
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Trump's deal with Europe sucks for Ireland and what the EU is importing
Trump's deal with Europe sucks for Ireland and what the EU is importing

Irish Daily Mirror

timean hour ago

  • Irish Daily Mirror

Trump's deal with Europe sucks for Ireland and what the EU is importing

Europe is poised to embrace a surge of American vehicles and energy following Brussels securing an eleventh-hour trade agreement with Donald Trump, barely averting a transatlantic trade war. The pact, revealed on Sunday, means the European Union will now encounter a uniform 15 per cent levy on exports to the United States—cutting in half the 30 per cent rate previously threatened by the former president. In return, Mr Trump stated the EU had consented to eliminate tariffs completely on US goods entering the bloc. Nevertheless, in stark contrast to the EU's negotiations with the UK over Brexit, where complex matters such as implementing trade obstacles across the Irish Sea arose, this time Ireland's interests appear to have been relegated to the lower end of the bloc's priorities. How significant is Trump's agreement with Europe? Under the arrangement, the EU will purchase $750bn (£558bn) of energy from the United States and pledge an additional $600bn in investments into the world's largest economy. "We are agreeing that the tariff straight across for automobiles and everything else will be a tariff of 15pc," said Mr Trump, who has consistently advocated for Europe to purchase more American oil and gas. "We have the opening up of all the European countries, which were essentially closed. You were not exactly taking our autos, you weren't exactly taking our agriculture. Now it is open. "It is open for our companies to go in and do a good job." Europe is set to welcome a wave of American cars and energy after Brussels clinched a deal (Image: Getty) Mr Trump stated the agreement would provide Europeans with enhanced access to US pickup trucks and SUVs, with commerce between the two economies now poised to grow. "They [Europe] are going to make a lot of money with this," he said. "I think everybody is. And it is going to bring a lot of unity and friendship." Financial markets have been rattled in recent months by Mr Trump's fluctuating trade policies, with the tariff standoff generating uncertainty for global investors and governments. What does Trump hope to achieve with his Europe trade deal? Ms von der Leyen said the objective of the agreement was to "rebalance" trade flows between the two sides. "The starting point was an imbalance, a surplus on our side and a deficit on the US side, and we wanted to rebalance that," she said. "We wanted to do it in a way that trade goes on between the two of us, across the Atlantic. "The two biggest economies should have good trade flowing: rebalance, but enable trade on both sides, which means good jobs on both sides of the Atlantic, which means prosperity on both sides of the Atlantic. That was important to us." The agreement excludes steel and aluminium, which will still face higher tariffs of 50 per cent when exported to the US. British exports of the same materials face a reduced tariff of 25 per cent. Bad for Ireland: drugs firms left out of deal This exclusion could prove a major blow to Ireland, which depends heavily on its pharmaceutical exports. "We have to have them made in the US," Mr Trump declared. "We want them made in the US. Pharmaceuticals are very special. "We can't be in a position where we are relying on other countries. Europe is going to make pharmaceuticals, drugs and everything else for us too, a lot, but we are going to make our own." The Irish government has voiced concerns that looming US tariffs could deal a major blow to the country's pharmaceutical sector, which employs around 45,000 people. Ministers are particularly worried about the impact on multinational drug companies based in Ireland, following signals from Washington that the pharmaceutical industry may be the next target in a broader trade clampdown. While the EU's new trade agreement with Donald Trump excluded pharmaceuticals from immediate tariff hikes, the US has made clear that it still plans to address the sector in separate talks. Claus Vistesen, from Pantheon Macroeconomics, stated that the agreed 15 per cent tariff was less severe than many feared, and unlikely to alarm financial markets-but he warned it would still dent both the EU and US economies. "Trump is finding a middle ground," Mr Vistesen commented. "He is still shooting himself in the foot. US consumers will pay higher prices, and growth in trading partners will be lower than it would have otherwise been."

Sam Gilliam: IMMA exhibition underlines impact of Irish visits on output of US artist
Sam Gilliam: IMMA exhibition underlines impact of Irish visits on output of US artist

Irish Examiner

time7 hours ago

  • Irish Examiner

Sam Gilliam: IMMA exhibition underlines impact of Irish visits on output of US artist

Sam Gilliam was an American abstract artist who revolutionised the display of work in gallery spaces. Draping unstretched canvases from the ceilings, and arranging industrial fabric on the floor, he blurred the line between painting and sculpture, and helped shape the development of installation art in the 1960s and '70s. Gilliam broke ground also by becoming the first African American artist to represent the United States at the Venice Biennale in 1972. By the time of his passing, aged 88, in June 2022, he had enjoyed any number of public commissions and major museum shows across the US. Although Gilliam is not as well-known on this side of the Atlantic, he visited Ireland in the early 1990s, and was greatly moved by the experience. His stay is commemorated in Sewing Fields, the new exhibition of his work curated by Mary Cremin and Seán Kissane at the Irish Museum of Modern Art in Kilmainham, Dublin. 'When we first started talking about this exhibition,' says Cremin, 'I met Gilliam's widow, Annie Gawlak. She came to IMMA and told us about how Gilliam had completed a three-week artist's residency at the Ballinglen Art Foundation in County Mayo in 1993. 'Gilliam normally worked on large canvases with petroleum paints, but he wasn't allowed to bring those paints on the plane, so he dyed and painted fabric and sent it on ahead to Ballinaglen. And when he got there, he worked with a local seamstress to collage pieces of the fabric together, so they're kind of stacked on top of each other. You'll see one of those pieces in the exhibition, it's part of a series of four called Cottages. I think the experience was quite transformative for him.' Gilliam was one of the many international artists who have spent time in Ballinaglen with the support of the arts foundation established in the early 1990s by Margo Dolan and the late Peter Maxwell, who owned a prestigious art gallery in Philadelphia. The foundation runs workshops, residencies and fellowships, along with education and outreach programmes and a museum of art. 'It's this amazing place in the middle of the village,' says Cork-born curator Cremin. 'People like Howardena Pindell, who we've shown at IMMA, and Jo Baer, who was very influenced by the archaeology in the area, have all done residencies there. It's very interesting that Ireland has had a real impact on these artists, and a real resonance with them in terms of art making.' Down Patricks-head, by Sam Gilliam. When Cremin began work on the Sewing Fields exhibition, she discovered that Gilliam had once shown in Dublin. 'In the early 1970s, he had a solo exhibition with a gallerist named Oliver Dowling, who passed away just last year. Dowling was a maverick, and quite an influential person within the arts in Ireland. He helped set up the ROSC exhibitions. But it was news both to Annie and to us that Gilliam had ever exhibited in Ireland. We don't think he came over for the opening, but everyone involved is dead now, so it's not possible to say for sure.' Gilliam was born in Tupelo, Mississippi in 1933. 'Growing up where he did,' says Cremin, 'where there's a massive cotton industry, he was probably seeing a lot of quilting and that type of making. We have an exhibition of quilts from Gee's Bend in Mississippi on at IMMA at the moment, and we know that Gilliam had several Gee's Bend quilts in his own art collection. There's a correlation between this idea of stitching and layering, telling narratives through the fabrics, that I think is referenced in his work as well.' In Gilliam's youth, his family migrated north. He studied art at the University of Louisville in Kentucky and then settled in Washington DC. 'He was part of the colour field movement, with people like Kenneth Noland. They made minimal abstract paintings. But later on, he made works that were much more three-dimensional, or sculptural, and he started really playing around with the paint, scraping, stitching and layering. There was really a lot of improvisation. 'He was very interested in jazz as well. Improvisation is very important in jazz, of course, but it's also very important to the kind of way he worked. There were no limitations in terms of how he worked with paint or with the canvas. He was very liberated.' Gilliam came of age during the Civil Rights Movement in America. 'That was, very obviously, hugely important to everyone,' says Cremin. 'And for Gilliam, being a black artist coming up at that time was a big deal, because it was predominantly white males in the art world. He wasn't making work that was overtly political, he was making art for art's sake. But that said, he was very involved in the establishment of the Studio Museum in Harlem, and he was part of a very important exhibition called X in America. 'And also, I guess he does engage politically, in that a lot of his paintings are called after significant black figures, like Martin Luther King. There's one piece in the exhibition here called Count On Us, which is this beautiful three-coloured canvas that's referencing when Obama was voted in as president. It was a very aspirational and very exciting time. So, he referenced politics in a different way.' Mary Cremin, curator. Sewing Fields was organised in collaboration with the Sam Gilliam Foundation, which is run by the late artist's family. 'Gilliam was very supportive of young black artists, and his foundation has continued that work,' says Cremin. 'They also collaborate on exhibitions such as this, ensuring that Gilliam's work is shown as he would have liked. Some of the work in Sewing Fields has never been shown before, and some of the technicians who'd been with Gilliam since the 1980s came over to help with the installation. 'It's only two years since Gilliam passed, but I guess it's important for his work to continue to grow, and for people to have an increased awareness around him. In terms of contemporary Ireland, this is not just the first time he's been shown here since the 1970s, it's his first museum show here as well. Many of these works have never been exhibited before, and many people are travelling over from America to see the show. It's really exciting for us.' Gilliam's time in Mayo may have been brief, but the landscape had a big influence on his work, says Cremin. 'Even towards the end of his life, he was making these really large paintings, with thick impasto, he called Downpatrick Head and Irish, County Mayo. As Annie says, he always referenced back to his time in Ireland.' Sam Gilliam, Sewing Fields runs at the Irish Museum of Modern Art until January 25, 2026. Further information:

Taoiseach welcomes trade deal between EU and US
Taoiseach welcomes trade deal between EU and US

Irish Daily Mirror

time7 hours ago

  • Irish Daily Mirror

Taoiseach welcomes trade deal between EU and US

Taoiseach Micheál Martin has welcomed a deal between the European Union and the United States, which will see a 15% tariff on most EU imports to the US. The deal was reached during a meeting between Donald Trump and the president of the European Commission on Sunday. The US president met European Commission President Ursula von der Leyen to hammer out the final details on the trading relationship between Europe and the US. Reacting to the deal, Mr Martin said the agreement was very welcome. 'It brings clarity and predictability to the trading relationship between the EU and the US – the biggest in the world,' the Fianna Fail leader said. 'That is good for businesses, investors and consumers. It will help protect many jobs in Ireland. 'The negotiations to get us to this point have been long and complex, and I would like to thank both teams for their patient work. 'We will now study the detail of what has been agreed, including its implications for businesses exporting from Ireland to the US, and for different sectors operating here. 'The agreement is a framework and there will be more detail to be fleshed out in the weeks and months ahead.' Mr Martin said the higher tariffs will have an impact on trade between the EU and the US, which will make it more expensive and more challenging. US President Donald Trump enjoyed a round of golf before his meeting with Ursula von der Leyen 'However, it also creates a new era of stability that can hopefully contribute to a growing and deepening relationship between the EU and the US, which is important not just for the EU and the US, but for the global economy,' he added. 'Given the very real risk that existed for escalation and for the imposition of punitively high tariffs, this news will be welcomed by many.' The deal was also welcomed by deputy Irish premier and Minister for Foreign Affairs and Trade Simon Harris, who said it brings clarity to businesses. 'While we have yet to see the detail, I welcome that an agreement has been announced by Commission President von der Leyen and US President Trump,' Mr Harris said in a statement. 'A deal provides a measure of much-needed certainty for Irish, European and American businesses who together represent the most integrated trading relationship in the world. Ireland makes a key contribution to this with the Ireland-US economic relationship valued at more than one trillion euros. 'The US had made clear, and this has been replicated in other recent agreements, which the US has reached with other countries, that a baseline tariff was always going to be part of the outcome. 'I have always stressed that tariffs are damaging and will have a negative impact on companies exporting to the US. 'While Ireland regrets that the baseline tariff of 15% is included in the agreement, it is important that we now have more certainty on the foundations for the EU-US trade relationship, which is essential for jobs, growth and investment. 'President von der Leyen described this as 15% tariffs across the board, all-inclusive.' He said further detail is needed around pharma, aviation and other sectors. Mr Harris said he will examine the details of the agreement over the coming days to establish the effect on Irish businesses and the economy. Earlier, EU commissioner Michael McGrath said the meeting was a 'significant and decisive moment'. Mr McGrath, EU Commissioner for Democracy, Justice, the Rule of Law and Consumer Protection, said it would involve substantive negotiations between both sides. 'It's a significant moment, we hope a decisive moment, and it builds on an enormous amount of work that has been done over quite a period of time,' Mr McGrath said ahead of the meeting. 'President Trump invited President von der Leyen to Scotland for a meeting. 'This follows on the back of intensive negotiations over a number of months. He added: 'It is not a case of turning up and signing on the dotted line. There will be a real discussion that will happen, and it will take on a dynamic of its own, and let's see what happens over the course of the afternoon. 'But from the EU's point of view, we are determined to do all that we can to get a deal for European businesses, because we recognise the cost of uncertainty. 'It manifests in trade and in investment decisions and ultimately in employment and of course tariffs can cost consumers at the end of the day. 'We want a good deal. We have negotiated hard, and we're at a point now where hopefully the two leaders can today bring it to a concluding phase.' Subscribe to our newsletter for the latest news from the Irish Mirror direct to your inbox: Sign up here.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store