
Manhattan's Wayan And Ma•dé Expand To East Hampton This Summer
Noah Fecks
Like many a trendy New Yorker, a popular pair of downtown restaurants, will head out east to the Hamptons this summer.
Wayan and Ma•dé, led by couple Cédric and Ochi Vongerichten, will return to East Hampton for the third year in a row, following last year's highly sought after pop-up at Buttero with a summer residency at EHP Resort & Marina, a waterfront resort on Three Mile Harbor.
'We're thrilled to bring a piece of our culinary world to the community that has become like a second home to us," says Cédric Vongerichten. 'We look forward to sharing our unique blend of French-Indonesian cuisine with both longtime friends and new faces. We can't wait to welcome everyone in for unforgettable dining experience after a day in the sun.'
Open starting on Wednesday, May 22 through Sunday, August 31, the seasonal menu will offer Hamptons specials and renditions of menu favorites from the Manhattan restaurants.
Sunset bites offered from 4 p.m. -6 p.m. include oysters with chili-lime mignonette, assorted crudite with peanut coconut dip, popcorn shrimp with sambal oelek, and a warm balinese lobster roll, amongst others. For dinner, served until 10 p.m., dishes will include tuna tartare with green chili sambal and avocado; corn fritters; Mango Salad with cherry tomato, cashew, and lime vinaigrette; fluke sashimi with calamansi dressing and basil; crab fried rice with kerupuk and cilantro; pork ribs with soy tamarind glaze and sesame seeds; whole black sea bass with sambal tomat; and lobster noodles with black pepper butter and Thai basil.
'Doing our pop up in the Hamptons this year isn't just about the work, it's also a chance to spend real time together as a family," says Ochi Vongerichten. "My older son is now old enough to work, and we're excited to have him join us for the summer pop up. My youngest gets to see the behind the scenes of what we do. It's a special kind of balance where work and family come together in the best way.'
EHP Resort and Marina is accessible by boat and by car. Guests can dock their vessels at EHP Marina and walk up to the restaurant, just a few steps away. Alternatively, EHP Resort & Marina can provide guests with a complimentary transfer via the resort's golf cart upon request, pending availability. The property also has a parking lot.
Wayan and Ma•dé is the newest addition to EHP Resort & Marina, and will be the second waterfront dining option at the resort, in place of Sunset Harbor, which closed permanently in late September. Sí Sí Mediterranean Restaurant will kick off its fifth year this season.
Sprawled across nine across, the resort offers 20 guests cottages and suites, a naturally shaded tennis court, and curated activities including complimentary weekday boat rides for guests.
Wayan and Ma•dé will be open Wednesday through Sunday from May 22 to June 15, the Out East residency is then expanding to seven days a week from June 16 to August 31, from 5 p.m. to 10 p.m., with longer hours on the weekend, including weekend brunch.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Eater
2 hours ago
- Eater
Thai Diner Opens a Chicken Finger and Tropical Drink Hangout
There has not been a chicken finger that New Yorkers have clawed for since the first Raising Cane's landed two years ago in Manhattan, now with several other outposts. Mommy Pai's — located at 203 Mott Street, at Kenmare Street, in Nolita — is hatching at just the right moment and has all the makings for success. That's because the new Thai chicken finger takeout counter — opening on Friday, August 8 — comes from Ann Redding and Matt Danzer, behind Thai Diner, blending what their other restaurant does best: creative comfort food with a Thai twist. Only this time, it's a fast food operation, serving out of a takeout-only window down the street. Jutharat Pinyodoonyachet 'Honestly, Gray's Papaya really inspired me — that salty little something with the tropical fruit drink,' says Redding. As the name would suggest, her mother, Ampai, is also the mascot. 'The way she took food we ate in the States and made it her way,' like memories of her mother ordering fried chicken at Roy Rogers and tweaking it by making lettuce wraps from the fixins bar. Mommy Pai's intends to replicate that feeling: It serves chicken fingers (grilled or fried) in flavors like lemongrass, coconut, or Muay Thai, with garlic, soy, fish sauce, and coriander. Choose from eight sauces, like the Heavenly BBQ (capturing the flavors of the Thai beef jerky known as heavenly beef), or the noom green sauce. Make it a combo set, with the choice of Mommy Cakes, a Thai play on Johnny cakes, som tum slaw, and waffle fries. Plus, slurp a tropical drink in flavors like pineapple-basil, tamarind, and mango-coconut. On the sandwich side there's Filet O'Tofu, with nam prik noom, American cheese, mayo, scallion, cilantro and pickled cucumber; the Jungle Queen, with a smashed chicken thigh patty with fermented bamboo, green chile relish, American cheese; or the Mommy Royale, choice of chicken or tofu with American cheese, pickled greens, and 'special sauce.' Jutharat Pinyodoonyachet For dessert, find Thai tea and condensed milk twist soft serve, and mini taro tapioca doughnuts with pandan sangkaya custard. 'The sleeper hits are the sides, I could make a meal just out of that,' says Danzer, pointing to the garlic chive and tapioca dumplings. Meanwhile, the curry puff mozzarella sticks have been 'polarizing' amongst early tastetesters. 'I'm curious what the people have to say about it,' says Redding. Jutharat Pinyodoonyachet Building off Thai Diner's success, focusing on chicken fingers seems exactly in their wheelhouse. And yes, they're being purposeful in calling it a chicken finger, not tender, since they're using chicken thighs ('more juicy and flavorful,' says Danzer). Still, it's also a lot of pressure to rework a beloved American childhood favorite. 'We're on the version we're calling '32' of our dredges,' says Redding of recipe testing. 'You know, you're tasting it, and then you start to get insecure and suddenly we're ordering chicken from everywhere, tasting theirs, being like, I think we're okay… yeah, we're okay!' Jutharat Pinyodoonyachet Jutharat Pinyodoonyachet It's a full circle moment: About a decade ago, the couple signed a lease at 203 Mott Street with the initial intent of opening a chicken-themed offshoot to their Michelin-starred uber-hit Thai restaurant, Uncle Boons, around the corner. In the end, they put that dream on hold and pivoted. In 2016, they debuted Mr. Donahue's, an American diner — 'still my favorite art project,' says Redding — at the address that received two stars from the New York Times. But running a restaurant with just 12 seats didn't math and it closed a year later. In 2017, the couple rebranded the space as Uncle Boons Sister, a fast-casual restaurant with dine-in seating, but it, like its senior sibling, Uncle Boons shut down during COVID. Fans mourned. For the past five years, 203 Mott Street has served as commissary headquarters for Thai Diner's desserts (they're known in particular for their sentient monster cakes), leaving fans wondering if Redding and Danzer would ever reopen the space to the public. All these years later, the LLC is still chicken-related: Ready, when they were. Jutharat Pinyodoonyachet Today's dining landscape makes more sense for a takeout-only operation. The exterior has been rebuilt to reference Thai wood homes and the feeling of food stalls. Even with the limited square footage, every detail is collaged with cheeky, personal details to their family story. Order at the counter and grab a seat outside or take it to-go in one of their custom boxes, designed by Ann's sister, May, who does all of the visual identities for their restaurants, down the can for their custom beer. An image of Mommy Pai greets diners on a lit-up menu screen with playful long fingers. May photographed Ampai in nostalgic, colorful outfits, images then transformed into oil-painted portraits by the artist Khun Ott, known for Thai movie posters circa the 1970s. Eventually, Mommy Pai's will offer delivery. 'Every time we do an opening, we try and be smarter. In the past, it's been too much too fast, so we want to take our time to get it right,' says Redding. Even after several restaurants, 'It never gets easier!' she says. Especially, when they have the Thai Diner fanbase, with the kind of sustained turnout that few restaurants maintain after their initial launch season. No doubt, customers will sniff out Mommy Pai's and follow the smell of coconut just down the street.


New York Post
6 hours ago
- New York Post
Jane Morgan, ‘Fascination' singer and Broadway star, dead at 101
Jane Morgan, the popular singer, nightclub entertainer and Broadway performer, has died. She was 101. Morgan passed away Monday of natural causes in Naples, Florida, according to her family. 'Our beloved Jane passed away peacefully in her sleep,' the family said in a statement, according to Deadline. Advertisement 10 Jane Morgan at her home in New York in 1958. CBS via Getty Images 10 Jane Morgan attends the UNICEF Ball in Beverly Hills in 2009. Kevin Mazur Morgan was born Florence Catherine Currier on May 3, 1924, in Newton, Massachusetts. She was the youngest of five children and her parents, Bertram and Olga, were musicians. Advertisement At age 11, Morgan acted at the Kennebunkport Playhouse in Maine. She graduated from Seabreeze High School in Daytona Beach, Fl. and then studied opera at Juilliard in New York, where orchestra leader Art Mooney came up with her stage name. 10 Jane Morgan performs in Canada. Toronto Star via Getty Images Morgan's career began with singing in nightclubs and small restaurants before she was recognized by French bandleader Bernard Hilda, who took her to Paris where she became a music sensation. After finding success in Europe, Morgan returned to the US and signed with Kapp Records. She released her first album, 'The American Girl From Paris,' in 1956. Advertisement 10 Jane Morgan in a portrait from 1962. Getty Images The following year, Morgan released her signature song 'Fascination' featuring the The Troubadors. The single peaked at No. 7 on the Billboard pop chart and was featured in the Audrey Hepburn movie 'Love in the Afternoon.' Morgan's other popular songs included 'The Day the Rains Came,' 'With Open Arms,' 'To Love and Be Loved' and 'Blue Hawaii.' 10 Jane Morgan at Heathrow Airport in London in 1964. Getty Images Advertisement 10 Jane Morgan in the UK in October 1967. Getty Images On Broadway, Morgan appeared in 'Mame,' 'Ziegfeld Follie,' The Jack Benny Show,' 'Can Can, Kiss Me Kate,' 'Gentlemen Prefer Blondes,' 'The King and I,' and more. 'Being on Broadway was one of the most exciting things in my life because I had always dreamed of it,' Morgan once said in an interview, per The Hollywood Reporter. Morgan also had a presence on television. She performed at the Oscars twice and on 'The Ed Sullivan Show' 50 times. 10 Jane Morgan at the UNICEF Ball honoring Jerry Weintraub in 2009. Kevin Winter 10 Jane Morgan on the music series 'American Bandstand' in 1959. Disney General Entertainment Content via Getty Images She even sang for notable political figures including French President Charles de Gaulle and US Presidents John F. Kennedy, Richard Nixon, Gerald Ford, Jimmy Carter and George H.W. Bush. In 2011, Morgan was honored with a star on the Hollywood Walk of Fame. She sang 'Fascination' during the ceremony. Advertisement 10 Jane Morgan at her Hollywood Walk of Fame star ceremony in May 2011. FilmMagic 'It has been a long time coming,' she told the crowd. 'Now it's here. I'm very, very gratified.' Morgan was married twice. Her second marriage was to her manager, Jerry Weintraub, who worked with huge stars including Elvis Presley and was responsible for producing hit films including 'The Karate Kid' franchise and 'Ocean's Eleven.' 10 Jane Morgan gets her star on the Hollywood Walk of Fame in 2011. FilmMagic Advertisement After tying the knot in 1965, Morgan and Weintraub adopted three daughters togethers. Morgan also became stepmother to Weintraub's son Michael. Morgan and Weintraub separated in the 1980s but never divorced. Weintraub died in 2015 at age 77.


Chicago Tribune
8 hours ago
- Chicago Tribune
Review: Kokandy Productions resurrects the dreamy 'Amélie the Musical'
What was ground zero for the manic pixie dream girl movie trope? Zooey Deschanel in '(500) Days of Summer?' Kirsten Dunst in 'Elizabethtown?' Winona Ryder in 'Autumn in New York?' It depends on the nature of your preferred definition and some go back as far as Katharine Hepburn. But a case surely could be made for the pointy-haired French star Audrey Tautou in 'Amélie,' the whimsical 2001 French fable from Jean-Pierre Jeunet about a melancholy but lovable Montmartre waitress who decides that the best cure for her own feelings of loneliness is throwing herself into improving the lives of the clutch of Parisian eccentrics who surround her. 'Amélie' was one of the most internationally successful French movies ever made, and those of us who fell under its witty, sweet, intermittently acerbic spell at the time surely recall it with great fondness. Ah, when quirkiness and whimsy still felt fresh and new. Until, that is, some of us walked into Broadway's Walter Kerr Theater in 2017 for the disastrous musical version. Not many folk had that dubious pleasure, given that 'Amélie,' which has a book by Craig Lucas and music by Daniel Messé, lasted only 57 regular performances. I hadn't seen it since before this weekend and was not sure I ever would before Kokandy Productions, the indisputable current leader in edgy, off-Loop musicals, announced its summer project. 'Amélie,' the musical yin to 'Lupin's' Netflix yang. Interesting, I thought. Everything gets licensed. I should first note why I think 'Amélie' had such a rough go of it on Broadway in 2017. Many reasons: The source movie was so organically and distinctly beautiful as to resist brand extension. A chilly vibe couldn't compete with the warmth and vulnerability of Tautou's film performance. The show struggled to translate so fundamental a cinematic narrative into the language of a Broadway musical. And, frankly, time had just . Daring originality had become a familiar trope. Kokandy's hugely inventive production, which is a must-see for anyone interested in the long Chicago tradition of fresh and intimate takes on failed Broadway musicals, goes a long way toward giving Amélie back her crucial sense of self and worth. You might say it de-tropifies her. Most specifically, that is achieved by the delightful Aurora Penepacker, who plays the central character here and makes Amélie entirely her own, even though she comes with a Tautou-like Parisian bob and a day-glo vivacity that put me most in mind of Jasmine Amy Rogers in 'Boop! The Musical.' The gifted director and choregrapher Derek Van Barham, who has been doing for musicals these last few summers what David Cromer once did for straight plays in the basement of the Chopin Theatre in Wicker Park, has created an eye-poppingly immersive production that draws on the cabaret-style implications of the material (Amélie is, after all, a waitress in a Parisian cafe) and features a cast that switches, 'Once'-style, back and forth between playing instruments (playing them well, too) and performing the show's wacky lost urban souls. The tone of the production is admirable diverse: Mizha Lee Overn, for example, brings warmth to her little clutch of characters while Quinn Rigg, between stints playing the violin, adds a delicious soupçon of cynicism to his denizens. I did think Joe Giovannetti, who plays Amélie's love interest, Nino, could warm up some more toward the end, but then the production's problems mostly are in the second act. Act 1 is pretty knockout but post-intermission (an intermission that did not exist on Broadway) the show gets less specific and it just pops off the boil a tad. Penepacker's vocals are simply fabulous all the way through to her big Act 2 number, 'Sister's Pickle' (I know; what a title for an 11 o'clock number) and then she suddenly seems less tonally assured. I suspect that the show ran out of rehearsal time, which is not uncommon. I also think the problems within the material finally start to overwhelm the plethora of creative staging ideas here, all shrewdly designed and lit by G. 'Max' Maxin IV. Caper-driven films invariably have too much plot for Act 2 and that's surely the case here, when all the audience really wants is to spend more time inside the head of the heroine. So I can't report that Kokandy solves about 'Amélie.' But the score is worth hearing, when this well sung. Indeed, I'll wager you won't regret going for a second, not with this much passion and creativity and sheer talent running around what long has been the most artistically satisfying basement in the city. Review: 'Amélie' (3.5 stars) When: Through Sept. 28 Where: Chopin Theatre, 1543 W. Division St. Running time: 2 hours, 15 minutes Tickets: $45-55 at