logo
Bec Judd makes shock confession about her four children: 'I would not recommend'

Bec Judd makes shock confession about her four children: 'I would not recommend'

Daily Mail​15 hours ago
Bec Judd, 42, made a surprising admission about motherhood on her Vain-ish podcast this week.
The AFL WAG shares four children – Oscar, 13, Billie, 10, and twins Darcy and Tom, eight, with her husband Chris Judd.
Speaking with her bestie and podcast co-host Jess Roberts, Bec's revelation is likely to leave her youngest, Darcy and Tom, scratching their heads.
'I just think four kids is a lot. Anything over two, I think is too many,' she revealed on air.
Jess, who has three children, agreed, adding: 'You know what? It's a lot of chaos. And just to spread yourself between the four of them. I don't know how you do it. I struggle with three.'
From A-list scandals and red carpet mishaps to exclusive pictures and viral moments, subscribe to the DailyMail's new showbiz newsletter to stay in the loop.
Bec then gave an insight into her hectic lifestyle, admitting that it is a big challenge wrangling four children.
'It's like, we will be in the car and I'll be screaming at one of them, I'm threatening one to walk home.
'One's always injured or has some medical issue, or the school's calling about something,' she said.
'There's always something popping off.'
It seems that the in-car yelling has rubbed off on her kids, with Bec admitting her children agree with her assessment.
'The kids in the car, when I'm screaming at them, just say: "Mum, when we grow up, we don't think we're going to have four kids – it's too many",' she laughed.
'I would not trade any of my kids in, but man, I would not recommend four!'
Bec has never been one to shy away from sharing the minutiae of motherhood with her 725,000 Instagram followers - both good and bad.
Back in January, for example, Bec took to her Instagram Stories to call out her two youngest children for causing havoc in the family's $7.3 million mansion in the Melbourne seaside suburb of Brighton.
'The last day of this bullsh*t,' Bec captioned a photo of Tom and Darcy's shared bedroom in a state of squalor.
The mum-of-four rang in her 42nd birthday with a lavish party just days prior, followed by a long lunch at Montalto Winery.
After a weekend of festivities, Bec returned to mum duties and was not at all pleased with the state of her boys' bedroom.
Her photo showed the beds unmade, one with sheets ripped off, all the drawers in their double dressers left hanging open in a state of disarray, and shoes, toys and backpacks strewn across the floor.
Two single mattresses had been added to the floor, presumably for a sleepover.
'Back to school you go boys,' she wrote in her caption.
'Considering boarding school for the twins at this point.
'I've also Googled military school and there's one in Queensland, but they're too young at this point.'
She ended her caption with a disgusted emoji, followed by a series of laugh-crying emojis.
It came just a week after Bec said she was 'sick' of her twins still behaving like toddlers.
'I popped my head in to see what we're dealing with today,' Bec began in a recent video, which shows dirty and clean clothes, books, and toys strewn all over the twins' bedroom.
All of the drawers in a large clothing chest are pulled out, with clothes half pulled out of them and also thrown across the floor.
'How did we create these humans?' she asked her husband in the video's caption, tagging him.
Bec described the messy state of the boys' bedroom as 'standard'.
'I'm packing up some s*** and found this,' Bec explained, as she zoomed in on a pile of glittery goop, which contained her sewing scissors and a stapler.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Ozzy Osbourne seen two days before his death in heartwarming family video
Ozzy Osbourne seen two days before his death in heartwarming family video

The Independent

time5 minutes ago

  • The Independent

Ozzy Osbourne seen two days before his death in heartwarming family video

is seen just two days before his death in good spirits and spending time with his family in a heartwarming video shared on social media. The Prince of Darkness is seen sitting at a breakfast table reading his tablet sat beside his grandson Sid as they pore over the Sunday papers. Kelly Osbourne, who is mum to the toddler, films the sweet scenes featuring her dad Ozzy, who is heard asking 'Is that me?,' before she replies, 'Say good morning!' Ozzy Osbourne 's death was announced by his family on Tuesday (July 22).

Home and Away star, Olympians and MAFS groom's ex sign up for revamped Celeb SAS as show shake up is revealed
Home and Away star, Olympians and MAFS groom's ex sign up for revamped Celeb SAS as show shake up is revealed

The Sun

time5 minutes ago

  • The Sun

Home and Away star, Olympians and MAFS groom's ex sign up for revamped Celeb SAS as show shake up is revealed

CELEBRITY SAS have signed up THREE major stars for the next series of the show after a ground-breaking show twist was confirmed. The hit Channel 4 programme has been busy selecting its celebrity recruits for the seventh series of the show - with filming taking place in Morocco. 4 4 4 Earlier this week, The Sun told how in a huge new move the UK and Aussie editions would be merged with major stars from both countries coming together for the series which will be aired simultaneously on Channel 4 in the UK and the Seven Network in Australia. Now, we can exclusively reveal three of the stars who will be appearing on the next run. Home and Away hunk Axel Whitehead will be appearing on the show after rising to international fame for playing Liam Murphy on the show between 2009 and 2013. The actor also appeared briefly in fellow Aussie soap Neighbours in 2020. He will be joined by two Olympic swimmers - including one with a famous reality star ex. 29-year-old Swimming champ Mack Horton and fellow Olympian, Emily Seebohm will also be on the cast. Emily shares a child with MAFS heartthrob Ryan Gallagher although the pair are no longer together. Ryan is best known for his time on the hit reality show as well as his brief romance with Geordie Shore star Charlotte Crosby during their time on the Aussie version of I'm A Celebrity. A source told The Sun of the three latest recruits: 'Bosses are working hard to make sure they sign an exciting variety of Aussie talent for the new series because of the format change. 'Soap fans will be no stranger to Axel after his time in both Home and Away and Neighbours, so he's a great coup for the show. Watch as Celeb SAS Who Dares wins star Bianca Gascoigne QUITS show right at the very end of series 'And Olympic champions Emily and Mack are both extremely fit and strong after years of professional swimming. They're going to take the challenge very seriously.' Two other Aussies have so far been revealed for the programme including soap star and singer Natalie Bassingthwaite and Jessika Power, who rose to fame on Married At First Sight Australia. Jess has since relocated to England appearing on British shows including Celebs Go Dating and Celebrity Ex On The Beach. Other UK stars who are understood to have signed up for the next series include Love Island winner Dani Dyer and Strictly hunk and rugby player, Ben Cohen. Gladiators star Phantom AKA Toby Olubi will also be proving his stuff on the show alongside TikTok star Jack Joseph, 25. England cricketer Graeme Swann, Love Island champ Gabby Allen and TikTok star Cole Anderson James are also understood to be on the line-up. 4

Miles Franklin 2025: your guide to the shortlist of Australia's biggest literary prize
Miles Franklin 2025: your guide to the shortlist of Australia's biggest literary prize

The Guardian

time5 minutes ago

  • The Guardian

Miles Franklin 2025: your guide to the shortlist of Australia's biggest literary prize

All dull awards shortlist books that are alike; every important award recognises books that are remarkable in their own way. This is what makes them worth paying attention to, what makes following them fun – and this year's Miles Franklin award shortlist is no exception. All six books hail from different publishers. Each book is markedly different in genre, style and form. The self is an uncertain site in all these books – one where concepts like nationhood, sexuality, class and ethnicity are negotiated. There is a portrait of coming-of-age and Tongan community, a bawdy historical novel told by a self-styled horse thief, and an interlinked short-story cycle that turns on the omens and aftershocks of a serial killing. And three very different novels of ideas playfully reference other texts (as well as themselves) – and draw attention to how they are made. Notably, Fiona McFarlane's Highway 13 is the first work of linked stories to be shortlisted for the prize, which is awarded to 'the novel of the highest literary merit'. But the shortlist is not, curiously enough, diverse in length: none of the entries break 400 pages, though Burruberongal writer Julie Janson's Compassion comes close. 'I was never good at philosophy,' quips Abraham Quin, Chinese Postman's occasional narrator. After being humiliated by his philosophy tutor at university, he learns to see himself in the third person as well as the first, to move 'easily between the two'. This gives us the basic shape of Castro's narrative, which takes the form of a series of ruminations, in either Quin's voice or a close third-person perspective. So: philosophy's out. Quin is also 'through with all that novel-writing'. Despite this protest, Castro's book is best described as a philosophical novel or a novel of ideas. Chinese Postman is largely plotless, though Quin's email correspondence with a Ukrainian woman named Iryna Zarębina gives it a flexible spine. Quin has a penchant for maxims, particularly when their content is scatological. 'Shit', in his telling, is 'a symptom of lowly creation's failure to survive as gods'. It is, for him, a substance 'without hierarchy', in which 'All are equalised'. Reflections of this kind are Quin's way of 'composting' – rather than composing – his thoughts. For those who read for the sheer delight of allusive, tricky, irreverent sentences, Chinese Postman will be the most exciting work on the shortlist. Compassion is the shortlist's only realist historical novel. Set between the years 1836 and 1854, it is a story of maternal reconciliation and paternal reckoning told largely from the point of view of a Darug woman named Duringah, who escapes abuse and traverses Darkinjung and Awabakal country (as well as the country of many other clans and nations) in order to return home. Compassion is a sequel: it continues the dramatised life story of Janson's ancestors from her 2020 novel, Benevolence, which centred on Duringah's (now-estranged) mother, Muraging. In turning to Duringah, who takes up the alias Eleanor James, Compassion flirts with conventions drawn from an array of literary and popular genres, including colonial romance, revisionist history, melodrama and the picaresque. Duringah outwits and eludes colonial authorities with palpable glee. But Compassion has its heartfelt scenes, too. Duringah's arrival at a mission station, where Koori women sing a church hymn, serves as the occasion for a moment of reverence and some of Janson's best writing. Their voices, 'pure like bells', summon memories of 'singing the country with a corroboree'. Yet this memory culminates in a plea for quiet, lest their songs become a 'beacon for vengeful white men'. This tension – between the desire to speak up, and the risks of doing so – lies at the heart of Janson's truth-telling project. Winnie Dunn once remarked in an interview that she considers 'all forms of writing' to be 'autobiographical fiction'. This has clearly informed her work as an editor for the Sweatshop Literacy Movement, as well as her debut novel. Semi-autobiographical writing, as Dirt Poor Islanders well knows, always takes place in productive tension with the right to privacy – of the writer's family and their broader community. The novel's first chapter thinks this through when Dunn's Tongan-Australian avatar, Meadow Reed, locates her family members in the blotches, beauty spots and wrinkles on her grandmother's face. This intimate moment is promptly interrupted by their racist neighbour Shazza, who tells the pair to 'eff off to Fiji'. This suggests Dunn's keen awareness of the risk of telling stories grounded in personal experience before an ignorant, even hostile, audience. Dirt Poor Islanders refuses to be cowed by this risk. Like two of her clear influences, Melissa Lucashenko and Michael Mohammed Ahmad, Dunn responds by doubling down. Meadow unapologetically narrates scenes of cockroach eating and chicken plucking, force feeding and constipation, menstruation and childbirth. 'From nits having sex on my head', thinks Meadow, 'to maggots wriggling in lumps of lard to cockroaches crawling in cereal boxes and cushion crevices, I asked, 'Y'.' Dunn's answer? A sanitised self is barely half an identity – and 'No one could live as half of themselves'. Ghost Cities is an ingeniously structured novel that takes tyranny as its central theme. At its heart are two dictators – an emperor and a director – both prone to issuing capricious edicts to terrorise their hapless subjects. Both come to preside over labyrinthine cities, implied to be millennia apart. The emperor reigns over the Imperial City, the director over a ghost city named Port Man Tou, peopled by ill-paid actors. The cities are opposed, respectively, by Lu Shan Liang and Xiang Lu, whose names resemble their author's. The novel's wacky, erratic plot plays out across alternating chapters through two timelines, their narratives routinely contorted by the whims of their respective dictators. At one point, Xiang Lu mentions he is partway through Vladimir Nabokov's early novel, Invitation to a Beheading. Nabokov's burlesque of tyrannical logic is one of many texts Ghost Cities is in dialogue with. But Ghost Cities most strikingly resembles another Nabokov novel, Pale Fire. Both novels have a long poem at their centre (in loose iambic pentameter); both feature half-comic assassination attempts. They share an ear for the comedy of translation and an eye for the absurd. Ghost Cities both embraces and defies its emperor's directive to abandon 'the pursuit of beauty' for art that favours 'furrowed brows and scholar-like interpretation'. In its zany intertextuality, it displays a level of intellectual ambition rarely found in recent fiction. The 12 stories that make up Highway 13 are all loosely connected to a single man, Paul Biga, the perpetrator of a series of brutal highway murders, whose facts reference (but don't mirror) those of the convicted backpacker murderer Ivan Milat, arrested in 1994. Interestingly, Highway 13 is the only book shortlisted not to make extensive use of first-person narration. The settings range from 1950 to 2028, and span Australia, the US and Europe. They extend a preoccupation with the uncanny that runs through McFarlane's body of work. Stylistically, McFarlane errs on the side of minimalism. These are stories of considerable subtlety and restraint. Highway 13 endeavours to surprise – not at the level of the individual sentence, but in what its sentences imply. It invites us to notice: when the bodies of stink beetles are dumped in a garden corner where 'ants had made feasts of the softer flesh', we can't help but see in their decomposing corpses the shadow of a crime. Highway 13 is more concerned with the murders' distant precursors (in the lives of others) and long-term ramifications (the way it resurfaces after the event) than in finding narrow causes. It tactfully avoids too-obvious parallels between the fictional Paul Biga and real Ivan Milat. In these ways, McFarlane creates space for her marvellous collection to linger with the living, with those bound to each other in their respective presents by fragile forms of love. Theory and Practice takes place primarily in St Kilda, Melbourne, in 1986. It is narrated by a female university student, unnamed for most of the novel, who is writing her thesis on Virginia Woolf. 'Theory', she observes with distaste, has 'conquered the humanities', especially the English department where she studies. When compelled to read theorists, rather than the novels she loves, she feels 'headachey and crushed'. Even the work of feminist and postcolonial theorists, which she draws on to help explain her life as a Sri Lankan woman from Sydney, leaves her ambivalent. 'Practice', on the other hand, describes her life as it is lived. In this novel, practice decidedly wins. The narrator is vexed by casual lovers – she is having an affair with a fellow student in a 'deconstructed relationship' – and hypocritical professors. She's also outraged by a diary entry in which Woolf describes Ceylonese freedom fighter EW Perera as a 'poor little mahogany coloured wretch'. Theory and Practice is at its best when it embraces its title's distinction, which it elsewhere compellingly glosses as the distinction between 'realism and reality', through a cast of characters adept at talking their way out of our attempts to interrogate them. The Miles Franklin literary award will be announced on 24 July This article was originally published by the Conversation. Joseph Steinberg is a Forrest foundation postdoctoral fellow in English and literary studies at the University of Western Australia

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store