
I've dressed the Princess of Wales and Daisy Edgar-Jones – here are my style tips
However, she knows a thing or six about dressing for al fresco events and the UK's rich and varied summer season in general. That's why a growing number of high profile women have come to rely on the brand for exactly this, among them Lady Starmer, Claudia Winkleman, Ruthie Rogers, the Princess of Wales and her mother Carole Middleton, the Duchess of Edinburgh, Lupita Nyong'o, Katie Holmes, Gugu Mbatha-Raw (in her black tuxedo on several occasions), Phoebe Dynevor and Daisy Edgar-Jones.
As someone who almost always wears trousers, but has a business selling clothes to women who want (plenty of) other choices, Hornby has adopted an analytical approach to dressing up. Not coincidentally, occasionwear – once considered a fuddy-duddy concept – has become an increasingly important part of Me+Em's business – quite the evolution for a label that began 15 years ago as a source of loungewear but grew by offering a more sophisticated repertoire of designs. Perhaps we're not such a nation of sloppy dressers after all.
She's an obsessive cruncher of data, not just the hard numbers of what's selling and what isn't, but of the more intimate, nuanced feedback loop from customers who come into her stores. I'm intrigued to discover how she's cracked some of the more subtle demands baked into our social gatherings. 'Dress codes really throw a lot of people,' she says.
Weddings and Royal Ascot can be particularly intimidating because of ideas around propriety. People want to look the part without feeling they're cosplaying. Arms are a great bugbear. 'Some women really want to hide them. Others want to show them off.' One of Hornby's answers to all these conundrums is to play with transparency – just a hint. 'Lace or chiffon, or a sheer sleeve can all look very demure and pretty without being too covered.'
Lace blue shirt, £175 and Lace blue A-line midi skirt, £225, Me+Em
A grail of modern dressing, it seems to me, is an air of effortlessness. No one wants to look overdone – the blowsy blowdry, obvious make-up, trussed up, ill-at-ease discomfort are the antithesis of everything many stylish women aspire to. Yet some interpretations of effortlessness seem ridiculously effortful.
'Playing with different textures is a big part of putting together an outfit that looks elevated but not overthought.'
Not wearing heels if you don't want to is another key to effortlessness. 'I've broken both knees over the years, so I'm obsessed with footwear comfort,' says Hornby. 'We're playing with the fancy flat – a square-toed ballerina because it's flattering and doesn't squash the toes – and a comfortable heel in cork.'
Suede square toe ballerina flat, £295, Me+Em; Cork platform heel, £295, Me+Em
'Spend time pinning down those understated but perfect pieces,' says Hornby. Get them right and they're a library you can repeatedly go back to without too much thought.
'Everything has to be spot on. The jersey T-shirt that drapes just right, the sleek tan bag that you can wear with everything, the blazer that's only slightly oversized so it doesn't look silly, the jacket with sleeves that will actually stay up when you push them up your arms.' To this end, she has a jacket for autumn with 'scrunch' built into the sleeves.
A former ad executive, Hornby is a dab hand at coining a tagline. Terms like 'Intelligent Design' and the three F's – flattering, functional, forever – are stitched into descriptions on the website. Forever is a particularly bold promise, especially when you're essentially mining fashion – but an important idea when people are spending a major chunk of their budget on occasionwear.
So, I'm curious to know whether she thinks brown – traditionally a winter colour (when it isn't being completely ignored, which it was for three decades) – is a keeper or a fizzler? Last year, Max Mara mixed it with white for summer, which looked both earthy and sophisticated. But now it's everywhere, including Me+Em, where it repeatedly sells out.
Jersey knot detail dress, £350, Me+Em
Linen blend trousers, £250, Me+Em; Leather crossbody bag, £325, Me+Em
'I reckon it's become a classic already,' she says. 'Once you start to explore the chocolate shades, you realise how great they are at grounding other colours. All those fashionable sorbets look beautiful with brown. Chocolate brown holds so many colours. Honestly, it's a game changer. We've contrasted it with orange, purple, black… For evening, it's lovely with gold jewellery or shoes. There's a shade for everyone, and obviously it's much less harsh than black or navy.
Jersey off the shoulder top, £85, Me+Em
'Also, fabrications have finally stepped up to meet it. In the past, unless you worked brown with satin or silk, or high-quality yarns, brown tended to look muddy or flat. We've been working with silk velvets, brushed cashmere and fabrics that have a subtle sheen to them. It's beautiful. I've got a brown jumpsuit that I'll wear to weddings with a brown velvet blazer. One of my other wardrobe anchors is a brown trouser suit which I enjoy wearing with matching nails.'
We were bound to get to tailoring sooner or later. It's the cornerstone of Hornby's own wardrobe after all. 'I love the idea of one suit you can wear to everything. If I were building a capsule summer event wardrobe, I'd always start with a suit, because it's so easy to build out from there. You can wear the blazer over dresses and the trousers with a crisp white shirt for a cool, evening look, or with a floral silk blouse.' She thinks she'll wear a flared trouser suit in poppy red – with a brown top.
Even in the early, more casual days of Me+Em, Hornby and her design team consistently tweaked the trousers, essentially becoming a lab intent on making trousers as flattering for as many body types as possible. That you would never know she has short legs is testimony to their success.
What works for her? Raised waistbands. 'They're generally good on most women, with or without a bust.'
If you examine many of Me+Em's dresses through the seasons, you'll notice they too have slightly raised waistlines. One of the many reasons for the brand's success is that once perfected, the same shapes reappear each season in different fabrics. And yes, florals are still selling, but the prints this summer are more botanical.
Silk hydrangea print dress, £495, Me+Em
Peach is proving phenomenally popular both as a background colour and as a solid. This may surprise you if you had it down as a no go for most Caucasian skin. 'In fact,' says Hornby, 'peach is one of those unicorn universal colours that suits everyone. It's unbelievably popular this summer' – possibly because customers are taking advice from the Me+Em sales advisors and teaming it with brown.
Tailored front pleat trouser, £225, Me+Em; Lightweight tailored waistcoat, £195, Me+Em
Finally, I want to know her biggest challenge to getting dressed up? 'I'm a northerner. I have a big fear of the cold,' she says. 'It bugged me for years.'
Then the solution came to her – a cropped shearling cape that elongates legs, works over any silhouette, and doesn't crush your sleeves. 'It's an on-off piece,' says Hornby, meaning it's easy to flip in and out of. The slits allow you to show off the sleeves of whatever you're wearing underneath. 'I wore it to my stepson's wedding last year and sold about ten that day. We've brought it back for summer. It looks cool whether you wear it under tailoring or something.'
Shearling cape, £695, Me+Em
It's one of those high-priced items that Me+Em keeps in the mix because its customers recognise a piece they'll return to for years.
For autumn, they'll be doing another version – in none other than chocolate brown.
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Telegraph
31 minutes ago
- Telegraph
This is the last Tour de France on free-to-air and cycling will never be the same
When the peloton rolls out of Lille on Saturday for the start of the 112th edition of the Tour de France, it will mark the beginning of the end of one of British sport's great institutions. Nearly 40 years after Channel 4 first screened the highlights of the Tour de France in 1986 – played in by that iconic Pete Shelley theme music – ITV will this year broadcast coverage of cycling's biggest race on free-to-air for the final time. As of next year, the Tour will be behind a paywall in the UK, on TNT Sports. It is the end of an era. 'It's going to be emotional,' admits commentator Ned Boulting who has been part of ITV's coverage since 2003, and who will reprise his role this year alongside David Millar, continuing a line going back to Paul Sherwen and Phil Liggett. 'That's very nearly 40 years of continuity. So that's almost three generations of viewers within families. You know, that's grandparents, parents, and children, all of whom have come through the same very familiar routine. The same faces and voices, the same look and feel, the same style. It's unique in broadcasting.' 'A hammer blow for cycling' Once the emotion dies down, the question is: what does it mean for cycling in the UK, both in terms of viewing figures and participation? Will the sport wither on the vine, stuck behind a paywall where no one will watch it? Will the next generation of potential Geraint Thomases and Tom Pidcocks be starved of inspiration? Or might cycling benefit from being lumped in with bigger sports in the TNT Sports portfolio such as football and rugby, attracting new, crossover fans? It is fair to say fan reaction when the initial announcement was made last autumn that Warner Bros. Discovery, which owns TNT Sports, had bought the exclusive UK rights to the Tour, was not positive. There was sadness at the demise of the much-loved ITV coverage, particularly the daily highlights show. But public opinion really nosedived when WBD announced in January that it was axing Eurosport UK and cycling fans would have to shell out for the full TNT Sports subscription to access bike races in the UK. Not just the Tour, but the Giro d'Italia, the Vuelta a España, the spring classics, the whole caboodle. From £6.99 a month for Eurosport to £30.99 a month for TNT Sports – a price hike of some 400 per cent. Outraged fans – who, a couple of years ago were so spoilt they could get every obscure race under the sun for £5 a month on the GCN+ app, before it was bought and shuttered by WBD – threatened to boycott the channel, while others claimed WBD would get more people into piracy than they would cycling. The debate even reached the Houses of Parliament with Ben Obese-Jecty, the Conservative MP, securing a debate on the merits of free-to-air coverage of professional cycling in Westminster Hall on March 5. In an impassioned speech, Obese-Jecty told of how he had been inspired as a child by the exploits of British mountain bike rider Jason McRoy, whose races were occasionally shown on Eurosport. Describing the channel's demise as 'a hammer blow for coverage of cycling in the UK' he argued that cycling going behind a paywall would have a number of unintended consequences. It would mean children in the UK were not exposed to a sport which was patently good for their health. It would impact on the next generation of wannabe Bradley Wigginses. 'To be popular, a sport must be visible,' he said. 'To be visible, a sport must have a television presence. The Government would never allow the Fifa World Cup, the Olympics or Wimbledon to be put behind a paywall. With an estimated 12 million spectators attending the race each year, the Tour de France is easily the most attended sporting event in the world. 'Will the Government consider how it can inspire a new generation of Froomes and Cavendishes to take up the mantle and consider what they are doing to restore a sporting jewel, in which we have enjoyed such recent success, to the masses, lest its absence from our screens cause the sport to wither on the vine?' Stephanie Peacock, the Parliamentary Under-Secretary of State for Culture, Media and Sport, replied to say that she was grateful to the honorary member for bringing the matter to her attention, and that she 'sympathised' with his points, but that it was entirely up to the rights holder to determine whether any coverage will be available to free-to-air television in the future. New coverage, but less viewers TNT, understandably keen not to be painted as the villains here, say that is already happening. There is already a new hour-long programme called The Ultimate Cycling Show, hosted by Orla Chennaoui and Adam Blythe, shown on its free-to-air Quest channel, as well as daily highlights shows on the same channel during the recent Giro. The same is planned for the Vuelta a España in August. Only the Tour will remain fully behind a paywall, although a TNT spokesperson suggested the possibility of free-to-air highlights being shown on Quest next year, or in 2027, when the grand depart is once again scheduled to take place in the UK, was under consideration. What might the impact be on UK cycling by then, though? Again, WBD defend themselves. They claim over half of Eurosport viewers already had access to TNT Sports at the time of Eurosport's closure. They maintain that being part of a package which include Champions League and Premiership Rugby will introduce new fans to the sport. They also point out, rightly, that ITV declined to renew its broadcast rights for the Tour, whereas it is investing millions into cycling. Like football and cricket on Sky Sports, they promise to innovate and raise standards. That may all be true. But it does not change the fact that the Tour is disappearing from free-to-air TV and millions of fans will be left without a show which was appointment viewing for three weeks every year. As Obese-Jecty MP said: 'The reassuring tones of Gary Imlach and the encyclopaedic knowledge of Ned Boulting will no longer be staples of cycling fans' summers.' Boulting smiles at that line. 'The fact it got debated in Parliament is insane,' he says. 'David and my names are in the Hansard register now.' He does find the fans' backlash interesting, though, mainly because of how persistent it has been. 'The level of engagement with the topic just doesn't seem to have died down,' he says. 'In fact, the closer we get to the Tour the more it is ramping up. I think it's because, unlike the Ashes, or the Olympics, the Tour is every summer. It's an annual event, which just anchors its place in the rhythm of the year for so many family lives. That, I think, is the reason why the noise around it is so persistent and so loud.' Like many subscription channels, TNT does not release its viewing figures; or say how many new subscribers have signed up since shutting Eurosport down. Even if it did, it would be difficult to tell how many had signed up for cycling as opposed to its other sports. But Boulting stresses he wants the new landscape to be a success, not least because a bigger fanbase will drive more listeners to the Never Strays Far podcast he co-hosts with Millar. New TMS-style podcast planned The pair have big plans for the podcast next year, which they will confirm on Saturday. But essentially they involve Millar and Boulting driving around France in a camper van, with Lizzie Deignan as their co-host, doing live podcasts from the roadside, only looking away from the race, so the cameras watch them watching the action in the style of Soccer Saturday. 'We're going to call it Never Strays Far: Live in France,' Millar says. 'So we'll be on the race, following the race, watching the race, and just relaying as much of it as we can. We'll put it out as video as well, almost certainly on YouTube, but across as many platforms as we can.' 'Think TMS [ Test Match Special ],' Boulting says. 'It will be whimsical, irreverent. We'll chat to fans. We'll broadcast from random squares or places on the route. We won't be rights holders so we won't be able to show race footage. And we won't have accreditation. That's very important. But we can always go see riders in hotels or wherever. 'The Tour de France has always been about much more than the race,' he adds. 'And I think that's one of the things that our ITV viewers really understand and value. And we want to encourage a big percentage of these suddenly disenfranchised viewers to keep the Tour de France in their lives in this new form, where they can. We are very familiar voices and faces to them. And Lizzie will be an absolutely unbelievable addition to our team.' Will they sleep in the camper? Boulting laughs. 'Funnily enough that was Lizzie's first question. No. We're going to have plastic key cards to get into Campanile hotel rooms.. In fact, we might try and do the whole thing in Campaniles. The dream.' One more emotional lap It remains to be seen how it all shakes out; what exactly the loss of free-to-air will do to cycling in the UK. But in the meantime Imlach, Boulting, Millar, as well as reporters Daniel Friebe and Matt Rendell, are preparing for one final, emotional lap of France. 'I think the producers are definitely going to celebrate the heritage,' Boulting reflects. 'You know, it's tricky for ITV because they don't want to put up on great big billboards: 'We're leaving the sport'. But on the other hand, this is a unique programme, a unique event, and a unique association that has gone on for a long time. So they acknowledge that, and they are going to celebrate, you know, in style I think. 'For sure, we're going to hear the Channel 4 theme tune that so many people are nostalgic about. We're going to drill down into all that history, repeatedly, throughout the three weeks. The Tour de France allows us that. It gives us that time to be reflective and to sort of dredge the seabed of memories that people have.' How will he feel when it's over? 'I find it emotional at the best of times. When we sign off on the show each year, when the sun goes down behind the podium and you get the Arc de Triomphe in the background, I always find that a very emotional moment. Because we're tired, we've been on the race for three weeks, we've made it to Paris, and that's it, we're signing off. Signing off for the final time in three weeks will be a very hard thing to get right.'


BBC News
33 minutes ago
- BBC News
Oasis comeback gig in Cardiff was dream come true for fans
It was rock's most eagerly awaited comeback tour and some of the more than 70,000 fans crammed into Cardiff to see Oasis said they were not Mancunian siblings Noel and Liam Gallager walked on to stage for the first time together since 2009 and the crowd went after the concert, Steve from Hertfordshire, who last saw them perform in 2006, said they had lived up to his expectations - but admitted to having had quite a few beers before the for his favourite part, he said: "The beginning, the middle, and also the end." "All of it was fantastic," he said, adding: "We had a really good time, we've come all the way from Hertfordshire to see them in Wales." Morgan, 20 and from Wales, said: "It made my life, honestly, I could get hit by a car and die, and I'd have a smile on my face."Describing himself as an Oasis fan from birth, with his father encouraging him to get into them, he said: "It was unreal, being in that stadium, I'm still shaking, being here tonight is something else." The band split acrimoniously in 2009 after a backstage altercation following a gig in Paris that began with Liam throwing a plum at his older brother's the intervening years, they engaged in a long war of words in the press, on stage and social repeatedly called Noel a "massive potato" on Twitter and, more seriously, accused him of skipping the One Love concert for victims of the Manchester Arena responded by saying Liam was a "village idiot" who "needs to see a psychiatrist". Listen to the best of BBC Radio Manchester on Sounds and follow BBC Manchester on Facebook, X, and Instagram. You can also send story ideas via Whatsapp to 0808 100 2230.


Daily Mail
39 minutes ago
- Daily Mail
Oasis fan goes viral as they're caught having to use Shazam to identify 'one of the greatest songs of all time' during opening gig in Cardiff: 'This is who I lost my ticket to!'
An Oasis fan went viral after she was spotted having to use app Shazam to identify 'one of the greatest songs of all time' during the band's opening gig in Cardiff on Friday. More than 75,000 fans watched history be made as Noel, 58, and Liam, 52, appeared for the first time on stage together in 16 years at at the Principality Stadium But when Richard Ashcroft, 53, opening for the once warring brother's and sang his iconic hit 1997 Bitter Sweet Symphony, one woman in the crowd appeared have never heard of it. In a clip shared to TikTok as former The Verve frontman performed the track and thousands sang along, the concertgoer turned to her phone in order to identify the tune which Rolling Stone named as one of the 500 Greatest Songs of All Time. Captioning the clip: 'Imagine not knowing the greatest song of all time' others rushed to the comments to slam the woman who they did not believe truly deserved the much sought after ticket. They fumed: 'Seriously! I couldn't get a ticket because of these people': 'This is the people who got our tickets': 'this is who i lost my tickets too': 'And there's real fans from the 90's that couldn't get tickets': 'If you don't know bittersweet symphony we can't be friends': 'nah there's no way i lost tickets to someone shazaming one of the most popular songs of the britpop era'. It comes after the crowd were blown away by Oasis' reunion as they delivered an electrifying set, packed with energy and nostalgia. Taking to social media to share their reactions, many lauded it as 'greatest rock n roll show of all time' as they praised the 'momentous' occasion. Comments included: 'LIAM SOUNDS SO F****G GOOD!!! OASIS ARE BACK. THIS IS BETTER THAN JESUS' RETURN!!!'; 'I died and ascended to a new plane'; 'The birth of my daughter 4 months ago was the best day of my life. tonight became the second best night of my life. To witness oasis with my dad and my brothers means the world to me what a night #Oasis #oasiscardiff'; 'Goosebumps. That was epic!!! #oasiscardiff #OASISLIVE2025'; 'Timeless. Absolutely f*****g incredible. You HAVE to go see them. Oasis are BACK '; 'If you think you've seen everything,I can confidently say that you haven't, unless you were inside the tonight for round 2 of @oasis @liamgallagher Rock n Roll is incredible! #Oasis #oasiscardiff #OASISLIVE2025'; Captioning the clip: 'Imagine not knowing the greatest song of all time' others rushed to the comments to slam the woman who they did not believe deserved the much sought after ticket 'What a performance that was tonight #Oasis #oasiscardiff #OASISLIVE2025'; 'Greatest rock n roll show of all time #Oasis #OasisLive25'; 'Oasis didn't just reform - they redeemed themselves. It wasn't just nostalgia. It was rebirth. #oasislive25'; 'Everybody who didn't get Oasis tickets and convinced themselves it wouldn't even be that good are now absolutely fuming… and I don't blame them. Mega. Just, mega. #oasislive25'; 'Anyone with tickets for #oasislive25 you are in for an absolute treat. I've never seen them so on form and it was banger after banger. Roll on Saturday at Heaton Park.' Kicking off the show, Liam and Noel walked out with their arms around each other in a sweet display of unity, before they proudly gazed on at the crowds, who erupted into rounds of deafening applause. As the masses gathered on Friday, Liam said: 'Manchester vibes in the area,' before he kicked off the show with Hello, which served as the opening track for their 1995 classic 'What's The Story (Morning Glory). They then went into Acquiesce - a song from their first 1995 album, which was followed by the iconic Morning Glory - the titular song of the second studio album. Liam shouted out: 'Yes beautiful people! It's been too long.' He then ordered the crowd to 'turn around and bounce' ahead of Cigarettes and Alcohol. After performing Some Might Say, Bring It On Down and Fade Away, Liam went off for a rest, while Noel performed his acoustic version of Talk Tonight. Then Noel appeared emotional as he performed Half The World Away and even stopped singing for a few bars at one point. Liam later said: 'Are you having a good time?' before addressing the ticket chaos: 'Was it worth the £40,000 you paid for the ticket.' Tickets were meant to start at £74.25 for seated tickets at their Wembley shows, with the most expensive ticket being a £506.25 pre-show party. Throughout their various sets, poignant pictures of the family's home in Manchester flashed up on the screen along with baby pictures of both brothers. Old black and white pictures of their mum Peggy and dad Tommy were also flashed in the screen from time to time as Stand By Me played. The brothers ended the show with Rock n Roll, but fans cheers for an encore, with the pair strolling back out, with two of their fan favourite hits still to come. The crowds went wild as they belted out Wonderwall and the brothers became very emotional as they began to close down the show. 'Thanks for putting up with us over the years. We're hard work. We get it,' Liam gushed. They then rounded off their first gig in 16 years with legendary track Champagne Supernova.