3 Zodiac Signs Glow-Up & Transform Later in Life
While we've all been sold the idea that our youth is our peak, this is an overly simplified outlook on the complexities in life. While some of us may find our earlier years exciting, fun, and fruitful, others age like fine wine, both inside and out. According to expert astrologers, three zodiac signs are more destined to transform and glow up later in life. While their early adulthood may feel confusing, it's because they're meant to reach the summit of their goals, wishes, and fulfillment through maturity, not shortcuts.
Check if your Sun, Moon, or Rising signs are listed.
Associated with the planet of karma, maturity, and adulthood, Saturn, those who are Capricorns age into their prime. Their early years can feel like an uphill battle, whether due to security issues, relationship tensions, or inner turmoil. As they mature, their decisions, goals, and sense of inner fulfillment become sharper. With age comes insight, and their happiest days are found once they have overcome the hardships and lessons of youth.
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Later in life, Aquarius tends to begin accepting their quirks and what makes them different. However, in their youth, they often dislike feeling like the black sheep, wondering when the day will come that they can successfully fit in. With years of wisdom comes the healing perspective that who they are was alright all along. Confidence, grit, and determination are hallmarks of their maturity, allowing Aquarius to manifest breakthrough transformations and glow-ups, shining from the inside out.
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Being highly sensitive and spiritually attuned to the needs of others, Pisces often spends their youth chasing happiness in others. Taking over responsibility for the feelings of others can lead them astray. However, as they mature, they learn that the most valuable love, nurturance, and fulfillment come from within. While they always remain devoted, their loyalty often extends to themselves later in life. Transforming into their highest potential, Pisces chases their dreams and aims fiercely later in life, determined to secure the happiness they've always longed for.
3 Zodiac Signs Glow-Up & Transform Later in Life first appeared on Parade on Jul 8, 2025
This story was originally reported by Parade on Jul 8, 2025, where it first appeared.
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Behind Tyler Perry's Controversial Hollywood Workplace
Derek Dixon's recently filed $260 million litigation against Tyler Perry alleges sexual harassment, battery and assault — claims that the Atlanta entertainment mogul has called a shakedown. The sensational details of the suit, however, may obscure a more prosaic assertion found in the filing, one that has long trailed Perry — that he is operating his namesake studio without standard workplace guardrails. Dixon contends that he didn't report Perry, the impresario responsible for Tyler Perry Studios, after being purportedly pinned against a wall and groped by him because he wasn't aware of a human resources department at the facility. Regardless of the legitimacy of this assertion, questions have long surrounded Perry's relationship with industry labor. 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Before that, Adult Swim's The Boondocks, run by Aaron McGruder, furnished a blunter observation of Perry's notoriety in the industry, nodding to allegations of sexual harassment of actors cast in his productions. In a 2010 episode, the protagonist 'Robert' accepts a part in a play by a character parodying Perry as his love interest but is forced to evade frequent advances. The saga ends with the fictionalized mogul offering Robert the lead in a film in return for sexual favors. In Dixon's lawsuit, the actor similarly alleges Perry expected sex for giving him a role on The Oval. 'I give and give and give and no one ever does anything for me in return,' Perry told Dixon, according to the lawsuit. 'No one ever gives me what I want or what I need.' Perry declined to comment for this story. Perry, a member of the Directors Guild, has a controversial Hollywood labor record. 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'What people don't know is that early on, I had a writers room and it was a nightmare for me,' Perry told Essence in 2020 while promoting A Fall From Grace. 'Not only that, they were turning in scripts that didn't speak to my audience and my ratings took a dip. My audience knows my voice. They want to hear from me. They want to hear what I'm saying.' As technology advances, Perry sees his workforce contracting alongside it. Last year, he noted that, due to rapid growth of artificial intelligence tools that will soon transform the industry, he was putting an $800 million expansion of his backlot on hold, as he believes the need for many production services, from electric and transport to sound and editors, will greatly diminish. Perry's never been shy about his atypical shooting style, which is breakneck and keeps budgets low. A 2009 profile by the DGA's in-house publication explained that he'd directed 100 episodes of House of Payne while also completing two movies the previous year. 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Dixon grew up in Raleigh, North Carolina and decided he wanted to be an actor after appearing in his first play in his freshman year of high school. He studied acting at Marymount Manhattan College and the T. Schreiber Studio in New York, performed in plays in Atlanta, and won a Georgia playwriting award. Prior to working at the events company, he mostly made his living as a waiter or bartender while trying to build his acting career. In January of 2020, as Dixon outlines in his complaint, Perry invited him to his home in Douglasville County, Georgia. Both men drank alcohol, and Perry told Dixon he was too inebriated to drive home and should stay in the guest house. After Dixon went to bed in the guest house, he says, '[Perry] climbed into bed with me and began rubbing my thigh. I immediately jumped out of the bed and said, 'I'm not that sexual' and stood up until he left the room. I thought that my reaction made it clear that night that I was not interested.' 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After he delivered the good news about Dale, Perry's calls and texts increased exponentially, Dixon alleges in the lawsuit. 'It was always personal and almost never about business,' Dixon says. 'He would say 'send pics' of what I was doing or ask to see a photo shoot that I just did.' If Dixon didn't answer immediately, he says, Perry would get annoyed. When the COVID-19 pandemic hit, production on The Oval was delayed, and Perry encouraged Dixon to use the time to write a comedy pilot. Dixon did and shared the script. 'He called me and told me that it was hilarious, and he loved it and wanted to shoot the pilot for it,' Dixon says. 'I couldn't believe he actually liked it, much less wanted to shoot the pilot for it. It was one of the best things to ever happen to me at the time.' The details and dates of when this pilot was going to happen stayed murky but Dixon was thrilled and grateful. He thought that Perry understood, after their guest house encounter, that there was not going to be a sexual relationship between the two of them. 'There were times when I was around him and nothing would happen,' Dixon says. 'So I thought he got the picture, and that created a false sense of security.' Dixon believes that his excitement about his career — and fear of Perry's power — led him to ignore certain warning signs. 'I now realize I let my gratefulness for what he'd done for me cloud my self-respect,' Dixon says. Dixon says because he had never worked in a corporate environment, he didn't fully clock the professional inappropriateness of the text messages Perry began to send. Texts from Perry included in Dixon's complaint show the entertainment mogul commenting on Dixon's 'thick' body, asking 'Why do you twist your hips when you walk?' and noting that Dixon 'liked being choked' after shooting a choking scene on the show. In one text, Perry told Dixon he needed to 'let someone hold you and make love to you.' One day on set, Dixon says, Perry asked him to come to his trailer for a drink. 'I knew I had to,' Dixon says. 'We all were living at Tyler Perry Studios, working for Tyler Perry — who was the producer, writer, and director — and I understood that you do what Tyler Perry says, and you go where he demands. I felt like if you were invited and you cared at all about your career and staying on the show, you couldn't say no.' Perry had his assistant bring them margaritas in the trailer, Dixon says. He claims in his complaint that Perry began asking uncomfortable questions, including whether Dixon was attracted to him. Dixon tells THR he continued to deflect Perry's interest, telling him that he wasn't 'that sexual,' that he wasn't 'looking for anything.' When he left, they hugged and Perry pushed him against the wall and grabbed his buttocks, Dixon says. 'After he would do things like that, he would say things like, 'We need to just be business. We need to just be professional,' and I would think, 'Great. Yes.' Every time I thought it would stop.' The texting continued, however, with Perry often sending messages while drunk and seeming to get angry when Dixon didn't answer. 'Derek,' he said in one text that appears in the complaint. 'Don't you dare ignore me. I deserve better. I deserve attention all the time.' 'What's it going to take for you to have guiltless sex?' reads another text. 'Have you found that yet in therapy?' Dixon says he started having insomnia and stomach issues, and his doctor prescribed him Zoloft, an antidepressant. After weeks of unreciprocated sexual innuendos, Perry lashed out at Dixon on set, the complaint alleges, asking if he needed to 'punch [Dixon] in the stomach,' for Dixon to deliver the performance he wanted. In June of 2021, according to Dixon's complaint, Perry invited Dixon to his house, ostensibly to discuss Dixon's pilot, Losing It. 'I was worried but I knew I had to go,' Dixon says. 'I thought if he tried anything again, I could handle it and de-escalate it like I usually did.' Instead, Dixon says, he and Perry got drunk and Perry told Dixon to sleep in the guest house again. 'He told me to give him a goodnight hug and as I did, he abruptly and forcefully pulled down my underwear and groped my bare ass,' Dixon says of one the most damning allegations in his complaint. 'When I tried to pull my underwear back up, he grabbed my wrists to keep me from putting them back on. I couldn't believe what was happening.' Dixon believed that he was about to be raped. 'I told him 'No,' 'Stop,' and 'I don't want this,'' Dixon says, detailing the incident described in the lawsuit. 'But he wasn't stopping. He just told me to relax and let it happen and that he wasn't going to hurt me.' Perry's estate, which has a guard and gate, is located 'in the middle of nowhere,' Dixon says. 'An Uber cannot drive to the guest house.' To defuse the situation, Dixon says, he told Perry he couldn't do anything sexual because he was hungry, which sent Perry off to get a pizza. They ate the pizza back in the living room, then Dixon returned to the guest house, locked himself in the bathroom and fell asleep on the floor. In the following days, Dixon says he contacted a lawyer, not the one representing him now, Jonathan Delshad, but another, who told him he'd need to quit The Oval if he was going to file a complaint. 'All those years of trying to be an actor would just go up in smoke,' Dixon said. 'This is not a normal job. You can't just go out and easily get another series regular role on a TV show.' Dixon told a co-worker what happened, and they reminded him what he'd be giving up if he complained. Dixon felt paralyzed. 'I was too afraid to come forward,' he says. 'I knew it would be awful. And I was right.' Over the next several months, Dixon says he avoided Perry, declining an invitation for a yacht trip. Someone from Perry's production company reached out and said they wanted to shoot the pilot soon, and Perry's attorneys called and told Dixon he was getting a raise but not to tell his other castmates because he was the only one. Dixon decided to stay quiet, hoping the pilot would be a success and he could find work elsewhere in the entertainment industry. Perry shot Dixon's pilot in March of 2022. What Dixon didn't know at the time, he alleges in the complaint, was that Perry's contract with Viacom prohibited him from shopping the show for two years (Perry declined to comment on the deal). 'I believe he was trying to dangle my dreams in front of me for as long as he could to prevent me from talking,' Dixon says. In January of 2023, after finishing another season of The Oval, Dixon moved to Santa Monica, hoping to put physical distance between himself and Perry and waiting for Perry to sell the pilot. In December of 2023, Christian Keyes, another actor who worked for Perry prior to Dixon's employment, went on Instagram live detailing his abusive experience with an anonymous 'black Hollywood billionaire,' which Dixon believes to be a reference to Perry. Keyes' manager has not returned a request for comment. In June of 2024, Dixon filed a sexual harassment complaint with the Equal Employment Opportunity Commission and quit his job working on the last season of The Oval, for which he was under contract to make close to $400,000. The EEOC complaint is currently pending. 'I was an employee, and he was my boss,' Dixon says, of what motivated him to file the complaint. 'The fact that I'm an actor doesn't make me any less an employee. For a long time, I convinced myself that it was part of the industry, or that somehow I had to accept it to keep working. But eventually, I couldn't stay silent anymore.' In the weeks since his lawsuit became public, Dixon says he has received a mix of responses, from online threats and harassment to messages of support to stories of other people who say they have had similar experiences with Perry. 'This is why people, especially men, don't come forward,' Dixon says, of the harassment. Asked if he attempted to reach a private settlement with Perry prior to filing his lawsuit last month, Dixon says, 'There are always attempts to resolve situations like this privately, but they never result in the type of change necessary to protect further victims. At the end of the day my absolute fear is that he will be able to continue doing this without any major consequences.' 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Gilbert said it was a "shock factor" when people realized that she was "a full-grown adult with opinions and ideas that are smart and work." For her, it was important to have an identity outside of Hollywood. "[As child actors] we either grow up super sheltered and don't know how to do things like wash dishes, or [be] super overexposed and exploited," she said. Gilbert added that the second group are the ones that end up struggling with "the big problems." WATCH: 'LITTLE HOUSE ON THE PRAIRIE' CHILD STAR SAYS SET WAS LIKE 'MAD MEN' So at age 22, she moved to New York City to appear in an Off-Broadway play. "There I was at 22, living on my own with my cat and my dog in New York City, and completely unprepared to live on my own entirely. Completely," she said. "… I had to figure out how to do so much stuff that I had no clue about," she shared. "Like, I didn't realize that you could break a $100 bill at a bodega, and you didn't have to go to a bank. It's little things like that… At one point, [I] let the dishes pile up in my sink so bad, and I didn't have a dishwasher, so I threw them out and bought new dishes. On my $700 a week salary at that point." Still, Gilbert had fond memories of growing up on the set of "Little House." "Our set was as kid-friendly as a set could be at that time," she said. "Even with all the adult shenanigans going on, we were sort of protected from a lot of that. I didn't know half the stuff that the grown-ups were doing until they started writing books about it." Back in 2024, Gilbert told Fox News Digital she had to eventually leave Los Angeles to age gracefully. "I looked at myself in the mirror several years back," the 61-year-old recalled at the time. "I was living in Los Angeles, and I did not recognize who I was. I had overfilled my face and my lips. My forehead didn't move. I was still dyeing my hair red. I was driving a Mustang convertible. I was a size two in an unhealthy way. I looked like a frozen version of my younger self, and that's not who I was." "I was stuck," Gilbert admitted. "I could feel myself fighting it. And I said to myself, 'It's time to age.' I had to leave Los Angeles to do that – not Hollywood – Los Angeles specifically." Gilbert said she and her husband, actor Timothy Busfield, moved to his home state of Michigan following their wedding in 2013. They lived there for five years. She felt free to finally age. "I stopped coloring my hair," she explained. "I had [my] breast implants removed. I decided to just be the best, healthiest version of myself without this pressure to look a certain way, and it paid off in a huge way." "I finally found my feet as a woman, fully, 100 percent strong in my own knowledge, in my own accomplishments. Everything got easier. And a bonus? I have a lot more free time not staring in a mirror, sitting in a dermatologist's chair, or sitting in a hair chair." In 2019, Gilbert and Busfield purchased a rustic cottage on 14 acres in the Catskill Mountains. Life today is "incredibly fulfilling," she said. "It's remarkable," Gilbert gushed. "I love being this age. There are things about it that are not a lot of fun. I don't like it when my ankles ache in the morning or my skin's drier. Aging is not for sissies, but it is certainly better than the alternative. And I've never felt better in my skin."
