
Amy Bradley's cryptic letter to girlfriend 'predicting disappearance' before she vanished
Before her vanishing on a family holiday, Amy Lynn Bradley made a tearful confession to her girlfriend: she had kissed another woman.
The news devastated her lover Mollie McClure, prompting her to cut off communication to process the betrayal.
Desperate to reconnect, Amy, from Virginia, penned a heartfelt letter and sent it to Mollie in a "message in a bottle." The handwritten note, now shared in episode three of Netflix 's Amy Bradley Is Missing, would gain haunting significance just weeks later when the 23-year-old vanished without a trace during a Caribbean cruise with her family. It comes after a dad died in scalding hot bath as family slam hotel management for 'ignoring warnings'.
"Mollie, I hurt you deeper than you can ever forget," Amy wrote. "I'm not asking you to forget… I just wanted to ask you if you could find it in your heart to forgive me.
"I feel like there is an ocean between us, like I'm on a desert island waiting for you to rescue me… Save me, please. Stranded, Amy."
Exactly one month after writing those words, on March 24, 1998, Amy disappeared from a Royal Caribbean cruise ship while docked in Curaçao. She was last seen by her father, asleep on the cabin balcony between 5:15 and 5:30am. By 6am, she was gone, leaving behind everything but her lighter and cigarettes.
Since then, theories have ranged from accidental drowning or suicide to kidnapping and human trafficking. While some point to the letter as a possible clue to suicide, McClure disagrees.
"It could suggest suicide," Mollie says in the series. "But I don't connect with it in that way."
'It is a love letter. The metaphor — 'stranded,' 'ocean between us' — is convenient to misread, but I don't interpret it that way.'
Amy's disappearance has sparked a decades-long investigation and her family has occasionally received tips that have seemed promising.
In August 1998, Canadian tourist David Carmichael claimed he saw Amy on a Curaçao beach flanked by two individuals. He said the woman pointed to her tattoos, which matched Amy's. Authorities searched the area, but found nothing.
Then in January 1999, a U.S. Navy petty officer reported that a woman at a brothel in Curaçao told him, 'My name is Amy Bradley,' and begged for help.
She reportedly panicked when he mentioned a nearby naval ship, responding, 'No, you don't understand.'
The officer didn't take action, her father, Ron Bradley, told NBC News — in in part because the officer wasn't allowed to be in the brothel and because he didn't know anyone by that name was missing until he saw a magazine cover with Amy's face and name on it.
In 2005, the Bradley family received anonymous online photos of a woman named "Jas," who closely resembled Amy. A forensic analysis reportedly suggested a match, but investigators were unable to trace the source of the images, and the FBI found no actionable evidence.
Despite public interest and numerous leads, Amy remains missing. The FBI has classified her case as a suspected abduction, but no suspects have been charged, and her fate remains unknown.
Now, thanks to the latest Netflix documentary her story is drawing fresh interest, and with it, renewed hope that the mystery might one day be solved.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Scotsman
25 minutes ago
- Scotsman
Film reviews: Freakier Friday
Sign up to our Arts and Culture newsletter, get the latest news and reviews from our specialist arts writers Sign up Thank you for signing up! Did you know with a Digital Subscription to The Scotsman, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... Freakier Friday (PG) ★★☆☆☆ The Kingdom (15) ★★★★☆ Another week, another legacy sequel. This time it's Jamie Lee Curtis and Lindsay Lohan trotting out a belated follow-up to their 2003 body swapping box-office hit Freaky Friday, itself a remake of the third most famous Jodie Foster film of 1976 (after Taxi Driver and Bugsy Malone). In the Lohan/Curtis version, Lohan played angsty teen to Curtis's overly critical psychoanalyst mother, with the body swap shenanigans helping resolve the former's resistance to her mother's impending nuptials and the latter's despair at her daughter's pop star ambitions and mild teen rebellion. Jamie Lee Curtis and Lindsay Lohan in Freakier Friday | Glen Wilson Freakier Friday picks up the story in real time, with Lohan's Anna now a single mother with a teenage daughter of her own (played by Julia Butters, who went toe-to-toe with Leonardo Di Caprio as the precocious child actor in Once Upon a Time … in Hollywood), and Curtis's Tess on hand with all manner of passive-aggressive parenting advice. The body swapping twist comes when Anna falls for the British father of her daughter Harper's school nemesis, Lily, a newly arrived English rose whose elitist personality rubs this dungaree-wearing surfer-girl up the wrong way (Sophia Hammons plays Lily; Manny Jacinto — from Netflix show The Good Place — plays her dad). With neither daughter of this soon-to-be-blended family happy about what their parents' marriage will mean for their futures, some spiritual jiggery-pokery from a psychic on the weekend of the wedding results in Harper and her mum switching bodies and Lily trading hers, not with her dad (that would be too problematic for a Disney film), but with Harper's grandmother Tess. Advertisement Hide Ad Advertisement Hide Ad The latter perhaps justifies the 'Freakier' part of the title, but doesn't make a lot of sense beyond providing a way to centre Curtis as its star. That also means Curtis gets most of the best scenes, with Lohan relegated to straight woman, thanklessly sandwiched between Curtis's Lily-as-Tess freaking out about suddenly having 'crevices' in her face and peeing at inopportune moments and the Gen-Z Butters and Hammons (inhabiting the newly liberated spirit of their elders) cramming junk-food into their faces like they're in a kid-friendly remake of The Substance. There are a couple of funny lines (Facebook is described as a datastore for old people) and Curtis in comedy mode is always good value. But a lot of the humour is very bitty, dependent on pratfalls, groaning intergenerational misunderstandings, and comedians in small roles throwing jokes at a wall to see which ones will stick (very few of them do). It also relies on a lot of call-backs to that dim-and-distant first film, yet lacks the elegant simplicity of that film's plot. The result is an overly busy film that's short on actual laughs and a lot less fun to watch than the cast — per the end-credits blooper reel — clearly had making it. The Kingdom | Contributed From The Godfather to The Sopranos, the domestic realities behind organised crime are a staple of movies and TV shows about the mob, so all credit to slow-burning Corsican crime film The Kingdom for finding an intriguing new way to explore the skewed work-life balance of this heightened dynamic. Rather than zeroing in on the patriarchal head of a crime syndicate, writer/director Julien Colonna focuses instead on said gangster's teenage daughter, making a film that combines the dreaminess of a coming-of-age movie with the hard-hitting violence of a gangster film — like The Godfather if it had been directed by Sofia Coppola rather than Francis. Advertisement Hide Ad Advertisement Hide Ad Set in 1995, it revolves around 15-year-old schoolgirl Lesia (newcomer Ghjuvanna Benedetti), who's not at all happy when the languorous summer holidays she plans to spend flirting with local boys in the Corsican seaside village she resides in with her aunt is rudely interrupted by her estranged father, Pierre-Paul (Saveriu Santucci), summoning her to stay with him in a secluded villa with only a bunch of middle-aged, out-of-shape henchmen for company. Though it's not clear at first how much Lesia knows about the family business (the film is good at depicting the veil of ignorance that all kids have about their parents' actual lives), as news reports filter in about a series of assassinations in which Pierre-Paul might have been the intended target, the hushed conversations she witnesses between her father and his men help her put two-and-two together and their planned bonding time soon evolves into a father-daughter road trip to escape the police and, more importantly, the rivals circling Pierre-Paul's cloistered kingdom. Of course, the opening shot of Lesia never leaves us in any doubt about where this is all going (it involves her being bloodied in a hunting ritual). Nevertheless, the film's patience in letting us experience this world through her eyes makes the violence much more forceful when it does come. Benedetti, meanwhile, is superb — her face a quiet study in innocence corrupted as her father's regretful choices seep into her by osmosis, hardening her to a life she's fated to follow.


The Herald Scotland
25 minutes ago
- The Herald Scotland
Wednesday season 2: Netflix release time, cast and more
The second season will see the return of Jenna Ortega (Beetlejuice Beetlejuice, Death of a Unicorn and Scream) as Wednesday Addams. While fellow cast members, including Catherine Zeta-Jones (Morticia Addams), Luis Guzmán (Gomez Addams), and Emma Myers (Enid Sinclair), will also be back for the new season. They will be joined by new faces like Joanna Lumley (Grandmama Hester Frump), Steve Buscemi (Principal Dort), Billie Piper (Isadora Capri) and Christopher Lloyd (Professor Orloff). Ahead of the release of Wednesday, season two, we have rounded up everything you need to know, from how season one ended and the new-look cast, to the upcoming episode titles and whether or not there will be a season three. How did season 1 of Wednesday end? (SPOILERS) The first season of Wednesday remains the most-viewed English-language series on Netflix of all time. The finale saw Wednesday Addams (Ortega) confirm her suspicions that Tyler (Hunter Doohan) is the Hyde terrorising Nevermore Academy. She also discovers the hidden identity of Tyler's master - Marilyn Thornhill, aka Laurel Gates (Christina Ricci). Wednesday eventually wins out over the pair and saves Nevermore. Season one ends with Ortega's character driving away from school with her family, armed with her very first mobile phone. In the last scene of the finale, she receives multiple texts from an unknown contact. "The Stalker" sends a few photos of Wednesday with her love interests, a Memoji-style gif of a Wednesday avatar being stabbed in the head, and a text reading, 'I'm watching you.' Short recap of 'WEDNESDAY' Season 1! Season 2 Vol.1 releases in 3 weeks on August 6! — Wednesday (@WednesdaysDaily) July 16, 2025 Ortega, speaking to Netflix's Tudum, said: "We ended Season 1 with a stalker that was still after me. Tyler has been sent to a psych ward, and half the school is burnt down. 'We start off Season 2 with Wednesday being kidnapped.' What time does Wednesday come out on Netflix? Fittingly, part one of Wednesday, season 2, will be released on Wednesday (August 6). The first four episodes of Wednesday (season 2), which make up part one, will be available to watch in the UK on Netflix from 8 am. Part Two will be released on September 3, 2025. When does Netflix release shows? What to expect in the new Wednesday series? In the new season, Wednesday Addams (Ortega) must "navigate family, friends, and old adversaries, propelling her into another year of delightfully dark and kooky mayhem", Netflix explains. Armed with her signature razor-sharp wit and deadpan charm, Wednesday is also plunged into a new bone-chilling supernatural mystery. Co-creators, showrunners, and executive producers Alfred Gough and Miles Millar, speaking to Tudum, added: "Wednesday goes into this season thinking she knows Nevermore. 'But as soon as she returns, nothing happens the way she's expecting. "She thinks she's going to be in control, that she knows where all the bodies are buried, but she doesn't. "Nothing is what it seems in Season 2.' Episode titles The episode titles for part one of Wednesday, season 2, have also been revealed: Episode 1: 'Here We Woe Again' Episode 2: 'The Devil You Woe' Episode 3: 'Call of the Woe' Episode 4: 'If These Woes Could Talk' WATCH: Sneak peek at the first 6 minutes of Wednesday season 2 Wednesday (season 2) cast The season two cast for Wednesday will feature: Jenna Ortega as Wednesday Addams Isaac Ordonez as Pugsley Addams Victor Dorobantu as Thing Luis Guzmán as Gomez Addams Catherine Zeta-Jones as Morticia Addams Joanna Lumley as Grandmama Hester Frump Joonas Suotamo as Lurch Fred Armisen as Uncle Fester Emma Myers as Enid Sinclair Hunter Doohan as Tyler Galpin Joy Sunday as Bianca Barclay Moosa Mostafa as Eugene Ottinger Georgie Farmer as Ajax Petropolus Noah B. Taylor as Bruno Evie Templeton as Agnes DeMille Steve Buscemi as Principal Dort Billie Piper as Isadora Capri Christopher Lloyd as Professor Orloff Luyanda Unati Lewis-Nyawo as Sheriff Ritchie Santiago Jamie McShane as Sheriff Donovan Galpin Owen Painter as Slurp Thandiwe Newton as Dr. Rachael Fairburn Heather Matarazzo as Judi How old was Jenna Ortega in Wednesday? Ortega was born on September 27, 2002, which means she is currently 22 years old. Filming for Wednesday took place primarily in Northern Ireland between April and November 2024, according to Deadline. This meant Ortgea was 21 when she began filming season two of Wednesday, and 22 when it came to an end. Jenna Ortega is back as Wednesday Addams. (Image: Jonathan Hession/Netflix/PA) Will there be a Wednesday season 3? Wednesday has already been renewed for a third season, Netflix has confirmed. Co-creator and showrunner Alfred Gough said: '[Co-creator and co-showrunner] Miles [Millar] and I have been doing this long enough to know that shows like this don't come along every day. "It's such an alchemy of writing, directing, acting, crew, streamer, studio, and fans. "We remain grateful and excited to continue this journey and tell these stories with all of our partners.' Netflix said season three promises to go "even further, on every level". RECOMMENDED READING: Gough continued: 'Our goal for Season 3 is the same as it is for every season: to make it the best season of Wednesday we possibly can. 'We want to continue digging deeper into our characters while expanding the world of Nevermore and Wednesday.' Miles Millar added: 'We will be seeing more Addams Family members and learning more family secrets in Season 3!'


Telegraph
26 minutes ago
- Telegraph
The freakiest thing about Freakier Friday is the airbrushing of Lindsay Lohan's past
2003, as we're often reminded in the easy-breezy Freakier Friday, was a simpler time. Lindsay Lohan was 17 and right on the verge of being, albeit briefly, a megastar. Meanwhile, Jamie Lee Curtis got to rock out and rediscover her youth when they swapped bodies as mother and daughter in Freaky Friday, a bright, winning, frisky summer romp, which was an even bigger hit than Lohan's next film, Mean Girls. A great deal has changed – especially for Lohan – in the intervening 22 years. She's been through a crash-and-burn pariah phase, which involved jail time and multiple rehab stints. In 2013, she was opportunistically cast in Paul Schrader's grim meta-porno The Canyons. And now – after paving the way with three Netflix romcoms – she is finally mounting this Disney-approved comeback. Freakier Friday waves a wand and asks us to pretend that none of Lohan's struggles ever happened – which is perhaps the one freaky thing about it. The film is an Etch-a-Sketch wiped clean; unobjectionable fun, if a trifle anodyne. We shouldn't belabour the plot that causes single mum Anna (Lohan) and solicitous gran Tess (Curtis) to swap bodies yet again. Crucially (and awkwardly) it's not with each other. This time, it's with a pair of Gen Z family members who are sworn enemies. Harper (The Fabelmans' Julia Butters) is Anna's sullen rebel of a daughter, while Lily (Sophia Hammons) is her snooty British stepsister-to-be, after a whirlwind romance between Anna and a fellow single parent, her new fiancé Eric (Manny Jacinto). These complications want to spin off into fluffy absurdity. Instead they thicken into treacle. It's a mistake to have Lohan and Curtis mainly interact as new characters, because the emotional core between their old pair gets dislodged – though it certainly helps that Butters is such a splendid, grounding co-star both before and after the switcheroo. We might forget that Curtis has now won an Oscar (for Everything Everywhere All At Once), if it weren't that her reliable comedic chops are, thankfully, right to the fore. This time, when she bolts up in horror to bemoan the crevices in her face and 'having no lips', it's a disarming self-roast, and one of the funniest moments. You do wish, though, that they'd have let Lohan, who seems theoretically game, risk a touch of that sort of thing herself. You get your money's worth of that jolly staple, American actors putting on intentionally bad British accents. You also get, by my count, one A+ one-liner about Facebook, and one great overall scene. It's in a record shop, where Lohan-as-Harper tries to sabotage the wedding by throwing herself in front of Anna's old flame Jake (Chad Michael Murray, who played her boyfriend in the original, amusingly wheeled on as a befuddled man-prop). The kicker there is Curtis-as-Lily lurking behind the LPs, and occasionally surfacing with her face masked by a boomer time capsule – The Best of Sade! Sinead O'Connor! – to remain incognito. I probably chortled as much in that few minutes as in the rest of the film's runtime combined, because they strike the perfect tone of goofy nostalgia sprinkled over tart physical comedy. The rest is not going to rock anyone's world, but go in with the right expectations, and it may work some modest magic. PG cert, 111 min. In cinemas from Aug 8