logo
Jujutsu Kaisen season 3 confirmed for 2026 after anime expo update

Jujutsu Kaisen season 3 confirmed for 2026 after anime expo update

Time of India5 days ago
Image: Gamerant
Fans of Jujutsu Kaisen finally have clarity on the much-anticipated Season 3, and it's both exciting and bittersweet. At Anime Expo 2025, updates shared by the production team and voice actors confirmed that the next chapter of the hit anime will not air in 2025.
Instead, Jujutsu Kaisen Season 3 is now expected to release sometime in 2026. While this longer wait has left fans a bit disappointed, the news also raised anticipation, as creators promise an even more intense and visually stunning season—potentially the best one yet.
Why Jujutsu Kaisen season 3 is so hyped
According to Game Rant, Season 3 is expected to cover the Culling Game Arc, a major turning point in the manga that's packed with emotional stakes, brutal battles, and high-level sorcery.
Creators and voice actors alike have teased that this season will surpass the previous two in terms of scale, animation, and emotional impact.
The anime adaptation has played a massive role in the manga's global success.
Season 2's Shibuya Incident Arc set a high bar with fans praising its dark themes and plot twists.
Voice actors, including those for Yuji Itadori and Gojo Satoru, have hinted at "insane" developments in the upcoming arc.
Production status & 2026 release expectation
At Anime Expo 2025, it was revealed that while voice recordings for the new season have begun, animation work is still underway. According to Game Rant, the fact that the voice actors haven't yet seen animated footage suggests the production timeline still has a long way to go, ruling out a 2025 release.
by Taboola
by Taboola
Sponsored Links
Sponsored Links
Promoted Links
Promoted Links
You May Like
5 Books Warren Buffett Wants You to Read In 2025
Blinkist: Warren Buffett's Reading List
Undo
Jujutsu Kaisen's production team is taking extra time to ensure high quality.
This aligns with the three-year gap between Season 1 (2020) and Season 2 (2023), making a 2026 premiere plausible.
The release could fall anywhere between spring and summer 2026.
Where to watch & read Jujutsu Kaisen
While waiting for Season 3, fans can still immerse themselves in the Jujutsu Kaisen universe:
Watch: Seasons 1 and 2 are available on Crunchyroll with subtitles and dubbed versions.
Read: The manga, which concluded in late 2024, is available on Manga Plus.
With the delay now confirmed, fans are setting their sights on 2026—hoping that the extra time will lead to a season that exceeds all expectations.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

She earned more than top Bollywood stars, even refused 'Mughal-e-Azam' but today few remember India's first 'Lady Boss'
She earned more than top Bollywood stars, even refused 'Mughal-e-Azam' but today few remember India's first 'Lady Boss'

Time of India

time40 minutes ago

  • Time of India

She earned more than top Bollywood stars, even refused 'Mughal-e-Azam' but today few remember India's first 'Lady Boss'

Bina Rai, born Krishna Sareen on July 13, 1931, in Lahore, rose to become one of the most formidable names in Hindi cinema during the 1950s. Following the Partition, her family moved to Kanpur, where she completed her education before joining Isabella Thoburn College in Lucknow. It was during her college years that Bina Rai 's passion for acting began to flourish through theatre. Despite prevailing taboos around women entering the film industry, Rai remained determined to pursue her dream. When a newspaper advertisement announced a talent hunt by director Kishore Sahu, she saw it as an opportunity. Her family strongly opposed her decision, but Bina Rai's resolve was unshaken—she reportedly went on a hunger strike until they relented. Early Breakthrough and Rapid Stardom Rai emerged as the winner of the contest and received a then-impressive prize of Rs 25,000. She was immediately cast in Sahu's film Kali Ghata, where her striking screen presence and acting talent drew attention. But it was her role in Anarkali (1953) that turned her into an overnight sensation. Her portrayal in the title role, coupled with the film's memorable music and dialogues, made a lasting impression. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Villas Prices In Dubai Might Be More Affordable Than You Think Villas In Dubai | Search Ads Get Quote Undo The enormous success of Anarkali solidified her position in the industry. Her performance was so iconic that when filmmaker K. Asif approached her for the role of Anarkali in Mughal-e-Azam, she declined. She believed that the impression she had already created with Anarkali should not be repeated. The role later went to Madhubala, who also left an indelible mark with it. Commanding Stardom and Unmatched Fees At a time when leading male actors earned between Rs 50,000 to Rs 1 lakh per film, Bina Rai commanded Rs 1.5 lakh—an unheard-of figure for a heroine then. This was not just a paycheck; it symbolised the value she brought to films. Her name, which became synonymous with 'Lady Boss', alone could attract audiences and guarantee a film's success, reflecting the sway she held in an era largely dominated by men. Bina Rai starred in several notable films following Anarkali, including Ghunghat (1960), for which she received the Filmfare Award for Best Actress. Other prominent works include Taj Mahal (1963), Genghis Khan, Pyaar Ka Sagar, and Shagoofa. Her roles often reflected grace and emotional depth, earning her admiration across audiences and critics alike. Life Beyond the Spotlight At the peak of her career, Bina Rai chose to step away from the arc lights. She married actor Premnath in 1952 and gradually distanced herself from the film industry to focus on family life. The couple had two sons, including Prem Kishan, who also ventured into films. Bina Rai passed away on December 6, 2009. Her career may have spanned only around 15 years, but her impact was enduring. She not only broke stereotypes by asserting her space in a male-dominated industry but also shaped the trajectory of female stardom in Hindi cinema. Her decision to work on her own terms, the fees she commanded, and the performances she delivered ensured her place among the most respected actresses of her time.

SS Rajamouli loses his cool, pushes fan trying to take selfie outside Kota Srinivasa Rao's residence at his funeral in Hyderabad in viral video
SS Rajamouli loses his cool, pushes fan trying to take selfie outside Kota Srinivasa Rao's residence at his funeral in Hyderabad in viral video

Time of India

timean hour ago

  • Time of India

SS Rajamouli loses his cool, pushes fan trying to take selfie outside Kota Srinivasa Rao's residence at his funeral in Hyderabad in viral video

Filmmaker SS Rajamouli faced criticism after a video surfaced showing him reacting sharply to a fan seeking a selfie at the funeral of veteran Telugu actor Kota Srinivasa Rao. The incident occurred as Rajamouli was leaving Rao's residence, despite the solemnity of the occasion. Rajamouli also expressed his condolences on social media, remembering Rao as a legend. A moment of mourning turned tense as filmmaker SS Rajamouli lost his cool at a fan outside the residence of late Telugu cinema legend Kota Srinivasa Rao . The veteran actor, who passed away on July 13 at the age of 83, was laid to rest in Hyderabad amid an outpouring of tributes from the film fraternity. While several stars gathered to bid him a final farewell, a viral video of Rajamouli reacting sharply to a fan's selfie attempt during the solemn occasion has stirred conversation online. In the viral video, Rajamouli is seen exiting Rao's residence alongside his wife, Rama Rajamouli, when a fan approaches him for a selfie. Despite the somber setting, the fan continues to follow the director all the way to his car. As the fan gets too close, Rajamouli loses his cool—he pushes the fan aside and gestures in visible frustration, seemingly asking, "What?" with a sharp wave of his hand. The late veteran star's funeral saw an outpouring of grief from the Telugu film industry, with several prominent stars in attendance. Chiranjeevi, Pawan Kalyan , Prakash Raj, Venkatesh Daggubati , and Rana Daggubati were among those who visited to pay their final respects to the legendary actor. SS Rajamouli took to his X (formerly Twitter) handle and penned an emotional note in memory of Kota Srinivasa Rao. He wrote, "Deeply saddened to hear about the passing of Kota Srinivasa Rao garu. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like How to Trade ETH/USD Without Holding Ether IC Markets Learn More Undo A master of his craft, a legend who breathed life into every character he portrayed. His presence on screen was truly irreplaceable. My heartfelt condolences to his family. Om Shanti." Born on July 10, 1942, in Kankipadu, Andhra Pradesh, Kota Srinivasa Rao began his cinematic journey in 1978 with the Telugu film Pranam Khareedu, which also starred a young Chiranjeevi. Over the decades, he carved a legendary career, appearing in over 750 films across multiple languages.

SAF ends with ‘Spasm' bagging top award
SAF ends with ‘Spasm' bagging top award

Time of India

timean hour ago

  • Time of India

SAF ends with ‘Spasm' bagging top award

1 2 3 Kolkata: A one-take short film on the audition of an actress in Iran ('Spasm') and a documentary on a trafficked woman-turned-activist ('Fatima') have won the top awards at 8th South Asian Short Film Festival organized by the Federation of Film Societies of India (Eastern Region). Other films about the musings at a music shop in Kolkata ('The Music Shop - Symphony of the City'), a girl's fight against caste system in India ('Ballad of the Mountain'), the awakening of sexuality in a tribal youth of Jangal Mahal ('My Comrade') and the impact of resettlement in Sri Lanka ('No More Land') also picked up awards. The jury comprising Debalina Majumder, Sudeshna Roy and Saibal Mitra watched 98 films. Sahra Asadollahi's 'Spasm', which won the Ritwik Ghatak Golden Award for short fiction, has overwhelmed the jury members. "To make a film in Iran under the current circumstances is an audacious effort. As a practicing filmmaker, I know how tough it is to retain the viewers' attention when the location and the camera don't shift. The craft of this one-take film is of such a high order that it left me gripped," said Majumder. Tarun Jain's 17-minute short film – 'Ballad of the Mountain' – picked up the Ritwik Ghatak Silver Award for short fiction. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Live Update: The Strategy Uses By Successful Intraday Trader TradeWise Learn More It prompts viewers to dwell on the menaces of caste system. Jain's film is a tale of resilience, courage, and hope. It is an invitation to confront the uncomfortable truths in our society and an opportunity to rewrite the narrative for countless girls who deserve a chance to flourish. "It is an evocative film that is visually poetic. The narrative has been crafted in a way that is intimate and addresses the deep-rooted systematic inequality on the basis of caste. It shows how a vicious cycle of exploitation still goes on," Majumder said. You Can Also Check: Kolkata AQI | Weather in Kolkata | Bank Holidays in Kolkata | Public Holidays in Kolkata In the documentary segment, the top award was picked up by Sourabh Kanti Dutta's 'Fatima'. It narrates the compelling story of Fatima who, at the age of nine was married off to a pimp in the red-light area of Forbesganj, escaped the red-light area in 2007 and became an activist. "Considering the rough terrain, 'Fatima' has been shot and edited well. The candid filming gives us a palpable feeling of Fatima's struggle for a just cause,' Mitra said. Naskar & Co - an unassuming music shop in Kolkata – forms the backdrop of Bijoy Chowdhury's 'The Music Shop - Symphony of the City'. Black and white montage shots of the city intercut with interviews of musicians and patrons for a poetic exploration of Arabinda Roy's solitary journey as a master craftsman of Indian classical instruments. The film is populated by footage of enthusiast practitioners and listeners from abroad and Roy's memories of maestros. Impressed with the film, Mitra said, "I was left engrossed by the intelligent structuring of the documentary. The music used and played and the filming style gel well with the subject," Mitra added. Roy added that all the documentaries are incredibly good. "'Fatima' is very incisive about trafficking and women's positioning. 'The Music Shop - Symphony of the City' invokes a pride in making things that have been traditionally with us. Though set in Sri Lanka, 'No More Land' highlights a universal problem. In the short film section, 'My Comrade' was well-researched. It hits viewers in the right spot," Roy said.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store