logo
‘This must be a first?' – Ireland fans puzzled by RTE's scaled back coverage for Luxembourg friendly

‘This must be a first?' – Ireland fans puzzled by RTE's scaled back coverage for Luxembourg friendly

The Irish Sun11-06-2025

LUXEMBOURG vs Ireland was an instantly forgettable match with about the only standout aspect to it being RTE's scaled back coverage.
There was no studio coverage before, during or after
2
In the second half Troy Parrott scored with a delicate chip but it was ruled out for offside
2
Some viewers also reported the sound was out of sync with the picture on their TVs
Curran and Whelan were on commentary and also filled the half-time break by narrating 'highlights' of what chances were created by both sides.
O'Donoghue was at least present in the stadium as he conducted interviews with Heimir Hallgrimsson, Player of the Match
But the main talking point generated throughout the entire evening was that there were no pundits in studio talking things over.
Among the tweets posted on X about the significant break from the norm, Indo Sport podcast host Joe Molloy posted: "No RTE studio panel for the match?"
Read More On Irish Football
The replies to his post were broadly critical of the national broadcaster.
Barry fumed: "Shameful drop in standards!!
Niall Bergin posited: "Surely cost-cutting from RTE but
Most read in Football
Finally, someone else pondered: "This must be a first?"
However, others didn't think it was that egregious of a decision given last night was about as close to a meaningless international game as you're ever going to see.
Inside Arsenal's Ibiza holiday as Katie McCabe and teammates pop champagne to celebrate Champions League win
Mick Finn argued: "A meaningless, nothing game…lucky to have it shown."
Lastly, one fan used what a dreadfully poor spectacle it was to crack an amusing gag.
He quipped: "Is it possible they had one and they just all fell asleep? Understandable enough."
HEIMIR HUFF
Head coach Hallgrimsson
The birthday boy admitted: 'Let's be honest, we're not happy with this performance.
'It's good to keep a clean sheet but we all felt that in the first half we were sloppy, the game was boring in the first half.
"All the good things we did against Senegal were missing, all the quick movement, the press, the ball speed - so sloppy.
'We were so different from all the things we want to represent. We lost duels, we lost ball, our rotations were slow, our pressing was more individual than collective.
'It was not tactical, I think it was just focus. We were not doing the things we did four days ago.
'We changed in the second half, we had more tempo, and won more duels.
'But it was not good enough. We always like answers to questions and this one is a negative one, so we at least know that.
His side will begin their World Cup qualification campaign with a similar double-header in September, hosting Hungary before travelling to Armenia.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Labour of Love: Glucksman exhibition gathers art themed around the care economy
Labour of Love: Glucksman exhibition gathers art themed around the care economy

Irish Examiner

timean hour ago

  • Irish Examiner

Labour of Love: Glucksman exhibition gathers art themed around the care economy

Housework, farm work and compulsory work in institutions are just some of the subjects explored in the exhibition Labour of Love: Economies of Care in Contemporary Art at the Glucksman Gallery at University College Cork. 'The care economy is something we wanted to look at in the context of the university and contemporary art trends,' says Fiona Kearney, the director of the Glucksman, who curated the show with her colleague Katie O'Grady. 'It's the kind of work that is often unpaid, or pays badly, and relates primarily to female labour in the home. This is something that the UN is looking at, and something that our colleagues here in the university, as economists and social scientists, are looking at because it has a huge relevance to all of us in society.' As Kearney points out, it is often the case that artists who are mothers struggle to find the time and space to make work. 'This has emerged as quite a significant discussion within contemporary art practice. They have to balance their participation in residencies, for instance, with their responsibilities as parents. 'When we were preparing the show, however, we knew we didn't want to really focus on the subject through a feminist lens, we wanted to do a show that would be as inclusive as possible, while keeping the focus on unpaid or low paid work, and specifically on that idea of the carer. After all, both genders are bound by different stereotypes of work practices. A man might be doing low paid labour on a building site, for instance, when he might love to be at home caring for his children. There's certain things that society expects you to be.' Fiona Kearney, director of the Glucksman, with minister Patrick O'Donovan at Laura Fitzgerald's artwork at the gallery. Labour of Love is inclusive not just in terms of gender, but also in its international breadth. Of the twelve artists participating, four are Irish, four are European, two are British, one is Australian, and one is South American. 'We're an island nation,' says Kearney, 'and it's important to make international connections. Otherwise the wider world mightn't pay attention. Two of the artists, Jamie Martinez and Caroline Walker, are represented by galleries in New York, for instance, and those gallerists are now looking at our artists' work and sharing details of our exhibition and our website within their networks. You'd hope that might lead to more opportunities for the other artists in the show.' Labour of Love opens with the Danish artist Liesel Burisch's series of 15 one-minute videos, Minutes of Silence. 'Liesel is a relatively early career artist who wouldn't have shown in Ireland before,' says Kearney. 'It's not just in Ireland, but all over the world, that people are aware of taking a moment of silence, to pause and reflect. Liesel has filmed these fairly random groups, including animals. It's a gentle work, and quite comic, but also, I hope, it invites the visitor to take a moment to ask, can we enter into this exhibition with that sense of dignity that we feel should be afforded to the people that are represented in it?' Work in the home is explored by the Scottish artist Caroline Walker in a series of paintings and lithographs. 'This is Caroline's first time showing in Ireland. It's a real privilege for us; she's got a big show that's just opened at the Hepworth in Wakefield, and I suspect she's going to be a global superstar. A lot of her work that we specifically requested for this show was of her mother, who helps care for her child. One painting shows her mother checking a bottle of milk, while another shows her cleaning the toilet. It's a beautiful acknowledgement of the importance and value of that kind of labour.' The subject of forced labour is touched on in Amelia Stein's photograph, Laundry, which depicts a stack of freshly folded white linen. 'Amelia's work honours the women in the Magdalene Laundries,' says Kearney. 'We've shown the work along with a piece of 19th century Limerick lace on loan from Cork Public Museum. Lace making was women's work. It brought in an income and helped families survive when no other work might have been available. It's a history that isn't celebrated very much. We don't acknowledge the economic power that women were given in that moment because it was ripped away from them again by the time the Irish state was established.' Stock Check by Caroline Walker. The most prominent work in the exhibition, and certainly the one most popular with children, is Laura Fitzgerald's Rural Stress (Landini); a large tractor constructed of welded steel, accompanied by a selection of drawings of rural tasks and activities. 'I really must give kudos to my colleague Katie O'Grady here,' says Kearney. 'We had a long chat about how we could include the rural in the show. In Ireland, as you know, so much labour around the farm happens in a family context. Farm work is never ending. Everyone gets pulled into it, and it is often very thankless. 'Katie approached Laura and asked her to participate. Laura is fabulous. She's a super artist who's making really funny work. I mean, her drawings are so observational, and again, they're made with Sharpie pens on paper. And her tractor has turned out to be the sleeper hit of the show.' There will be another mix of Irish and international artists in Rinn, the next show at the Glucksman, which will be curated by the Japanese gallerist Wahei Aoyama and the West Cork designer Joseph Walsh. Rinn tours to the Glucksman at the end of July, having premiered in Tokyo in April as part of the Ireland Japan 2025 programme. 'We're the only Irish venue the exhibition will run in,' says Kearney. 'The project has grown organically out of the Making In symposium Joseph hosts every year in his studio in Riverstick. O'Donnell and Tuomey Architects, who designed the Glucksman, have partnered in those. They were out in Japan when Rinn opened there, and they'll be part of the exhibition here as well. We'll be celebrating 21 years since the Glucksman first opened in October, so it's a nice homecoming for them.' Labour of Love: Economies of Care in Contemporary Art runs at the Glucksman until July 6. Rinn opens on July 26. Women's Work, a documentary film on the artist Caroline Walker, screens at the Kane Building, UCC at 2pm July 5. Further information:

Letters to the Editor: All-Ireland victory cannot be bought
Letters to the Editor: All-Ireland victory cannot be bought

Irish Examiner

time2 hours ago

  • Irish Examiner

Letters to the Editor: All-Ireland victory cannot be bought

In 2018, Limerick surprised the hurling world when they won the Liam McCarthy Cup after a lapse of 45 years. Over the next five years the Treaty men assembled an outstanding hurling team, or group as John Kiely calls it, and garnered some unprecedented success. What surprised me was so many sports journalists, including some in the Irish Examiner, continued to attribute this success to the 'genius' of Paul Kinnerk on the sideline and the substantial financial input of JP McManus. Last year when Cork overturned Limerick in one of the greatest ever hurling matches in Páirc Uí Chaoimh those same journalists were quick out of the traps to predict that this would not happen again. The overwhelming consensus was when Limerick got Cork into their happy stomping ground of Croke Park that the 'brains trust' of Kinnerk and Kiely would ensure that the Páirc Uí Chaoimh result was a flash in the pan. They did not, however, reckon with the fact that Cork also had a few people on their sideline that knew a small bit about hurling and the Rebels prevailed once again. Fast forward to 2025 when Limerick had stumbled through their league campaign and their opening championship game. We were all assured, however, that Limerick had earmarked May 18 when they would be welcoming Cork to the Gaelic Grounds. Legendary Limerick hurler Ciarán Carey stated the intention was Limerick, in their own patch, would 'put manners on this Cork team'. For whatever reason, Cork did not show up for this game and were beaten out of sight. Once again Carey could not contain himself and proclaimed that the 'green machine' was back on the move and every other county were shaking in their boots. Three weeks later, when Cork once again went into the lion's den for the Munster final, the players and management had not read the script and, after another epic battle, the Mick Mackey cup went home on the Cork team's bus. When Cork recorded a big win over Tipperary in the round robin game at Páirc Uí Chaoimh the hurling 'experts' claimed the victory had no value as they had played the entire game with an extra man. In view of the events in Croke Park on last Saturday week maybe the Cork management could have got some credit for giving a lesson in how to use the extra man. Including injury time, Limerick played for 62 minutes with an extra player and the much vaunted Limerick backroom team did not seem to have any idea how to utilise their numerical advantage. Whichever of the remaining teams manage to win this year's All-Ireland hurling title will do so because they are the best team guided by an astute backroom team. It will not be necessary to have a 'hurling guru' on the side line or to have huge financial backing. Matt Aherne, Passage West, Co Cork Noble Nobel prize winners The suggestion that Donald Trump should win a Nobel peace prize, much less several as he believes, is unsound and offensive. A subjective assessment of the list of peace prize winners, and other Nobel categories, shows people who have contributed so much for so long and made improvements to our lives and our knowledge. How can Donald Trump claim this? His 'complete and total' ceasefire was, like many ceasefires in the Middle East, over before it started and didn't resolve any issues. Pick a noble person for the Nobel prize. Dennis Fitzgerald, Melbourne, Australia What's your view on this issue? You can tell us here Domestic violence A new report by the Women's Aid shows that last year the organisation was contacted circa 32,000 times about incidences of domestic abuse, which is an increase of 12%. The Women's Aid annual impact report for 2024 revealed that abuse is at its highest level in 50 years. Disclosures of sexual abuse rose by 30% and pornography and the manosphere is especially a big concern. Ostensibly there has been 17% more calls to this organisation's free phone helpline for domestic abuse. One would have to say that those figures are staggeringly high, but most experts would state that is this is just the tip of the iceberg. One must remember that most victim survivors of domestic abuse don't contact a speciality service and I find this to be very concerning. Sadly domestic violence remains endemic in our society. It's alarming to learn that 35% of women will suffer domestic violence and will suffer from this abuse over the courses of their lives. By continually highlighting this emotive issue, one would hope that it will encourage more people to reach out for the help that they need. It's startling to also learn that there's a rise in the number of disclosures in relation to former abusive partners. There can sometimes be a misconception that once somebody leaves, and the relationship ends, that the abuse ends. Sadly that's not the case. More than 33% of women last year that Women's Aid supported through their services were experiencing post-separation abuse. It's important to understand that this can can be an exceptionally high risk time because when an abusive partner has worked very hard to gain power and control over their partner, one worries that this can result in serious abuse with murder coming into play too. Pornography is the elephant in the room as it's impacting on how young people view relationships. It is giving sexual scripts to children before they ever embark out on their adult journey. Women's Aid has stated that strangulation has to be now legislated for as well pornography. As a sexual addiction clinician, I have seen the rise in pornography addiction amongst men which is most distressing. We need a multifaceted approach to this problem. When there's a good practice response from the guards , the results of these abuse cases can be transformative. I think it's essential that our education systems are encouraged to support and nurture healthy relationships. John O'Brien, Clonmel, Co Tipperary Civil war in Sudan As the horrors of war in the middle east dominate the headlines, it is important that we do not forget the apocalyptic suffering of the Sudanese people in the midst of 'the world's largest humanitarian crisis', according to the UN. Sudanese armed forces chief General Abdel-Fattah Burhan, centre. The force has been accused of war crimes. Picture: AP Tens of thousands of people have died as a result of the civil war which began in 2023, and more than 12m people have been displaced. There is heinous violence and famine plaguing the African nation. According to the World Food Programme, 24.6m people face food insecurity, while 637,000 face 'catastrophic levels of hunger'. Children have suffered greatly with 15m needing humanitarian aid according to Unicef. The Biden administration determined earlier this year that genocide was being perpetrated by the Rapid Support Forces, one of the warring parties. Their opponents, The Sudanese armed forces have also been accused of totally reprehensible acts and war crimes, including indiscriminate bombing, and attacks on hospitals. There have been attempts to end the conflict including by the US and Saudi Arabia and our own government has rightly provided over €10m in humanitarian support. Unfortunately, this horrendous war continues. Just this week, the World Health Organization stated that 40 civilians were killed in an attack on a hospital in one of the Southern regions. It is imperative that world leaders give this the same attention as the humanitarian disaster in Gaza and the devastating war in Ukraine. A ceasefire, a surge of humanitarian aid and a palatable diplomatic settlement for both sides are essential. Tadhg Mulvey, Trim, Co Meath Read More Letters to the Editor: Ireland does not need a president

Wexford's Johnstown Castle to host first ever Garden Fair
Wexford's Johnstown Castle to host first ever Garden Fair

Irish Independent

time3 hours ago

  • Irish Independent

Wexford's Johnstown Castle to host first ever Garden Fair

The Walled Garden at Johnstown Castle in Wexford. Photo by Colin Shanahan. Well on Sunday, July 13, the beauty spot will host its very first Garden Fair, from 10 a.m. to 4 p.m. showcasing the beauty of the horticulture in one of Ireland's most scenic and historic locations. The Garden Fair promises to be a celebration of nature, plants, and the people who bring them to life. Set in the picturesque Walled Garden of Johnstown Castle, this inaugural event will feature some of Ireland's finest plant nurseries, expert guest speakers, and a delightful range of food offerings. Attendees will be able to explore curated plant stalls, enjoy garden-themed art, and listen to inspiring talks from leading horticultural experts. Among the highlights are top plant nurseries offering everything from rare perennials to native Irish plants. Participating nurseries include Coldblow Nursery, Camolin Potting Shed, Kildalton College Nursery, Kilmurry Nursery, Leaf and Petal, Railstown Plants, Rare Plants Ireland, Shady Plants Nursery, and Individual Plant Nursery, as well as Johnstown Castle's selection of home-grown plants. In addition to the plant stalls, visitors can discover unique items from talented garden-focused creators and artists, such as botanical artist Lynn Stringer and gardenalia specialist Dee Brophy. There will also be plenty of opportunities to sit back and relax, enjoying delicious food from Eoghan's Eats food truck, The Crazy Vegetable food truck and sweet treats from The Coffee Pot, the estate's new coffee dock. Visitors will also be treated to a series of talks and presentations from leading experts in horticulture such as Geoff Stebbings, Michael White and Mary Reynolds, who will provide tips on gardening, sustainable practices and more, followed by a Q&A panel. Entry is free for Irish Heritage Trust members with an event ticket, which will be available at reception on the day, and non-members can book online or purchase at reception for €10.50. Access to the walled garden on the day will require an event ticket.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store