
Monsters and memes: Labubu dolls ride China soft-power wave
Small, fuzzy and baring sharp teeth, Chinese toymaker Pop Mart's Labubu monster dolls have taken over the world, drawing excited crowds at international stores and adorning the handbags of celebrities such as Rihanna and Cher. Beijing-based Pop Mart is part of a rising tide of Chinese cultural exports gaining traction abroad, furry ambassadors of a 'cool' China even in places associated more with negative public opinion of Beijing such as Europe and North America.
Labubus, which typically sell for around $40, are released in limited quantities and sold in 'blind boxes', meaning buyers don't know the exact model they will receive. The dolls are 'a bit quirky and ugly and very inclusive, so people can relate', interior designer Lucy Shitova told AFP at a Pop Mart store in London, where in-person sales of Labubus have been suspended over fears that fans could turn violent in their quest for the toys. 'Now everything goes viral... because of social media. And yes, it's cool. It's different.'
While neighboring East Asian countries South Korea and Japan are globally recognized for their high-end fashion, cinema and pop songs, China's heavily censored film and music industry have struggled to attract international audiences, and the country's best-known clothing exporter is fast-fashion website Shein. There have been few success stories of Chinese companies selling upmarket goods under their own brands, faced with stereotypes of cheap and low-quality products.
'It has been hard for the world's consumers to perceive China as a brand-creating nation,' the University of Maryland's Fan Yang told AFP. Pop Mart has bucked the trend, spawning copycats dubbed by social media users as 'lafufus' and detailed YouTube videos on how to verify a doll's authenticity. Brands such as designer womenswear label Shushu/Tong, Shanghai-based Marchen and Beijing-based handbag maker Songmont have also gained recognition abroad over the past few years. 'It might just be a matter of time before even more Chinese brands become globally recognizable,' Yang said.
A woman with a figure of the character Labubu as she vistis Pop Mart's theme park Pop Land in Beijing.
A woman posing with Labubu and Mokoko characters in an exhibition hall as they visit Pop Mart's theme park Pop Land.
A woman posing for a picture next to the character Labubu as she visits Pop Mart's theme park Pop Land.
Figures of the characters Mokoko (left) and Labubu in an exhibition room at Pop Mart's theme park Pop Land.
A woman wearing a Labubu hat as she visits Pop Mart's theme park Pop Land.
The character Labubu in an exhibition hall as people visit Pop Mart's theme park Pop Land.
A general view of a limited edition of a Labubu figure.
A limited edition of a Labubu figure called Labubu Pilot.
A limited edition of a Labubu figure.
A limited edition of a Labubu figure in Beijing.
People visit the Yongle Auction office where limited-edition Labubu artworks are on display.
People visit the Yongle Auction office where limited-edition Labubu artworks are on display.
A woman visits the Yongle Auction office where limited-edition Labubu artworks are on display.
A woman takes picture of limited-edition Labubus on display.
A general view of a limited edition of a Labubu figure called Labubu Pilot.
TikTok effect
Through viral exports like Labubu, China is 'undergoing a soft-power shift where its products and image are increasingly cool among young Westerners,' said Allison Malmsten, an analyst at China-based Daxue Consulting. Malmsten said she believed social media could boost China's global image 'similar to that of Japan in the 80s to 2010s with Pokemon and Nintendo'. Video app TikTok -- designed by China's ByteDance -- paved the way for Labubu's ascent when it became the first Chinese-branded product to be indispensable for young people internationally.
Joshua Kurlantzick from the Council on Foreign Relations (CFR) told AFP that 'TikTok probably played a role in changing consumers' minds about China'. TikTok, which is officially blocked within China but still accessible with VPN software, has over one billion users, including what the company says is nearly half of the US population. The app has become a focus of national security fears in the United States, with a proposed ban seeing American TikTok users flock to another Chinese app, Rednote, where they were welcomed as digital 'refugees'. A conduit for Chinese social media memes and fashion trends, TikTok hosts over 1.7 million videos about Labubu.
Cultural exports can 'improve the image of China as a place that has companies that can produce globally attractive goods or services', CFR's Kurlantzick told AFP. 'I don't know how much, if at all, this impacts images of China's state or government,' he said, pointing to how South Korea's undeniable soft power has not translated into similar levels of political might.
While plush toys alone might not translate into actual power, the United States' chaotic global image under the Trump presidency could benefit perceptions of China, the University of Maryland's Yang said. 'The connection many make between the seeming decline of US soft power and the potential rise in China's global image may reflect how deeply intertwined the two countries are in the minds of people whose lives are impacted by both simultaneously,' she told AFP.
At the very least, Labubu's charms appear to be promoting interest in China among the younger generation. 'It's like a virus. Everyone just wants it,' Kazakhstani mother-of-three Anelya Batalova told AFP at Pop Mart's theme park in Beijing. Qatari Maryam Hammadi, 11, posed for photos in front of a giant Labubu statue. 'In our country, they love Labubu,' she said. 'So, when they realise that the origin of Labubu is in China, they'd like to come to see the different types of Labubu in China.'--AFP
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Kuwait Times
4 hours ago
- Kuwait Times
Reluctant fame of Gaza photog Motaz Azaiza
PHILADELPHIA: At a church in Philadelphia, Pennsylvania, hundreds of people gathered recently for a weeknight charity fundraiser hosted by a celebrity guest. The venue was not announced in advance due to security concerns, and attendance cost at least $60 a pop — with some spending $1,000 to get a photo with the host. Yet, the event was not a gala hosted by a movie star or famed politician, but by a photojournalist: Gaza native Motaz Azaiza, whose images of the Zionist assault in Gaza launched him to international recognition. Wearing a black T-shirt, jeans, sneakers and gold-framed glasses, the 26-year-old boasts nearly 17 million followers on Instagram for his images from the war in Gaza. 'I wish you would have known me without the genocide,' Azaiza told the crowd, his voice faltering. Before the war, Azaiza was a relative unknown, posting photos from his daily life in Deir al-Balah in the central Gaza Strip to his roughly 25,000 Instagram followers at the time. But as soon as the first strikes from the Zionist entity hit Gaza, he became a war photographer by virtue of circumstance, and his wartime posts soon went viral. 'As a photojournalist, I can't watch this like anyone else, I'm from there, this is my home,' Azaiza said. After surviving 108 days of Israeli bombardment, Azaiza managed to escape Gaza via Egypt, and he has since become an ambassador of sorts for the Palestinian territory, sharing the story of his people as the conflict rages on. 'Every time you feel like you regret leaving, but then you lose a friend, you lose a family, you say, OK, I saved my life,' Azaiza said. Before the war, Azaiza had been hired to manage the online content for the United Nations Relief and Works Agency for Palestine Refugees in the Near East (UNRWA), the humanitarian agency accused by Israel of providing cover for Hamas militants. This month, he is touring the United States to raise money for UNRWA USA, a nonprofit which collects funding for the agency. 'I can't handle this much of a real big responsibility,' Azaiza told AFP from the fundraiser in Philadelphia. 'This is not me... I'm waiting to the genocide to stop. I want to go back to Gaza, continue my work capturing pictures,' he added. At one point he embedded himself in the crowd, posing for a selfie before shaking hands with donors. At the fundraiser, a UNRWA USA official solicited donations. 'Is there someone who wants to give $20,000? I would like to have $20,000. Nobody? Is there someone who want to give $10,000? I would like to have $10,000,' the official calls out. Once the call lowered to $5,000, five hands raised, and even more went up when asked for donations of $2,000 and $1,000. One of the donors, Nabeel Sarwar, told AFP Azaiza's photographs 'humanize' the people in Gaza. 'When you see a picture, when you see a child, you relate to that child, you relate to the body language, you relate to the dust on their face, the hunger, the sadness on their face,' Sarwar said. 'I think it's those pictures that really brought home towards the real tragedy of what's going on in Gaza.' Veronica Murgulescu, a 25-year-old medical student from Philadelphia, concurred. 'I think that people like Motaz and other Gazan journalists have really stuck a chord with us, because you can sense the authenticity,' she said. 'The mainstream media that we have here in the US, at least, and in the West, it lacks authenticity,' she added. Sahar Khamis, a communications professor at the University of Maryland who specializes in Arab and Muslim media in the Middle East, said Gazan journalists like Azaiza who have become social media influencers 'reshape public opinion, especially among youth, not just in the Arab world, not just in the Middle East, but globally and internationally, including in the United States.' 'The visuals are very, very important and very powerful and very we know in journalism, that one picture equals a thousand words. 'And in the case of war and conflict, it can equal a million words, because you can tell through these short videos and short images and photos a lot of things that you cannot say in a whole essay.' – AFP


Arab Times
12 hours ago
- Arab Times
Arabic-dubbed ‘Ne Zha 2' premieres in Riyadh
RIYADH, June 28, (Xinhua): A soft ripple of guzheng music floated through the foyer of Reel Cinema in northern Riyadh on Wednesday night as dozens of movie-goers posed beneath a towering poster of Ne Zha 2, the first time the Chinese animation blockbuster has reached Saudi screens in Arabic. Among the early arrivals was Bushra al-Dawood, a journalist for the Saudi outlet Gorgeous. To celebrate the premiere, she paired a black abaya embroidered with red crimson blossoms and matching red shoes. 'A nod to the fiery spirit of Chinese culture and Ne Zha,' she smiled. 'The film's landscapes are so vivid that I can't wait to travel there and see those mountains and rivers for myself.' Inside the 200-seat auditorium, laughter, gasps and spontaneous applause punctuated the two-hour screening of the Arabic-dubbed edition, which blends standard Arabic with Saudi, Egyptian and other dialects. When the lights came up, clusters of children rushed back to the poster for selfies, while adults lingered in animated debate about the plot's twists and mythical creatures. 'The movie is visually stunning, the story is beautiful, and I had no trouble following it thanks to the Arabic dub,' said Shahad, a fourth-year Chinese-language major at King Saud University. 'I saw posters of Ne Zha 2 all over China during a summer camp but never caught a screening there. The moment I heard it would open in Riyadh, I signed up right away. I'll be back with my family.' Combination The film's Saudi distributor, CineWaves Films, believes the combination of state-of-the-art animation and localised dialogue will broaden its appeal. ''Ne Zha 2' is a high-quality, truly original work that speaks to audiences everywhere,' said Faisal Baltyuor, CineWaves chairman. 'By dubbing it into Saudi dialect, we remove the language barrier and make the story even more inviting for local viewers.' Directed by Chinese filmmaker Jiaozi, Ne Zha 2 continues the coming-of-age saga of the rebellious boy-god first introduced in 2019's record-breaking Ne Zha. This time the stakes are higher, the universe larger and the visuals more ambitious, with richly textured dragons, fiery battles and sweeping panoramas rendered in full 3-D. Saudi animation veteran Malik Nejer, who supervised the Arabic version, said selecting different dialects for rival clans helped newcomers navigate a world rooted in Chinese folklore. 'Many Arab viewers don't know Chinese mythology,' Nejer explained. 'So we matched each on-screen tribe with a distinct Arabic dialect. It guides the audience through the plot and mirrors the linguistic diversity of our own region.' He also mentioned when concepts had no exact equivalent, the team searched for cultural parallels, 'letting viewers feel an instant connection.' Backed by CineWaves and Dubai-based PBA Entertainment, Ne Zha 2 opens nationwide in Saudi Arabia on Thursday and will roll out to the UAE, Bahrain, Oman, Kuwait, and Qatar in early July.

Kuwait Times
14 hours ago
- Kuwait Times
Dolce & Gabbana blur work and leisure with wrinkled ease at Milan Men's Fashion Week
Dolce & Gabbana leaned into relaxed elegance for their Spring/Summer 2026 menswear collection, showcasing deliberately crumpled looks that blurred the line between loungewear and tailoring at Milan Fashion Week on Saturday. The Italian fashion duo opened and closed the runway show with pajama-inspired ensembles — unpressed, layered, and clashing in striped patterns — pairing both shorts and trousers with a languid ease. A classical Beethoven soundtrack accompanied the collection, lending gravitas to what was otherwise a soft rebellion against traditional menswear codes. The designers' structured take on informal silhouettes was evident in a sharp-shouldered double-breasted jacket and tie worn over pink pinstriped pajama pants — a visual play on the season's age-old tension between business and leisure. Textural contrasts dominated the runway, with raw-knit pieces and furry outerwear injecting depth. Oversized shirt cuffs extended past jacket sleeves, while exposed boxer waistbands signaled a relaxed, subversive edge. Models present creations by Dolce & Gabbana for the Menswear Ready-to-wear Spring-Summer 2026 collection. Italian fashion designers Stefano Gabbana (left) and Domenico Dolce acknowledge the audience at the end of the presentation of creations by Dolce & Gabbana for the Menswear Ready-to-wear Spring-Summer 2026 collection as part of the Milan Fashion Week, in Milan.--AFP photos This combination of pictures shows models holding bags during a presentation of creations by Dolce & Gabbana for the Menswear Ready-to-wear Spring-Summer 2026 collection as part of the Milan Fashion Week, in Milan. Among the more polished looks was a crisp sky-blue and white striped pajama shirt tucked neatly into white leather Bermuda shorts — a subtle nod to versatility across settings. For evening, Dolce and Gabbana offered pajama suits embellished with floral beaded embroidery, styled with fuzzy sliders and antique-style cameo brooches, capturing the spirit of seaside glamour. In a rare move, finale models exited the Metropol theater to showcase the collection to crowds outside, taking a full lap of the venue in their runway attire. Celebrities including Zane Phillips, Theo James, Lucien Laviscount and Michele Morrone watched from the front row. --Agencies