logo
New Balance drops 1000 Colorways exclusively in the Middle East

New Balance drops 1000 Colorways exclusively in the Middle East

FACT18-02-2025
It's time to put your most fashionable foot forward. The sportswear brand New Balance has dropped a new collection. New 1000 Colorways is exclusive to the Middle East and is available at Foot Locker in Kuwait, Saudi Arabia, Qatar, and the UAE, as well as online in Kuwait, Saudi Arabia, and the UAE.
New Balance has launched two new colorways of the 1000 sneaker. The promotional images are set against the backdrop of Miami lights, and pay homage to the brand's roots. First released in 1999, the New Balance 1000 embodies Y2K aesthetics with its bold, futuristic design. Its sleek silhouette, prominent overlay panels, sculpted sole unit, and nylon eyelets set it apart, making it a standout in both past and present sneaker culture. Unconventional yet timeless, the 1000 seamlessly integrates into today's sneaker scene, reflecting New Balance's craftsmanship and authenticity.
The new campaign features the brand ambassador and Latin Grammy Award-winning singer Eladio Carrión and British Nigerian singer, Darkoo. Eladio was born in Kansas, United States, and raised in Puerto Rico. He has released five albums, which have reached the top 10 on Billboard's Top Latin Albums chart.
Darkoo was born in Lagos, Nigeria, and raised in London, United Kingdom. She started making music when she was 15 years old, and is famous for her Afrobeat sounds. Her breakthrough record Favourite Girl received international acclaim, and she is set to headline her first show in London this year.
The new 1000 colorways will be available in NB Navy/Dusk Shower/Pearl Grey/Sunfade Pink and Mineral/Sea Salt/Angora/Peach/Blossom. New Balances New 1000 Colorways are available from 20 February. The prices start from AED 799 in the UAE and SAR 929 in Saudi Arabia.
Check in with FACT for the best things to do.
GO: Visit www.newbalance.com for more information.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Arada awards AED678m contract to build Armani Beach Residences
Arada awards AED678m contract to build Armani Beach Residences

Sharjah 24

time3 days ago

  • Sharjah 24

Arada awards AED678m contract to build Armani Beach Residences

CREC subsidiary China Tiesju Civil Engineering has extensive experience across the Middle East, Africa, Latin America and Asia in executing complex projects. The conglomerate's track record of on-time delivery to an exceptional level of quality underscores Arada's commitment to setting a new standard for the high-end Dubai residential market. Designed in partnership with Armani/Casa Interior Design Studio and the Pritzker-Prize-winning Japanese architect Tadao Ando, Armani Beach Residences at Palm Jumeirah features panoramic views of the Arabian Gulf and Dubai's famed skyline, as well as 90,000 square feet of high-quality amenities and 57 individually designed homes. Ahmed Alkhoshaibi, Group CEO of Arada, said: 'This appointment marks a key step forward for a project that stands as one of Dubai's most anticipated ultra-luxury developments, and is in line with our promise to work with world-class partners on this landmark project. Set against the iconic backdrop of Palm Jumeirah, Armani Beach Residences reflects Arada's ambition to deliver exceptional design, craftsmanship, and a truly elevated lifestyle experience.' Launched in 2024 Launched in 2024, Armani Beach Residences at Palm Jumeirah has set a new benchmark for design-led ultra-luxury beachfront living in Dubai, combining minimalism, natural harmony and refined detail with impressive views of the Arabian Gulf and Dubai's skyline from the outer crescent of the iconic man-made islands. Every beautifully appointed home is defined by a desire to bring extravagant ocean and skyline views into its interior, with a wide array of configurations including including two-, three-, four-, five-bedroom and penthouse residences all offering unrestrained access to the exterior view. Armani Beach Residences at Palm Jumeirah also includes two presidential suites, which combine numerous different internal function areas – including a contemplative courtyard space with reflective pool, a personalised gym, libraries, a private cinema, and a private parking lounge with space for seven cars – with an opulent mega-terrace featuring an infinity pool. Buyers of penthouses and presidential suites will have the opportunity to work directly with Armani/Casa to deliver a truly bespoke interior scheme for their homes. Best Branded Residence at Robb Report's Best of the Best 2024 The project was named Best Branded Residence at Robb Report's Best of the Best 2024 and also won Waterfront Project of the Year at the 2024 Pillars of Real Estate Awards. The show apartment for Armani Beach Residences at Palm Jumeirah is available for viewing at the Arada sales office in City Walk.

Tariffs can be damaging to Hollywood's film industry
Tariffs can be damaging to Hollywood's film industry

Gulf Today

time7 days ago

  • Gulf Today

Tariffs can be damaging to Hollywood's film industry

Alexis Alexanian, Tribune News Service When a country like Armenia sends a film out into the world, it's not just art. It's a way to preserve memory, to reach a scattered diaspora. Each film offers the world stories that might otherwise be forgotten. So when President Trump proposes a 100% tariff on all films 'produced in foreign lands,' the damage isn't limited to foreign competitors or outsourcing studios. It threatens to shut out small nations like Armenia, for whom cinema is a lifeline. The proposal hasn't taken effect — yet. But July 9 marked a turning point in Trump's broader tariff agenda, with a deadline for reimposing sweeping trade penalties on countries deemed 'unfair.' While the situation for films remains unclear, the proposal alone has done damage and continues to haunt the industry. The tariff idea arises from the worldview that treats international exchange as a threat — and cultural expression as just another import to tax. Take 'Amerikatsi' (2022), the extraordinary recent movie by Emmy-winning actor and director Michael A. Goorjian. Inspired by his grandfather's escape from the Armenian genocide — smuggled across the ocean in a crate — the project is not just a movie; it's a universal story rooted in the Armenian experience, made possible by international collaboration and driven by a deep personal mission. Goorjian filmed it in Armenia with local crews, including people who, months later, would find themselves on the front lines of war. One was killed. Others were injured. Still, they sent him videos from the trenches saying all they wanted was to return to the set. That is the spirit a tariff like this would crush. Armenia is a democracy in a dangerous neighborhood. Its history is riddled with trauma — genocide, war, occupation — and its present is haunted by threats from neighboring authoritarian regimes. But even as bombs fall and borders close, its people create. Films like 'Aurora's Sunrise' (2022) and ' Should the Wind Drop' (2020) carry voices across oceans, turning pain into poetry, history into cinema. These films don't rely on wide releases. They depend on arthouses, festivals, streamers and distributors with the courage and curiosity to take a chance. A 100% tariff would devastate that. Indeed, the ripple effects of such a tariff would upend the entire global film ecosystem. Modern cinema is inherently international: A Georgian director might work with a French editor, an American actor and a German financier. So sure, many American films use crew and facilities in Canada. But international co-productions are a growing cornerstone of the global film industry, particularly in Europe. Belgium produces up to 72% of its films in partnership with foreign nations, often France. Other notable co-production leaders include Luxembourg (45% with France), Slovakia (38% with Czechia) and Switzerland (31% with France). These partnerships are often driven by shared language, which is why the US is also frequently involved in co-productions with Britain as well as Canada. Israel too has leaned into this model, using agreements with countries such as France, Germany and Canada to gain access to international audiences and funding mechanisms. The US government cannot unmake this system and should not try to do so. To penalise 'foreign-made' films is to punish Americans too — artists, producers and distributors who thrive on collaboration. You can't build a wall around storytelling. Supporters of the tariff argue it protects American workers. But Hollywood is already one of the most globalised industries on Earth, and the idea that it suffers from too many foreign films is absurd. If anything, it suffers from too few. The result of this policy won't be a thriving domestic market — but a quieter, flatter, more parochial one. A landscape where the next 'Amerikatsi' never gets seen, where a generation of Armenian American youth never discovers their history through a movie screen. If America still wants to lead in the 21st century — not just militarily and economically but morally — it should lead through culture and avoid isolation. Stories like 'Amerikatsi' remind us why that matters. A film that begins with a boy smuggled in a crate across the ocean ends with a message of joy and resilience. That's not just Armenian history — it's American history too. It cannot be separated. Unless we want that kind of storytelling priced out of our cinemas (and off our streaming platforms), we must keep the doors open. For America to turn its back on stories like these would be a betrayal of everything film can be. And it would impoverish American society too. That way lies not greatness but provinciality.

Alan Bergman, Oscar-winning lyricist who helped write 'The Way We Were,' dies at 99
Alan Bergman, Oscar-winning lyricist who helped write 'The Way We Were,' dies at 99

Gulf Today

time19-07-2025

  • Gulf Today

Alan Bergman, Oscar-winning lyricist who helped write 'The Way We Were,' dies at 99

Alan Bergman, the Oscar-winning lyricist who teamed with his wife, Marilyn, for an enduring and loving partnership that produced such old-fashioned hits as "How Do You Keep the Music Playing?,' "It Might Be You' and the classic "The Way We Were,' has died at 99. Bergman died late on Thursday at his home in Los Angeles, family spokesperson Ken Sunshine said in a statement on Friday. The statement said Bergman had, in recent months, suffered from respiratory issues "but continued to write songs till the very end.' The Bergmans married in 1958 and remained together until her death, in 2022. With collaborators ranging from Marvin Hamlisch and Quincy Jones to Michel Legrand and Cy Coleman, they were among the most successful and prolific partnerships of their time, providing words and occasional music for hundreds of songs, including movie themes that became as famous as the films themselves. Frank Sinatra, Michael Jackson, Tony Bennett and many other artists performed their material, and Barbra Streisand became a frequent collaborator and close friend. Alan and Marilyn Bergman arrive at the 26th annual ASCAP Pop Music Awards in Hollywood, California April 22, 2009. File/Reuters Sunshine said that there will still be a centennial celebration of Alan Bergman as planned at Santa Monica's Broad Stage, with guests including Michael Feinstein, Jackson Browne and Patti Austin. Feinstein, among the many artists who posted tributes Friday, wrote that the Bergmans were "kind, talented and principled artists' who "lived from a place called Love.' Blending Tin Pan Alley sentiment and contemporary pop, the Bergmans crafted lyrics known by millions, many of whom would not have recognized the writers had they walked right past them. Among their most famous works: the Streisand-Neil Diamond duet "You Don't Bring Me Flowers,' the well-named Sinatra favorite "Nice 'n' Easy' and the topical themes to the 1970s sitcoms "Maude' and "Good Times.' Their film compositions included Ray Charles' "In the Heat of the Night' from the movie of the same name; Noel Harrison's "The Windmills of Your Mind,' from "The Thomas Crown Affair'; and Stephen Bishop's "It Might Be You,' from "Tootsie.' The whole world seemed to sing and cry along to "The Way We Were,' an instant favorite recorded by Streisand for the 1973 romantic drama of the same name that co-starred Streisand and Robert Redford. Set to Hamlisch's tender, bittersweet melody, it was essentially a song about itself - a nostalgic ballad about nostalgia, an indelible ode to the uncertainty of the past, starting with one of history's most famous opening stanzas: "Memories / light the corners of my mind / misty watercolor memories / of the way we were.' Associated Press

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store