Malcolm-Jamal Warner, who played Theo on 'Cosby Show', dies in Costa Rica drowning
Malcolm-Jamal Warner, who as teenage son Theo Huxtable on 'The Cosby Show' was central to a cultural phenomenon that helped define the 1980s, died at 54 in an accidental drowning in Costa Rica, authorities there said Monday.
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Costa Rica's Judicial Investigation Department said Warner drowned Sunday afternoon on a beach on Costa Rica's Caribbean coast. He was swimming at Playa Cocles in Limon province when a current pulled him deeper into the ocean.
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'He was rescued by people on the beach,' the department's initial report said, but first responders from Costa Rica's Red Cross found him without vital signs and he was taken to the morgue.
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Warner created many TV moments etched in the memories of Generation X children and their parents, including a pilot-episode argument with Bill Cosby's Cliff Huxtable about money, and another episode where Theo tries to hide his ear piercing from his dad. His Theo was the only son among four daughters in the household of Cliff Huxtable and Phylicia Rashad's Clair Huxtable on the NBC sitcom, and he would be one of the prime representations of American teenage boyhood on a show that was the most popular in America for much of its run from 1984 to 1992.
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He played the role for eight seasons, appearing in each of the show's 197 episodes and earning an Emmy nomination for supporting actor in a comedy in 1986. For many the lasting image of the character, and of Warner, is of him wearing a badly botched mock designer shirt sewed by his sister Denise, played by Lisa Bonet. The 'Gordon Gartrell' shirt later became a memeable image: Anthony Mackie wore one on 'The Tonight Show' with Jimmy Fallon and the profile picture on Warner's Instagram shows a toddler sporting one.
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NBA Hall of Famer Magic Johnson was among those giving tribute Monday. Johnson said on X that he and his wife are sad to hear of the death of their friend.
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'We were both super fans of the hit 'Cosby Show' and continued to follow his career on shows like 'Malcolm and Eddie' and 'The Resident,'' Johnson said. 'Every time I ran into Malcolm, we would have deep and fun conversations about basketball, life, and business. He will truly be missed.'
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Like the rest of the 'Cosby Show' cast, Warner had to contend with the sexual assault allegations against its titular star, whose conviction in a Pennsylvania court was later overturned.
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Warner told The Associated Press in 2015 that the show's legacy was 'tarnished.'
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'My biggest concern is when it comes to images of people of color on television and film,' Warner said. 'We've always had 'The Cosby Show' to hold up against that. And the fact that we no longer have that, that's the thing that saddens me the most because in a few generations the Huxtables will have been just a fairy tale.'
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National Observer
41 minutes ago
- National Observer
MOVIES: The summer's biggest film (probably) and a couple of small heartfelt gems
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Winnipeg Free Press
an hour ago
- Winnipeg Free Press
Hulk Hogan's death resurfaces painful contradictions for Black wrestling fans
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'You never really got the feeling that Hulk Hogan truly felt remorse,' Famuyide said. Reactions to Hogan's death reflect American divide on race 'The Right Time' podcast host Bomani Jones noted there were two sharply different reactions to Hogan's death. Remembrances have split between those who see no need to harp on past controversies and those who struggle with his behavior that got once got him banned from the WWE. 'This was never going to be one where people were going to mourn quietly,' Jones said. Hogan's death drew remembrances from politicians, celebrities and fans alike, celebrating his accolades. Many applauded how he was able to parlay his wrestling persona into movie appearances, brand deals, a reality television show and notable political influence. On Friday, Dwayne 'The Rock' Johnson, whose fame arguably rivals Hogan's acclaim, paid tribute. Johnson, the son of pioneering wrestler Rocky Johnson, one of the WWE's first Black champions, said Hogan was a hero 'to millions of little kids.' 'You may have 'passed the torch' to me,' Johnson wrote under a 2002 video showing him and Hogan facing off at Wrestlemania. 'But you, my friend…you 'drew the house' meaning you sold out every arena and stadium across the country in your prime as Hulk Hogan, on your way of becoming the greatest of all time.' Other notable Black professional wrestlers, from Booker T and Mark Henry, to Jacqueline Moore and Carlene 'Jazz' Moore-Begnaud, have found success and fame in the WWE. But just as many people took Hogan's death as an opportunity to regale Hogan's more controversial behavior. In 2016, a Florida jury awarded Hogan over $115 million against Gawker Media, after Hogan sued them for posting a video of him having sex with his former best friend's wife. 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Growing up, Tesfatsion, who is Black, remembers watching Vince McMahon, the company's co-founder and former chairman, use a racial slur in a match with John Cena in 2005; or the storyline in 2004 when wrestler John Layfield chased Mexicans across the border. Weekly A weekly look at what's happening in Winnipeg's arts and entertainment scene. 'In some strange way, the WWE always had a pulse on where America stood,' Tesfatsion said. 'You cannot tell the history of America without all these issues, just like you cannot tell the history of the WWE without these issues.' Tesfatsion was in the audience at Hogan's last appearance at a professional match in January. He was one of the many who booed Hogan. After decades of fandom, it was his first time seeing Hogan live. 'I never thought that I would see 'The Hulk' in person, and that I would resort to bullying him. But that's what his actions made me do.' Still, Tesfatsion said he will never stop being a super fan. 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Winnipeg Free Press
2 hours ago
- Winnipeg Free Press
Singer Cleo Laine, regarded as Britain's greatest jazz voice, dies at 97
LONDON (AP) — Cleo Laine, whose husky contralto was one of the most distinctive voices in jazz and who was regarded by many as Britain's greatest contribution to the quintessentially American music, has died. She was 97. The Stables, a charity and venue Laine founded with her late jazz musician husband John Dankworth, said Friday it was 'greatly saddened' by the news that 'one of its founders and Life President, Dame Cleo Laine has passed away.' Monica Ferguson, artistic director of The Stables, said Laine 'will be greatly missed, but her unique talent will always be remembered.' Laine's career spanned the Atlantic and crossed genres: She sang the songs of Kurt Weill, Arnold Schoenberg and Robert Schumann; she acted on stage and on film, and even played God in a production of Benjamin Britten's 'Noye's Fludde.' Laine's life and art were intimately bound up with band leader Dankworth, who gave her a job and her stage name in 1951, and married her seven years later. Both were still performing after their 80th birthdays. Dankworth died in 2010 at 82. In 1997, Laine became the first British jazz artist to be made a dame, the female equivalent of a knight. 'It is British jazz that should have received the accolade for its service to me,' she said when the honor was announced. 'It has given me a wonderful life, a successful career and an opportunity to travel the globe doing what I love to do.' Laine was born Clementina Dinah Campbell in 1927. Her father, Alexander Campbell, was a Jamaican who loved opera and earned money during the Depression as a street singer. Despite hard times, her British mother, Minnie, made sure that her daughter had piano, voice and dance lessons. She began performing at local events at age 3, and at age 12 she got a role as a movie extra in 'The Thief of Bagdad.' Leaving school at 14, Laine went to work as a hairdresser and faced repeated rejection in her efforts to get a job as a singer. A decade later, in 1951, she tried out for the Johnny Dankworth Seven, and succeeded. 'Clementina Campbell' was judged too long for a marquee, so she became Cleo Laine. 'John said that when he heard me, I didn't sound like anyone else who was singing at the time,' Laine once said. 'I guess the reason I didn't get the other jobs is that they were looking for a singer who did sound like somebody else.' Laine had a remarkable range, from tenor to contralto, and a sound often described as 'smoky.' Dankworth, in an interview with the Irish Independent, recalled Laine's audition. 'They were all sitting there with stony faces, so I asked the Scottish trumpet player Jimmy Deuchar, who was looking very glum and was the hardest nut of all, whether he thought she had something. 'Something?' he said, 'She's got everything!'' Offered 6 pounds a week, Laine demanded — and got — 7 pounds. 'They used to call me 'Scruff', although I don't think I was scruffy. It was just that having come from the sticks, I didn't know how to put things together as well as the other singers of the day,' she told the Irish Independent. 'And anyway, I didn't have the money, because they weren't paying me enough.' Recognition came swiftly. Laine was runner-up in Melody Maker's 'girl singer' category in 1952, and topped the list in 1956 and 1957. She married Dankworth — and quit his band — in 1958, a year after her divorce from her first husband, George Langridge. As Dankworth's band prospered, Laine began to feel underused. 'I thought, no, I'm not going to just sit on the band and be a singer of songs every now and again when he fancied it. So it was then that I decided I wasn't going to stay with the band and I was going to go off and try to do something solo-wise,' she said in a BBC documentary. 'When I said I was leaving, he said, 'Will you marry me?' That was a good ploy, wasn't it, huh?' They were married on March 18, 1958. A son, Alec, was born in 1960, and daughter Jacqueline followed in 1963. Despite her happy marriage, Laine forged a career independent of Dankworth. 'Whenever anybody starts putting a label on me, I say, 'Oh, no you don't,' and I go and do something different,' Laine told The Associated Press in 1985 when she was appearing on stage in New York in 'The Mystery of Edwin Drood.' Her stage career began in 1958 when she was invited to join the cast of a West Indian play, 'Flesh to a Tiger,' at the Royal Court Theatre, and was surprised to find herself in the lead role. She won a Moscow Arts Theatre Award for her performance. 'Valmouth' followed in 1959, 'The Seven Deadly Sins' in 1961, 'The Trojan Women' in 1966 and 'Hedda Gabler' in 1970. The role of Julie in Jerome Kern's 'Show Boat' in 1971 provided Laine with a show-stopping song, 'Bill.' Laine began winning a following in the United States in 1972 with a concert at the Alice Tully Hall in New York. It wasn't well-attended, but The New York Times gave her a glowing review. The following year, she and Dankworth drew a sold-out audience at Carnegie Hall, launching a series of popular appearances. 'Cleo at Carnegie' won a Grammy award in 1986, the same year she was a Tony nominee for 'The Mystery of Edwin Drood.' A reviewer for Variety in 2002 found her voice going strong: 'a dark, creamy voice, remarkable range and control from bottomless contralto to a sweet clear soprano. Her perfect pitch and phrasing is always framed with musical imagination and good taste.' Perhaps Laine's most difficult performance of all was on Feb. 6, 2010, at a concert celebrating the 40th anniversary of the concert venue she and Dankworth had founded at their home, during which Laine and both of her children performed. 'I'm terribly sorry that Sir John can't be here today,' Laine told the crowd at the end of the show. 'But earlier on my husband died in hospital.' Laine said in an interview with the Boston Globe in 2003 that the secret of her longevity was that 'I was never a complete belter.' 'There was always a protective side in me, and an inner voice always said, 'Don't do that — it's not good for you and your voice.'' Laine is survived by her son and daughter. ___ Associated Press writer Jill Lawless contributed. AP journalist Robert Barr, the principal writer of the obituary, died in 2018.
