
Paranthu Po early reviews: Ram and Shiva's film hailed as ‘a gift to Tamil cinema'
Going by the early reactions, Ram's Paranthu Po is garnering praise for its tender, emotionally resonant subject. Writer-director Halitha Shameem hailed the film and called it a befitting response to formulaic cinema. She wrote, '#ParanthuPo 🌻 is a delightful film that appeals to our inner child. In an industry where 'combinations' usually just mean two hit-makers joining forces and leave us with no exciting end-product, the pairing of director Ram and actor Shiva is a refreshing change. They bring in new flavour. Something we didn't know we needed. Shiva's endearing silliness being adored by Ram is ❤️❤️❤️ I can watch Gokul chase after Anbu forever. And Anjali through Ram's eyes is always special. Philosophical filmmakers are quite rare and it's important we hear, resonate and amplify their voices. And much love to the gal who played Myna and the cockroach kid 😀.'
Scriptwriter-Subtitler Vivek Ranjit also lauded Paranthu Po after attending a preview. He wrote, 'Watched a preview of #ParanthuPo. It's a beautiful, hilarious film which is a complete departure from #DirectorRam's previous works. Wonderful performances from the boy, our #GraceAntony @AjuVarghesee @IAMVIJAYYESUDAS and my favourite @actorshiva (his best so far). Must watch!'
Filmmaker Abhishan, who helmed the sleeper hit Tourist Family, appreciated the balance of humour and emotion in Paranthu Po. He praised Ram and wrote, 'Just watched the brilliant film Paramthu Po by Ram sir — my heart is so full. Beautifully balanced with humour and deep emotions. It truly stays with you. Please don't miss this gem in theatres. 🤍'
Singer Sean Roldan, too, was impressed with Paranthu Po's emotional depth and visual storytelling. He shared, 'I was invited to watch a special show of #ParandhuPo. A concoction of story-telling magnificence, shades of emotions that rekindle your human nature, masterful craft and all of this grounded on an understanding of life beyond words. There are only few creators who are such masters of their art and Ram sir is a shining beacon among them. Watch with your families in theatres. This film is a gift to Tamil cinema from the one and only 🙏 Feeling happy for Mirchi shiva who has slayed his performance btw❤️.'
A fan also celebrated Ram's direction and wrote, '#ParanthuPo An outstanding & a liberating film by Dir Ram. Audience will fall in love with cinema again. #DirectorRam.'
Earlier, in an interview with The Hindu, director Ram spoke about the core theme of Paranthu Po. He said, 'We all come to a city like Chennai because it tells you that if you come here, you can succeed in life. Moreover, cities become places you can go to after escaping the values that a village or small town imposes on you. A city thrives in the dreams it gives its inhabitants. If a city can house only the successful, the population will be smaller, and there will be nobody to work for those successful people. So, for a city to function, it needs such slaves, and it is that pursuit of a dream that enchants them and lets them be slaves; they won't even know they are enslaved.'
He added that the film attempts to reflect the lives of such middle-class families, 'It speaks about their happiness, their goals, and whether 'vaathu muttaila irundhu dinosaur varuma varaadha' (will or will not a dinosaur come out of a duck egg).'
Paranthu Po is set to hit theatres on July 4. The film also stars Grace Antony, Anjali, Vijay Yesudas, Aju Varghese, and others in key roles.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Hindu
21 minutes ago
- The Hindu
CPI(M) general secretary M.A. Baby seeks Bharat Ratna for percussion artists
CPI(M) General Secretary M.A. Baby, a connoisseur of Carnatic music, made a strong case for awarding the Bharat Ratna to percussionists in India, stating that percussion music had reached 'Himalayan heights' in the country. 'There is not only Umayalpuram Sivaraman. There were Kishan Maharaj, Alla Rakha, Zakir Hussain, and Samta Prasad. But the highest honour, like the Bharat Ratna, has gone only to Bhimsen Joshi, Bismillah Khan, M.S. Subbulakshmi, Ravi Shankar, and Lata Mangeshkar,' he said during a conversation with Mr. Sivaraman at The Hindu office in Chennai on Sunday (July 13, 2025). Mr. Baby's friendship with Mr. Sivaraman dates back to several decades. He has organised many concerts and even persuaded Mr. Sivaraman to perform for Kathak dancer Birju Maharaj. He added that the Music Academy and The Hindu should play a role in advocating Bharat Ratna recognition for percussion artists. 'This is the most appropriate platform to raise the question: why has a percussion artist never been given the Bharat Ratna? No one deserves it more than Umayalpuram Sivaraman. He is already a Padma Vibhushan awardee. The music fraternity should raise its voice for the recognition that is long overdue. Why is the government not listening to such a sane voice in the field of music and culture?' he asked. He also recalled an incident in which tabla maestro Kishan Maharaj criticised the Centre for its miserly attitude toward conferring awards on musicians. 'Unless we live for 80 or 85 years, no national honour will come to us,' Mr. Baby quoted Kishan Maharaj as saying at an event in Delhi attended by Union Ministers. The CPI(M) leader further pointed out inadequacies and partialities in the selection of awardees. 'Of course, there are genuine North Indian artists, but genuine South Indian artists have not been sufficiently considered,' he said. Mr. Sivaraman said that long ago, he had suggested to the Sangeet Natak Akademi that it institute an award in memory of the legendary nagaswaram player T.N. Rajarathinam Pillai. 'There is the Ustad Bismillah Khan Yuva Puraskar. Institute a similar award in the name of Rajarathinam Pillai,' he said. Mr. Baby supported this demand, saying Rajarathinam Pillai was equal in stature to Bismillah Khan. Mr. Sivaraman, who has performed with four generations of musicians, said he was ready to accompany the next generation as well. He also described the specific playing styles required for accompanying great musicians such as Mudikondan Venkatrama Iyer, Ariyakudi Ramanuja Iyengar, G.N. Balasubramanian, Madurai Mani Iyer, T.R. Mahalingam, and M.D. Ramanathan. Speaking on the subject of creativity, Mr. Sivaraman cited poet Kalidasa to explain his philosophy: 'Don't think everything old is good; don't criticise everything new as bad. People with wisdom will always select the best from the old and the best from the new. That is my motto,' he said. N. Ram, former Editor-in-Chief of The Hindu, who introduced the two, said the event was meant to highlight and celebrate an unusual association and a relationship that blossomed into enduring friendship. He said that Mr. Baby first encountered Mr. Sivaraman's music during the Emergency, when he was semi-underground and courted arrest. 'His elder brother advised him to visit a temple and listen to concerts. That is how he first discovered the great music of Mr. Sivaraman,' he said.


The Hindu
an hour ago
- The Hindu
M.A. Baby Urges Bharat Ratna for Umayalpuram Sivaraman, Highlights Neglect of Percussion Artists in India
CPI(M) General Secretary M.A. Baby, a lifelong connoisseur of Carnatic music, argues that Indian percussionists deserve the nation's highest civilian honour, the Bharat Ratna. In a conversation with legendary mridangam maestro Umayalpuram Sivaraman at The Hindu office, Mr. Baby highlights why artists like Kishan Maharaj, Alla Rakha, Zakir Hussain, and Samta Prasad have yet to receive this recognition. He calls on institutions like the Music Academy and The Hindu to champion this overdue honour and criticises the Government of India for ignoring calls from the music fraternity. The event also revisits stories of friendship, artistry, and the philosophy of embracing both tradition and innovation in music. Watch to understand why the campaign for Bharat Ratna for percussionists matters and why it's time India recognised its great maestros. Video: Johan Sathyadas, Thamodaran B, Shivaraj S Editing: Shivaraj S


Hans India
14 hours ago
- Hans India
Bharat Utsav lights up Moscow with colours of India
Moscow's iconic Manezhnaya Square turned into a vibrant celebration of Indian culture as the Festival of India – Bharat Utsav continued to captivate audiences with its rich blend of dance, music, art, and spirituality. Held from July 5 to 13, the festival is jointly organised by the Indian Embassy in Russia and the Moscow government as part of the larger 'Summer in Moscow' initiative. The day began with a soulful start as devotional and patriotic songs resonated across the square, paying homage to India's spiritual and national heritage. The Indian Embassy in Russia shared glimpses on X (formerly Twitter), writing, 'A soulful start to the day with devotional and patriotic melodies in praise of Bharat. Spiritual hymns, Russian tributes and Hindi patriotic songs echoed a message of peace and pride. VikaasBhi, ViraasatBhi!' A major highlight of the festival has been its energetic dance performances. Paying tribute to Indian cinema, Bollywood-themed shows by dance troupes electrified the atmosphere with rhythm and colour. Cultural groups also showcased classical forms such as Kuchipudi, Kathak, Bharatnatyam, Odissi, and Singri, alongside regional songs in Tamil and Maithili. The JivanNritya Group's mesmerizing performance on the 'Family of Gods: Shiva, Parvati, and Ganesha' was particularly well-received. Manezhnaya Square has been transformed into an Indian cultural haven, complete with lush greenery, traditional décor, and relaxation zones designed to immerse visitors in Indian aesthetics. The grounds also host a bustling cultural fair, displaying local and Indian handicrafts such as ceramics, paintings, wooden carvings, and ethnic attire. Interactive elements like the 'Discover India' quiz offer attendees a chance to engage with Indian history and culture, while workshops and masterclasses provide hands-on experiences in Indian arts and traditions. Adding to the spiritual aspect of the event, a Raja Yoga meditation session introduced participants to the ancient Indian practice of mind control and self-realisation, promoting inner peace and mental wellness. Speaking about the growing fascination with Indian traditions in Russia, BulatNurmukhanov, Deputy Chairman of the Moscow City Tourism Committee, said, 'Interest in Indian culture among both Muscovites and city visitors remains exceptionally strong. This was evident during International Yoga Day at VDNKh which drew 7,000 participants. With Bharat Utsav, we present another large-scale cultural initiative that strengthens Indo-Russian ties.' He further noted that Indian participants had specially travelled to Moscow to share their culture, cuisine, and traditions, making the festival a global platform for cultural exchange. As part of the 'Summer in Moscow' project, Bharat Utsav joins over 1,000 festivals and events aimed at showcasing global cultures to Muscovites. With its vibrant fusion of heritage, performance, and participatory experiences, the Festival of India has not only brought a slice of India to Russia but also deepened the cultural bond between the two nations.