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19 minutes ago
- Yahoo
'Fantastic Four': Sue Storm's biggest power isn't what you'd expect in superhero movie
Sue Storm's pregnancy and parenthood is the emotional core of this retro-futuristic Marvel movie As we enter Phase 6 of the Marvel Cinematic Universe (MCU), The Fantastic Four: First Steps (in theatres July 25) puts the bond of a family at the centre of its storytelling. Starring Pedro Pascal, Vanessa Kirby, Joseph Quinn, Ebon Moss-Bachrach and Julia Garner, it's the power of motherhood that becomes the greatest asset for these superheroes. "It always seemed to me kind of revolutionary to have this mother at the centre of this family, but also be absolutely part of the team. Never left at home on her own," Kirby told reporters ahead of the film's release. "And then when I met [director Matt Shakman] and [president of Marvel Studios Kevin Feige] for the first time and started talking about Sue, I was already so passionate about her, but it was so exciting to me, this idea of having this pregnant superhero, this working mother, and even in the shooting of it, it was surreal. "I was so included in everything. ... Matt and Kevin were such huge champions of having her be ... as complex and as fierce and as loving and warm and all the things they think feminine really is. ... It was very daunting. I really cared, and it's been a great honour to play her." What is 'The Fantastic Four: First Steps' about? In a stand-alone story in the MCU, Fantastic Four sets up the story of four astronauts who return from space with altered DNA due to a cosmic storm, leaving them with superpowers. Reed Richards/Mister Fantastic (Pascal) can stretch to incredible lengths, while his wife Sue Storm/Invisible Woman (Kirby) can generate powerful force fields and has the ability to make herself invisible, as her name suggests. Sue's brother Johnny Storm/Human Torch (Quinn) can make himself engulfed in flames, fly and shoot out fire, while Ben Grimm/The Thing's (Moss-Bachrach) body transformed into rock form, giving him super strength. Early in the film we see Sue tell Reed that she's pregnant, something that they've struggled to achieve for some time. But Reed, the supremely intelligent but anxious scientist that he is, not only wants to make the world as safe for his son as possible. He also has concerns about whether their superpowers will impact their child's DNA. "The one thing that I found was kind of anchoring was that somebody that is this smart strangely makes him kind of an innocent when it comes to human interactions and relationships, and either saying the wrong thing or reading the room incorrectly, or finally finding a way to express the thing that burdens him," Pascal said. "And just sort of perplexed a little by the fact that people aren't catching up as quickly as he would, as his mind works." "That was really, really fun to kind of create idiosyncratic behaviour around that. But really at the core for me ... is that he's an incredible codependent, and without them, he doesn't know how to function, and he's lost to his own brain. His identity is related utterly to his family and his position in the family, and protecting them and being protected by them." The Fantastic Four family gets an unexpected visit from the Silver Surfer (Garner), who zooms down to Earth and announces in the middle of Times Square that the planet will be consumed by Galactus (Ralph Ineson). Interestingly, that was Garner's first day of work, and she was "terrified." "It was probably the craziest first day I've ever had on a job," Garner said. "It was 30 feet in the air. There was a construction crane, at night, an earpiece, taking direction with Matt and hearing Vanessa's line. It was wild." The Fantastic Four have to jump into action to try to stop Galactus, but the risk to Sue and Reed's infant son Franklin is something the family has to navigate. New 'Fantastic Four' review: Family dramedy with more VFX than most An appealing and refreshing take on a superhero story, Fantastic Four gives its characters time to sit in more intimate and emotional moments, and that's what makes the film compelling. For Kirby and Pascal's characters, that largely has to do with personal discussions about being parents, balancing their parental responsibilities with, literally, saving Earth. For Ben Grimm, those intimate story elements come through with a flirtatious relationship he has with Rachel Rozman (Natasha Lyonne), a similar arc to Johnny's interactions with the Silver Surfer. While Fantastic Four has all the spectacle of every other superhero movie, it's really a family dramedy with more visual effects than most. But the strongest story element in the film is this focus on how, despite all their extraordinary powers, Sue is supreme as the biggest superpower is being a mom. She is fiercely protective of her child. It's absolutely a cliché, but one that lends itself to the more grounded, humanizing narrative of Fantastic Four. The movie is a pleasing journey, an engaging ride that blends sarcastic humour with deeply emotional moments. The 1960s retro-future aesthetic is particularly appealing, and creates interesting dimensions with the heavy CGI that comes with a superhero film. But while Fantastic Four is an enjoyable watch, it feels more like setup for more storytelling. It is in fact a film that you can watch on its own and have a great time with, but it lacks a bit of excitement because you feel like there is so much more story to tell. Mid- and post-credit scenes in 'The Fantastic Four: First Steps' While we won't spoil exactly what these scenes hold, we will advise that there is both a mid-credits scene and post-credits scene in The Fantastic Four: First Steps, and they are important, so make sure you stay until the end.
Yahoo
19 minutes ago
- Yahoo
‘Ghosts' EPs Land CBS Pilot Order For Comedy ‘Eternally Yours'
Good news for Ghosts fans; the exec producers of CBS' hit comedy have landed a pilot order for another fantasy laugher. CBS has given Eternally Yours, a single-cam comedy, a pilot order, nearly a year after ordering a development room. More from Deadline FCC Chairman Praises Skydance's "Commitment To Serious Changes At CBS"; Democratic Commissioner Blasts "Cowardly" Capitulation 2025 Premiere Dates For New & Returning Series On Broadcast, Cable & Streaming As CBS Heads To Late-Night Exit, 'Comics Unleashed With Byron Allen' Preps Season 20 Joe Port and Joe Wiseman, who are under an overall deal at CBS Studios, which is producing, are staying in the supernatural comedy space with the project about a family of vampires. An eternal love story about two vampires who have been married for five hundred years, and their struggles to accept the human who is dating their daughter. Eternally Yours is an eternal love story about two vampires who have been married for five hundred years, and their struggles to accept the human who is dating their daughter. Port and Wiseman are writing and are exec producing alongside Eric Tannenbaum, Kim Tannenbaum and Jason Wang. It comes as Ghosts is heading into its fifth season in October. The cast, including Utkarsh Ambudkar, Danielle Pinnock, Asher Grodman and Devan Chandler Long, are joining Port and Wiseman at Comic-Con on Saturday to tease the new season. It marks the latest pilot order for the broadcaster, which has endured a tough week after the cancelation of The Late Show with Stephen Colbert, as President of Entertainment Amy Reisenbach refreshes the way it handles development. 'We're not just being beholden to a certain calendar,' she told Deadline last year. Last year, it ordered a pilot of DMV, from the 9JKL team of co-creator/showrunner Dana Klein, Kapital Entertainment and TrillTV, which was handed a series order earlier this year. Best of Deadline 2025 TV Cancellations: Photo Gallery Everything We Know About Season 3 Of 'Euphoria' So Far 'Wednesday' Season 2: Everything We Know About The Cast, Premiere Date & More
Yahoo
19 minutes ago
- Yahoo
FCC chair pleased with Skydance vow to make changes at CBS
By David Shepardson (Reuters) -The chair of the Federal Communications Commission said on Thursday he is pleased with commitments that Skydance has made to make serious changes at CBS under a proposed merger with Paramount, but said the agency has not made a decision on the tie-up. CBS parent Paramount needs approval from the FCC for an $8.4-billion merger with Skydance Media. FCC Chair Brendan Carr said after a commission meeting the agency continues to review the deal and praised commitments to end diversity programs. Skydance has agreed to have an ombudsman in place for at least two years to evaluate complaints about bias in CBS News' programming if the deal is approved. "I was very pleased to see Skydance put in a filing that says if this deal goes through they are committing to serious changes at CBS. I think that would be a good thing," Carr said. "They have committed to addressing bias issues. They've committed to embracing fact-based journalism." Paramount declined to comment. Carr cited polls that Americans' trust in national programs has fallen to historic lows. This month, Paramount agreed to pay $16 million to settle a lawsuit filed by U.S. President Donald Trump, claiming the CBS News program "60 Minutes" deceptively edited an interview with former Vice President Kamala Harris that the network broadcast in October. Paramount did not admit to any wrongdoing. The FCC has required other companies like T-Mobile and Verizon to end diversity, equity and inclusion programs before approving deals. In January, Trump issued sweeping executive orders to dismantle U.S. government DEI programs, and pressured the private sector to join the initiative. The FCC did not make a decision by the 180-day informal deadline in mid-May and Carr previously denied Trump's lawsuit was a factor. Trump and CBS formally agreed on Tuesday to the dismissal of his lawsuit, according to a court filing. Skydance and its investors plan to acquire National Amusements, which holds the family's controlling stake in Paramount. Skydance will subsequently be merged into Paramount, with its CEO David Ellison becoming Paramount's next chief executive. Error in retrieving data Sign in to access your portfolio Error in retrieving data Error in retrieving data Error in retrieving data Error in retrieving data
