logo
Five rare butterflies to keep an eye out for this summer as UK numbers decline

Five rare butterflies to keep an eye out for this summer as UK numbers decline

Independent5 hours ago

A "nationwide butterfly emergency" has prompted conservationists to issue an urgent plea for public participation in this year's Big Butterfly Count, stressing its critical importance after a devastating decline in numbers last year.
Butterfly Conservation, the charity behind the initiative, warns that public involvement is more vital than ever following a particularly challenging 2024 for the insects.
Last year's annual survey revealed a stark picture, with participants spotting an average of just seven butterflies per 15-minute count.
This figure represents a nearly 50 per cent reduction from the 2023 average of 12, marking the lowest count in the history of the Big Butterfly Count.
The alarming decline led the charity to declare a nationwide emergency, as 2024 proved to be the worst summer on record for several popular species, including the small tortoiseshell and common blue.
'Currently, more than half of the UK 's butterfly species are in long-term decline,' warns Kate Bradbury, garden writer, TV presenter and Butterfly Conservation ambassador.
'The good news is that everyone can help, and getting involved in this year's Big Butterfly Count is a great first step in helping these critically important and incredibly beautiful insects for generations to come.'
She continues: 'You don't need a huge garden to help wildlife. By planting nectar-rich flowers, letting an area of grass grow long and incorporating caterpillar food plants like native shrubs, you can support a number of caterpillars and moths in even the tiniest space.
'Even pots and hanging baskets, planted with lavender, salvia or Mediterranean herbs like oregano and mint, can be the perfect refuelling station in the smallest space.'
The charity offers a list of its top five butterflies you'd be lucky – and very privileged – to see in your garden during this year's count.
1. Small tortoiseshell
The number of small tortoiseshells seen across the UK during the count in 2024 was 74% lower than it was in 2023, and the worst year for this species in the survey's history. Despite being one of the most well-known butterflies in Britain and being widespread throughout the year, this drop in numbers is hugely concerning, the charity notes.
2. Common blue
As its name suggests, this vibrant blue butterfly is the most widespread blue butterfly in Britain and Ireland. Females are extremely secretive and, contrary to the name, they can be almost completely brown in colour.
The number of common blue butterflies counted in 2024 was 69% lower than in 2023, with numbers down in England, Scotland and Wales but up in Northern Ireland. Find this butterfly in grassy habitats and sunny but sheltered spots such as coastal dunes, under cliffs, road verges and woodland clearings.
3. Painted lady
Another species that was down in numbers last year, this amazing long-distance migrant is normally seen between May and October, arriving in the UK after a phenomenal 9,000-mile migratory journey – one of the longest in the animal kingdom – from tropical Africa to the Arctic Circle. The journey is completed in stages by up to 10 generations of painted ladies, like a long-distance relay.
The number of painted ladies that arrive in the UK varies each year and last year was the worst on record. Their migration tracks the availability of food plants for their hungry caterpillars, ensuring they can complete their life cycle year-round.
These large, fast-flying butterflies prefer open, dry landscapes but can be found in almost any open space, from gardens to mountaintops or beaches. Their favourite source of nectar is thistles, but they will also visit bramble, ivy, knapweeds, buddleia, heathers and a variety of other flowers. Look for their distinctive patterned black, white and pinky-orange wings.
Normally seen alone or in pairs, this tiny orange and brown butterfly thrives during warm, dry summers but is in long-term decline. Favouring heaths, chalk grassland and brownfield sites, their caterpillars feast on sorrel.
Males are territorial, so can often be found basking on a bare piece of ground or a warm stone while they wait for passing females. They will chase off passing insects before returning to the same spot to continue their waiting game.
This species declined in the 20th century and figures from last year's count show that trend continuing, with a 30 per cent decline across the UK, with Northern Ireland and Wales seeing particularly low numbers.
5. Jersey tiger moth
One of three day-flying moths for which the survey collects data, with its wings folded it has beautiful zebra-like stripes in black and cream, but when it spreads its wings to fly, its hindwings are vibrant orange-red with black markings.
This moth may be seen visiting flowers such as buddleia during the day, but also flies at night and is attracted to light. Its contrasting fore and hindwings allow it to camouflage among the speckled light and shadows of foliage.
Jersey tigers lay their eggs on dandelions, nettles, brambles and other plants often considered to be weeds. It was once only found on the south coast of Devon, England, but in recent years has been on the move, with sightings recorded in Cornwall, South Wales, Sussex and Kent, as well as London, the Isle of Wight and Hampshire.
This migration has been attributed to the UK's warming climate, which is allowing it to venture further north.
Butterfly Conservation's Big Butterfly Count runs from Jul 18 to Aug 10. For more information visit www.bigbutterflycount.org or download the free Big Butterfly Count app.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Rukmini Iyer's quick and easy recipe for courgette linguine with trout, lemon and dill
Rukmini Iyer's quick and easy recipe for courgette linguine with trout, lemon and dill

The Guardian

time41 minutes ago

  • The Guardian

Rukmini Iyer's quick and easy recipe for courgette linguine with trout, lemon and dill

This is such a lovely, summery dish: it takes under 30 minutes from start to finish, and I found it immensely reviving after a long day. The grated courgette melts into the pasta, and works perfectly with the lemon, trout and a hit of chilli. If you have one of those multi-nut and seed mixes (the M&S 35-plant one is excellent), by all means add a scoop to finish; otherwise, a scattering of toasted pine nuts will add a welcome crunch. An elegant dinner for two. Prep 10 min Cook 20 min Serves 2 2 trout fillets 2½ tbsp olive oilSea saltJuice and finely grated zest of ½ lemon, plus 2 lemon slices180g linguine 2 garlic cloves, peeled and finely grated1 tsp chilli flakes1 large courgette, trimmed and coarsely grated10g fresh dill, roughly chopped 4 tbsp pine nuts, or 4 tbsp omega nut and seed mix Heat the oven to 200C (180C fan)/390F/gas 6. Put the trout fillets on a small lined baking tray, drizzle with half a tablespoon of olive oil, scatter over a pinch of sea salt and top each fillet with a slice of lemon. Bake for 12-15 minutes, until just cooked through. (If you have an air-fryer, the fish will take eight to 10 minutes.) Meanwhile, bring a large pan of salted water to a boil, then cook the linguine according to the packet instructions, until just al dente. While the pasta is boiling, get all the remaining ingredients ready. Drain the pasta in a colander, reserving a mugful of the cooking water. Return the empty pasta pan to the hob on a low heat, add the remaining two tablespoons of olive oil, then fry the garlic, chilli and lemon zest for just 30 seconds. Add the grated courgette, fry for a minute, until just starting to soften, then add the drained pasta, dill, lemon juice and a teaspoon of salt. Stir well – there should be enough liquid from the courgette to form a clinging sauce; if not, add a tablespoon of the reserved pasta water. Flake the cooked trout in large pieces into the linguine, then stir gently to combine. Taste and adjust the salt as needed. Use tongs to divide the pasta and trout evenly between two warmed bowls, top with the pine nuts and serve hot.

Great-grandmother, 86, ordered by housing association to remove plant pots outside her home as it would 'stop them cutting the grass'
Great-grandmother, 86, ordered by housing association to remove plant pots outside her home as it would 'stop them cutting the grass'

Daily Mail​

timean hour ago

  • Daily Mail​

Great-grandmother, 86, ordered by housing association to remove plant pots outside her home as it would 'stop them cutting the grass'

An 86-year-old great-grandmother has been told the plant pots outside her home could be 'disposed of' if she fails to remove them. Mary Murphy placed the six garden accessories beneath a tree on a small patch of communal ground outside the house in Sittingbourne, Kent, in July last year. But now the housing association for Tannery Court is threatening to relocate or remove the pots amid fears they could 'stop them cutting the grass'. Ms Murphy - who has lived in the town for more than 30 years and in the block of flats for four - spent £50 on the pots, hydrangeas, Japanese pieris seeds and compost. However, earlier this month, the Tannery Court housing association told the pensioner to move the pots in order to keep communal areas clear. Despite Ms Murphy's protests, Southern Housing have now said if she does not remove them by July 3, they will 'dispose of or sell' them. Ms Murphy said: 'I love my plants and don't want them taken away. 'I was told by a manager that the area has to be kept clear as it is a fire evacuation route. 'But there's a perfectly good path next to it. Who in their 70s or 80s is going to go over very uneven grass or even shrubs? 'The residents here think it's ridiculous. It's not just me. 'Everyone compliments me on them even the postman and the Amazon delivery driver. 'But I was told by the manager that it is not up for discussion. 'It's red tape gone mad. You have the right to make your surroundings nice.' The grandmother-of-five believes her housing association was alerted to the planters after another local 'savaged' the shrubs earlier this month. On June 12, Southern Housing told the pensioner to relocate the pots to her own garden or the designated area for resident gardening. It said this was due to its rules on keeping communal areas clear and that she was in breach of her tenancy agreement. Ms Murphy, while acknowledging she has broken the agreement, argued during a meeting with estate managers on June 18 that the pots are not causing any harm in their current location. The former Swale Motors service receptionist manager specifically bought the pots so she could see them from her kitchen window and block the 'awful and depressing' view of the bins directly opposite her flat. Despite her protests, management put a notice through her door the next day, stating that if she did not remove the pots by Thursday, July 3, they would 'dispose of or sell' them. Mss Murphy said the 'ridiculous' order is 'red tape gone mad'. A Southern Housing spokesman said: 'We've a designated area for residents' plants and gardening at Tannery Court which is available for everybody to enjoy. 'We work with residents to keep all remaining communal outdoor spaces free, as agreed within their tenancy agreement. 'If we allowed items in this area, it would prevent our grounds maintenance team carrying out contracted works, such as grass cutting and de-weeding. 'This work is covered by an annual service charge that our residents pay, so it's important this work is upheld to a high standard. 'Our team have been in touch with Ms Murphy who has refused the alternative locations we've presented to her. 'This includes moving her plants to the designated area or within her own raised garden area outside the front of her home. 'We encourage everyone to use communal areas considerately, so they remain enjoyable for all residents.'

The ugly buildings we secretly love
The ugly buildings we secretly love

Telegraph

timean hour ago

  • Telegraph

The ugly buildings we secretly love

When news came last week that Liverpool's Metropolitan Cathedral of Christ the King – colloquially known as 'Paddy's Wigwam' – had been granted Grade I-listed status, it marked a long-awaited vindication for a building that has weathered its fair share of criticism. The design by Sir Frederick Gibberd, selected from 300 entries worldwide, took shape over five years (1962–67) and sits atop Mount Pleasant, overlooking the city with views stretching to the Mersey estuary beyond. Built quickly and cheaply – as many post-war buildings were – it has been described as 'a gargantuan concrete aberration from the Apollo space programme'. Even as recently as 2013, CNN named it one of the world's ugliest buildings. Inside, of course, the story is very different. Bathed in coloured light from the kaleidoscopic stained glass, the cathedral is an extraordinary space – one that has come to be cherished by Liverpudlians, Catholic or not. It is the latest in a long line of buildings that, though they didn't receive universal acclaim at first, have endured nonetheless. Scottish Parliament Building, Edinburgh The 1997 vote for Scottish Devolution meant a new parliament was needed, but its birth was, to put it mildly, a car crash. Ten times over budget and years behind schedule, Holyrood's construction became a dream story for the press but a nightmare for MSPs and civil servants, whose mistakes were broadcast daily. The image of the dour, thrifty Scot clashed with the flamboyance of the building's cost and design, hardly endearing it to the public when it opened in 2004. Questions were also raised about the practicality of the joint design by RMJM – one of the world's largest architecture and design firms – and Barcelona-based architect Enric Miralles, who avoided much of the controversy by passing away midway through the project in 2000. Yet opinions shifted after it won the 2005 Stirling Prize, the highest honour in British architecture. Scots, embracing a new era free from Westminster's control, came to see the building as a symbol of a renaissance north of the border. Today, visitors flock to marvel at its outré design. Hillingdon Civic Offices, Uxbridge Hillingdon Council's Ford Granada-driving apparatchiks wanted a new HQ, and what they got ended up defining over a decade of suburban style in Britain. If the Hillingdon Civic Centre reminds you of a supermarket, you wouldn't be far off – this became the signature look of Tescos and Safeways across the south. The bulky Civic Centre was designed by Andrew Derbyshire of RMJM and opened in 1979. 'Like any suburban orgy, it was more comical than sexy,' said the architecture journalist Jonathan Meades. 'It was the architectural equivalent of Benny Hill or Sid James: coarse, matey, blokeish, undemanding, unthreatening, accessible.' This building felt like the starting point of a backlash against the progressive and exciting modernism that had flourished during Britain's ' Les Trente Glorieuses'. Over the following 30 years, there was little but disdain for modernist achievements and a widespread retreat from ambition, with brick vernacular becoming especially fashionable in this new, cautious era. Nowadays, modernism and postmodernism have found a warmer welcome. While Hillingdon Civic Centre might not immediately evoke the wild, pastel-coloured tropical postmodernism of John Outram and others, it's certainly an uncle to those buildings. Now listed, it enjoys a bit more affection from the people of Uxbridge. University of East Anglia, Norwich The serpentine teaching block, dubbed the Lasdun Wall, snakes along a ridge where University of East Anglia (UEA) students study, while the eye-popping ziggurats tumbling down towards the River Yare are where they sleep. Space-age chic seems entirely at odds with sleepy Norfolk; architectural historian Elain Harwood called it 'the boldest architecture of any new university', and it became the backdrop to Malcolm Bradbury's novel The History Man. It's heartening that, despite the UEA's stark 1960s campus, it has gained more fans as it has reached middle age. It's not without problems – issues with the fireproof reinforced autoclaved aerated concrete (RAAC), widely used as a cheap material especially in roofs, have led to the closure of the ziggurats during remediation work. Meanwhile, new extensions to the university have sparked thorough debate. Architecture fans visiting can also explore the Sainsbury Centre next door. Designed by Lord Foster, it opened in 1978 and was hailed as revolutionary for its lightweight, high-tech design, influencing many airports and office buildings throughout the 1980s and 1990s. Southbank Centre, London London's Southbank Centre has long been at the heart of various culture wars. When Churchill's Tories won the autumn 1951 snap election, they sought to dismantle the remains of the Festival of Britain, viewing it as a thoroughly socialist project by Labour's Herbert Morrison – which, of course, it was. The futuristic Skylon was removed, but the Royal Festival Hall survived. The Southbank Centre was expanded in a brutalist style during the 1960s. Its maze of passageways and high walkways confused visitors, while its gruff exteriors offended many sensibilities. In 1988, the then Prince Charles famously likened Denys Lasdun's National Theatre (NT) to a nuclear power station. Today, attitudes have shifted. We now recognise the stark beauty in its complexity and surreal sculptural forms, and the restrained harmony of the theatre complex in particular. John Grindrod wrote in his 2013 book Concretopia that 'Lasdun's interiors have a rather cosy aesthetic,' echoing theatre critic Michael Billington's 1976 view that the NT is 'a superb piece of sculpture.' The entire Southbank complex was designed the way it was because planners insisted on roads and car parks, and even proposed building a heliport next door – hence the Queen Elizabeth Hall's thick, austere walls. Today, the terraces are bustling with diners, while the undercrofts have become a beloved haunt for skateboarders. Moseley Road Baths, Birmingham The residents of Balsall Heath in south Birmingham were certainly grateful when the baths on Moseley Road opened in 1907. Back in 1890, Birmingham was hailed as the 'best-governed city in the world' by Harper's Magazine – a claim that might raise a wry smile from today's locals still waiting for their bins to be collected. Its trams, housing, utilities and public baths were all part of a civic effort to lift the city from industrial slum to modern metropolis. But the baths were not universally loved, and have only narrowly escaped demolition, more due to luck than design. As the 20th century wore on and more homes welcomed bathrooms and washing machines, fewer people needed the bathhouse. And Birmingham (city motto: 'Forward'), spent much of the 1960s demolishing its Victorian and Edwardian architecture, including the grand Central Library and the original New Street Station, as tastes turned against the ornate. In recent years, however, a dedicated campaign has saved the arts-and-crafts building. Now Grade II-listed and undergoing careful restoration, the Moseley Road Baths are protected at last. Scarborough Grand Hotel, North Yorkshire Scarborough's grande dame was originally conceived as the Cliff Hotel, built at a time when the town was establishing itself as a premier seaside resort following the arrival of the railway on the Yorkshire coast. Visitors came to take the waters, and a grand hotel was needed to accommodate them. But throughout its life, the building has been a victim of its own scale – beset by fires, outbreaks of illness, and now, by its current management. Run as a tired, cut-price hotel, it was dubbed 'the shame of Scarborough' by Tory mayoral candidate Keane Duncan last year. When it opened in the 1860s, it was one of the largest hotels ever built – so large, in fact, that some wondered whether it was all a bit much for the once-sleepy fishing town. The Grand's story is closely tied to that of its architect, the exquisitely named Cuthbert Brodrick. A Hull native, Brodrick also designed Leeds' monumental Town Hall and Corn Exchange – buildings with a distinctive size and swagger that often clashed with the era's more restrained architectural tastes. Brodrick's overblown Oriental Turkish Baths on Cookridge Street in Leeds were unceremoniously demolished in the 1960s – by then, he had well and truly fallen from favour. That changed in 2007, when Jonathan Meades made a film about him for BBC Two, sparking a reappraisal of his work. Today, the Grand is a much-loved landmark on the Yorkshire coast. Blackpool Tower, Blackpool The Eiffel Tower is perhaps the most famous example of a building once heavily derided that has only grown in popularity with age. Blackpool's imitation, by contrast, was long dismissed as a poor copy aimed at entertaining the lower classes. Like Brighton's more recent i360 seafront tower, it was seen by some as overly tall and something of a white elephant. Today, it's a listed building, and its kitsch swagger has come to define the Blackpool seafront. We'd never dream of demolishing it now – nor its ballroom, the spiritual home of ballroom dancing. Yet in the 1920s, there was serious talk of tearing it all down. It may seem far-fetched, but that's exactly what happened to the similar-looking New Brighton Tower on the Wirral. Despite being even taller than Blackpool's, it had few defenders when it was demolished in 1919 after just 20 years. Its ballroom – where the Beatles played no fewer than 27 concerts – met the same fate in 1969, following a major fire. Strawberry Hill House, London A gothic wedding cake by the Thames, Strawberry Hill House is a singular and delightfully eccentric creation – perfectly in keeping with its owner, Horace Walpole. An unmarried enigma and gothic novelist who puzzled polite society, Walpole built his fantastical home in Twickenham as a whimsical homage to medieval cathedrals and castles. It was a world away from the architectural fashions of the mid-1700s and, at first, had few admirers. Slowly but surely, people began to visit, drawn in by the fairytale interiors and jaunty gardens, and Strawberry Hill House grew into an attraction. A century later, gothic revival (an architectural style) had become a full-blown Victorian obsession – just look at the Houses of Parliament – so Walpole's creation no longer seemed quite so outlandish. Architecture critic Ian Nairn once remarked that 'Walpole's stucco fancy' was 'prettier and less finicking than you'd expect'. A high-profile restoration in the 2000s, featured on TV, brought a new wave of admirers. Today, the house welcomes around 25,000 visitors a year. Buckingham Palace, London Like the face of an ageing celebrity, Buckingham Palace has had more alterations over the years than you can shake a Botox syringe at. Throughout its life, it has endured feelings ranging from antipathy to outright hostility from its residents. The original house, built in 1703 by William Winde, was – using the polite parlance of stately home design – 'improved' countless times. It was so often disliked that entire sections were torn down and rebuilt. John Nash's lavish 1820s redesign nearly bankrupted the Royal household, and he was promptly sacked. When Queen Victoria made it her primary residence in 1837, the palace still failed to charm – particularly Prince Albert. Albert tried to modernise it with plumbing, lighting and even toilets for servants. But, like many of his descendants, he preferred to be elsewhere. His own pet project, Osborne House on the Isle of Wight, was met with a lukewarm response thanks to its oddly Italianate style. The late Queen favoured Windsor and Balmoral; the current King prefers Highgrove and Clarence House. Yet today, tourists flock to the Palace's current form, fronted by Aston Webb's century-old Portland stone façade. More state venue than family home, it may have finally found its purpose.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store