Meet Jeetendra's sister-in-law, divorced her first husband, second husband died by suicide, her third marriage created a sensation, her name is…
Jayasudha first married film producer Vadde Ramesh's brother-in-law. Their relationship didn't survive and later got divorced. After this, Jayasudha tied the knot with Jitendra's brother and film producer Nitin Kapoor in 1985. After marriage, she became the mother of two sons. Both her sons are actors in the South film industry and are also married. Divorced her first husband, second husband committed suicide
Everything was going well in Jayasudha and Nitin Kapoor's married life. But in 2017, Nitin committed suicide. He committed suicide by jumping from the 6-storey building of his house in Andheri. It is said that Nitin Kapoor was suffering from depression for a long time. When the police searched the house, no suicide note was recovered. After this, Jayasudha was broken and raised the children alone.
There were reports of her third marriage at the age of 62. It was said that Jayasudha had married a foreign NRI. But when Jayasudha was asked about this, she laughingly told a South Indian news channel that the foreigner who was with her is a filmmaker. He wants to make a biopic on her, and that is why he is seen with her all the time.
The news of Jayasudha's third marriage started coming when a man was seen with her everywhere. It was claimed that the man was Jayasudha's third husband. But Jayasudha called that news just a rumour.
Talking about Jayasudha's career, she worked a lot in Tamil and Telugu cinema. In her five decade long career, she also appeared in Bollywood. She was well liked in the film 'Sooryavansham' . She started her acting career at the age of 13. After this, she did many films from Tamil and Telugu to Hindi, and made her own identity. Clash with Sridevi and Jaya Prada
Jayasudha had a tough competition with actresses Sridevi and Jaya Prada, who also dominated the South film industry. Jayasudha won five Filmfare Awards (South). She was also honored with the ANR National Award and Lifetime Achievement Award.
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Time of India
15 minutes ago
- Time of India
Dance Jodi Dance Reloaded 3 grand finale: Vijay Antony to grace the show as guest judge
The much-anticipated grand finale of Dance Jodi Dance Reloaded 3 is all set to light up television screens on Sunday, July 20, at 6:30 PM (today). Actor and music director Vijay Antony will make a special appearance as the guest judge, adding star power to the spectacular event. Since its premiere on March 1, the popular Tamil dance reality show has won hearts across Tamil Nadu with its mix of breathtaking performances, emotional storytelling, and vibrant energy. Starting with 24 talented contestants, the competition has now narrowed down to the final five Jodis, each vying for the coveted trophy. The journey of these dancers has been guided by an esteemed panel of judges, actress Sneha, choreographer Baba Bhaskar, and the latest addition, actress Varalaxmi Sarathkumar. Their expertise and constructive feedback have played a crucial role in shaping the contestants throughout the season. Anchored by the lively hosting duo, Mirchi Vijay and Manimegalai, Dance Jodi Dance Reloaded 3 has offered a rich mix of dance styles, from classical to contemporary, freestyle to folk, pushing the performers to showcase versatility and innovation on stage. The grand finale is expected to be an unforgettable celebration, featuring dazzling sets, emotional performances, and special acts that promise to leave audiences spellbound. As the top 5 Jodis prepare for their final showdown, fans eagerly await to see which pair will emerge victorious and lift the title.
NDTV
19 minutes ago
- NDTV
Saiyaara Box Office Collection Day 2: Next Stop For Ahaan Panday And Aneet Padda's Film
New Delhi: Mohit Suri's romantic drama Saiyaara is turning out to be one of the biggest surprises of the year. What's Happening Starring newcomers Ahaan Panday and Aneet Padda, Saiyaara has now become the highest-grossing Hindi film led by debutants. On Saturday, Saiyaara collected Rs 24 crore at the domestic box office, slightly higher than its opening day total of Rs 21 crore. According to trade tracker Sacnilk, the film's two-day total stands at Rs 45 crore. Based on its current momentum, Saiyaara is expected to cross the Rs 50 crore mark on Sunday. In just two days, the film has surpassed the collections of several big-name releases, including Rajkummar Rao's Maalik (Rs 23.27 crore), Shahid Kapoor's Deva (Rs 33.97 crore), Kajol's Maa (Rs 38.51 crore), and John Abraham's The Diplomat (Rs 40.73 crore). It is also on track to overtake Anurag Basu's Metro... In Dino (Rs 48.47 crore). Additionally, Saiyaara has outperformed the re-release collections of Yeh Jawaani Hai Deewani (Rs 22.04 crore) and Sanam Teri Kasam (Rs 35.55 crore), both of which signalled a renewed interest in romantic films among audiences. Saiyaara, too, appears to be part of this trend. Background The film's performance is especially notable considering its lead pair did not participate in traditional promotions ahead of release. Director Mohit Suri explained the decision, comparing it to the approach taken with his 2013 film Aashiqui 2, which also featured relatively fresh faces at the time, Aditya Roy Kapur and Shraddha Kapoor. "It was an idea that collectively came forward. My producer Akshaye Widhani and, of course, Aditya Chopra (owner of Yash Raj Films), who has mentored us through this thing, suggested that until the two actors don't have anything behind them to talk about, the conversation will be filled with questions like 'Who is the prankster on the set?' or 'How is it to work with Mohit Suri?' It's all redundant stuff, and I don't think anyone has any interest in listening to all that," Suri said in an interview on the YouTube channel Just Too Filmy. While Saiyaara marks Ahaan Panday's on-screen debut, it is Aneet Padda's first feature film appearance. She previously gained attention for her performance in the Prime Video India series Big Girls Don't Cry last year.
Indian Express
33 minutes ago
- Indian Express
When it was ‘harrowing' for Naseeruddin Shah to dance alongside Mithun Chakraborty: ‘Never felt at home, first time I became aware of split personality'
Naseeruddin Shah celebrates his 75th birthday today. The actor is best known for his nuanced performances on stage and being one of the harbingers of parallel cinema in the 1970s. However, Shah has also done a fair bit of work in mainstream Hindi cinema, some of which he's not entirely proud of, as he's confessed multiple times over the years. For instance, the first time Shah had to dance in a film was in Shakti Samanta's 1980 romantic thriller Khwab, alongside Mithun Chakraborty, well known for his impeccable dancing skills. 'Believe me, it was harrowing! The first time I had to dance was next to Mithun Chakraborty, yeah. Enough said,' said the actor. In the interview with Huffpost in 2020, Naseeruddin Shah recalled the tough time he had picking on those dance moves. 'I never felt at home! It was the first time I became aware of a split personality,' said Shah, adding, 'I never felt that way while on the sets of a film with 50 dancers and 500 extras and everybody tittering when you do a step wrong.' The actor recalled 'frantically rehearsing' the dance moves, even before Mithun Chakraborty entered the set, when he tripped and fell. A background dancer came up to him and said, 'Poor boy! This is your first film, isn't it?' Shah apologized to her and others for holding them up, but she encouraged him to try again. 'She was sweet, yeah, but it sank my spirits further,' said Shah. Khwab was definitely not Naseeruddin Shah's first film. He'd already registered his presence with Shyam Benegal's movies like his debut film Nishant (1975), Manthan (1976), Bhumika (1977), and Junoon (1979). 'I'd usually be on a shoot with Shyam, Ketan (Mehta), Vidhu (Vinod Chopra), Saeed (Mirza), and Kundan (Shah). We were all friends and it was always a relaxed atmosphere in which we shot those films. I had not been with all of these mainstream guys,' confessed Shah. The actor revealed that he shot for another one of his seminal films, Sai Paranjpye's Sparsh (1980) right after filming for Khwab. 'In fact the money I made from Khwab helped me buy a car. So I drove to Delhi in that car and did Sparsh. The learning here really was the fact that an actor's abilities are just not enough. It's ironic that an actor depends on so many inputs from others. This was the bingo moment for me,' argued Shah. Also Read — Naseeruddin Shah writes on Diljit Dosanjh controversy: I feel no need to prove anything, including my patriotism Naseeruddin Shah used the same argument to defend his varying performances in Shekhar Kapur's 1983 cult relationship drama Masoom and Eshmayeel Shroff's 1982 romantic drama Dil… Akhir Dil Hai, which he shot for at the same time as well. 'I was playing the romantic lead in front of the gorgeous Rakhee and Parveen Babi. I sang songs and was in bed with both of these lovely ladies. I shot half of Dil… Akhir Dil Hai, went to Delhi and shot Masoom, came back and finished the former. It was a continuous journey. And yet you can see the difference in the quality of performance. I look like an absolute novice! Like a guy who does not know the first thing about acting in Dil… Akhir Dil Hai,' said Shah.
