
Elizabeth Olsen Rom Com Reactions, Avatar Fire And Ash Trailer
Happy Gilmore 2 — watch for: Bad Bunny and about 1,000 other cameos
Streaming on Netflix
I actually hadn't seen Happy Gilmore before this week. I know. I know. It was a big hole in my movie knowledge. So, I watched it, and then I dove right into Happy Gilmore 2. While I still like the original more, this was a very solid Adam Sandler movie, and what made it so great was how jam-packed it was with cameos. From real golf pros, like Rory McIlroy and Scottie Scheffler, to actors and other famous figures, like Benny Safdie, Margaret Qualley, Steve Buscemi, Eminem, Travis Kelce, Post Malone, and more. It's really a who's who of who you can spot in this movie.
While Sandler, Christopher McDonald, and Julie Bowen slip back into their roles of Happy, Shooter McGavin, and Virginia perfectly, it's actually Bad Bunny who stole this movie for me. He plays Happy's new caddy, Oscar, and he's so effortlessly funny. He fits into this movie so well, especially alongside Marcello Hernández as Oscar's cousin. Overall, it's a very fun movie that's worth watching.
Adolescence — watch for: The most chilling debut performance from Owen Cooper
Streaming on Netflix
Leading into this year's Emmy Awards in September, I figured I would spotlight the Emmy-nominated shows that you should watch (or rewatch) before then. So, this week, I'm hyping up Adolescence, which I consider one of the best Netflix limited series in recent memory. Told in just four transfixing episodes that are one continuous shot, the series follows Jamie (Owen Cooper), a 13-year-old, who is arrested and accused of murdering his classmate. Now, his family, therapist, and the detective in charge are trying to figure out what really happened.
The show is filled to the brim with award-worthy performances from actors, like Stephen Graham, but it's Cooper's unbelievable, chilling performance as Jamie that is incredibly astounding. It's honestly hard to believe this is his first professional acting credit. You'll probably binge-watch this show in one sitting because it's that perfect and enthralling.
These are some of my favorite things from my FYP, feed, and more:
A24 released the trailer for their new film Eternity starring Elizabeth Olsen, Miles Teller, and Callum Turner, and I'm already gnawing at the bars of my enclosure to be able to go see it. The film follows Joan (Olsen), who arrives in the afterlife with an impossible choice. She must choose to spend eternity with the man she spent her life with or her first love. That's right. We've got Lizzie Olsen in a rom-com making sad eyes like she's so good at doing, so I will inevitably be weeping.
The movie will hit theaters this November. You can also watch the trailer below:
The movie will hit theaters on Dec. 19. You can also watch the trailer below:
This week, over on BuzzFeed Celeb, Pedro Pascal, Vanessa Kirby, Joseph Quinn, and Ebon Moss-Bachrach played a hilarious game of Cast Wars to celebrate The Fantastic Four: First Steps. And, let's just say, you think they play a great family on screen, they might be even closer off screen because they knew so much about each other's previous projects, but also about the Fantastic Four and Marvel overall. It's such a delightful and hilarious time:
Also on BuzzFeed Celeb this week, we had the internet's 'white boy of the century,' Logan Lerman, swing by to answer all of our burning questions while playing with puppies. If you thought he was sweet before, wait until you watch the wholesome energy radiating off of this Puppy Interview. Not only did we get to know him a little better, but we also found time to talk about The Perks of Being a Wallflower, Percy Jackson, and much more. It's so cute:
Where I answer YOUR questions about TV, movies, fandom, and more:
Question: Which movies from before 1975 do you think everyone should watch at least once?
For me, it's got to be The Sound of Music (1965) and It's a Wonderful Life (1946). I grew up a huge musical theater fan, so The Sound of Music has always been in my life, and I consider it one of my favorite movies of all time. Nothing compares to Julie Andrews and Christopher Plummer's chemistry.
I also have to say It's a Wonderful Life because it's the movie that made me fall in love with classic black-and-white movies. It really lives up to the hype and is one of the best Christmas movies of all time. Donna Reed and Jimmy Stewart are mesmerizing together on screen, and watching them in this led me to seek out more of their films. I highly recommend it.
And we're continuing the discussion over here: Tell me, which two movies released before 1975 do YOU think everyone should watch at least once?
Well, that's all I've got for this week's edition of Screen Time. Come back every week to get more TV and movie recommendations, find out which celebs we're working with, and so much more!
Have a question for me, or want to tell me what you're watching right now, or have a suggestion of what I should watch next? Send it to me now at screentime@buzzfeed.com, at this Google form below, or let me know in the comments below.
Do you love all things TV and movies? Subscribe to the Screen Time newsletter to get your weekly dose of what to watch next and what everyone is flailing over from someone who watches everything!
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Forbes
19 minutes ago
- Forbes
‘Squid Game' Over As Media Tires Of Survival Series
Netflix survival thriller series Squid Game has ended its run with a season which got less than half the media coverage it had during the month following its debut four years ago. The Korean streaming show became an almost-overnight success when it was released in September 2021 thanks to its timely viral premise. Its name refers to a deadly series of secret games which cash-strapped players compete in for the chance to win $30 million. The games are overseen by the Front Man, a mysterious character who is clad in black and protected by an army of masked guards in pink jumpsuits. The story is told from the perspective of Seong Gi-hun, a divorced father and indebted gambling addict who lives with his elderly mother. He soon finds that if a player loses a game it results in their death which increases the prize pool. It makes for tense storytelling as Gi-hun triumphs and sets out for revenge against the Front Man only to be told that he can't stop the games because human nature perpetuates them. Squid Game's debut season still stands as Netflix's most-watched show with 265.2 million views in its first 91 days of streaming. Its success was all the more surprising given that the show is in Korean so English viewers have to watch it dubbed or with subtitles. As a result, the show launched with little fanfare and caught the media completely off guard. This is reflected in data from Factiva, a search engine owned by Dow Jones which includes content from 33,000 news, data and information sources in 32 languages. It shows that Squid Game wasn't mentioned in the media at all in June and July 2021, just a matter of months before its debut. It attracted 1,524 articles when it launched in September 2021 and rose almost eight-fold to 11,943 the following month as word spread. Despite its dystopian and far-fetched premise, many viewers remarked on how relatable the show is and there is good reason for this. Squid Game was created, written and directed by South Korean filmmaker Hwang Dong-hyuk who based it on his own economic struggles as well as the class disparity in his home country. This authenticity paid off as the show earned a flurry of awards including six Primetime Emmys and one Golden Globe. As the hype continued to build, it set the scene for season two to get even more media coverage than its predecessor but it was not to be. The second season launched on Boxing Day last year and became Netflix's biggest television debut ever with a total of 126.2 million views across 11 days. However, by then saturation had begun to set in as Squid Game hadn't just taken Netflix by storm, it had also partnered with everything from Domino's pizza to the Duolingo online language learning program in an attempt to drive even more exposure. This appears to have had the opposite effect as the number of times Squid Game was mentioned in the media fell to 7,890 in December last year which presumably would not have happened if the public had still been lapping it up as much as when it debuted. No doubt this wasn't helped by the fact that the show's novelty had worn off and, to his credit, Dong-hyuk could see the writing on the wall. In stark contrast to filmmakers for studios such as Disney, Dong-hyuk said that the third season of Squid Game would be the "finale" and it was filmed back-to-back with the second one. Season three was released in June this year and was yet another knockout for Netflix as it became the first show in the streamer's history to debut at number one in all 93 countries where its users are based. What's more, the 60.1 million views that season three attracted in its first three days were more than any other show has attained in the same period. However, it failed to reach the heady heights of its predecessors and currently stands in third place on the list of the ten most popular non-English Netflix shows of all time as shown in the table below. Tellingly, both the number of views and the number of hours viewed have fallen sharply with the release of each season since the first debuted in 2021. Similarly, Google records show that the peak number of times 'Squid Game' was searched during June this year was around a third lower than in October 2021 following the release of the first season. Likewise, the 5,343 media mentions of the show in June were less than half the total from October four years ago. Both season one and three launched towards the end of the month and the bulk of the media coverage would usually be expected in advance to promote them. A different picture emerges when comparing the coverage during the week of release as the third season leads the way with 2,742 mentions in the media followed by 2,047 for season two and just 227 for the inaugural instalment. This suggests that the core fanbase of Squid Game fans became increasingly interested with every season whilst the wider appeal waned which is why the coverage of the show didn't increase as time went by. It highlights the need for Netflix to continue commissioning new content as even shows which once seemed to be bulletproof can eventually fall in popularity. Squid Game isn't the streamer's only show which is ending in 2025. Hit retro-style supernatural drama Stranger Things will also come to a close with the debut of its fifth season at the end of the year. However, unlike Squid Game, it is finishing on a high as its fourth season became Netflix's most-watched English language series when it debuted in 2022. Squid Game does however still have some fight left in it as an English-language version directed by David Fincher is under development. It is rumoured that it will star Oscar-winner Cate Blanchett, who made a cameo in Season 3 of the Korean version. Time will tell whether it can get back to its winning ways in the media.


Newsweek
an hour ago
- Newsweek
Travis Kelce and His Mom Steal the Show at Chiefs Camp
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Elle
2 hours ago
- Elle
The Deeper Meaning Behind the 'My Oxford Year' Ending Montage
Spoilers below. The coming-of-age genre loves to make its characters choose between a relationship and their future. We're seeing it in The Summer I Turned Pretty, with Belly abandoning plans to study in Paris to stay with her fiancé, Jeremiah (who didn't want her to go anyway). Earlier this spring, we saw it in Forever: Justin wants to go with Keisha to Howard University, but she'd prefer that they have their own experiences. There are many other instances of this in pop culture, usually with the girl choosing a boy over her dreams. Cosmopolitan recently pointed out examples in The Hills, Boy Meets World, and more. (And let's not forget how Nate became the villain in The Devil Wears Prada for trying to keep Andy from her job.) Watching these relationships as the audience, it might be easy to scold the women who choose the boy. Like, Girl, stand up! He is not worth it! My Oxford Year, Netflix's newest romance film, complicates that decision with life-or-death stakes. The movie stars Sofia Carson (the streamer's go-to leading lady) as Anna, a big dreamer and type-A planner who takes a gap year to fulfill her childhood fantasy of attending Oxford University. Once she's done with her poetry course, she has a high-profile finance job waiting for her back in the States. But then she falls for her hot professor, Jamie Davenport (Queen Charlotte's Corey Mylchreest), who messes up her plans. Despite their undeniable mutual attraction, Jamie wants to avoid getting into a committed relationship with Anna. Not because he's emotionally unavailable, but because he has terminal cancer and doesn't want to break her heart. He has even opted to not take further treatment, despite his family's objections. Still, he and Anna can't resist each other, and they go for it anyway. They are so in love that Anna finds herself facing a critical decision: Should she still go back to the U.S. for her Goldman Sachs job, or should she stay in the U.K. with Jamie to help take care of him and keep him company for however much time he has left? An integral factor in this situation is that Jamie vehemently does not want Anna to stay. She has such a bright future ahead of her; she shouldn't give it up for a guy she just met and who won't be around for much longer. 'I would never make you make such a bloody stupid decision,' he tells her, also pointing out that there isn't much career growth if she decides to work at the university. When Anna tells him she isn't taking the Goldman job after all, he's furious. But Anna and Jamie's relationship has been quite eye-opening for her. Throughout their time together, her lifelong love for poetry and literature has only deepened. She expresses her dreams of traveling the world. She loves the Henry David Thoreau quote, 'Live life deliberately,' which has long inspired her to plan out every detail of her trajectory. But after encountering Jamie and his carpe diem approach to life, she realizes perhaps Thoreau was referring to something else. Living deliberately is not about planning everything, but about 'being definite about every small moment,' she says in the film. And what is life but not a series of moments? At the end of My Oxford Year, Anna and Jamie make up from their argument and spend the night together, but Anna wakes up to find Jamie nearly unconscious. He has a critical case of pneumonia that will likely kill him. At the hospital, the doctor wants to discuss next steps for treatment with Jamie's parents, but they decide to honor his wishes and let nature take its course. Back at home, lying on what is now Jamie's death bed, he and Anna talk about her future. Now that she's stayed in the U.K., she can go on the 'grand tour' she's always dreamed of. The itinerary includes Amsterdam, to see a hidden chapel; Paris, to get drunk by the Seine; Venice, to ride a gondola; and Greece, to see the Temple of Poseidon and swim in the Aegean Sea. As Anna plans her travels aloud, a tender montage of her and Jamie visiting these sites appears onscreen—until, in the end, it's revealed that she was alone the whole time. When the film jumps back to Jamie and Anna on the bed, it appears he has died right beside her. She might not have Jamie physically with her when she goes on her dream trip, but she does take his lessons and worldview with her as she moves forward with her life. As Carson previously told ELLE, their relationship 'changes her forever and for the better,' because she learns to 'lean into what brings her joy and what always was the love of her life, and that was poetry and literature.' Sure enough, in the film's final scene, Anna is now a professor at Oxford, teaching a poetry class of her own. My Oxford Year argues that choosing your love is choosing your future—especially if that love helps you achieve the dreams you were too scared to chase. In a sense, it eliminates the decision entirely, because you can have both; you can have your cake and eat it too. It's very romantic, it's melodramatic, and it's definitely rare, but it works in the context of a sappy, two-hour Netflix film with Sylvia Plath references and idyllic English settings. But in the cases of Belly from TSITP or Lauren from The Hills (who are both 'the girl who didn't go to Paris'), or any experience rooted deeper in reality, it's not quite the same. Those decisions, and the men involved, require a little more... deliberating.