
Redcar Kite Festival will see thousands flock to seafront
A park-and-ride service will be operating between Kirkleatham Showground and the seafront every 20 minutes.Return tickets for the buses will be £2 for adults and £1 for children aged five to 16.Disabled parking will be available at Majuba Road car park, the council said.
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Daily Mail
26 minutes ago
- Daily Mail
I suffered incredibly vivid nightmares and even lashed out violently at my wife while asleep – I had no idea it was an early warning sign for this serious condition
Martin Pickard awoke in a state of terror. He had been dreaming that he was in the back of a London taxi, interviewing DJ Tony Blackburn. The back seat of the cab was littered with McDonald's cartons which, to his horror, began to move. 'The rubbish was covered in spiders,' Martin recalls. 'They were getting bigger and bigger, and when one the size of a wastepaper basket launched itself at my face, I threw open the cab door and jumped out – headfirst into the bedside cabinet.'


The Guardian
an hour ago
- The Guardian
‘How can I find meaning from the ruins of my life?': the little magazine with a life-changing impact
One morning in February last year, I received an urgent call from the journalist Paul Burston, alerting me to alarming recent social media posts by a mutual friend, the poet and former model Max Wallis. It seemed he had left his London flat in deep distress and was headed to a bridge. Our best guess was the Millennium footbridge by St Paul's Cathedral. Then we heard that Max might have taken refuge inside the cathedral. While I scanned gaggles of tourists in the nave, he was intercepted and removed by ambulance. I was relieved to get a message later that evening that he was safe. We'd met more than a decade before at an event on the South Bank for the Polari prize, set up by Burston to showcase new LGBTQ+ writers. I and the other judges had shortlisted Wallis's collection Modern Love. Though the eventual winner was John McCullough, we stayed in touch, going on regular excursions: to Wilderness festival, to readings, to a rooftop art installation in Shoreditch. And always talking about poetry – writing it, reading it, thinking about it, critiquing it. Now, he tells me about the poetry magazine that emerged from the dark period of addiction that followed his early success. 'I lost 12 years of my life, maybe more,' he says over a video call. 'The magazine came about from me saying: 'I have to do something this year; my brain is on fire and it's running like a hamster wheel.' I wanted to corral the chaos: how can I find meaning from the ruins of my life?' After his breakdown, he retreated home to Lancashire. 'I had moved in with a friend because I messaged my parents before I went into hospital, saying never talk to me ever again. Instead they opened their arms. My parents were just phenomenal.' The first imperative was to become clean and sober. He was diagnosed with ADHD and complex PTSD, and gradually rebuilt his life: the first trip into town, getting on a train, taking a driving lesson. But during this period he also rediscovered his craft, channelling his trauma into a memoir and new poems. 'I was a poet all this time but I'd forgotten, essentially. I'm 35 but I almost feel like I'm 21. I have had to learn everything again. In order to be sober, and to get better from PTSD, you sit with the awful emotions that you feel, and you don't drink or take drugs; you get through the day and move on.' He started submitting to magazines, but since the new work was themed around breakdown and recovery, Wallis thought only a few poems would get published. With energy to spare (at least on the good days), he began to imagine what a space specifically for trauma poetry could look like. If poetry saved his life, perhaps it could help others. The idea of The Aftershock Review was born. A poet friend, Anna Percy, had experience of publishing poetry zines in the lively Manchester scene. 'No disrespect to those,' Wallis says. 'I love zines, but I was thinking bigger, nationwide, book-sized.' Rather than photocopying, he started researching printers. Percy and I joined the magazine as contributing editors and sounding boards, and Wallis put the word out for submissions. Work poured in: from poets who were disabled, disadvantaged, ill, excluded in various ways. The reference anthology was Al Alvarez's electrifying The New Poetry, which launched Robert Lowell, Sylvia Plath and Anne Sexton to an enthralled readership; Bloodaxe's Staying Alive series was also hugely admired. 'It's not a pity project,' Wallis insists, calling it 'literature forged from survival'. Established poets were eager to submit, alongside rising stars and unknown writers. Inua Ellams's 'Fuck' poems meld rage, wit and social commentary; Rhian Elizabeth's Amsterdam states baldly 'girl loses her father, girl loses her mind'; Golnoosh Nour's Burnt Divinities celebrates her heritage: 'the glorious / mixture of glitter and garbage'. The Faber poet and Spectator poetry editor Hugo Williams contributed a sardonic and atypical piece, The Art Scene, which mocks glib responses to trauma in contemporary art. 'Max called me up and we had this instant connection,' Williams says. 'He seemed different from the average literary type. This kind of writing seems to me to be improvised on the spot and kept like that. People of my generation work so hard to make it perfect, and you wish they wouldn't!' Aftershock, he observes, represents a jolt to the mainstream. Contributor Pascale Petit agrees, calling it 'a raft to all of us suffering trauma in troubling times. Poetry this open is necessary, and I don't think any other magazine has dared to address our personal ills so candidly.' Gwyneth Lewis, a former national poet of Wales, points out that for ages raw, confessional poetry was looked down on as 'feminine': 'I'm coming out of a long period of reckoning with lifelong maternal emotional abuse and then chronic illness. I find it deeply encouraging [to realise] that I was in the darkness with so many brilliant poets.' In the few months of its existence, Aftershock has made an impact – with sales over £3,000, and 360,000 views on Instagram. A giant billboard on Manchester's Deansgate is seen by thousands daily, and much more is planned for the Aftershock universe: further issues, poetry pamphlets, outreach, events. Perhaps what's so exciting is that it has tapped into the huge energy and enthusiasm for poetry felt by young writers and readers, who recognise it can be a comfort and release. 'Aftershock has given me everything,' Wallis says. 'It's proof that you can take an awful few years and make them into potentially the most astonishing year. Having not wanted to live at all … what it is to choose life over and over again. It's incredible.' The Aftershock Review issue one (£12.99) is available from In the UK and Ireland, Samaritans can be contacted on freephone 116 123, or email jo@ or jo@ In the US, you can call or text the National Suicide Prevention Lifeline on 988, chat on or text HOME to 741741 to connect with a crisis counsellor. In Australia, the crisis support service Lifeline is 13 11 14. Other international helplines can be found at


BBC News
an hour ago
- BBC News
Lionesses to hold victory parade after historic Euro 2025 win
The England women's football team will take part in an open-top bus parade in central London on Tuesday after their Euro 2025 victory over Spain.A procession along The Mall will begin at 12:10 before a ceremony at the Queen Victoria Memorial in front of Buckingham will be able to attend the event for free and the celebrations will be broadcast live across the BBC, ITV and Monday, the Lionesses were greeted by jubilant crowds as they landed back in the UK, before attending a reception at Downing Street hosted by Deputy Prime Minister Angela Rayner. The ceremony at the Queen Victoria Memorial will be hosted by former England star Alex Secretary Lisa Nandy said the Lionesses' homecoming parade would be a chance for fans to "cheer these heroes home" after the team had "done our country proud".Hundreds of fans holding flags and dressed in England kits waited outside Southend Airport on Monday to catch a glimpse of the triumphant defended their European title with a 3-1 penalty shootout victory in the Euro 2025 final in Basel on Kelly scored the winning spot-kick following two saves from goalkeeper Hannah Hampton, helping the squad become the first English team to win a major tournament on foreign home, more than 16 million people saw the match live on TV - the most-watched television moment of the year so far."The Lionesses have brought it home again," Rayner said during the No 10 event. "And what a fantastic feeling that is. Champions of Europe again."England manager Sarina Wiegman also gave a short speech - joking that being at Downing Street was "different from standing next to a pitch". Prime Minister Sir Keir Starmer, who was in Scotland on Monday meeting US President Donald Trump, held a video call with Wiegman and some of the England squad during the reception."It's lovely here," the England coach could be heard telling Sir Keir during the five-minute call, as she thanked him for supporting the team during the event came hours before ministers announced plans to double the amount of time women's and girls' football teams get allocated at government-funded sports government previously pledged to spend £900m on major UK sporting events and grassroots facilities - including £400m for new and upgraded sports facilities over the next four say a new taskforce will bring together leaders from across sport and academia with the aim of replicating the progress made in women's football in other on Monday, King Charles III paid tribute to the Lionesses, saying they had the Royal Family's "warmest appreciation and admiration". It is understood plans for a reception in the autumn at Buckingham Palace or Windsor Castle are being explored by about calls for the team to be recognised with honours, the prime minister's spokesman stressed there was an independent process for he added: "I hope we'll see lots of nominations for this incredible winning team."Downing Street dismissed calls for an extra bank holiday following the victory, with the spokesman saying: "If we had a bank holiday every time the Lionesses win we'd never go to work."Royal Mail has, however, announced plans to mark England's win with a special postmark, which will be applied to stamped mail across the UK from Monday to reads: "It's Home. Again. Champions of Europe 2025. England Women's Football Squad."