logo
Salmon Holes rescue: Beach closed as police divers resume search for man who slipped off rocks into the ocean

Salmon Holes rescue: Beach closed as police divers resume search for man who slipped off rocks into the ocean

West Australian28-04-2025
Salmon Holes beach was closed on Monday as authorities resumed their search for a man who slipped off rocks into the sea on Friday.
Albany police officer-in-charge Sen. Sgt Carlos Correia said rescuers had not given up hope.
'The search is continuing to locate the missing person,' he said.
'The family is aware.
'They saw the person leave the rocks and disappear, so we are making all efforts to try and find him.
'There may come a time when we cannot do anything further, but that time is not yet.'
Emergency services were called to the rescue at 1.35pm on Friday with crews from Albany SES, Albany Career Fire and Rescue Services, Albany Volunteer Fire and Rescue Service, and St John WA attending.
Two boats from Albany Sea Rescue along with police divers, drones and other surveillance equipment were used in the search over Friday, Saturday and Monday.
Though the beach reopened on Sunday, it was closed again on Monday to allow divers to work without distraction from the public, Sen. Sgt Correia said.
He said he was not sure when the beach would reopen.
Witness Esmatullah Akbari, on holiday with his family from Perth, said he saw someone who had been fishing slip off the rocks into the water.
The beach is a popular fishing spot near Albany and notoriously dangerous. A 29-year-old woman was swept out to sea while fishing on the rocks in March last year with a bystander swimming to her rescue.
Experienced fisherman Paul Smetham, of Little Grove, said it was time the rocks were made off limits during the Easter holidays.
'People should not be allowed on the rocks during the Easter break,' he said.
'It doesn't take much of a wave to sweep you off your feet.
'They shouldn't be called the Salmon Holes, they should be called the 'drowning holes'.
'That might put people off coming there.
'Even if people have life jackets, it's not enough.
'They give you a false sense of security and a lot of visitors have no experience of them.
'There is a major rip and the rocks have razor sharp barnacles and shells.'
Signs along Frenchman Bay Road exhort holiday-makers to 'fish safely, fish from the beach'.
It was the second time in a week that emergency services were called to Torndirrup National Park after a female hiker fell down a ravine at Stony Hill on Easter Monday.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

What to stream this week: Richard Roxburgh as Joh and five more to watch
What to stream this week: Richard Roxburgh as Joh and five more to watch

The Age

time03-07-2025

  • The Age

What to stream this week: Richard Roxburgh as Joh and five more to watch

This week's picks include a sun-soaked Spanish crime drama, a documentary about former Queensland premier Joh Bjelke-Peterson, a potential Yellowstone successor and silly action thriller Heads of State. When No One Sees Us ★★★★ (Max) 'We're in Easter: pain, passion, expiation of sins,' notes a laconic medical examiner early in this compelling Spanish crime drama, and he's not wrong. Inner turmoil and the public acts that can't quite remedy them are essential to this lean eight-part series. Avoiding the icy realms of Scandi-noir, this is a sun-soaked procedural where guilt and responsibility play as two sides to the same coin. The show has an understated calm: even as the crimes accumulate, life goes on for better and worse. The plot engineered by creator Daniel Corpas fuses two different realms. The first is the town of Moron, where the community is gearing up for a headline week of religious celebrations that has police detective Sargeant Lucia Gutierrez (Maribel Verdu) in her ceremonial uniform even as a teenage boy goes missing. The second is the vast nearby United States Air Force base, a transplanted America where an IT specialist with security clearance is AWOL, necessitating the deployment of investigator Lieutenant Magaly Castillo (Mariela Garriga). Both women are to the point and inclined to put work above all else, including, in Lucia's case, a rebellious daughter and ailing mother-in-law. But even as they liaise, each retains a formality that emphasises how their professionalism anchors them. When No One Sees Us is a particularly observant show, and that starts with how Magaly and Lucia prepare, the way they finesse their uniform and crease their hair. They don't become partners, bonding with confessions. They're weighing each other up. Without rushing, much happens as the authorities search for links between the two disappearances. You get a sense of the systems that underpin Moron and the air base, and how they might be corrupted, plus the pressing weight of faith's burden. Images of religious ecstasy, whether divine or drug-induced, punctuate the narrative, and the Catholic imagery that adorns the town feels like a backbeat to the many sins characters bear like their own crosses. As with Netflix's outstanding recent mystery Dept. Q, little here is radical in outline. But this genre piece's detail and specificity – whether geographic, logistical, or familial – is immersive without becoming overwrought. A pair of Lucia's mismatched subordinates investigating the drug overdoses become a dry comic duo. You watch When No One Sees Us not just for motives, but to learn more about these disparate lives. Note how locals practice carrying an ornate ceremonial float, dozens of people in the dark underneath slowly shuffling forward. It's the striking encapsulation of this show: small steps made in shared hope. Joh: Last King of Queensland ★★★★ (Stan) The impact of Joh Bjelke-Peterson, the power-wielding premier of Queensland from 1968 to 1987, cannot be underestimated. A prototype populist who promoted sunshine state exceptionalism, Bjelke-Peterson was a farmer's son who became a cunning politician and stood atop a state ultimately revealed to be rife with corruption. It's easy to describe him as a one-off, but his beliefs endure and his playbook has been streamlined for 21st century use. Brisbane-born filmmaker Kriv Stenders combines his eye for the dramatic (Red Dog, The Correspondent) and documentary (The Go-Betweens: Right Here) in this thorough examination of Bjelke-Peterson's rule. Richard Roxburgh captures Bjelke-Peterson's essence in a series of 'dramatised' soliloquies, offering a can-do philosophy from the back blocks and dismissing historic criticisms. It's an illuminating accompaniment to the narrative, as if the archival voice is happily reclaiming prominence. Bjelke-Peterson was a satirist's delight, but Last King of Queensland always casts a sombre eye. Loading In collaboration with writer Matthew Condon, Stenders calls on various sources: historians and Bjelke-Peterson's children, former colleagues and Queenslanders brutalised by an unregulated police force because they believed in their right to demonstrate in public. There is no definitive description of Bjelke-Peterson's, but the many perspectives have a cumulative weight. Hubris and investigative journalism brought him down, finally overcoming a gerrymandered electoral system, but hindsight shows that Bjelke-Peterson's's brazen failings shouldn't be forgotten. The Waterfront ★★★ (Netflix) There's been no shortage of hopeful Yellowstone successors recently, but this drama about a fractured clan trying to keep their North Carolina commercial fishing empire afloat may be the best of a bad bunch. Dawson's Creek and Scream creator Kevin Williamson lays out lashings of plot, with every character in conflict with several others, starting with patriarch Harlan Buckley (Holt McCallany) and his just-rehabbed daughter Bree (Melissa Benoist). Neither the escalations nor resolutions are particularly striking, but on this waterfront the churning complications get by via never relenting. Loading Heads of State ★★½ (Amazon Prime Video) Just three months after Viola Davis played the US president in the Die Hard at a global summit action-thriller G20, this goofy action-comedy rejigs the leadership formula with Jon Cena as a Hollywood movie star turned US president who gets into a world of trouble with the British prime minister (Idris Elba) after Air Force One is shot down with both on board. The two bicker and blow away bad guys in a formulaic take from Nobody director Ilya Naishuller that has only a hint of the gonzo energy it requires to transcend its limitations. Ironheart ★★ ★ (Disney+) This is the 14th and latest television show in the Marvel Cinematic Universe, and thankfully it makes a more lasting impact than most of its lacklustre predecessors. Introduced in the margins of 2022's Black Panther: Wakanda Forever, science prodigy and inventor Riri Williams (Dominique Thorne) returns home to Chicago with a barely functional armoured suit, disregard for official channels, and some flashback-friendly trauma. At just six episodes, this is a small-scale Marvel venture, leaning towards an adolescent audience, that's not tied to previous stories but does possess a fair measure of galvanising energy. Loading Watchmen ★ ★ ★½ (Paramount+) Published nearly 40 years ago, Alan Moore and Dave Gibbons' graphic novel may well be the Citizen Kane of comic books. It's complex, bittersweet weave of historic vigilantes and alternate history conspiracies was too big for Zach Snyder's 2009 live action movie, but this two-part animated adaptation manages to encompass a little more of the storytelling and the underlying sense of tragic wonder. The voice work from Matthew Rhys (Night Owl) and Titus Welliver (Rorschach) is supple and sympathetic, while the visual palette is true to Gibbons' original panels.

What to stream this week: Richard Roxburgh as Joh and five more to watch
What to stream this week: Richard Roxburgh as Joh and five more to watch

Sydney Morning Herald

time03-07-2025

  • Sydney Morning Herald

What to stream this week: Richard Roxburgh as Joh and five more to watch

This week's picks include a sun-soaked Spanish crime drama, a documentary about former Queensland premier Joh Bjelke-Peterson, a potential Yellowstone successor and silly action thriller Heads of State. When No One Sees Us ★★★★ (Max) 'We're in Easter: pain, passion, expiation of sins,' notes a laconic medical examiner early in this compelling Spanish crime drama, and he's not wrong. Inner turmoil and the public acts that can't quite remedy them are essential to this lean eight-part series. Avoiding the icy realms of Scandi-noir, this is a sun-soaked procedural where guilt and responsibility play as two sides to the same coin. The show has an understated calm: even as the crimes accumulate, life goes on for better and worse. The plot engineered by creator Daniel Corpas fuses two different realms. The first is the town of Moron, where the community is gearing up for a headline week of religious celebrations that has police detective Sargeant Lucia Gutierrez (Maribel Verdu) in her ceremonial uniform even as a teenage boy goes missing. The second is the vast nearby United States Air Force base, a transplanted America where an IT specialist with security clearance is AWOL, necessitating the deployment of investigator Lieutenant Magaly Castillo (Mariela Garriga). Both women are to the point and inclined to put work above all else, including, in Lucia's case, a rebellious daughter and ailing mother-in-law. But even as they liaise, each retains a formality that emphasises how their professionalism anchors them. When No One Sees Us is a particularly observant show, and that starts with how Magaly and Lucia prepare, the way they finesse their uniform and crease their hair. They don't become partners, bonding with confessions. They're weighing each other up. Without rushing, much happens as the authorities search for links between the two disappearances. You get a sense of the systems that underpin Moron and the air base, and how they might be corrupted, plus the pressing weight of faith's burden. Images of religious ecstasy, whether divine or drug-induced, punctuate the narrative, and the Catholic imagery that adorns the town feels like a backbeat to the many sins characters bear like their own crosses. As with Netflix's outstanding recent mystery Dept. Q, little here is radical in outline. But this genre piece's detail and specificity – whether geographic, logistical, or familial – is immersive without becoming overwrought. A pair of Lucia's mismatched subordinates investigating the drug overdoses become a dry comic duo. You watch When No One Sees Us not just for motives, but to learn more about these disparate lives. Note how locals practice carrying an ornate ceremonial float, dozens of people in the dark underneath slowly shuffling forward. It's the striking encapsulation of this show: small steps made in shared hope. Joh: Last King of Queensland ★★★★ (Stan) The impact of Joh Bjelke-Peterson, the power-wielding premier of Queensland from 1968 to 1987, cannot be underestimated. A prototype populist who promoted sunshine state exceptionalism, Bjelke-Peterson was a farmer's son who became a cunning politician and stood atop a state ultimately revealed to be rife with corruption. It's easy to describe him as a one-off, but his beliefs endure and his playbook has been streamlined for 21st century use. Brisbane-born filmmaker Kriv Stenders combines his eye for the dramatic (Red Dog, The Correspondent) and documentary (The Go-Betweens: Right Here) in this thorough examination of Bjelke-Peterson's rule. Richard Roxburgh captures Bjelke-Peterson's essence in a series of 'dramatised' soliloquies, offering a can-do philosophy from the back blocks and dismissing historic criticisms. It's an illuminating accompaniment to the narrative, as if the archival voice is happily reclaiming prominence. Bjelke-Peterson was a satirist's delight, but Last King of Queensland always casts a sombre eye. Loading In collaboration with writer Matthew Condon, Stenders calls on various sources: historians and Bjelke-Peterson's children, former colleagues and Queenslanders brutalised by an unregulated police force because they believed in their right to demonstrate in public. There is no definitive description of Bjelke-Peterson's, but the many perspectives have a cumulative weight. Hubris and investigative journalism brought him down, finally overcoming a gerrymandered electoral system, but hindsight shows that Bjelke-Peterson's's brazen failings shouldn't be forgotten. The Waterfront ★★★ (Netflix) There's been no shortage of hopeful Yellowstone successors recently, but this drama about a fractured clan trying to keep their North Carolina commercial fishing empire afloat may be the best of a bad bunch. Dawson's Creek and Scream creator Kevin Williamson lays out lashings of plot, with every character in conflict with several others, starting with patriarch Harlan Buckley (Holt McCallany) and his just-rehabbed daughter Bree (Melissa Benoist). Neither the escalations nor resolutions are particularly striking, but on this waterfront the churning complications get by via never relenting. Loading Heads of State ★★½ (Amazon Prime Video) Just three months after Viola Davis played the US president in the Die Hard at a global summit action-thriller G20, this goofy action-comedy rejigs the leadership formula with Jon Cena as a Hollywood movie star turned US president who gets into a world of trouble with the British prime minister (Idris Elba) after Air Force One is shot down with both on board. The two bicker and blow away bad guys in a formulaic take from Nobody director Ilya Naishuller that has only a hint of the gonzo energy it requires to transcend its limitations. Ironheart ★★ ★ (Disney+) This is the 14th and latest television show in the Marvel Cinematic Universe, and thankfully it makes a more lasting impact than most of its lacklustre predecessors. Introduced in the margins of 2022's Black Panther: Wakanda Forever, science prodigy and inventor Riri Williams (Dominique Thorne) returns home to Chicago with a barely functional armoured suit, disregard for official channels, and some flashback-friendly trauma. At just six episodes, this is a small-scale Marvel venture, leaning towards an adolescent audience, that's not tied to previous stories but does possess a fair measure of galvanising energy. Loading Watchmen ★ ★ ★½ (Paramount+) Published nearly 40 years ago, Alan Moore and Dave Gibbons' graphic novel may well be the Citizen Kane of comic books. It's complex, bittersweet weave of historic vigilantes and alternate history conspiracies was too big for Zach Snyder's 2009 live action movie, but this two-part animated adaptation manages to encompass a little more of the storytelling and the underlying sense of tragic wonder. The voice work from Matthew Rhys (Night Owl) and Titus Welliver (Rorschach) is supple and sympathetic, while the visual palette is true to Gibbons' original panels.

Ben Roberts-Smith's last-ditch bid to overturn war crimes decision
Ben Roberts-Smith's last-ditch bid to overturn war crimes decision

The Age

time16-06-2025

  • The Age

Ben Roberts-Smith's last-ditch bid to overturn war crimes decision

Australia's most decorated living soldier has launched a last-ditch bid to overturn damning findings that he committed war crimes while on deployment in Afghanistan. Former Special Air Service corporal Ben Roberts-Smith filed an application on Monday for special leave to appeal in the High Court after losing a court challenge to a Federal Court defamation decision that concluded he was complicit in the murder of four Afghan prisoners. Roberts-Smith has been locked in the defamation fight with The Age and The Sydney Morning Herald for eight years. In 2023, then-Federal Court justice Anthony Besanko dismissed his defamation case against the mastheads after he found to the civil standard – on the balance of probabilities – that Roberts-Smith was involved in the four murders between 2009 and 2012. The Full Court of the Federal Court upheld Besanko's decision on May 16. Federal Court Justices Nye Perram, Anna Katzmann and Geoffrey Kennett found the evidence was sufficiently cogent to support Besanko's findings that Roberts-Smith murdered four Afghan men, contrary to the rules of engagement that bound the SAS. 'The problem for [Roberts-Smith] is that, unlike most homicides, there were three eyewitnesses to this murder.' Full Court of the Federal Court At the centre of the case was an allegation that Roberts-Smith machine-gunned a man with a prosthetic leg outside a compound dubbed Whiskey 108 during a mission on Easter Sunday, 2009. 'The problem for [Roberts-Smith] is that, unlike most homicides, there were three eyewitnesses to this murder,' the court said.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store