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Columbus-born author R.L. Stine talks 'Goosebumps,' Netflix films, more

Columbus-born author R.L. Stine talks 'Goosebumps,' Netflix films, more

Yahoo19-05-2025
Despite his ability to raise your neck hairs and induce nightmares, R.L. Stine is not a scary guy.
In fact, the Columbus-born author who made "Goosebumps" a household name in the 1990s never aspired to become a master of horror.
"I never planned to write scary books. I was always funny rather than scary," Stine said during a recent chat with The Dispatch.
Stine's childhood goal was to be a cartoonist. Unfortunately, reviews of his work by his buddies were less than stellar.
"My friends said, 'Bob, your drawings suck,'" he recalled.
Instead, the author said he "became the 9-year-old weird kid in my room typing my stories."
If Stine's zany sense of humor is a surprise, you probably never encountered the work of Jovial Bob Stine at a Scholastic book fair as a kid.
Under that moniker, he created and wrote for Bananas magazine, the wackier, teen-targeted cousin of MAD magazine. Bananas was spawned from the powerhouse Scholastic children's magazine Dynamite, for which Stine also had written.
A conversation with Jean Feiwel, then editorial director at Scholastic, steered Stine away from the hilarious to the horrifying.
"She was angry at a guy who wrote teen horror and said she was never working with him again. She said to me, 'You could write good horror. Write a teen horror novel called 'Blind Date,'" Stine recalled.
The 81-year-old author said he wasn't deterred by his unfamiliarity with the genre. "I never said no to anything, so I said, 'Yeah, sure,'" he said.
"I wrote 'Blind Date' and it came out a No. 1 bestseller. I'd never been on the list with my funny stuff before. I've been scary from then on."
That was 1987. Two years later, Stine launched "Fear Street," a successful series of teen slasher novels. Then, in 1991, his wife and editor, Jane Waldhorn, challenged him to write for even younger fans of terrifying tales.
Though an avid horror comic reader as a kid himself, Stine was reluctant. But thumbing through the TV Guide one day, he came across a word he thought would make a great series title: "goosebumps."
"Goosebumps" took off like a shot in 1992, really putting Stine's name on the literary map. At the series' peak of popularity, the writer was churning out a book every month for nearly five years.
"I was writing a 'Goosebumps' every month and 'Fear Street,' so I didn't get out much. I have no idea how I had the energy for that," Stine said.
"I'd been writing for 20 years and nobody really noticed. To have that incredible success was so exciting."
"Goosebumps" has sold more than 450 million copies in 35 languages, making it the second highest-selling children's book series in history, after the "Harry Potter" saga.
Aimed at a tween audience roughly 9 to 12 years old, the books have inspired films, TV shows, video games, toys and more. Even the Columbus Crew will be sporting neon-accented secondary uniforms honoring "Goosebumps."
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Stine has been a regular on bestsellers lists, not only for "Goosebumps," but other series including "Rotten School," "Mostly Ghostly," "The Nightmare Room," "Dangerous Girls" and "Fear Street."
Netflix released a trio of original movies in July 2021 based on the first three installments of "Fear Street." The high school horrorfest will continue with "Fear Street: Prom Queen," scheduled for release on May 23 of Netflix.
Stine said he feels flattered and grateful for the attention to his work, though he was surprised by the movies' R rating.
"I love having the movies made. It's a wonderful thing. I have to admit I was shocked because they're R-rated. Even my life isn't R-rated," he said.
"I was really shocked because they have heightened scares in the movies. 'Fear Street' is about teens and terror. Why do people like it so much?"
One would think a writer as prolific as Stine, who's penned more than 350 books, must have a meticulously detailed writing process and a vast database of stories in his brain. One would be mistaken.
"My main talent is thinking of titles. I always think of the title first. When I get a good title, that leads me to the story. I'm backward from most authors," he said.
An example is the book Stine just finished writing, "One Night at Camp Bigfoot," the sixth entry in the "Goosebumps: House of Shivers" series, due out in early March 2026.
Need your next read?: 15 new releases you can check out right now
While he didn't pursue that cartooning gig, Stine was nonetheless impacted by the comics he devoured as a boy.
"When I was a kid, there were great horror comics like 'Tales from the Crypt.' I loved them; they were very influential. They were these gruesome, horrible stories, often with funny endings," he said.
Other than comics, Stine said he wasn't much of a reader until a librarian introduced him to the writing of Ray Bradbury.
"It was so beautiful, so imaginative. His stories all had twist endings. It changed my life and turned me into a reader, thanks to her," he said.
Though his pace is less frenetic than these days, Stine is hardly out of the game. He still tours and the books keep coming, along with movies and TV shows.
Recent offerings include the March release of "Say My Name! Say My Name!" and a graphic novel, "The Graveyard Club: Fresh Blood," which came out in April.
In fact, before "One Night at Camp Bigfoot," another installment of the "House of Shivers" collection called "The Last Sleepover" is set to arrive on Aug. 5.
A reboot of "Goosebumps" was released on Disney+ and Hulu in 2023. Instead of the episodic format of the first series in the 1990s, the newer show's storylines change from season to season.
The series' second season, "Goosebumps: The Vanishing," premiered in January and stars David Schwimmer.
Reflecting on his career trajectory, Stine is appreciative, if still a bit in awe, of the love readers have expressed for him and his books. When asked to describe his life, he summed it up in one succinct word:
"Lucky."
Entertainment and Things to Do reporter Belinda M. Paschal can be reached at bpaschal@dispatch.com.
This article originally appeared on The Columbus Dispatch: R.L. Stine on 'Goosebumps,' Netflix films and growing up in Columbus
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31 "Beloved" Celebs People Think Are Actually Terrible
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31 "Beloved" Celebs People Think Are Actually Terrible

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Definitely not something a nice guy would do!" —quizzydog27 [Editor's note: You can read more about the plane assault allegations here, but Jolie did eventually drop the lawsuit. Pitt has denied there was any physical violence.]Pitt also dated Juliette Lewis when she was 17, and he was a decade by re89245 "I've disliked Jimmy Fallon since his SNL days when it felt like he'd break character in a sketch to get a bigger laugh. Ruffling Donald Trump's hair during his interview pretty much turned me off of him for good." —rachelc43 "Far worse is Jimmy Kimmel — he 'pranks' his family on his show, but they all seem to really hate it. I had to stop watching him during the Trump presidency because all he could do on his show was make 'fat jokes.' Trump does a million wild things; stop making the same cringey and offensive jokes from the early '90s! 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Pope Leo Receives a Chicago-Style Surprise
Pope Leo Receives a Chicago-Style Surprise

Eater

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Pope Leo Receives a Chicago-Style Surprise

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On a spirited Saturday, the Newport Jazz Festival defies labels
On a spirited Saturday, the Newport Jazz Festival defies labels

Boston Globe

time2 days ago

  • Boston Globe

On a spirited Saturday, the Newport Jazz Festival defies labels

Other sets, too, fell squarely inside the jazz firmament. Trumpeter Terence Blanchard (whom McBride called a 'big brother') led his band through an atmospheric set on the Quad Stage inside the Fort Adams walls, drawing on his long track record as a composer for film and television. The young British saxophonist Nubya Garcia brought her big, Sonny Rollins-inspired tone and songs from her second album, 'Odyssey,' to the main stage. And the wonderfully inventive drummer Marcus Gilmore led a band in tribute to his late grandfather, the Boston-born Advertisement That ad-hoc band featured a quartet of ringers, led by alto saxophonist Kenny Garrett and supported by two Berklee College of Music faculty members, the pianist Danilo Pérez and bassist John Patitucci. Advertisement Pianist Danilo Pérez, bassist John Patitucci, alto saxophonist Kenny Garrett, and drummer Marcus Gilmore perform a tribute to Roy Haynes on Saturday at the Newport Jazz Festival. Rich Fury/Courtesy of the Newport Jazz Festival But the congenial crowd also heard plenty of sounds that stretched the boundaries of 'traditional' jazz. There was experimental chill-out music, Quiet Storm-style neo-soul, a banging DJ set from a descendant of jazz royalty, and a 75-minute finale from headliner Janelle Monáe that was heavy on the funk. Perhaps the most welcome surprise came from the Fleck, Castañeda, Sánchez Trio, which combined the virtuosic banjo playing of the restless bluegrass mainstay Béla Fleck with the superb drummer Antonio Sánchez, and the Colombian harpist Edmar Castañeda. Castañeda was a revelation. Attacking his instrument with flair and aggression, he's surely been called 'the Jimi Hendrix of the harp' elsewhere. The group call themselves the BEATrio, Sánchez explained, after their respective first-name initials. McBride and Newport Festivals Foundation executive director Jay Sweet have taken plenty of steps to acknowledge the listening habits of the younger cohort of their Newport fan base. Some in attendance seemed eager to see the mononymous Willow, the daughter of Will Smith and Jada Pinkett Smith. Anchoring the last set on the Quad Stage, she and her ferocious, mostly women band tapped into '90s nostalgia and the singer's vocal range and dexterity on her latest tracks, including 'home' (co-written with Jon Batiste) and 'symptom of life.' Willow performs on Saturday at the Newport Jazz Festival. Rich Fury/Courtesy of the Newport Jazz Festiva Wearing headphones, the young British rap/R&B singer Samm Henshaw acknowledged that he hadn't performed live in a while. 'So you're all very scary to me right now,' he joked before teeing up some new songs with the crowd-pleasing 'How Does It Feel?,' his 2018 breakthrough. Other relative newcomers included KNOWER, an experimental mashup led by a punky frontwoman (Genevieve Artadi) and a drummer (Louis Cole) who drives the band from drum-and-bass to prog metal, and Rich Ruth, the full-band project of Nashvillean multi-instrumentalist Michael Ruth. Their unusual blend, including xylophone, violin, and baritone sax, resulted in an impressionistic, spacey-slash-spiritual sound that hit a sweet spot around midday. Advertisement The jazz royalty previously mentioned was Flying Lotus, the alter ego of DJ-producer Steven Ellison, who is the grandnephew of Alice Coltrane. FlyLo, as he's known, alternated between deafening video-game glitchery and rump-shaking classics (P-Funk, Kool & the Gang, an isolated guitar rhythm that sounded like KC and the Sunshine Band) at the Fort Stage. 'I don't know if you can tell,' he boomed from atop his perch. 'I'm trying to get you all to dance.' Flying Lotus, the grandnephew of Alice Coltrane, appears at the Fort Stage of the Newport Jazz Festival on Saturday. Rich Fury/Courtesy of the Newport JAzz It worked for him. Monáe, in the day's final slot on the main stage, had to work hard to keep the crowd from streaming toward the lines for the buses and water ferries. Fronting a dapper big band, she leaned into her defiant persona (on recent tracks 'Float' and 'Champagne [expletive]') before shouting out musical greats, from Prince, Nina Simone, and Miles Davis, to Sister Rosetta Tharpe. Bits of reggae, electronica, and James Brown surfaced in her music before an inevitable encore of 'Tightrope,' her biggest hit. Fitting for the setting, she wrapped up with 'Come Alive (War of the Roses),' a song that borrows from the Cab Calloway, call-and-response era of big band jazz. 'Categorize me, I defy every label,' she'd rapped earlier in the set, on 'Q.U.E.E.N.' They could have used that as the day's tagline. NEWPORT JAZZ FESTIVAL At Fort Adams State Park, Newport, R.I., Saturday James Sullivan can be reached at .

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