Very Parivarik Season 2 Teaser OUT: TVF's Family Drama Returns, Trailer Drops On THIS Date
A continuation of the quirky tale of a couple—an IT professional husband and a film industry wife—Very Parivarik Season 1 became a breakout hit in 2024 for its fresh, slice-of-life portrayal of everyday Indian family dynamics, especially after both sets of in-laws entered the scene.
Season 2 promises even more laughter and heart, with the teaser offering glimpses of sharp writing, unexpected twists, and the generational tug-of-war that made the show a hit. With TVF's strong track record—thanks to shows like Panchayat, Gullak, and Kota Factory—expectations are high for this next chapter in its growing legacy of heartfelt, homegrown content.
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Hindustan Times
4 minutes ago
- Hindustan Times
Missing from the frame: Bollywood's female icons
Noticed how Bollywood's leading men are getting the full docu-series treatment lately? The Romantics went back to the chiffon-wrapped dreamscape of Yash Chopra's cinema. The Roshans traced the legacy of a family that shaped both melody and muscle in Hindi films. And Angry Young Men, a series about Salim-Javed, debuted to over 2.3 million views on Prime Video in its first week, becoming the platform's top non-fiction show. Several male stars have gotten the docu-series treatment. Why not Madhuri Dixit Nene or Sridevi? (INSTAGRAM/@MADHURIDIXITNENE) Now, guess how many views the show about Padma Vibhushan Vyjayanthimala Bali garnered? None, because it doesn't exist. You know what else doesn't exist? A deep dive into Rekha's decades of reinvention, a tribute to Waheeda Rehman's or Asha Parekh's craft, a rewind of Silk Smitha's magnetism, a chronicle of Sridevi's eras, or even a global lens on Priyanka Chopra Jonas. Despite more than a century of Indian cinema, no one's telling the women's side of the stories. Film journalist Bhawana Somaaya, 69, has been tracking Indian cinema for almost half a century, and has written 20 books on the subject (including books on the Bachchans and a biography of Hema Malini). She knows there's a bonanza in waiting for anyone who wants to put women's stories on screen. It's the streaming networks that don't seem to be interested. 'Netflix and Amazon Prime are the ones making the documentaries,' she says. 'They think focusing on female power won't work.' Biopics centred on a woman tend to be underfunded. But The Romantics had 35 industry heavyweights. Most decision makers believe that audiences want young faces, recycled plots, the comfort of endless sequels and stories about successful men, Somaaya says. 'The audience is ready to embrace something new.' And done right, a documentary about Parveen Babi's inner world or Helen's impact on today's item numbers can offer new insights into an industry desperately seeking to reinvent itself. The other hitch: Decision-makers in writers' rooms and production houses tend to be under 40. 'Nobody wants to hire anyone over 50. That's a loss of wisdom, perspective and objectivity.' Even if an idea slips past, a biopic centred on a woman tends to be underfunded. Gunjan Saxena: The Kargil Girl, Mary Kom and Shabaash Mithu struggled to get made. Meanwhile, 35 industry heavyweights featured in The Romantics. Angry Young Men was championed by Salim-Javed's children. The Roshans used their series to give their own brands a future. Somaaya says that women tend not to show similar ambitions. 'Hema Malini also has daughters. They don't have the time to push this,' she points out. We would love a global lens on Priyanka Chopra Jonas or a deep dive into Rekha's decades of reinvention. (SHUTTERSTOCK) It means that the stories we don't tell now, are the stories that the public won't remember years from now. Ashwiny Iyer Tiwari, 45, writer-director of Nil Battey Sannata and Panga, says women are still largely invisible in the filmmaking machinery, as they are in other spheres of life. 'Even when a woman cooks a great meal, she'll say that her husband or family liked it, so it must be good. Not that she made something great.' She recalls how, when her first film, Nil Battey Sannata, came out, people assumed her husband Nitesh Tiwari had directed it. He was livid and had to clarify he wasn't even on set. 'For me too, it took time to say 'Yes, I did this. I'm hardworking and good at what I do'.' That silence shapes how women see their own work and how the world sees theirs. Iyer Tiwari won the Filmfare Award for Best Director for the romantic comedy-drama Bareilly Ki Barfi in 2017. She's directing a film about the love story of Narayana and Sudha Murthy. But she routinely gets introduced as, 'Nitesh Tiwari's wife.' No wonder we're not making documentaries about women, we're not noticing their accomplishments in the first place. From HT Brunch, July 26, 2025 Follow us on
Time of India
4 minutes ago
- Time of India
Hari Hara Veera Mallu box office collection day 1: Telugu epic earns Rs 44.2 cr, becomes Pawan Kalyan's best opener with a twist
Hari Hara Veera Mallu box office collection day 1: Pawan Kalyan's Hari Hara Veera Mallu, which hit the screens on July 24, has opened to a good response at the Indian box office. The Telugu period action drama, however, has received mixed reviews from critics. This is the mass hero's forest release after Bro (2023) Hari Hara Veera Mallu soars on day 1 Hari Hara Veera Mallu has set the box office on fire and served as a strong reminder of Pawan Kalyan's star power. According to Sacnilk, a trade website, the biggie earned Rs 31.5 crore (nett) on the first day It had earlier earned Rs 12.7 crore through premieres. This takes its total collection to Rs 44.2 crore and effectively makes it PK's best opener. On the day of its release, Hari Hara Veera Mallu had an overall occupancy of 57.39% in Telugu. The morning shows saw an occupancy of 63.52%. The afternoon shows recorded an occupancy of 45.89%. The night shows, meanwhile, witnessed an occupancy of 62%. Hari Hara Veera Mallu recorded its best occupancy in Vijayawada (77%). However, it found relatively less patronage in Chennai (34.5%) and the National Capital region (29.25%). The Hindi (12.43%), Kannada (~10%) and Tamil (8.24%) versions stayed dull on July 24. Pawan Kalyan's best openers Hari Hara Veera Mallu - ₹44.2 crore Vakeel Saab - ₹40.10 crore Bheemla Nayak - ₹37.15 crore Bro - ₹30.5 crore Hari Hara Veera Mallu: How's the word-of-mouth? Hari Hara Veera Mallu has received mixed reviews with critics lauding the performances but panning the execution. Sumit Kadel, a trade analyst and critic, said that the second half was a downer. 'Pawan Kalyan's charisma and electrifying screen presence are the soul of the film – he completely owns every frame. Action scenes are well executed, though the VFX post-interval and screenplay should've been better,' read his post. It remains to be seen if the mixed response affects the film once the initial buzz fades. Moreover, Hari Hara Veera Mallu has been leaked online. This may affect its box office prospects. Hari Hara Veera Mallu plot and cast Hari Hara Veera Mallu is an epic action drama directed by Krish and Jyothi Krishna. Made on a budget of Rs 250 crore, the pan-India flick highlights the bravery of a legendary outlaw as he tries to win back the Koh-I-Noor from the Mughals. The fictional tale features Pawan Kalyan, Bobby Deol, Nidhi Agerwal, and Nora Fatehi in the lead. This is Bobby's second Telugu flick after the Balakrishna-led Daaku Maharaaj. MM Keeravani, best known for his work on Baahubali and RRR, is the music director of Hari Hara Veera Mallu.
News18
30 minutes ago
- News18
Rajinikanth Is Writing His Autobiography, Coolie Director Makes Big Revelation
Last Updated: Rajinikanth is in the process of writing his autobiography and had been writing everyday during the last two schedules of Coolie. Director Lokesh Kanakaraj, whose much-awaited action entertainer 'Coolie' features Superstar Rajinikanth in the lead, has now disclosed in an interview that Rajinikanth is in the process of writing his autobiography and that he had been writing everyday during the last two schedules of ' Coolie '. In a video interview with a media publication, the ace director said, '.. in the last two schedules, sir was busy with writing his autobiography. He used to write everyday." The director then went on to say, 'Everyday, I would ask him,'What episode are you in?' 'What phase are you in?". He (Rajinikanth) would then let me know that this is what happened in his 42nd year and that this is what happened at a later stage." Stating that the superstar shared with him details that he didn't share with anyone else, Lokesh said that the experience was one that would always remain close to his heart. 'So, it is like very close to my heart. What you take away is that experience that man has seen. One common factor that connects not just me but everybody else in our state to him is all the hurdles that he has overcome," Lokesh said. Meanwhile, Coolie has already made headlines by becoming the highest overseas procurement for a Tamil film to date. Rumours doing the rounds in the industry also suggest that director Lokesh Kanakaraj's much-awaited action entertainer may well reach audiences in over 100 countries around the world when the film hits screens on August 14 this year. Hamsini Entertainment, a key player in international film distribution, is backing the film's global distribution. Sources in the industry claim that with 'Coolie', Hamsini Entertainment is gearing up for their biggest release yet, targeting distribution in over a 100 countries, making it one of the most widespread international releases for an Indian film. Apart from Rajinikanth, the film also stars stalwarts from the Indian film industry like Nagarjuna, Sathyaraj, Aamir Khan, Upendra, Soubin Shahir and Shruti Haasan. Anirudh has composed the music for the film, marking his fourth consecutive film with director Lokesh Kanagaraj. Cinematography for the film is by Girish Gangadharan and editing is by Philomin Raj. The film is keenly awaited as it will feature actors Sathyaraj and Rajinikanth together after almost 38 years. The two were last seen together in the superhit Tamil film 'Mr Bharath', which was released in 1986 and in which Sathyaraj played Rajinikanth's father. Interestingly, Sathyaraj had turned down offers to act in some of Rajinikanth's earlier films like 'Enthiran' and 'Sivaji'. 'Coolie', which is Rajinikanth's 171st film, will revolve around gold smuggling. Interestingly, director Lokesh Kanakaraj has disclosed that 'Coolie' will be a standalone film and not a part of his Lokesh Cinematic Universe (LCU). First Published: July 25, 2025, 08:53 IST Disclaimer: Comments reflect users' views, not News18's. Please keep discussions respectful and constructive. Abusive, defamatory, or illegal comments will be removed. News18 may disable any comment at its discretion. By posting, you agree to our Terms of Use and Privacy Policy.
